LFF 2018: The Hate U Give

Year: 2018
Directed by: George Tillman Jr.
Starring: Amandla Stenberg, Regina Hall, Russell Hornsby, KJ Apa, Algee Smith
Screening at LFF: 20th & 21st
UK release: 22nd October

Written by Sarah Buddery

If Spike Lees’ BlacKkKlansman was the powerful, resonating and necessary film for adults in 2018, then The Hate U Give is the same in terms of potency but packaged in a way that is accessible to young adults and teens. Beyond that, however, this film has messages and relevancy across the board, and alongside the aforementioned Spike Lee joint, you’d be hard-pushed to find two films more relevant to our times.

Amandla Stenberg (who fans will recognise as Rue from The Hunger Games) absolutely astounds, and a lot is placed on her young shoulders in this film. We spend almost the entirety of the film’s runtime with her, and the nuances in the way she shows the development of her character are mesmerising. She portrays the duality of a girl torn between her “white” school and friends, and her “black” neighbourhood, family, and peers expertly. From the offset, there is the sense of a character caught between worlds, not really feeling sure of what one she belongs in, and this theme of identity is beautifully played throughout. Anchored by Stenberg’s performances, this idea of belonging and identity is something which resonates beyond race, and ensures this film is accessible to a wider audience, particularly it’s teen target audience.

The film takes a little while to settle into its groove, and indeed initially plays out like any other teen movie. Whilst the “slang” and very obvious steer towards a teen audience grated initially, in hindsight it was completely necessary, the earth-shattering events Stenberg’s Starr witnesses are a jarring gut punch into her teen normalcy, and the tone of the film from here on out, is very different.

The Hate U Give is a film which feels consistently, and perhaps horrifyingly relevant, it’s quiet broiling tension and anger eventually exploding in a way that is simultaneously cathartic and a call to action. This is a film which demands a response, and one which perhaps more than anything, encourages young people to use their voice. Throughout, it emphasises that it is having the courage to speak out that is seen to be greater than any act of violence, and the voice is the most powerful weapon you could have.

The final act is absolutely stunning with Stenberg’s performance being at its absolute peak, with emotion and talent beyond her years. It’s an act which is simple, defiant, earned, and incredibly powerful, and it is here that the film truly shines.

The initially uneven tone of the film perhaps lets this down slightly, but this is a film with something to say and it is important that audiences give it the time to listen to it.

SARAH’S RATING:

4

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REVIEW: Where Hands Touch

Year: 2018
Directed by: Amma Asante
Cast: Abbie Cornish, Amandla Stenberg, George MacKay, Christopher Eccleston

Written by Fiona Underhill

British director Amma Asante has prioritised telling the stories of black and mixed-race characters in period films during her career so far – a genre where they often they are over-looked and ignored. Her breakthrough feature Belle starred Gugu Mbatha-Raw as a real-life historical figure in 18th century period costume and stately homes – which is a setting that is usually dominated by white actors on British television and in film. Her follow up A United Kingdom was set in the 1950s and starred David Oyelowo as the King of Botswana who falls in love with a white British woman. Now comes Where Hands Touch and stars Amandla Stenberg as a mixed-race German girl who falls in love with the son of a Nazi officer. Asante has shown herself to be an empathetic filmmaker, exploring the nuances of situations where characters struggle with their identities.

Twelve years in the making, this has been very much a passion project for Asante, involving a lot of historical research into the 25,000 people of colour who lived in Nazi Germany. This film focuses on those who were known as the ‘Rhineland Bastards’ and were the result of French soldiers of African descent being in that area during WWI. Leyna (Stenberg) is the product of one such union between a soldier and her mother (played by Bright Star’s Abbie Cornish). She has a younger brother who is white and as a result, Leyna feels very much the odd-one-out. Although she is happy and mostly accepted in her small community in the Rhineland, things are becoming increasingly dangerous. Her mother knows that if the Nazis come looking for Jewish people and find Leyna, they will probably just cart her away as well. Her mother believes that they will be able to disappear in Berlin, only to find that the big city brings its own problems.

Leyna must carry false papers with her, stating she has been sterilised (to prevent her mixing with white Germans). However, she meets and falls in love with Lutz (George MacKay), whose father (played by Christopher Eccleston) is a high-ranking Nazi. George MacKay has impressed me in Pride and Captain Fantastic and he does well again here, portraying a ‘gung-ho’ wannabe soldier, eager to get the front and join in the real fight. However, there is obviously another side to him, shown through the sensitive portrayal of his tender romance with Leyna. Amandla Stenberg was recently seen in Everything Everything with Nick Robinson and will soon be starring in The Hate U Give. She gives a fantastic performance here as a young woman, struggling to find her place in the world.

