Oscars 2016: Best Picture Predictions

Written by Jakob Lewis Barnes

The approach of the winter months doesn’t just mean it’s time to go shopping for a new coat, because with the cold weather and shorter days comes a growing desire for people to discuss The Oscars. It may be more than four months until the 88th Academy Awards, but that doesn’t stop anyone speculating as to who the winners and losers will be on the big night. To be honest, I’ve been guessing since this year’s ceremony ended, and whilst guesses are all we have for now, The Academy certainly have a distinct pattern to their choices, hence the term “Oscar bait”. Here are the films that are likely to make the cut and be nominated in the Best Picture category.

And the nominees are…

Sicario
Arguably, this intense thriller from Denis Villeneuve (who directed the fantastic Prisoners) is the film which started the ball rolling with all this Oscars buzz. As one of the few films in this list that has actually been released in cinemas, I can offer my personal opinion of ‘Sicario’, and if it was up to me, this would be the winner. Whilst myself, and many others, love this gritty crime flick though, it’s unlikely that ‘Sicario’ will go further than a nomination.

Steve Jobs
Nothing gets The Academy’s attention like a biopic, and with the late founder of Apple taking centre stage in this Danny Boyle production, ‘Steve Jobs’ is about as relevant as they come. A fantastic cast, led by the very talented Michael Fassbender, and Academy favourite Kate Winslet in support, ‘Steve Jobs’ has been garnering praise from early viewings and could be the frontrunner for the Best Picture award.

Suffragette
If there’s anything The Academy loves more than a biopic, it’s controversy. A cast boasting some of the best actresses around – including Carey Mulligan and Helena Bonham Carter – should boost ‘Suffragette’ and allow the feminist movement to be represented next February. It also helps that various stars, including Meryl Streep herself, voiced their concerns over the lack of opportunities and equality for women at this year’s ceremony.

Bridge Of Spies
The man responsible for classics such as ‘Jurassic Park’, ‘Jaws’ and ‘Saving Private Ryan’, Steven Spielberg, is back, and has teamed up with legendary actor, Tom Hanks, for this cold war drama. Both of these men are probably sick of the sight of these trophies, but it is very likely that this winning recipe will earn them a few more nominations to add to their resumé.

The Revenant
One man who certainly wouldn’t mind getting hold of a golden statuette is Leonardo DiCaprio, and whilst we’re sure Tom Hanks could just lend him one for the weekend, we don’t think that would quite be the same. By hooking up with Tom Hardy, and last year’s big winner Alejandro González Iñárritu (director of Birdman), Leo may well have given  himself his best chance yet at grabbing a personal award and leading his film to glory. Could Iñárritu win back-to-back Best Picture awards?

Joy
Another winning team come together once again, to bring us ‘Joy’ this Christmas. Director David O Russell, who has received nominations for his last three films (The Fighter, Silver Linings Playbook and American Hustle), joins forces with Academy Award winner Jennifer Lawrence, and familiar faces Bradley Cooper and Robert De Niro, in what could be a perfectly crafted, Oscar-bait picture. Whilst unlikely to win the top gong, it would be a surprise to see this one snubbed.

The Lobster
The film festival circuit isn’t just a fun way to spend your summer, it’s actually a breeding ground for hot productions hoping to catch the eye of The Academy. Pretty much every year there will be one or two films that thrive in the quirky world of film festivals and make it to the big stage for The Oscars. With an interesting plot, big name stars in Rachel Weisz and Colin Farrell, and plenty of hype from critics, ‘The Lobster’ could well crawl its way into the Best Picture category.

Carol
The big success story from the film festival circuit however, is undoubtedly ‘Carol’. This film, which sees Cate Blanchett and Rooney Mara embark on a complicated lesbian relationship, has been lauded by critics all summer and will continue to be praised all the way through winter as it arrives in mainstream cinema theatres. It’s an outside shot, but this low-key, artistic offering could well beat the big names and steal the top prize next February.

So, with ‘Star Wars: The Force Awakens’ unlikely to get the nod from The Academy, in favour of something more stylistically brilliant (they don’t know what they’re missing), my money is on ‘Carol’ and ‘Steve Jobs’ to fight this one out.

