JUMPCUT’s Top 10 Films Of 2018

As our 2018 movie window closes, and another one for 2019 is ready to burst open.

Taking a look back over the last 12 months of film and remembering all those big blockbusters, indie treasures and specialist cinema debuts are one thing, but narrowing them all down to just ten of the best is something else.

The staff at JumpCut Online locked themselves away from social media to draw up their own personal ‘Top 1O’. From that, each nominated film was awarded points (1st = 10, 2nd = 9 etc) until a definitive list was formed.

Ladies and gentlemen, for your debating pleasure, here is that list of the JumpCut Online Top 10 of 2018 in ascending order, based on UK release dates.


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#10 – A Star Is Born
[dir. Bradley Cooper]

Jack (Bradley Cooper), a washed-up, alcoholic musician helps young singer Ally (Lady GaGa) find fame with her natural talent. But his demons threaten to send his career and even his life into a into a downward spiral from which there may be no return…

“The first half of the movie may hit some beats you’ll likely expect, but the second half will knock you for six, diving deep into the aftermath of lovesick decisions, all before reaching a devastating conclusion. Despite the pain and the many, many tears, this is a film that demands an immediate revisit as soon as the credits roll. Cooper has landed a masterpiece on his first go. You could say, a star is born.” – Cameron Frew

 

 

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#9- You Were Never Really Here
[dir. Lynne Ramsay]

Joe (Joaquin Phoenix) is a traumatized gun-for-hire who is unafraid of violence. When a job spins out of control, Joe’s nightmares overtake him as a conspiracy is uncovered leading to what may be his death trip or his awakening…

“Truly edge of your seat stuff, and whilst the comparisons with ‘Taxi Driver’ kind of write themselves, it is still amazing on its own merit. Joaquin Phoenix gives an electric, and possibly career-best performance…this is one of the most genuinely thrilling films in a long time, and one which packs a mean punch into a relatively short space. An explosive, and unmissable film.”Sarah Buddery

 

 

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#8 – Avengers: Infinity War
[dirs. Joe & Anthony Russo]

Earth’s mightiest heroes, The Avengers, must reach out to their allies in order to unite and stop Thanos (Josh Brolin), a powerful warlord intent on acquiring the Infinity Stones and using them to wipe out half of all beings in the galaxy and change things forever…

“At its best is epic, emotional and very, very shocking. It has impressive set pieces and of course it’s very funny. The few faults it does have are going to be down purely to the viewer. A knowledge of all that has happened before is essential. This is not the film for newbies….overall this was worth the wait.”Dave Curtis

 

 

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#7 – Spider-Man: Into The Spider-Verse
[dirs. Bob Persichetti, Peter Ramsey]

Young teenager Miles Morales is involved in a freak accident and becomes Spider-Man. When the evil Kingpin creates a powerful machine that blends alternate dimensions, he crosses paths with five Spider-People from other dimensions who must work together and save all of their worlds…

“It’s a universal story that can be loved by everyone, filled with beautifully touching moments for both comic book and non-comic book fans alike, great laughs, and some pretty great music. This movie really showcases what minds like Steve Ditko and Stan Lee saw in these characters and what they wanted to express; a mask is a mask, but what really matters is who is underneath it – and that could be anyone.”Fernando Andrade

 

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#6 – The Shape Of Water
[dir. Guillermo del Toro]

At a top secret research facility in 1960s America, Elisa, (Sally Hawkins) a lonely janitor, forms a unique relationship with an amphibious creature (Doug Jones) that is being held in captivity by the brutal Richard Strickland (Michael Shannon) who wants to unlock super-human secrets to use against America’s enemies…

“Utterly magical in every sense of the word, and “more” than what you could wish for in all conceivable ways….with incredible performances, absolutely stunning visuals (special nod to the underwater scenes which are totally breathtaking), masterful direction, and a unique and memorable story, ‘The Shape of Water’ deserves to be looked back on with the same fondness and reverence that ‘Pan’s Labyrinth’ is. A modern masterpiece, and a truly spectacular film.”Sarah Buddery

 

 

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#5 – First Man
[dir. Damien Chazelle]

American astronaut Neil Armstrong (Ryan Gosling) and his wife Janet (Claire Foy) must deal with pressure at work and at home when he is offered a historic NASA space mission; to become the first man to walk on the Moon. But pre-flight tests and training don’t come easy, with many highs and lows that push Neil, and the mission, almost to breaking point…

“Stunning. It’s an astounding achievement for a young director on the winning streak of his life; it has two award-worthy leading performances; it’s gorgeous to look at; it’s amazing to listen to; and it’s an utterly overwhelming experience. See it on the biggest, loudest screen you can. Chazelle, you’ve done it again.”Rhys Bowen-Jones

 

 

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#4 – Phantom Thread
[dir. Paul Thomas Anderson]

Set in 1950s London, Reynolds Woodcock (Daniel Day-Lewis) is a renowned dressmaker whose fastidious life is disrupted by a young, strong-willed woman, Alma (Vicky Krieps), who becomes his muse and lover and who turns his view on life, and himself, upside down…

“When it comes down to it, ‘Phantom Thread’ is surprisingly quotable, cinematically very pleasing and a joy to watch. The cast all share strong chemistry and with a little help from Johnny Greenwood, Paul Thomas Anderson has created another excellent film which sits very nicely with his back catalogue. If this is Daniel Day-Lewis’ last ever film, then I will happily watch his old films with a smile on my face…but I do hope he changes his mind. He is just too good. He has loads left in the tank.”Dave Curtis

 

 

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#3 – Hereditary
[dir. Ari Aster]

After the family matriarch passes away, a grieving family is haunted by tragic and disturbing occurrences, and begin to unravel dark secrets. The mother, Annie (Toni Collette), begins to see her family slow fall apart, and while she is the only one who can hold them together, the supernatural powers surrounding them become too strong to contain…

