Jordan Peele’s Christmas Gift To Us This Year Is The First ‘Us’ Trailer

After sending shockwaves across contemporary culture and setting a new standard for provocative, socially-conscious horror films with his directorial debut, Get Out, Academy Award®-winning visionary Jordan Peele returns with another original nightmare that he has written, directed and produced.

Set in present day along the iconic Northern California coastline, Us, from Monkeypaw Productions, stars Oscar® winner Lupita Nyong’o as Adelaide Wilson, a woman returning to her beachside childhood home with her husband, Gabe (Black Panther’s Winston Duke), and their two children (Shahadi Wright Joseph, Evan Alex) for an idyllic summer getaway.

Haunted by an unexplainable and unresolved trauma from her past and compounded by a string of eerie coincidences, Adelaide feels her paranoia elevate to high-alert as she grows increasingly certain that something bad is going to befall her family. After spending a tense beach day with their friends, the Tylers (Emmy winner Elisabeth Moss, Tim Heidecker, Cali Sheldon, Noelle Sheldon), Adelaide and her family return to their vacation home.

When darkness falls, the Wilsons discover the silhouette of four figures holding hands as they stand in the driveway. Us pits an endearing American family against a terrifying and uncanny opponent: doppelgängers of themselves.

Directed by: Jordan Peele

Cast: Lupita Nyong’o, Anna Diop, Yahya Abdul-Mateen II, Elizabeth Moss, Winston Duke

Release Date: 15th March 2019

 

Star Wars Fan Film ‘Vader Episode 1: Shards Of The Past’ Is The Vader Film We’re Looking For!

Last Friday Star Wars Theory uploaded the first part of his fan-made Vadar film, Shards of the Past – and it’s had quite the reception from Star Wars fans and even reached #2 on YouTube’s trending list!  The film takes place in the early days of the Empire after the fall of the Republic. In true Star Wars fashion, the opening crawl text reads:

“Anakin Skywalker is DEAD. For eight months, the mysterious Darth Vader has enforced the Emperor’s commands. Fighting between the loss of Padme, and the new cursed life he now leads, Vader must do what must be done when a surviving Jedi Master from Order 66 has lured him to the home planet of his late Wife’s tomb…”

Whilst having nowhere near the budget of Disney, this fan-film boasts impressive visual design and CGI, which to me shows that a lot of love went into making this. I was particularly impressed with the shots of an un-masked and unarmoured Vadar, which actually led me to make an audible ‘woah’. The entire short is shot incredibly well and has left me wanting more.. so much more!

The film had a 2-night premiere in L.A last week for fans and supporters of the film and Star Wars Theory will be sharing the crowds reactions on his channel in the very near future.

The script for the full film has been completed, but there is no news yet if there an Episode 2 will actually be made. We’ll likely hear more news on this at the start of the new year, but we’re hoping with the amount of love it’s receiving will mean there will be even more supporters backing this fan-made delight.

You can watch the impressive 16-minute short below!

JUMPCUT All The Way: Die Hard (1988)

Directed by: John McTiernan
Cast: Bruce Willis, Alan Rickman, Bonnie Bedelia, Reginald VelJohnson

Written by Fernando Andrade

What makes a good Christmas movie? Well, I find good Christmas movies always seem to generate this magical aura of emotions, memorable moments, and love of some sort. Now, if Die Hard does not encapsulate all those things then well, I’m not sure what a Christmas movie is frankly.

Released on July 15th, 1988, for the last 30 years of its existence people continue to bring up the question, “Is Die Hard a Christmas movie?” It is one of the most divisive movies of all time for that specific reason (not so much in a critical filmmaking way). I doubt when director John McTiernan and star Bruce Willis signed up for this film, they thought one of the biggest takeaways would be whether it’s a Christmas movie.