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Oscars 2016: Best Picture Predictions

Written by Chris Winterbottom

It may be early, but with awards season kicking off, I thought I would share my tips for who will be nominated at the 2016 Academy Awards, which will be held on the 28th February. Last year’s winner of the award for Best Picture, ‘Birdman’, was part of an eight-strong group vying for that prestigious gold statuette, but the category can have up to ten films nominated. With that in mind, I’m predicting a nine horse race, considering the amount of interesting films still to be released before the big night.

And the nominees are…

Steve Jobs

After making the hugely enjoyable ‘Trance’, Danny Boyle is back to courting the big awards with this biopic of the Apple genius Steve Jobs. Michael Fassbender plays the titular character and with supporting actors in Kate Winslet and Jeff Daniels, early reviews have suggested this is the one to watch. Personally, I am looking forward to this immensely; Danny Boyle is one of my favourite filmmakers and with a script penned by Aaron Sorkin, whose other works include the wonderful ‘The Social Network’, this film looks set to be a huge success both financially and critically.

Suffragette

This recent release has seen much of its acclaim directed towards the acting performances; I am sure Carey Mulligan in particular will at least be nominated for Best Actress at the awards ceremony next February. I haven’t seen the film, but with Jennifer Lawrence’s recent essay on sexism in Hollywood, and the regular calls of discontent at the amount of roles for women and the pay they receive when they come along, I feel the Academy will include the film in the Best Picture category to acknowledge female filmmakers’ cries for equality, regardless of its quality.

Sicario

This Denis Villeneuve film is one of my favourites of the year so far. Currently, I would like ‘Sicario’ to win the award for Best Picture, but I haven’t seen the majority of the other potential nominees so it is too early to put fully commit. That said, the film is a brilliant piece of visceral, shocking and tense filmmaking. There may be nominations for its cast too, particularly for Emily Blunt and Benicio del Toro, and Roger Deakins is sure to win the Best Cinematography award for the first time. For now, ‘Sicario’ is an outsider, but we shall see what will happen in the coming months.

Inside Out

This may prove a controversial choice to some, considering no animated film has ever won Best Picture, but the amount of positive reviews for this Disney-Pixar effort may sway Academy voters. This is another film which I am yet to see, and I have to say that it is one of my big film regrets this year. I suspect that ‘Inside Out’ is the animated film most likely to pick up the Best Picture gong in February, but it still remains a big outsider. However, it was not so long ago that the majestic ‘Toy Story 3’ picked up the nomination for Best Picture, with ‘Up’ achieving this feat the year before.

Bridge Of Spies

Steven Spielberg, Tom Hanks and The Cold War? I’m predicting this film will receive the most nominations of all at the 2016 Academy Awards. But I feel this movie will pull an ‘American Hustle’ – receive the most nominations, including Best Picture, but then fail to win anything. Whilst it has a chance in the Best Costume and Best Make Up categories, and maybe some of the technical categories, I just don’t feel like the ‘Bridge Of Spies’ campaign will gain enough momentum.

The Hateful Eight

Tarantino’s last two films, ‘Inglourious Basterds’ (I know it’s spelled wrong) and ‘Django Unchained’ both received Best Picture nominations, and I am certain his latest effort will deliver him another. The film’s official release date is the 8th January 2016 in the USA, which would have made this ineligible, but with a limited release on Christmas Day, I’m confident that ‘The Hateful Eight’ will be nominated. The release date is telling; films with a release date around January and February here in the UK are often the big contenders when it comes to awards. I wouldn’t be surprised if this turned out to be Tarantino’s most financially successful film, even surpassing ‘Django Unchained’, but like his previous couple of movies, I don’t think it’ll win the Best Picture award.

The Revenant

Will Leonardo Di Caprio finally win the elusive Oscar for Best Actor? Many seem to think it’ll be his year, but I think the great man will have to wait at least another year. Alejandro Gonzalez Inarritu enjoyed big success at last year’s ceremony with ‘Birdman’, but I think he will receive something of a muted backlash for ‘The Revenant’, at least in terms of its critical reaction. However, The Academy love Inarritu and because of this, I believe the film will be competing for the Best Picture award. More likely though, I think we could see Emmanuel Lubezki pick up another statue for his cinematography work. For those that have seen the trailer, it already looks to be a visually stunning film.