“There are clear inspirations from classics such as Rosemary’s Baby and The Omen (and even 2011’s much underrated Kill List). And like those fondly remembered shockers, Aster’s film isn’t perfect – it’s a little overlong, occasionally fumbling around the good stuff towards the end… An outstandingly horrifying achievement from a debut filmmaker, Hereditary is a classic in the making, built on rock-solid, terrifying, atmospheric terror.”Cameron Frew

 

 

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#2 – Roma
[dir. Alfonso Cuarón]

Set in the early 1970s in Mexico City, we follows the life of live-in housekeeper Cleodegaria “Cleo” (Yalitza Aparicio) to an upper-class family. It tells the story of situations; the life Cleo and her family face in and around Mexico City at a time when living and providing was nothing but a struggle for most…

“Visually striking, aurally immersive and emotionally captivating, ‘Roma’ is undoubtedly one of the finest films of the year and arguably Cuarón’s best film. It is certainly his most personal film, and the labour of love that this film represents permeates through every single frame. With exceptional performances, beautiful imagery, and the finest sound design in recent years, ‘Roma’ isn’t just a film which deserves to be seen on the big screen, it is one which deserves to be heard on the big screen. It bears repeating: ‘Roma’ is a masterpiece.” – Sarah Buddery

 

 

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#1 – Mission: Impossible – Fallout
[dir. Christopher McQuarrie]

IMF agent Ethan Hunt (Tom Cruise) and his allies must race against time to find a deadly crime syndicate intent on throwing the world into chaos. CIA agent August Walker (Henry Cavill) is also on hand to make sure IMF can do the job in hand when it becomes clear there is a mole within their ranks…

“Not only is ‘Fallout’ fun to watch, but it is also technically brilliant. From the score to the cinematography and the stunt work, it’s amazing to think about the hours of hard work the crew have had to put in to make a movie like this. They are the real MVP’s. I salute them…It is a proper popcorn flick which only has a few minor flaws. To think this franchise has been going for 22 years and it still feels this fresh and new is a testament to the director and star. I can’t imagine what they have in store for Mission Impossible 7. Surely only outer space beckons now.” – Dave Curtis


So there we have it. Agree or not, that’s the consensus for the Top 10 best films of 2018 from a team who, between them, have probably watched all that has been on offer.

Films that narrowly missed out a spot include ‘Beast’, ‘Black Panther’, ‘Isle Of Dogs’, ‘A Prayer Before Dawn’ and ‘Bohemian Rhapsody’.

We can’t wait to do it all again next year for the barnstorming 2019 offerings ahead!

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Fiona’s Most Anticipated Films of Sundance 2019

Written by Fiona Underhill

It’s always difficult to predict what the ‘break outs’ of Sundance will be, but of course, excitement can be generated by finding out that your favourite directors or actors have new films coming out. So, here are my most-anticipated features of Sundance 2019.


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#1 – The Souvenir (dir. Joanna Hogg)

One of our best British directors, Joanna Hogg made two of my favourite films – Unrelated (2007) and Archipelago (2010) – both starring Tom Hiddleston – and I’m so excited that she has a new film out. The Souvenir stars Tilda Swinton (swoon) and Richard Ayoade (swoon again) and is set to have two parts, following a film student in the 1980s. Sign me all the way up.

 

#2 – The Nightingale (dir. Jennifer Kent)

Sam Claflin has recently gone from big-budget fantasy franchises to smaller films, many of which were directed by women (The Riot Club, Their Finest, Me Before You) and which have proven his acting chops (Journey’s End, My Cousin Rachel). He is back with a female director again here, The Babadook’s Jennifer Kent, in a film set in the early 19th century Australian outback. It sounds like he’ll be playing against type, in a more villainous role here as well. Cannot wait.

 

#3 – Blinded by the Light (dir. Gurinder Chadha)

The director of Bhaji on the BeachBend it Like BeckhamBride and Prejudice and Angus, Thongs and Perfect Snogging comes a new film set in the 1980s (again) about a teenager finding his voice through the music of Bruce Springsteen. Featuring a fantastic British cast including Kulvinder Ghir, Sally Phillips, Rob Brydon and Hayley Atwell.

 

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#4 – The Boy Who Harnessed the Wind (dir. Chiwetel Ejiofor)

One of my favourite British actors (I’ve seen him on stage as well as in multiple film and TV roles) is now making his feature film debut as a director. I have seen his 2013 short, Columbite Tantalite which shows his potential as a director. Set in Malawi and starring Ejiofor himself, as well as The Cursed Child’s Noma Dumezweni, the film follows a young boy who helps his village build a wind turbine after reading about them in a library book.

 

#5 – Animals (dir. Sophie Hyde)

After a decade of partying, Laura and Tyler’s friendship is strained by Laura’s new love and her focus on her novel. A snapshot of a modern woman with competing desires, at once a celebration of female friendship and an examination of the choices we make when facing a crossroads. Starring Holliday Grainger (an amazing British actress) and Alia Shawkat.

 

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#6 – Late Night (directed by Nisha Ganatra, written by Mindy Kaling)

Starring Emma Thompson and Mindy Kaling. A legendary late-night talk show host’s world is turned upside down when she hires her only female staff writer. Originally intended to smooth over diversity concerns, her decision has unexpectedly hilarious consequences as the two women separated by culture and generation are united by their love of a biting punchline.

 

#7 – The Lodge (dir. Veronika Franz; Severin Fiala)

In this psychologically chilling slow burn, a young woman and her reticent new stepchildren find themselves isolated in the family’s remote winter cabin, locked away to dredge up the mysteries of her dark past and the losses that seem to haunt them all. Starring Riley Keough, Alicia Silverstone and Richard Armitage.

