JUMPCUT’s Top 10 Films Of 2018

As our 2018 movie window closes, and another one for 2019 is ready to burst open.

Taking a look back over the last 12 months of film and remembering all those big blockbusters, indie treasures and specialist cinema debuts are one thing, but narrowing them all down to just ten of the best is something else.

The staff at JumpCut Online locked themselves away from social media to draw up their own personal ‘Top 1O’. From that, each nominated film was awarded points (1st = 10, 2nd = 9 etc) until a definitive list was formed.

Ladies and gentlemen, for your debating pleasure, here is that list of the JumpCut Online Top 10 of 2018 in ascending order, based on UK release dates.


1

#10 – A Star Is Born
[dir. Bradley Cooper]

Jack (Bradley Cooper), a washed-up, alcoholic musician helps young singer Ally (Lady GaGa) find fame with her natural talent. But his demons threaten to send his career and even his life into a into a downward spiral from which there may be no return…

“The first half of the movie may hit some beats you’ll likely expect, but the second half will knock you for six, diving deep into the aftermath of lovesick decisions, all before reaching a devastating conclusion. Despite the pain and the many, many tears, this is a film that demands an immediate revisit as soon as the credits roll. Cooper has landed a masterpiece on his first go. You could say, a star is born.” – Cameron Frew

 

 

1

#9- You Were Never Really Here
[dir. Lynne Ramsay]

Joe (Joaquin Phoenix) is a traumatized gun-for-hire who is unafraid of violence. When a job spins out of control, Joe’s nightmares overtake him as a conspiracy is uncovered leading to what may be his death trip or his awakening…

“Truly edge of your seat stuff, and whilst the comparisons with ‘Taxi Driver’ kind of write themselves, it is still amazing on its own merit. Joaquin Phoenix gives an electric, and possibly career-best performance…this is one of the most genuinely thrilling films in a long time, and one which packs a mean punch into a relatively short space. An explosive, and unmissable film.”Sarah Buddery

 

 

1

#8 – Avengers: Infinity War
[dirs. Joe & Anthony Russo]

Earth’s mightiest heroes, The Avengers, must reach out to their allies in order to unite and stop Thanos (Josh Brolin), a powerful warlord intent on acquiring the Infinity Stones and using them to wipe out half of all beings in the galaxy and change things forever…

“At its best is epic, emotional and very, very shocking. It has impressive set pieces and of course it’s very funny. The few faults it does have are going to be down purely to the viewer. A knowledge of all that has happened before is essential. This is not the film for newbies….overall this was worth the wait.”Dave Curtis

 

 

1

#7 – Spider-Man: Into The Spider-Verse
[dirs. Bob Persichetti, Peter Ramsey]

Young teenager Miles Morales is involved in a freak accident and becomes Spider-Man. When the evil Kingpin creates a powerful machine that blends alternate dimensions, he crosses paths with five Spider-People from other dimensions who must work together and save all of their worlds…

“It’s a universal story that can be loved by everyone, filled with beautifully touching moments for both comic book and non-comic book fans alike, great laughs, and some pretty great music. This movie really showcases what minds like Steve Ditko and Stan Lee saw in these characters and what they wanted to express; a mask is a mask, but what really matters is who is underneath it – and that could be anyone.”Fernando Andrade

 

1

#6 – The Shape Of Water
[dir. Guillermo del Toro]

At a top secret research facility in 1960s America, Elisa, (Sally Hawkins) a lonely janitor, forms a unique relationship with an amphibious creature (Doug Jones) that is being held in captivity by the brutal Richard Strickland (Michael Shannon) who wants to unlock super-human secrets to use against America’s enemies…

“Utterly magical in every sense of the word, and “more” than what you could wish for in all conceivable ways….with incredible performances, absolutely stunning visuals (special nod to the underwater scenes which are totally breathtaking), masterful direction, and a unique and memorable story, ‘The Shape of Water’ deserves to be looked back on with the same fondness and reverence that ‘Pan’s Labyrinth’ is. A modern masterpiece, and a truly spectacular film.”Sarah Buddery

 

 

1

#5 – First Man
[dir. Damien Chazelle]

American astronaut Neil Armstrong (Ryan Gosling) and his wife Janet (Claire Foy) must deal with pressure at work and at home when he is offered a historic NASA space mission; to become the first man to walk on the Moon. But pre-flight tests and training don’t come easy, with many highs and lows that push Neil, and the mission, almost to breaking point…

“Stunning. It’s an astounding achievement for a young director on the winning streak of his life; it has two award-worthy leading performances; it’s gorgeous to look at; it’s amazing to listen to; and it’s an utterly overwhelming experience. See it on the biggest, loudest screen you can. Chazelle, you’ve done it again.”Rhys Bowen-Jones

 

 

1

#4 – Phantom Thread
[dir. Paul Thomas Anderson]

Set in 1950s London, Reynolds Woodcock (Daniel Day-Lewis) is a renowned dressmaker whose fastidious life is disrupted by a young, strong-willed woman, Alma (Vicky Krieps), who becomes his muse and lover and who turns his view on life, and himself, upside down…

“When it comes down to it, ‘Phantom Thread’ is surprisingly quotable, cinematically very pleasing and a joy to watch. The cast all share strong chemistry and with a little help from Johnny Greenwood, Paul Thomas Anderson has created another excellent film which sits very nicely with his back catalogue. If this is Daniel Day-Lewis’ last ever film, then I will happily watch his old films with a smile on my face…but I do hope he changes his mind. He is just too good. He has loads left in the tank.”Dave Curtis

 

 

1

#3 – Hereditary
[dir. Ari Aster]