Die Hard sees our hero John McClane (Bruce Willis), an NYPD detective, fly out to Los Angeles on Christmas Eve (yes that’s right Christmas Eve!) on a mission to reconcile with his wife Holly (Bonnie Bedelia). How adorable right? A man wanting to make amends with his wife. In the first few minutes, we learn that McClane hates to fly, showing us how much this truly means to him making the trip all the from New York to win back his wife’s heart. Now that on its own would make a pretty decent Christmas story, but it’s not over there. The Christmas party (wow a Christmas party, no way) which they are at is attacked by a terrorist group led by Hans Gruber (Alan Rickman), and it is up to McClane to defeat them as they stand in the way of his ultimate goal.

Sure, Die Hard is no sweet and innocent Christmas movie like Elf or The Polar Express, but who says Christmas movies have to be? Not only is the setting of the movie Christmas Eve, but the dialogue – which granted at times is also very ’80s in design – has many references to Christmas. Die Hard produces an incredible amount of emotions, as we are constantly on the edge of our seat rooting on McClane. Die Hard also contains some of the most memorable lines and moments in movie history. From the classic “Yippie-Ki-Yay, Motherfucker!” to “Welcome to the party, pal!”, John jumping from the top of the Nakatomi building, and the intense air vent scene, many believe Die Hard to be the gold standard when it comes to action movies, and rightfully so.

I feel that is one of the biggest reasons why there is a push back to consider it a Christmas movie. It’s bloody, it’s littered with profanity, and offensive to some extent – things which aren’t synonymous with Christmas. No one said it was a Christmas movie for the whole family to enjoy, but it still contains those key ingredients of a good Christmas movie – just for adults.

Besides always coming up in conversations around the holidays, Die Hard did a lot of other things in the world of film as well. Mentioned previously, many consider Die Hard the gold standard when it comes to action movies. This means a lot of action movies have, in some way, been influenced by Die Hard since its release. It also spawned, at the time, a new star in Bruce Willis. Before being John McClane, Willis had only appeared in two other films, Blind Date in 1987 and Sunset which was released the same year as Die Hard. Following the success of the movie, Willis would go on to star in films like Pulp Fiction, Twelve Monkeys, and The Sixth Sense. Now his career has been on a downward trajectory (minus Looper), but at the time, his career was one of the best. We also gained one of the best villain roles of all time thanks to the late great Alan Rickman as Hans Gruber. Die Hard was nominated for 4 Academy Awards including Best Sound, Best Editing, Best Sound Effects Editing, and Best Visual Effects. It grossed $140.7 million in it’s worldwide run in 1988 but has probably made a lot more since then with many theatres making it a tradition to screen the film around the holidays. It also led to four sequels and a rumoured prequel set to be released in the near future, but we don’t really talk about those.

Will the conversation of, is Die Hard a Christmas movie ever stop? My bet is probably not, but if it were up to Fox Studios, that answer would be a big fat yes, thanks to a new trailer recently released pretty much confirming the answer. A marketing stunt you say? More than likely, but still I’ll take any kind of affirmation at this point. Then again, film is subjective and there will always be a naysayer out there. The never-ending discussion has cemented itself with Die Hard’s legacy. Whether you choose to think Die Hard is a Christmas movie or not (it is), watch it if you never have. You will experience one of the best overall action films ever made, and more than likely find yourself exclaiming Yippie-Ki-Yay as you open your Christmas presents.

New UK Trailer Released For ‘Fighting With My Family’

Fighting With My Family is a comedy-drama written, executive producedand directed by Emmy, BAFTA and Golden Globe award winner Stephen Merchant, based on the true personal story of WWE Superstar Paige and her family of professional wrestlers.

The film is inspired by the Channel 4 documentary The Wrestlers: Fighting With My Familyand tells the story of reformed gangster and former wrestler Ricky, his wife Julia, daughter Saraya and son Zak who make a living performing in tiny venues across the country. Ricky and Julia want a better life for their children and when brotherand sister get the chance to audition for WWE, it seems the family dream is coming true and all their troubles will be solved. However, Saraya and Zak are about to learn that becoming a WWE Superstar demands more than they ever imagined possible as athletes and siblings. Wrestling has always kept this family together –but now it could tear them apart.