 

#8 – The Sunlit Night (dir. David Wnendt)

Between New York City and the far north of Norway, an American painter and a Russian émigré find each other in the Arctic circle. Together under a sun that never sets, they discover a future and family that they didn’t know they had. Starring Jenny Slate, Zach Galifianakis and Gillian Anderson.

 

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#9 – Velvet Buzzsaw (dir. Dan Gilroy)

This film reunites Dan Gilroy with his Nightcrawler stars Jake Gyllenhaal and Rene Russo. A thriller set in the contemporary art world scene of Los Angeles, where big money artists and mega-collectors pay a high price when art collides with commerce. Starring Jake Gyllenhaal, Rene Russo, Toni Collette, Zawe Ashton and Tom Sturridge.

 

#10 – Little Monsters (dir. Abe Forsythe)

Starring Lupita Nyong’o. A film dedicated to all the kindergarten teachers who motivate children to learn, instill them with confidence and stop them from being devoured by zombies.

 

#11 – Mope (dir. Lucas Heyne)

Two ‘mopes’ – the lowest-level male performers in the porn industry – set their sights on an impossible dream: stardom. StarringNathan Stewart-Jarrett, star of two of my favourite TV series of all time; Misfits and Utopia.

 

#12 – Sweetheart (Director: JD Dillard)

Jenn has washed ashore on a small tropical island and it doesn’t take her long to realize she’s completely alone. She must spend her days not only surviving the elements, but must also fend off the malevolent force that comes out each night. Starring Kiersey Clemons(Hearts Beat Loud) and Emory Cohen (Brooklyn).

JUMPCUT’s Top 10 Most Anticipated Films of 2019

2018 was, by most people’s standards, a solid year for cinema. From Blockbuster titans such as Avengers: Infinity War and Black Panther to silent, independent treasures like Roma and Leave No Trace; this was the year that appeased to the tastes of casual filmgoers and avid cinephiles alike. Thankfully, 2019 is shaping up to be just as good a year, perhaps even stronger; boasting a collection of projects destined for greatness.

We at JUMPCUT have come together to collect our most anticipated films that 2019 has to offer, and boy, are we excited. So without further ado, here are our top 10 most eagerly anticipated movies of 2019.

This piece will also include a special addition from Fiona Underhill covering her most anticipated films that will premiere at Sundance in 2019…


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#10 – Us [dir. Jordan Peele]

In 2017, directorial debutant Jordan Peele, known by many as one of the members of comedy genius duo Key and Peele, stunned the cinematic world with Get Out – a harrowing, satirical tale of racial discrimination in its most barbaric form.

2 years later he is set to return to our screens with Us, a horror-thriller promised to be a spiritual sequel to Peele’s predecessor. Boasting a diverse cast including the likes of Elisabeth Moss, Lupita Nyong’o and Winston Duke, we can expect another chilling tale dealing with similar societal issues as seen in Get Out. Although plot details about his new project are being kept under wraps, a new trailer is set to be released on Christmas day – and what better way to spend your festive season than to be terrified stiff by the genius of Jordan Peele?

Written by Corey Hughes

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#9 – Captain Marvel [dir. Anna Boden; Ryan Fleck]

When Thanos snapped his herculean fingers at the end of Avengers: Infinity War, all seemed lost. Half of the universe’s population was eradicated at the sound of the snap; our beloved heroes dissolving to dust in the wind. But there could be a way out. A way to defeat Thanos once and for all. Enter Captain Marvel.

Hailed by many as Marvel’s most powerful superhero, Captain Marvel makes her long-awaited feature debut in her titular origin story set to release early next year. Stepping into the esteemed boots of Marvel’s heroine is Brie Larson, a name alone worthy of generating great excitement. The Oscar-winning actress is joined by MCU newcomers Jude Law, Ben Mendelsohn and Gemma Chan, and also by regulars Samuel L. Jackson as (now two-eyed) Nick Fury and Lee Pace as the villainous Ronan – a cast not to be missed.

There’s a lot to be excited for here, least of all its contribution to fuelling the excitement for Avengers Endgame; another eagerly anticipated release in 2019 that will undoubtedly be featured later on in this list…

Written by Corey Hughes

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#8 – IT: Chapter 2 [dir. Andy Muschietti] 

2017 was a big year for the franchise and, as you would expect, the worldwide box office was dominated by Marvel, Star Wars, Wonder Woman and Fast and Furious. One of the unexpected hits of the year came in the form of a child-eating clown in Andres Mushcietti’s IT. Loved by critics and audiences alike, IT stormed to a worldwide box office of $700m and proved that there is still a place in the market for blockbuster horror, despite the surge in excellent indie horror films in recent years.

It is no surprise then, that a sequel will hit our screens in September 2019. The film will see Jessica Chastain team up with Muschietti again after working together on Mama. Bill Skarsgard will reprise his role as Pennywise and James McAvoy is the other standout name signed on to star alongside the returning kids. Exact plot details are still being kept quiet, but if we use Stephen King’s novel and the 1990 mini-series as a template, we can expect to see Pennywise return to Derry 27 years on from the events of IT and what’s left of the Losers Club reunite in an attempt to rid their hometown of this evil once and for all.

Written by Nick Deal

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#7 – Once Upon a Time in Hollywood [dir. Quentin Tarantino]

Only Quentin Tarantino, known for his provocatively visual style of filmmaking, could make a movie based loosely on the Charles Manson killings and cast such a charming ensemble of actors. With the likes of Leonardo DiCpario (returning from his Oscar win in The Revenant), Margot Robbie, Kurt Russell and Brad Pitt among the selection, Once Upon a Time in Hollywood seems too good to miss, but when Tarantino himself describes DiCaprio and Pitt as “the most exciting star dynamic duo since Robert Redford and Paul Newman”, this is a cinematic experience that will go down in history.