There has been some controversy surrounding this film – that it is insensitive to show a romance (which includes a Nazi soldier) against the backdrop of the Holocaust. This film does not ignore the Holocaust, but it does choose to focus more on a little-known aspect of the war, portraying a minority that did exist and most people would not have considered before. Also, I can understand, in our current times, why portraying a sympathetic Nazi is problematic. However, I think it is realistic to show how easily a German teenager could be brainwashed into believing the propaganda he has been fed, whilst also retaining his humanity and being capable of loving a mixed-race girl. The evil is an external pressure, rather than inherent within him. It also contrasts Lutz with his father, who is jaded due to having lived through WWI. However, his father still carries out despicable orders to save his own skin. This film does not present the issues as black-and-white, the characters are complex and flawed, but that does not mean you can’t feel something for them. It is Leyna’s relationship with her mother (and her own identity) that is perhaps the most moving aspect of the film though.

I believe this filmmaker, these actors and this story deserves your support, so if you are able to find Where Hands Touch in a movie theater near you, give it a chance. It is on selected release in the US now, UK release date is to be confirmed.

Fiona’s Verdict:

4

 

The Headliners & Hidden Gems At The 62nd BFI London Film Festival

Yesterday saw the announcement of the full line-up of films for the 62nd BFI London Film Festival (LFF), and boy is there a ton to get your teeth stuck into! But this year we have even more reason to be excited as JUMPCUT will attending and covering the festival for the first time ever!

We’ll be covering a whole range of films screening at the festival, including some of the headliners and hidden gems! JUMPCUT’s LFF Queen Sarah has kindly picked out just some of the films she thinks you are going to want to keep your eye on!

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The Headliners

Widows
Directed by: Steve McQueen
Starring: Viola Davis, Michelle Rodriguez, Elizabeth Debicki, Cynthia Erivo, Colin Farrell, Daniel Kaluuya

Why it is worth a watch: I mean that cast list alone is worth the admission price, but this female-fronted action thriller is also helmed by the man who brought us 12 Years a Slave, a film which previously enjoyed awards success. But the talent doesn’t end there, Widows is penned by Gone Girl writer Gillian Flynn and Hans Zimmer provides the score. This is an action movie of the highest calibre and one that will be well worth your time and money.

Screening at LFF: 10th, 11th, 12th October
UK Wider Release Date: 6th November 2018

Stan & Ollie
Directed by: Jon S Baird
Starring: Steve Coogan, John C Reilly, Nina Arianda, Shirley Henderson, Danny Huston

Why it is worth a watch: An ode to cinema, entertainment, and with two leading actors known for their brilliance as physical comedians, Stan & Ollie seems like the perfect film to close out London Film Festival. Coogan and Reilly bring beloved comedians Stan Laurel and Ollie Hardy to life on the big screen, focusing on the twilight years of their career. This is set to be a real crowd-pleaser and the most fitting curtain call for the festival.

Screening at LFF: 21st October
UK Wider Release Date: 11th January 2019

The Favourite
Directed by: Yorgos Lanthimos
Starring: Olivia Colman, Emma Stone, Rachel Weisz

Why it is worth a watch: A divisive filmmaker, but certainly one that gets people talking, Yorgos Lanthimos brings his third English-language film in four years to the London Film Festival. With stand-out performances from Olivia Colman, Rachel Weisz and Emma Stone, The Favourite promises to be bizarre, bonkers, and brilliant!

Screening at LFF: 18th, 19th, 21st October
UK Wider Release Date: 1st January 2019

The Ballad of Buster Scruggs
Directed by: Joel and Ethan Coen
Starring: Tim Blake Nelson, Liam Neeson, Tom Waits, Zoe Kazan, Bill Heck

Why it is worth a watch: It’s the Coen Brothers! In all seriousness, the latest from the incomparable Coens promises to be wild (west) entertainment, hilarious, offbeat, and surprisingly melancholic. Dark humour and the trademark Coen brothers flair will be here in abundance

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Screening at LFF: 12th, 13th, 21st October
UK Wider Release Date: TBA

Beautiful Boy
Directed by: Felix Van Groeningen
Starring: Steve Carell, Timothee Chalamet, Maura Tierney, Amy Ryan

Why it is worth a watch: Just try and get through the trailer to this one without crying. Sometimes you just need to let it all out, and this will be the film that gets audiences at LFF reaching for the tissues. Starring man-of-the-moment Timothee Chalamet, hot off the heels of last year’s Call Me By Your Name, and Steve Carell in what is set to be another great dramatic role for him, Beautiful Boy will be the one to watch for those early Best Actor hints…

Screening at LFF: 13th, 14th, 16th October
UK Wider Release Date: 18th January 2019

Suspiria
Directed by: Luca Guadagnino
Starring: Dakota Johnson, Tilda Swinton, Mia Goth, Jessica Harper, Chloe Grace Moretz

Why it is worth a watch: Full disclaimer, I am a massive horror wuss and will therefore not be seeing this on the big screen, but it would be very remiss of me not to mention it here. There is no denying the trailer is stunning, and the hype levels amongst the JumpCut team have reached fever-pitch for this one. It won’t be for everyone but it’ll certainly be a talking point. And also it has Tilda Swinton in it; you can’t go wrong!