Directed by: Stephen Merchant

Cast: Dwayne Johnson, Florence Pugh, Lena Headey, Nick Frost, Stephen Merchant, Vince Vaughn, and Jack Lowden

Release Date: 1st March 2019

PlayStation Kick-Off Their January Sale!

With three days to go until Christmas, it would appear the folks at PlayStation may be a few days ahead of us as today they kicked off their January sale! This sale looks to be a great opportunity to spend some of your Christmas dosh on some games you might not have picked up yet! We’ve had a quick peruse through this year’s offerings and picked out some recommendations (off-sale price in brackets).

  • Spider-Man£34.99 (£54.99)
  • Call of Duty: Black Ops 4£35.99 (£59.99)
  • God of War: Digital Deluxe Edition£22.34 (£52.99)
  • The Sims 4£8.99 (£34.99)
  • Assassin’s Creed Odyssey£29.99 (£54.99)
  • Shadow of the Tomb Raider£25.24 (£54.99)
  • Spyro Reignited Trilogy£26.24 (£34.99)
  • SOULCALIBUR VI£34.99 (£54.99)
  • Just Cause 4£41.24 (£54.99)
  • Kingdom Come: Deliverance£19.49 (£49.99)

There are lots of great games on sale, so we’d love to hear your recommendations! Shoot them to us in the comments below, or over on Twitter – @JUMPCUT_PLAY

‘Aquaman’ To Be Crowned Christmas King While ‘Poppins’ Swoops In With $35m On A Weekend Of Eight Releases: Box Office Predictions

Written by Dapo Olowu

It’s Christmas time, and the Box Office bells aren’t so much jingling than crashing in with a deafening roar as a record eight new wide releases sound in the weekend.

We start with Disney’s ‘Mary Poppins Returns’, the big-budget sequel to Robert Stevenson’s 1964 classic. Over half a century after ‘Mary Poppins’ wowed the world, Disney faces the joint task of appealing to the original fans while introducing a new generation of youngsters to the magic of P. L. Travers’ creation.

The mega-studio seem to be appealing to all so far, with the film earning a solid 77% on the Tomatometer, alongside an A- on Cinemascore. ‘Mary Poppins Returns$4.8m Wednesday opening may insignificant next to its hulking $130m budget, but we mustn’t forget how ‘The Greatest Showman’s entire opening weekend of just $8.8m preceded a whopping $174.3m total this time last year. A leggy run is possible, especially for a well-received family musical released at Christmas.

Let’s make this clear, however: Rob Marshall’s ‘Mary Poppins Returns’ is no ‘Greatest Showman’. It’s Friday to Sunday opening, for one, is more likely to finish in the $35m region than below $10m (similar to ‘A Wrinkle in Time’), and won’t have the extraordinary 20x opening weekend multiplier that ‘Greatest Showman’ had.

Still, the film, which sees Poppins (Emily Blunt) return to the Banks’ (Ben Whishaw, Emily Mortimer) after 30 years, will hope that Mary’s counter-programming magic will see it defeat Paramount’s ‘Bumblebee’ for second place this weekend, behind James Wan’s ‘Aquaman’.

Both ‘Aquaman’ and ‘Bumblebee’ enter U.S. cinemas looking to become the catalysts for their respective franchise’s revivals. Both come from properties struggling in recent years, where their latest releases barely made over $600m from $200m+ budgets. While the DCEU still has a breath of fresh air in ‘Wonder Woman’, the name ‘Transformers’ became Box Office poison after last summer’s ‘The Last Knight’ grossed half a billion less than its 2014 predecessor.

Aquaman’s position is much less precarious than ‘Bumblebee’s. After last year’s ‘Justice League’ earned a disappointing $657.9m worldwide off a $300m budget, ‘Aquaman’ has seemingly bounced the DCEU back from the brink, already grossing $332m outside the U.S. in a matter of weeks, including a Warner Bros best $209.5m from China. The film has set its sights seriously on becoming the first DC movie since ‘The Dark Knight Rises’ to hit $1bn.

Bumblebee’, on the other hand, has had to completely reboot the franchise and even remove all mention of ‘Transformers’ from its name, an indication of Paramount’s intention to start anew.