But for many, the return of Tarantino is enough to get butts in seats. Since his initial declaration that he will not be making more than ten feature films, Once Upon a Time in Hollywood marks his ninth; destined to be another milestone in his illustrious career thus far. Has he really only got one more film left in him after this? We sure hope not.

Written by Corey Hughes

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#6 – Glass [dir. M. Night Shyamalan]

It’s fair to say that M. Night Shyamalan, deemed by many as the master of the plot twist (sometimes at the expense of plausibility), has had a bit of a topsy-turvy career. With undeniable classics under his belt like The Sixth Sense and Signs, he’s also got some stinkers tucked away too; The Happening and The Last Airbender, yes, I’m looking at you. But with the warm critical and audience receptions for his last outing, Split, it seems that the inconsistent director is back on the right track.

Since Bruce Willis’ shock cameo in the final moments of Split, Shyamalan teased a joint-universe within his own films – the fact that the events of his last project co-exist within the same universe of Unbreakable; a trademark twist. The upcoming Glass is the sequel of all sequels, bringing together James McAvoy, Bruce Willis and Samuel L. Jackson’s characters into one explosive feature. You can see why it’s featured on our list.

Written by Corey Hughes

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#5 – Godzilla: King of the Monsters [dir. Michael Dougherty]

Gareth Edwards’ Godzilla left some people wanting more. It focused more on the human element, it showed the action from a human perspective, looking up at the kaiju as they wrecked skyscrapers. At one point, Godzilla is shown in full for the first time, and the film cuts away to show the ensuing fight on a small news broadcast in the background. I get the problems people have with it. But, with that said, when Edwards shows us the action, it is epic. In every possible way, it is fantastic, it’s weighty, it’s brutal, it’s how you’d expect three 300ft tall monsters fighting would look. We want more of that. Less human, more monster.

Enter Godzilla: King of the Monsters. Everything about this long-awaited sequel (5 years on from its predecessor) points to it being bigger. It will reintroduce classic monsters from the Godzilla canon in Mothra, Rodan, and King Ghidorah, and pit them all against each other and Godzilla in a winner-takes-the-Earth battle of the millennium. Add in some exciting new actors to the cast like Millie Bobby Brown, Vera Farmiga, Charles Dance, and Bradley Whitford, you have a film that’s worth your attention beyond just the kaiju fights.

If you haven’t had the chance yet, the newest trailer is essential viewing as it shows these 3 in mind-blowing action, and it shows the beginnings of a mammoth clash between Godzilla and King Ghidorah, Godzilla’s giant 3-headed arch-nemesis. It is going to be a film that needs to be seen on the biggest, loudest screen you can find. I’ll be there opening night.

Written by Rhys Bowen Jones

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#4 – Joker [dir. Todd Phillips]

Not since Christopher Nolan’s Dark Knight trilogy – without being remotely persuaded by Wonder Woman’s origin – has DC zapped me enough to rival the enthusiasm I have for the mega Marvel universe. Nor did Jared Leto come close to re-establishing the Joker as his own like Mark Hamill and Heath Ledger did before. But a new circus is in town to pave the way for a fresh batch of DC origins led by The Hangover director Todd Phillips, who’s ready to unravel the mind of a serious, but not so serious clown.

Joaquin Phoenix – who we’ve already seen sprinting through Manhattan in full retro-clown costume – is Arthur Fleck, portrayed as a failing comedian who turns criminal amidst his misfortune. Set in the 1980s, this vision will follow the storyline of Alan Moore’s The Killing Joke that should be flawless material for a raw and grounding backstory that’s set to be a stand-alone project. With promising support from Robert de Niro and confirmed appearances from Thomas Wayne, a young Bruce, trusty butler Alfred, and even Arkham Asylum, Phillips will keep Joker connected to Batman treasures in vintage, indie style.

Rumoured to be titled DC Dark or DC Black, Joker will be crucial in reinvigorating a distinct line of DC movies that show promise of being purely character driven – hinted by its low budget of $55 million and a likely R rating – that will combat the franchise’s CGI heavy past. The Joker’s history is ambiguous – put clearly in his Killing Joke quote “If I’m going to have a past, I prefer it to be multiple choice” – putting creative freedom at an all-time high when building his foundation. 2019 should confidently host an intriguing version of his dark and twisted making.

Written by Jo Craig

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#3 – John Wick: Chapter 3 [dir. Chad Stahelski]

 There are three certainties in life: death, taxes, and not to piss off John Wick.

Keanu Reeve’s John Wick has become somewhat of a contemporary action hero to match the likes of Jason Bourne and James Bond, a darkened, hardened and relentless figure whose reputation strikes fear into anyone who knows his name. Chapter 3 sees the culmination of Chad Stahelski’s John Wick trilogy, its two predecessors setting the benchmark for the modern action flick with its reliance on long-shots and exuberant fight sequences to demonstrate Wick’s fearless physicality.

The Wick films also lay the foundations for an interesting mythological backdrop, particularly its realm of assassins who roam mysterious Continental hotels across the globe. It will be interesting to see how these mysteries play out in the forthcoming film, but I think I speak for everyone when I say that we’re all here just to see Keanu Reeves annihilate his enemies in the most stylistic and aesthetically stimulating way possible. Especially from horseback. Orgasmic…

Written by Corey Hughes

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#2 – Avengers: Endgame [dir. The Russo Brothers] 

“Oh god” uttered Captain America, only to be followed by a hauntingly melancholic suite and a mightily satisfied smile from the Great Titan. When that shot cut to black, certainly in my screening, you could feel an unparalleled devastation in the air. Comic book filmgoers have been treated to darkness before, but this was new. Sudden, harsh, genocidal; this was the good guy’s worst primal fear – the bad guy winning. Some say it’s cheap, some say it’s inconsequential, I say it’s genius. How else are we fully to believe the universe-spanning power of Thanos than if he doesn’t get the chance to click those gold-plated, stone-garnished fingers?