Hail, Caesar!

The Coen Brothers are back with ‘Hail, Caesar!’, a musical-comedy satirising Hollywood. The film has a 1950’s setting, during Hollywood’s golden era, and features a fantastic cast including Scarlett Johansson. This film will be the main competition for Danny Boyle’s ‘Steve Jobs’. It will certainly challenge in terms of the technical awards, like Best Editing, but in my opinion the film will most likely pick the Best Director(s) award. The Coen Brothers are no strangers to award nominations, after the receiving a whole spate of them for ‘No Country For Old Men’, ‘True Grit’ and ‘Inside Llewyn Davis’.

The Danish Girl

I am a big admirer of Tom Hooper, particularly for his work on the underrated ‘The Damned United’. But his rise to the top, in terms of British filmmakers, has come off the back of ‘The Kings Speech’ and ‘Les Miserables’. You only have to look at the poster for this movie to know that this is an unashamed, Oscar-bait project. I don’t feel like this will be much of a success at the Oscars in February, but having said that I didn’t think ‘Gravity’ would either. Sometimes there are surprises, and I am sure Redmayne will receive another Best Actor nomination for his defiant, cross-dressing role, but my gut instinct is that the film will slip under the radar somewhat.

So there you have it – my predictions for the Best Picture category. Of course, this list may well be wrong and even if it is, it does not necessarily represent the year’s best films. I often find that The Academy is completely wrong in its choices; like Christopher Nolan being ignored twice, for ‘Inception’ and ‘Interstellar’. We are talking about an awards ceremony which snubbed ‘Citizen Kane’, after all. But there is no getting around the fact that the Oscars are the most prestigious of awards ceremonies, and I think in 2016 we will see Danny Boyle and his film ‘Steve Jobs’ be the triumphant victor.

Birdman: Or (The Unexpected Admission Of Ignorance)

Written by Wan Tyszkiewicz

This Oscar winning film is troubling on a number of levels. Released as ‘Birdman: Or (The Unexpected Virtue of Ignorance),’ the film is a dark comedy with an abundance of drama. It features failed actor Riggan Thompson (Michael Keaton) as he prepares for the opening night of a Raymond Carver short story adapted for theatre. Riggan is the star and director of this Broadway production, which he hopes will revive his defunct career. His damaged daughter Sam (Emma Stone), fresh from rehab, is employed as his reluctant assistant. Jake, the producer (Zach Galifianakis), is also Riggan’s lawyer and closest friend, and attempts to hold everything together as they approach the opening night and things start to unravel.

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The Oscars 2015: Winners & Losers

What a night! What a long night! From this side of the pond, watching The Academy Awards live was hard work, but ultimately a satisfying and worthwhile experience. The 87th annual awards show was hosted by Neil Patrick Harris, but I have a feeling we may have witnessed his swansong appearance as the presenter of the show. Aside from a theatrical, energetic and rather funny opening gambit, Patrick Harris quickly sunk into an apparent depression, barely even cracking a smile (even at his own jokes).

On a positive note, we were treated to some truly great acceptance speeches, from Patricia Arquette’s rousing feminist speech, to Graham Moore’s emotionally charged display, culminating in Alejandro Gonzalez Inarritu’s modest show of gratitude. The highlight however, has to be John Legend and Common, with their powerful, moving rendition of their track ‘Glory’, which won the award for Best Song. The performance, swiftly followed by the award, drew tears and a standing ovation from the crowd, with the emotive connotations linking the song to the story of ‘Selma’ and Martin Luther King’s drive for racial equality.

All of the eight nominees in the Best Picture award managed to get their hands on at least one of the little, gold statuettes, but it was ‘Birdman’ who stole the show with wins in the major categories. ‘Grand Budapest Hotel’ swept the board for design-oriented categories, whilst ‘Whiplash’ also enjoyed three victories. Richard Linklater will probably be the most disappointed, with many fans taking to social media to vent their anger and disbelief at The Academy’s oversight.

Here’s how the night unfolded:

Lupita Nyongo takes to the stage to present the award for Actor In A Supporting Role. This category was pretty much sewn up weeks ago, by J K Simmons for his role in ‘Whiplash’ and there were no surprises this time.