It isn’t just the name that’s different. For the first time, a ‘Transformers’ film is critically adored (not that that’s ever affected its Box Office takings), with ‘Bumblebee’ boasting a franchise-best 94% on the Tomatometer. Similarly, ‘Aquaman’ is getting the plaudits with 64% (and an audience score of 86%) – only behind ‘Wonder Woman’ in the DCEU’s best reviews films. The film is a continuation of the events in ‘Justice League’, and sees Jason Momoa as the title character, who must fight his half-brother on behalf of the surface world.

While it’s clear that ‘Aquaman’ will top the Box Office with ease this weekend, with around $83m from Friday to Sunday (just over ‘Venom’s $80m from October), forecasting ‘Bumblebee’s performance remains a bit of a mystery. It doesn’t benefit from the counter-programming of a Disney musical like ‘Mary Poppins Returns’, but instead appeals to a very similar demographic to ‘Aquaman’, as both aim to please those looking for big-budget spectacle over the holidays.

Bumblebee’ sees Hailee Steinfeld as Charlie, who befriends and must protect the aforementioned Autobot Transformer against agent Jack Burns (John Cena) of Sector 7, a government agency that investigates aliens on earth.

Its interesting premise won’t necessarily translate into high Box Office takings in its first weekend with just $26m, but Paramount can bank on the film to restore some faith in the failing franchise in coming weeks to potentially push the film into profitability. Remember, if ‘Jumanji: Welcome to the Jungle’ could finish on $404.5m after opening to $36.2m, there’s hope for ‘Bumblebee’ yet.

Jennifer Lopez-fronted rom-com ‘Second Act’ looks to finish STX Films’ torrid time at the Box Office this year on a high note with a $10m opening, similar to that of ‘Love Simon’ ($11.8m) and ‘Aloha’ ($9.7m). Benefiting from half the budget of STX’s biggest domestic grosser of the year ‘I Feel Pretty’, ‘Second Act’ should find little trouble in at least breaking even by the time its theatrical run is done.

A flop was always expected with such a high number of new releases, and in this case, it falls to the ‘Downsizing’ of 2018, ‘Welcome to Marwen’, starring Steve Carrell and directed by Robert Zemeckis. Made on inflated $39m budget, we’re forecasting this to open below last Christmas’ ‘Downsizing’ ($5m), at around $4.3m.

Finally, period dramas ‘The Favourite’ and ‘Mary Queen of Scots’ hit 800 cinemas each in their wide releases, but won’t trouble the top ten, earning around $2m each. War documentary ‘They Shall Not Grow Old’ opened on a special one-day release on Monday to $2.3m, and will be re-released on the December 27th.

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JUMPCUT ALL THE WAY: Edward Scissorhands (1990)

Directed by: Tim Burton
Cast: Johnny Depp, Winona Ryder, Dianne Wiest, Anthony Michael Hall

Written by Bianca Garner

Like Burton’s Batman Returns; on the first watch Edward Scissorhands doesn’t jump out as a Christmas film. However; Edward Scissorhands is the perfect Christmas film because it promotes the strength and power of love and family, two things which are essential to Christmas. When asked about the where the concept of Edward Scissorhands came from, Burton explained it came from a drawing he drew as a teenager which reflected his feelings of isolation and being unable to communicate to people around him in suburban Burbank. The drawing was of a thin, serious-looking man with long, sharp blades instead of fingers. Burton stated that he was often alone and had trouble retaining friendships. “I get the feeling people just got this urge to want to leave me alone for some reason, I don’t know exactly why.”

The film begins in a fairytale-like fashion; with an elderly woman telling her granddaughter the story of a young man named Edward who has scissor blades for hands and the reason why it snows every Christmas. As the creation of an old Inventor, Edward (Johnny Depp) is an artificially created human who is almost completed. The Inventor (Vincent Price) homeschools Edward, but suffers a heart attack and dies before he could attach hands to Edward. Some years later, Peg Boggs (Dianne Wiest), a local Avon door-to-door saleswoman, visits the decrepit Gothic mansion where Edward lives. She finds Edward alone and offers to take him to her home after discovering he is virtually harmless. Peg introduces Edward to her family: her husband Bill, their young son Kevin, and their teenage daughter Kim (Winona Ryder). Edward must try and adapt to life in the suburbs, becoming a dog groomer and a hairdresser for the ladies of the neighbourhood, and a great show and tell for Kevin. Slowly Edward and Kim grow closer, but there’s one problem to deal with, in the form of Kim’s hot-headed boyfriend (Anthony Michael Hall).