Fitting then that the trailer for the climatic Avengers film, Endgame, is ruthlessly sombre. The loss, the agony, the powerlessness; this is a different kind of superhero movie. More urgent, more emotional. “Thanos did exactly what he said he was going to do. He wiped out 50% of all living creatures.”

It’s a modern cinema wonder the Russo’s pulled off Infinity War, but Endgame is different. Endgame is in the purest sense of the word, an event. The decade-spanning culmination of the world-building, victories and losses we as viewers have invested in.

How is it all going to pan out? How will Tony Stark survive? Will he and Cap see each other again? How did Ant-Man make it out the Quantum Realm? How will they save the day? The inevitability of heroes returning doesn’t dampen the tension, it elicits further compassion. We want to push our arms through the screen to give our remaining Avengers a pat on the back, just to say, “It’ll be okay”. But there’s more than every chance it won’t be – The Russo’s aren’t chumps. The question that’s leaving everyone’s trembling lips is, “Who’s going to (actually) die?”.

Depending on your age growing up, your ‘big series’ varies. For some, it’ll be Star Wars, or Indiana Jones, or for later generations, Harry Potter. But in terms of scope, consistency and vision, the Marvel Cinematic Universe is the grand-daddy of the blockbuster franchises. Make no qualms; Endgame is, arguably, the biggest movie of all time. My excitement couldn’t be contained within any Infinity Stone – many, many, many tears will be shed on April 26, 2019. See you there.

Written by Cameron Frew

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#1Star Wars – Episode IX [dir. JJ. Abrams]

Topping our list is the as of yet untitled Star Wars Episode IX, a film with perhaps larger expectations on its shoulders than it probably deserves. It’s no secret that preceding instalment The Last Jedi split audiences down the middle, meaning Episode IX is the rare blockbuster that, to leave the legacy it hopes to, needs to both satisfy those still on board with the saga and revitalise the interests of those who fell off over the past year. It’ll be a gargantuan feat, so here’s hoping JJ Abrams is up for the task.

What can we expect from Episode IX itself, though? Well, that’s hard to say. The film is being kept a secret as you’d expect for a trilogy-concluding blockbuster of this magnitude, and if there’s one thing absolutely no one can deny about The Last Jedi, it’s that it shook the saga up to such an extent that predicting what comes next is entirely impossible. Will Rey complete her Jedi training and fulfil her destiny? Will the Resistance rise up and defeat the First Order? What state with the currently unstable First Order even be in when we rejoin the story? And, number one on my mind, what fate awaits Kylo Ren as his journey of self-discovery reaches its big conclusion? The one thing we do know, though? None of us are going to want to miss this one.

Written by Ryan Morris

What films are you most excited for in 2019? Be sure to keep in touch and let us know!

‘Maturing Youth’ World Premiere Photos & Interviews (EXCLUSIVE)

Earlier this year we were offered the opportunity to review R&F Entertainment’s upcoming short film, Maturing Youth. Since publishing our review we’ve also had the wonderful opportunity to interview the film’s lead Award-nominated lead, Sean A Kaufman, and its director, Divoni Simon. Now, we’re pleased to exclusively share with you some photos and interviews from the film’s world premiere, which was held October 21st, 2018 in New York City.

At the event, R&F Entertainment hosted sit down interviews with the stars of the film to chat about their career, dreams, and inspirations. Following the award ceremony at the film festival, the stars had individual standing interviews on the red carpet with TV host and interviewer, Award-nominated actress, producer, director, author, and entrepreneur Janet Miranda. Below you’ll find the red carpet interview with award-winning actress Darleen Fontaine and Rae’l Ba, where they discuss their characters in the film and working on the film. 


The event had over 120 attendees from family, friends, crew members, and the general public. Individuals attending the event flew in as far as Florida and the west coast. Some even travelled over 20 hours by vehicle to attend. The screening room was filled to capacity and was sold out.

The screening opened with a round of applause once the films production company’s logo [R&F Entertainment] appeared right at the start. Once the ending credits came up, a second round of applause roared through the screening room. The audience laughed and enjoyed the special bloopers during the end credits and finally had a standing ovation at its completion. Following the first world screening of the film, the cast and director were on stage during an exclusive Q&A with the audience.

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L2R: Michael Paladine (VO Artist), Chase Michael Palante (Award Winning Producer), Rae’l Ba, Kim Paris (Nominated for Best Actress), Sean A Kaufman (Nominated for Best Actor), Brian Austin Padua (Assistant Script Supervisor), Divoni Simon (Nominated for Best Director), Darleen Rae Fontine (Won Best Supporting Actress), Terrence Keene (Nominated for Best Supporting Actor), Joshua St. Leger, Albee Castro – Photo Credit: R&F Entertainment

Maturing Youth was nominated for Best Film, Divoni Simon was nominated for Best Director, Sean A Kaufman was nominated for Best Actor, Kim Paris was nominated for Best Actress, Terrence Keene was nominated for Best Supporting Actor, and Darleen Rae Fontaine was nominated and won Best Supporting Actress. A total of 6 nominations and 1 win.

Each cast member had their own specific time slots for Facebook Live and Instagram Live recordings at the event. Each of their individual recordings can be found on their individual Facebook and Instagram pages.

R&F Entertainment went live on the films official social media pages, Facebook and Instagram, for the win of Darleen Rae Fontaine’s award for her performance in the film. Her speech can be found directly on Maturing Youth’s Facebook page.

