Welcome back to Reel Women, a monthly feature where we highlight the films being released in the UK that are written and/or directed by women. We are now official in the second half of the year (what?! how?!) and there’s still a lot of films made by women to see over the next six months. In July there’s dramas, comedies and more documentaries than you can shake a stick at in the latter half of the month!
Directed by Haifaa Al-Mansour
Written by Emma Jensen and Haifaa Al-Mansour
The story of the love affair between Percy Shelley (Douglas Booth) and Mary Wollstonecraft Godwin (Elle Fanning) and how Mary came to write Frankenstein.
With Wadjda, Haifaa Al-Mansour was the first woman from Saudi Arabia to direct a feature film in Saudi Arabia. Wadjda was nominated for a BAFTA and was widely praised. This is Emma Jensen’s first produced feature screenplay.
The More You Ignore Me
Directed by Keith English
Written by Jo Brand
Teenage Alice (Ella Hunt) lives with her hippy-like dad (Mark Addy) and her mum (Sheridan Smith) who suffers from mental health issues. When her mum is admitted to a local psychiatric hospital, Alice is left with her love f The Smiths as she tries to navigate teenage life without her mum.
Jo Brand is a British comedian, writer and actress. She’s previously written episodes of the TV shows ‘Damned’ and ‘Getting On’ amongst others. This is Brand’s first feature film screenplay, and she adapted it from her own novel of the same name.
Directed by Anthony Byrne
Written by Anthony Byrne and Natalie Dormer
When a bind musician (Natalie Dormer) hears a murder committed in the apartment above her own, she takes a dark path into London’s criminal underworld to find out the truth.
Natalie Dormer is an actress best known for her roles in ‘Game of Thrones’ and ‘The Hunger Games’ films. ‘In Darkness’ is her first screenplay and the first film she’s produced.
Directed by Deborah Haywood
Written by Deborah Haywood
Super close mother and daughter, Lyn (Joanna Scanlan) and Iona (Lily Newmark) are looking forward to a life in a new town but things aren’t as easy as they thought and they both retreat into fantasies of their own making.
Deborah Haywood has previously written and directed five short films. Pin Cushion is a feature film debut and it was nominated for the Douglas Hickox Award at the British Independent Film Awards last year.
Directed by Carla Simón
Written by Carla Simón
After her mother dies, six-year-old Frida (Laia Artigas) is sent to the countryside to live with her uncle’s family but she finds it difficult to settle into her new life.
Carla Simón has previously written and directed a couple of short films. Summer 1993 is her first feature film.
The Butterfly Tree
Directed by Priscilla Cameron
Written by Priscilla Cameron
Ex-burlesque queen Evelyn (Melissa George) enchants both single dad Al and his teenage son Fin (Ed Oxenbould) with her thirst for life. But tensions rise between the father and son when they realise they are both competing for the affections of the same woman.
Priscilla Cameron has written and directed three short films and The Butterfly Tree was nominated for Best Original Screenplay in at the 2017 Australian Academy of Cinema and Television Arts Awards.
Directed by Lauren Greenfield
Written by Lauren Greenfield
A documentary investigating the pathologies that has created the riches society the world has ever seen.
Lauren Greenfield is a director, writer and producer who was nominated for a Primetime Emmy for her documentary Thin.
Directed by Amanda Sthers
Written by Amanda Sthers
When she realises their dinner party is for thirteen guests, Anne (Toni Collette) panics because it’s bad luck and enlists her maid Maria (Rossy de Palma) to pretend to be one of her rich guests. But sparks fly between Maria and art broker David (Michael Smiley) and this unexpected romance leads to Anne chasing the pair around Paris as she plots to ruin their happiness.
Madame is the second film Amanda Sthers has directed after previously writing films for TV.
One or Two Questions
Directed by Kristina Konrad
Written by Kristina Konrad
A documentary about Uruguay’s 1989 amnesty referendum, a vote to determine whether members of the police and military accused of crimes during the country’s 12 years of junta rule could be prosecuted after they were granted impunity three years before.
Kristina Konrad is a documentary filmmaker who has directed four feature-length documentaries and produced over a dozen films.
Directed by Salomé Lamas
Written by Salomé Lamas
An essay film on the fluidity of national identity in times of conflict.
Salomé Lamas is a Portuguese writer and director of short films and feature-length documentaries.
Directed by Jenny Lu
Written by Jenny Lu and Yi-Wen Yeh
Based on a real illegal massage parlour in London, The Receptionist follows the lives of the employees and clients as seen through the graduate who’s employed as the receptionist.
This is Jenny Lu’s first feature film and is Yi-Wen Yeh’s first screenplay. Lu and Yeh have previously worked together on the short film The Man Who Walked on the Moon.
The Bleeding Edge
Directed by Kirby Dick
Written by Kirby Dick and Amy Ziering
A Netflix documentary on the unforeseen consequences of rushing through advanced technological devices to be used in the medical field.
Amy Ziering has worked with Kirby Dick on four documentary films, and their film The Invisible War as nominated for an Oscar in 2013.
That’s twelve films made by women being released in the UK in July including one on Netflix. We would love to hear your thoughts on any of these films if you get the chance to see them, though you’ll have to be quick as a lot of these films have a very limited release.
Categories: Reel Women