A quick-fire double for ‘The Grand Budapest Hotel’ as they check in with the awards for Achievement In Costume Design, and Achievement In Hair & Make-Up. A lot of people saying ‘Guardians Of The Galaxy’ should have took the latter.

Nicole Kidman and Chiwetel Ejiofor present the award for Best Foreign Language Film to Polish flick ‘Ida’. Director Pawel Pawlikowski ignores the get-off-the-stage-now music and completes his rather long acceptance speech.

The award for Best Live Action Short goes to ‘The Phone Call’ whilst Best Documentary Short is given to ‘Crisis Hotline: Veterans Press 1’. More of those long acceptance speeches.

Sienna Miller and Captain America present the awards in the sound category. Sound Mixing goes to team ‘Whiplash’ and Sound Editing to ‘American Sniper’. I feel Sienna Miller may have rigged the votes on that one.

Last year’s winner of the Supporting Actor award, Jared Leto takes to the stage, head to toe in baby blue, to present the award for Actress In A Supporting Role. Another relatively predictable win as Patricia Arquette takes home the award, for her role in ‘Boyhood.

The award for Achievements In Visual Effects goes to ‘Interstellar’, rightly so. Disney’s ‘Feast’ scoops the award for Animated Short, whilst a stunning Zoe Saldana and Dwayne Johnson AKA The Rock present the Oscar for Animated Feature Film to ‘Big Hero 6’.

‘The Grand Budapest Hotel’ makes it a hattrick of wins, taking the award for Achievements In Production Design. Swooping down to grab the award for Cinematography, with a strong indication that more are to follow, ‘Birdman’.

A big win for ‘Whiplash’, taking the award for Achievement In Film Editing, is preceded by the ever-emotional In Memoriam montage. A pair snubbed by The Academy this year, Jennifer Aniston and David Oyelowo step up to present the award for Documentary Feature to ‘Citizen Four’. This is all soon forgotten as John Legend and Common raise the roof with their performance of ‘Glory’, which takes the award for Best Song soon after. Common poetically describes Selma Bridge, “this bridge was built with hope, welded with compassion and elevated with love for all human beings”. A truly powerful performance and speech which is worth watching.

The last of the relatively minor categories, the award for Best Original Score goes to, you guessed it, ‘The Grand Budapest Hotel’. Screenplay appreciation time, with ‘Birdman’ taking the award for Original Screenplay and ‘The Imitation Game’ writer, Graham Moore, recognised for his Adapted Screenplay.

Time for the big four. Richard Linklater took 12 years to create his epic ‘Boyhood’, but that counts for nothing apparently. Alejandro Gonzalez Inarritu steals the show again, taking the award for Best Director and claiming to be wearing Michael Keaton’s “tighty whiteys”.

No such surprises in the category of Best Actor In A Leading Role and Best Female In A Leading Role, with Eddie Redmayne and Julianne Moore picking up the awards we all knew they deserved. Last but by no means least, the big one, the award for Best Picture. Before the big night I had ‘Boyhood’ down to take this one, but as the night went on I think we all realised that it was, of course, going to be ‘Birdman’ and Inarritu who would scoop the number one prize.

Written by Jakob Lewis Barnes

Oscars 2015 Close-Up: Birdman

Our penultimate close-up zones in on Alejandro Gonzalez Inarritu’s dark, comedic-drama ‘Birdman’. Starring Michael Keaton, this unique film has garnered critical acclaim and numerous, prestigious awards in the run-up to the Academy Awards, making it one of the strong favourites to win in the Best Picture category. Read Entertainment Weekly’s focus on ‘Birdman’ here and read the JumpCut UK review of ‘Birdman’ here.

First Look: The Revenant

Leonard’s DiCaprio returns to the big screen in The Revenant, alongside Tom Hardy. Director Alejandro González Iñárritu has been full of praise for the Wolf of Wall Street star’s commitment to his new role, which will hit cinemas January 2016. DiCaprio sports a scruffy look for the adaptation of Michael Punke’s novel, which follows the revenge mission of an ill-fated fur trapper, set in the 1820s. Read more here.