Below you’ll see the glamorous cast and crew on the red carpet at the film’s premiere.

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All Photo Credit: R&F Entertainment

 

The film is currently going through the New York Film Festival circuits before making its Los Angeles premiere in Spring 2019. The film will make it overseas to its international film festival run in 2020, with a projected distribution deal to release the film to the public by the holidays in 2020. We’ll be sure to keep you up-to-date with the film’s festival run.

The Odyssey Awards: 2018 Retrospective

As everyone begins to wind down after Christmas, here at JUMPCUT we’re excitedly gearing up for 2019! Before we’re done with 2018 though, we have a few more treats up our sleeve for you, including our most anticipated films of 2019 list and some big news which we’ll be sharing in a few days!

The retrospective features just some of our favourite films this year* (sadly we couldn’t fit them all in!) including A Quiet Place, BlacKkKlansman, Blindspotting, Bumblebee, Hereditary, Widows, Annihilation, Avengers: Infinity War, Love, Simon, and First Man to name but a few.

We’re sure you’ll likely pick up some notable absences from our video, but we aimed to keep it less than 2 minutes long – so not all our choices made the final cut!

We’d love to hear what films you’ve enjoyed this year and if you’ve got your top 10 list firmly nailed, share it with us on Twitter!

 

*based on UK release dates

Star Wars Fan Film ‘Vader Episode 1: Shards Of The Past’ Is The Vader Film We’re Looking For!

Last Friday Star Wars Theory uploaded the first part of his fan-made Vadar film, Shards of the Past – and it’s had quite the reception from Star Wars fans and even reached #2 on YouTube’s trending list!  The film takes place in the early days of the Empire after the fall of the Republic. In true Star Wars fashion, the opening crawl text reads:

“Anakin Skywalker is DEAD. For eight months, the mysterious Darth Vader has enforced the Emperor’s commands. Fighting between the loss of Padme, and the new cursed life he now leads, Vader must do what must be done when a surviving Jedi Master from Order 66 has lured him to the home planet of his late Wife’s tomb…”

Whilst having nowhere near the budget of Disney, this fan-film boasts impressive visual design and CGI, which to me shows that a lot of love went into making this. I was particularly impressed with the shots of an un-masked and unarmoured Vadar, which actually led me to make an audible ‘woah’. The entire short is shot incredibly well and has left me wanting more.. so much more!

The film had a 2-night premiere in L.A last week for fans and supporters of the film and Star Wars Theory will be sharing the crowds reactions on his channel in the very near future.

The script for the full film has been completed, but there is no news yet if there an Episode 2 will actually be made. We’ll likely hear more news on this at the start of the new year, but we’re hoping with the amount of love it’s receiving will mean there will be even more supporters backing this fan-made delight.

You can watch the impressive 16-minute short below!

The DCEU Movies Ranked

Written by Nick Staniforth

Braving the waters of the comic book universe once again this week, Warner Bros have supposedly turned back the tide and managed to deliver a superhero story that is getting unanimous praise for embracing its bonkers premise and surfing it to the shore of success. If you haven’t twigged yet, what with all the water puns, I am of course referring to Aquaman, the latest chapter of the DC universe starring Jason Momoa, Willem Dafoe, Patrick Wilson, Dolph Lundgren, Ludi Lin, Yahya Abdul-Mateen II, Temuera Morrison, Amber Heard, Nicole Kidman and Randall Park.

As of today, the man born of land and sea has made his way into cinemas, but following his release, where does the half-Atlantean sit among  Warner Bros. other highly debated efforts? Here be the rankin’ of the entire DCEU films so far that’ll no doubt cause some waves.


 

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Suicide Squad

It’s almost fitting that James Gunn has been tasked with a sequel to the film Warner Bros were keen to make their own Guardians of the Galaxy. Rough around the edges and filled with its own team of misfits, Suicide Squad had all the potential to be the outside contender that could straighten up the impending array of entries that were in the pipeline – instead, it almost ran the damn thing off the road.

A slung-together script, reshoots aiming to lighten the mood following the near-fatal feedback of Dawn of Justice (more on that later), and one of the shortest performances of The Joker ever caught on film, Suicide Squad was a slog of a viewing experience if it wasn’t for some key players that saved the day.

Margot Robbie and Will Smith as Harley Quinn and Deadshot reignite the chemistry they had in Focus, with the likes of Jay Hernandez’s El Diablo, Karen Fukuhara’s Katana and Jai Courtney as Captain Boomerang conjuring some compelling performances, but the outcome is still a visually murky slog that even with an impending sequel, is an instalment that rarely gets revisited.

 

 

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Justice League

Die-hard DC fans can hashtag the crap out of a campaign to release the Snyder Cut until the Parademons come home, but there’s no denying that the finished product of the Justice League was far from complete. The second that light touches the synthetic upper lip of Henry Cavill, things roll off to an uneven start for the film that should’ve been a team-up for the ages. Instead, we’re treated to a CGI-tastic tone tornado that was another close call for the end of the DCEU.

Snyder’s eyegasmic vision and Whedon’s wit colliding should’ve made for the perfect comic book film, but like Suicide Squad before it, Justice League ends up a drab and forgetful outing. There are glimmers of hope, with Jason Momoa’s Aquaman making his debut, Gal Gadot Gadoing what she’s great at, and that hair-raising moment Superman returns for real, but it’s just not enough.

That chase scene on Themyiscara still holds up but besides that, the rest of the film, for the most part, is a union of DC’s finest stuck together with PVA glue in front of an undeniably bland CGI backdrop. They should’ve entered a league of their own, but instead served as a grave injustice.