Screening at LFF: 16th, 17th, 19th October
UK Wider Release Date: 16th November 2019

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The Hidden Gems

Wild Rose
Directed by: Tom Harper
Starring: Jessie Buckley, Sophie Okonedo, Julie Walters

Why it is worth a watch: After impressing in Beast, Jessie Buckley stars in what is set to another impressive film. A Glaswegian single mum dreams of being a country singer, how hard could it be?! This is the sort of film that will make your heart soar, and with Julie Walters also appearing, it is hard not to draw comparisons with the underdog story of Billy Elliot. This film is already set to be one of the truly underrated gems of the festival.

Screening at LFF: 15th, 16th, 20th October
UK Wider Release Date: 8th February 2019

The Hate U Give
Directed by: George Tillman Jr
Starring: Amandla Stenberg, Regina Hall, Russell Hornsby, KJ Apa, Common

Why it is worth a watch: Adapted from Angie Thomas’ ‘Black Lives Matter’-inspired Young Adult novel, this film certainly feels like an important one, and one which is sadly still so relevant. Focusing on the young lives affected by the tragic shootings of their peers, the BFI are also offering £5 tickets to see this one for 16 to 25 year olds. Even outside of this age range, this film has a lot to offer, promising to be a powerful and timely watch.

Screening at LFF: 20th, 21st October
UK Wider Release Date: 26th October 2018

Assassination Nation
Directed by: Sam Levinson
Starring: Odessa Young, Suki Waterhouse, Hari Nef, Abra, Bella Thorne

Why it is worth a watch: Don’t let the early trigger warnings put you off, this is a film that bears everything upfront and then unleashes all hell. Assassination Nation is the Salem witch trials meets the digital generation in this thoroughly modern cautionary tale, and one which is poised to join other teen cult classics such as Heathers and Spring Breakers. Subversive and utterly unique, this could be one of the surprise hits of the festival.

Screening at LFF: 19th, 20th, 21st October
UK Wider Release Date: 23rd November 2018

Burning
Directed by: Lee Chang-dong
Starring: Yoo Ah-in, Jeon Jong-seo, Steven Yeun

Why it is worth a watch: This film wowed audiences at Cannes, which is often the mark of a successful festival film! This lean slow-burning thriller promises to have you gripped right from the start, as well as exploring complex themes such as obsession, class-conflict and suppressed male rage. It will be unlikely to have a wide cinema release, so catch this one at the festival whilst you can!

Screening at LFF: 19th, 20th October
UK Wider Release Date: 1st February 2019

Mandy
Directed by: Panos Cosmatos
Starring: Nicolas Cage, Andrea Riseborough, Linus Roache

Why it is worth a watch: Yes, Nicolas Cage. Stop reading now! Just kidding, this synopsis alone is enough to make you want to see it so we’re not even going to add to it: “In a mountain-cabin idyll, lumberjack Red Miller (Nicolas Cage) lives in perfect harmony with his great love Mandy (Andrea Riseborough). But the couple’s blissful utopia is cruelly shattered when a ragtag band of Satanic cultists invade their humble abode and claim Mandy for their own. Traumatised and distraught, Red is left with no option but to exact a bloody revenge.” (Michael Blyth, BFI)

Screening at LFF: 11, 12, 17th
UK Wider Release Date: 12th October 2018

Blaze
Directed by: Ethan Hawke
Starring: Ben Dickey, Alia Shawkat, Sam Rockwell

Why it is worth a watch: Ethan Hawke is having quite the year, and fresh from his acclaimed performance in First Reformed, his latest directorial offering his heading to LFF. This biopic about a little known musician is shot with affection and true passion that is hard to replicate, and quite frankly anything Ethan Hawke is passionate about, we love already!

Screening at LFF: 20th, 21st October
UK Wider Release Date: TBA

Watch The Powerful First Trailer For ‘The Hate U Give’

“Starr Carter is constantly switching between two worlds: the poor, mostly black, neighborhood where she lives and the rich, mostly white, prep school she attends. The uneasy balance between these worlds is shattered when Starr witnesses the fatal shooting of her childhood best friend Khalil at the hands of a police officer. Now, facing pressures from all sides of the community, Starr must find her voice and stand up for what’s right.”

Directed by: George Tillman, Jr.

Cast: Amandla Stenberg, Regina Hall, Russell Hornsby, KJ Apa, Algee Smith, Lamar Johnson, Issa Rae, Sabrina Carpenter, Common, Anthony Mackie

Release Date: November 2nd, 2018