The element of Christmas takes a while to appear in the film, and it isn’t until the last act that Edward Scissorhands makes this shift into a Christmas film. However, this isn’t a time of celebration. Edward has become hated by the neighbourhood after being set up for a burglary that he didn’t commit.  Christmas is presented to us as this fake commercial act, where neighbours turn on neighbours and where it seems that bullies get away with their crimes. Burton is making a bold statement here. Instead of Christmas bringing this suburban community together, it has pulled them apart. The neighbourhood has become this place of competition and rivalry, where households seek to outdo each other in terms of who can ‘celebrate’ Christmas the most. As an outsider, Edward is unaware of how to participate in this rivalry and the act of Christmas, and we sympathise with him especially because he has become the scapegoat of all the issues to do with the community.

It’s not all doom and gloom. There are moments where the happiness and warmth of Christmas shine through and reinforces what Christmas is really about. The scene where Kim goes out into the backyard to find Edward making an angel ice sculpture, which creates a beautiful sprinkling of snow, helps to show us how the world can be transformed by a little bit of magic. Snow is presented as this simple beauty which has the power to make the world stop and reflect. In this brief moment, all of Kim’s and Edward’s anxieties melt away, and they no longer care regarding other people’s judgements. It is a powerful and iconic scene, which is made more effective by Danny Elfman’s score. This is what Christmas is all about, loving each other and taking part in the small, simple moments.

The power of Edward Scissorhands is how it manages to perfectly capture that loneliness, isolation, and family awkwardness that emerges around Christmas season. To anyone who finds it hard to socialise with distant family members, Edward feels like a kindred spirit. Ultimately, Edward is banished back to the top of the hill, but he manages to escape a life of materialism and fake respect. Many would consider this a somewhat sad ending, but all Christmas films have a touch of sadness to them. Christmas isn’t all tinsel, turkey dinners and presents. It can be a time of isolation and heartache for many. Edward Scissorhands helps us realise that life goes on and that an outsider can still bring happiness in their own way, shown how Edward brings snow to the neighbourhood.

Often Christmas films feel overwhelming, and a film like Edward Scissorhands can offer an alternative. It is a family film which has a strong moral message at its core, which we can all reflect on. Edward Scissorhands reassures us that it’s okay to be different and that everyone is entitled to love. With its moving storyline, stunning and quirky mise-en-scene and beautiful score, Edward Scissorhands is an overlooked classic holiday film which is definitely worth seeking out this Christmas.

The First ‘Men In Black: International’ Trailer Has Landed!

The Men in Black have always protected the Earth from the scum of the universe. In this new adventure, they tackle their biggest, most global threat to date: a mole in the Men in Black organization.

Directed by: F. Gary Gray

Cast: Tessa Thompson, Chris Hemsworth, Rebecca Ferguson, Emma Thompson, Liam Neeson, Rafe Spall, Kumail Nanjiani

Release Date: 14th June 2019

Hellboy Is All Fired Up In First Trailer

“Hellboy is back, and he’s on fire. From the pages of Mike Mignola’s seminal work, this action-packed story sees the legendary half-demon superhero (David Harbour, “Stranger Things”) called to the English countryside to battle a trio of rampaging giants. There he discovers The Blood Queen, Nimue (Milla Jovovich, Resident Evil series), a resurrected ancient sorceress thirsting to avenge a past betrayal. Suddenly caught in a clash between the supernatural and the human, Hellboy is now hell-bent on stopping Nimue without triggering the end of the world.”

Directed by: Neil Marshall

Cast: David Harbour, Milla Jovovich, Ian McShane

Release Date: April 12th, 2019