 

 

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Aquaman

A well-known horror director and a former horse lord are easily one of Warner Bros. bravest bargaining chips when it came to Aquaman and his solo film. Appearing as an undeniable redirection from the dark and sombre scope the DCEU has been focussed on for some time, Jason Mamoa’s standalone entry as the king beneath the ocean is one of the most refreshing instalments thus far, though not without its own issues.

Demonstrating that same flair he had with high-octane sequences in Fast & Furious 7, director James Wan gets his feet wet again in an at times visually impressive affair and tackles them to a degree, with Nicole Kidman as an ass-kicking Queen Atlanna being a standout moment. Sadly, these aren’t enough to wash over what is a fairly dull story that feels worn down. Plucking plot points from Thor, Black Panther and Wonder Woman, it avoids being a complete wipeout thanks to Momoa who is once again not giving a fork and having an absolute ball, which pushes the film along. Ultimately, it’s a good effort for DC to steady the ship but still not a patch on the best entry so far.

 

 

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Batman v Superman: Dawn of Justice

Tearing friendships apart as much as The Last Jedi, or when Ross and Rachel went on a break, Batman v Superman: Dawn of Justice was the film we never thought we’d see, and ultimately the film fans will never, ever agree on. Considered to be the stuff of dreams and I Am Legend Easter eggs, the sought-after showdown between The Dark Knight and The Man of Steel is a battle on so many levels. For every hit it lands, there’s another counter swing that puts it on the backfoot, which is why its slap bang in the middle of this list.

Forming a bond in the opening act to the previous film amid the rubble and chaos left behind in Man of Steel, Snyder does a great job at building up the motivations for both fighters in this epic bout. Cavill once again slips into the super suit with ease as the still tortured Superman trying to find his place in the world, while Ben Affleck delivers one of the best iterations of Bruce Wayne and Batman ever captured on screen. Fearful of this stranger beyond the stars and being a figure worth dreading himself, it helps a great deal for when these two finally do go toe to toe. It’s the time spent getting to and following from the final fight that is the films biggest issue.

The Martha motive is still frustrating to even recall, as is Jesse Eisenberg’s weedy, tick-induced Lex Luthor. It’s a lengthy lost opportunity that we may never get back but thankfully gave the world Gal Gadot as Wonder Woman, the films most undeniable redeeming factor. If your chest doesn’t swell the second she flies in on Hans Zimmer’s score, then you really need to seek medical attention.

 

 

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Man of Steel

Ah yes, back when it all looked so promising. Snyder’s debut venture into the world of DC’s greatest heroes may have had its issues, but Henry Cavill’s first turn as the man with the big red cape is undoubtedly one of the strongest of the bunch.  Retelling the origin story of the most iconic superheroes ever for the modern era is a tough task but even more so when that beloved tale is tweaked to significant levels.

It all works, for the most part, aided by a strong cast that solidifies this world, and provides realism in a way that even Marvel still hasn’t done. From Amy Adams’ sharp Lois Lane to Michael Shannon’s tyrannical iteration of General Zod, every box is checked for the players involved in this effort to get Superman soaring to new heights. Most notably are the parents that mould Clark into the hero he becomes. Russell Crowe and Kevin Costner bring varied but vital fatherly roles as Jor-El and Jonathan Kent, respectively, while Diane Lane as keeps her son grounded as widowed mother MARTHA (sorry, old habit).

There are flecks of kryptonite littered through the film of course, most notably in that films final building breaking scuffle between Cavill’s Superman and Shannon’s Zod. Turning the shining Metropolis into an abandoned car park by the film’s end may well have been Snyder’s plan, but he once again spends too much time on something that should’ve zipped by faster than a speeding bullet. Not a bad first try – if only they’d been this good, though.

 

 

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Wonder Woman

There was only one place for Gal Gadot’s solo gig as the Amazonian princess to go and that’s right at the very front. Putting aside all the convoluted, reconstructed world-building that has been tried and tested, Diana’s first adventure is the closest to perfect Warner Bros. has been. Patty Jenkin’s take on the most well-known female superhero is an absolute treat from beginning to end, distancing itself from all the other entries by decades and finally giving audiences a film they could all agree on as being an absolute belter.

A fish out of water tale with added oomph, braving the era of World War I to bring Diana’s story to life is a refreshing chapter in an uneven series of instalments. Already demonstrating she could wield the headgear and lasso in Dawn of Justice, Gal Gadot gets time to really fit into the role of Wonder Woman and make it her own. Strong, graceful and an undeniable presence of good, she elevates every frame she’s in and makes the walk through No Man’s Land as iconic as Christopher Reeve circling the earth.

Taking the lead behind an equally charismatic Chris Pine who is in awe of his co-star as much as we are, she’s a breath of fresh air in a world that up until then was lost in its own self-manufactured smog. So the familiar final act may suffer some crash, bang and CGI wallop, but it’s redeemed by Diana’s heartwrenching goodbye to Steve Trevor that conjures the more emotion than any of the films that came before it. It’s a wonder we even got this, far but thank the gods we did.

JUMPCUT ALL THE WAY: “It’s not the giving, or the getting, it’s the loving”

Written by Jakob Lewis Barnes

Growing up as a child, there was one Christmas tradition I looked forward to and enjoyed the most. It wasn’t the presents – I’ve actually never been all that keen on opening presents – and whilst I do love a Christmas dinner, it wasn’t the food. What I’ve always enjoyed the most is the back-to-back viewing of these two highly entertaining, heartfelt Christmas short films. For me, these little films ARE Christmas.

The first part of this double bill is always Ziggy’s Gift. If you haven’t heard of this little fella before, I don’t blame you. He’s quite an obscure character who originated in newspaper comic strips in the 1960s, before finding relative success as an Emmy award-winning television short in 1982, with this delightful Christmas special.

Ziggy is a loveable mute, who, with the help of his canine companion, looks to spread the love at Christmas by volunteering as a street Santa for charity. Unbeknownst to Ziggy, he’s getting embroiled in a tangle of dishonest Saint Nicks who have been swindling the public and stealing the money for themselves. Along his journey, Ziggy adopts a stray cat, offers a homeless man the clothes off his back, and frees a tribe of doomed turkeys. The most beautiful thing about this character and his Christmas tale however, is his sheer lack of prejudice, his relentless goodwill and selflessness. All he wants to do is make people happy. The message at the heart of this film is clear: the greatest gift you can give at Christmas is love and kindness.

Now, I like to follow up this with Garfield’s Christmas Special. Whilst Ziggy gets me in the mood with his weirdly whimsical ways, Garfield’s role in this double bill is to provide a more classical approach, something more grounded and relatable, whilst remaining fun and festive. As we all know, Garfield isn’t the most enthusiastic of felines, but the melting of his heart on this particular Christmas gathering is truly touching, and I won’t lie, is a guaranteed tear-jerker for me every year. Now you may be thinking “hang on, Garfield makes you cry?” but believe me, there’s one particular scene in this film which makes it humanly impossible to resist welling up.

When Jon drags Garfield to his family home on the farm one Christmas, with the loveably excitable Otie in tow, Garfield wishes for nothing more than to be back in bed rather than being subjected to what he sees as a boring and cringe-worthy family tradition. But he soon forms a strong bond with Jon’s eccentric grandmother and realises there’s more to Christmas than giving and receiving presents – it’s the people behind the presents that really matter.

What you get with this Garfield special is your standard festive family formula – putting up the tree, sitting down for dinner, being too excited and waking up early on the big day, exchanging gifts and being merry. It’s this familiarity and predictability which makes the deeper, emotional kick even more poignant. There’s no denying it makes me sad every time, but it’s a wonderfully warm, happy sad. I’m sure we all have family members who aren’t around anymore, and Christmas is a time when we are likely to feel their absence even more. But the takeaway message from this fat ginger cat is unmistakably clear – make the most of the people you love, celebrate with them, make memories with them, treasure the happy times.

Christmas is fast becoming a time of materialism and consumer craziness, but these little short films take it back to basics and remind us of what is truly important. Indeed, Garfield said it best when he said: “It’s not the giving, or the getting, it’s the loving”.

I’m Really Excited For ‘John Wick 3: Parabellum’ And You Should Be Too!

Written by Sam Comrie

When I first caught wind of John Wick back in 2015, I was unsure of what to expect from this latest Keanu endeavour. I hadn’t seen the poster, let alone a trailer before I sat down to watch it in my brother’s living room. It was described to me as a “return to form”, or something to quench my thirst for Keanu + Kung-Fu action. The teal drenched frames began to roll out on his TV and 100 minutes later, I was ready for a second viewing.

A new heroic bloodshed tale happening before eyes, decades after John Woo pioneered the genre? I couldn’t believe it. Alas, there has been a renaissance in recent years of extremely well-executed actioners that strike fast and strike hard. The first Wick instalment had such an impact on me, that I used its superb nightclub sequence in a university sound design project (it wasn’t very good but I tried!).

Jump to 2017 and Chapter Two ended up as my favourite of the year. That movie took me to another god damn realm, so much so I ended up seeing it twice at its advance previews, each showing in a row. In an industry where sequels and expansion have increasingly become the norm, this companion piece doubled down on all the best parts that Wick had going for it. Elusive worldbuilding, intriguing traditions and characters all woven into a cocktail of supremely satisfying action.

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While Chapter Two might have become understandably… a little too overblown for some audiences, it has set the foundations for what could be an arguably *perfect* trilogy.

It is hard for me NOT to be immensely excited for Chapter Three / Parabellum; but I also know that it’s important to temper my expectations. I’m sure that most of us build up our own idea of what a film should end up like once it’s on that cinema screen. We tailor images and rumours to fit our version of a project that isn’t even completed. That can be dangerous and a detriment to how I dissect a final product.

On the other hand… it’s also part of the fun. Now, unfortunately, I’m going to have to get into spoilers regarding Chapter Two. If you haven’t seen it, then I recommend coming back once you have. If you’re not bothered, then you’ve been warned.

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In the final moments of Chapter Two, Mr Wick is declared EXCOMMUNICADO by Winston, the owner of The Continental (New York branch) after murdering Santino on company grounds. However, he has a one hour grace period to escape the city with his life and his dog. After that, it’s open season for every other contract killer in the assassination underworld to claim their reward for Wick’s head.

Tyler Bates menacing score plays over Wick as he begins his escape. Fin.

I sat there in that cinema screen, jaw on the floor. While it’s common in the heroic bloodshed genre to leave a hero in peril or at an odd’s end, I was still honestly shocked that this is where the story ended up going. John Wick is basically done for. Despite all his immense skill and deadly tendencies, I wasn’t confident in his future going forward.

There will still questions to be answered and maybe they still won’t be come May 2019. Who the hell are the members of the High Table? How is Wick going to get out alive?

I have no doubt that Stahelski and co. will bring the same determination and passion in the next instalment, while still expanding on this neon noir landscape they’ve created. I mean, the latest set pictures show Reaves riding a damn horse through the city, in pursuit of bikers. Just declare it the best film of 2019 now, to be honest.

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Narrative resolvement and expectations aside, what really excites me about is the prospect that this franchise came out of thin air from an independent stunt team because of their undying love for their craft. John Wick was a new canvas for them to explore and reinvigorate action filmmaking (with a healthy dose of Keanu).

It’s a superlative symphony of action filmmaking, waiting for its third act conclusion.

You can bet for sure that I will be there midnight showing / opening day when Chapter Three / Parabellum drops on May 16th 2019.