After the family matriarch passes away, a grieving family is haunted by tragic and disturbing occurrences, and begin to unravel dark secrets. The mother, Annie (Toni Collette), begins to see her family slow fall apart, and while she is the only one who can hold them together, the supernatural powers surrounding them become too strong to contain…

“There are clear inspirations from classics such as Rosemary’s Baby and The Omen (and even 2011’s much underrated Kill List). And like those fondly remembered shockers, Aster’s film isn’t perfect – it’s a little overlong, occasionally fumbling around the good stuff towards the end… An outstandingly horrifying achievement from a debut filmmaker, Hereditary is a classic in the making, built on rock-solid, terrifying, atmospheric terror.”Cameron Frew

 

 

1

#2 – Roma
[dir. Alfonso Cuarón]

Set in the early 1970s in Mexico City, we follows the life of live-in housekeeper Cleodegaria “Cleo” (Yalitza Aparicio) to an upper-class family. It tells the story of situations; the life Cleo and her family face in and around Mexico City at a time when living and providing was nothing but a struggle for most…

“Visually striking, aurally immersive and emotionally captivating, ‘Roma’ is undoubtedly one of the finest films of the year and arguably Cuarón’s best film. It is certainly his most personal film, and the labour of love that this film represents permeates through every single frame. With exceptional performances, beautiful imagery, and the finest sound design in recent years, ‘Roma’ isn’t just a film which deserves to be seen on the big screen, it is one which deserves to be heard on the big screen. It bears repeating: ‘Roma’ is a masterpiece.” – Sarah Buddery

 

 

1

#1 – Mission: Impossible – Fallout
[dir. Christopher McQuarrie]

IMF agent Ethan Hunt (Tom Cruise) and his allies must race against time to find a deadly crime syndicate intent on throwing the world into chaos. CIA agent August Walker (Henry Cavill) is also on hand to make sure IMF can do the job in hand when it becomes clear there is a mole within their ranks…

“Not only is ‘Fallout’ fun to watch, but it is also technically brilliant. From the score to the cinematography and the stunt work, it’s amazing to think about the hours of hard work the crew have had to put in to make a movie like this. They are the real MVP’s. I salute them…It is a proper popcorn flick which only has a few minor flaws. To think this franchise has been going for 22 years and it still feels this fresh and new is a testament to the director and star. I can’t imagine what they have in store for Mission Impossible 7. Surely only outer space beckons now.” – Dave Curtis


So there we have it. Agree or not, that’s the consensus for the Top 10 best films of 2018 from a team who, between them, have probably watched all that has been on offer.

Films that narrowly missed out a spot include ‘Beast’, ‘Black Panther’, ‘Isle Of Dogs’, ‘A Prayer Before Dawn’ and ‘Bohemian Rhapsody’.

We can’t wait to do it all again next year for the barnstorming 2019 offerings ahead!

Advertisements

The Odyssey Awards: 2018 Retrospective

As everyone begins to wind down after Christmas, here at JUMPCUT we’re excitedly gearing up for 2019! Before we’re done with 2018 though, we have a few more treats up our sleeve for you, including our most anticipated films of 2019 list and some big news which we’ll be sharing in a few days!

The retrospective features just some of our favourite films this year* (sadly we couldn’t fit them all in!) including A Quiet Place, BlacKkKlansman, Blindspotting, Bumblebee, Hereditary, Widows, Annihilation, Avengers: Infinity War, Love, Simon, and First Man to name but a few.

We’re sure you’ll likely pick up some notable absences from our video, but we aimed to keep it less than 2 minutes long – so not all our choices made the final cut!

We’d love to hear what films you’ve enjoyed this year and if you’ve got your top 10 list firmly nailed, share it with us on Twitter!

 

*based on UK release dates

Weekend BO Report: A Blistering June Weekend Sees ‘Fallen Kingdom’ In A World Of Its Own

Written by Dapo Olowu

On the biggest June Box Office weekend in domestic history, it was ‘Jurassic World: Fallen Kingdom’ that snatched first place with a remarkable $148m 3-day haul. Early tracking, like with ‘Jurassic World’ in 2015, saw a much more conservative $130m figure being touted by industry analysts, as well as yours truly. But, it’s becoming increasingly clear that the franchise relies heavily on on-the-day walk-ups – pre-orders and heavy anticipation just isn’t the audience preference here. This means that the duo of films, led by Chris Pratt and Bryce Dallas Howard, have become Universal’s first and second highest openings of all time (with the former pulling in a then-record $208.8m), showing that audiences in the U.S. still have a mighty appetite for the Dinosaur franchise. The same can be said for International viewers, as ‘Fallen Kingdom’ now boasts a mighty $715m global gross and is looking at finishing in the region of $1.2bn worldwide.

Flying in for a second place finish this weekend is ‘Incredibles 2’, Pixar’s record-breaking sequel. Unfortunately, it cut our dreams of a $100m 1-2 in the Box Office short, bringing in a smaller but still solid, $80.3m. The interesting bit here is the similarities in its weekend drop to both ‘Infinity War’ and ‘Guardians of the Galaxy Vol. 2’, whose 55.5% falls almost mirror ‘Incredibles 2’s 56%, indicating that the Brad Bird-directed hit may end up performing more like an archetypal superhero movie than a family-oriented Pixar animation. A box office run like ‘Infinity War’ would earn ‘Incredibles 2’ a domestic finish of $475m, while a run like ‘GotG2’ leaves the film at $485.9m. Disney and Pixar will be optimistic for a stronger performance, though, as the summer period should see it beat ‘Finding Dory’s record of $486.3m. Internationally, ‘Incredibles 2’ fared especially well in China, earning a Pixar-record $21.2m in the region.

A gross of $11.5m leaves Sandra Bullock’s ‘Ocean’s 8’ on a domestic total of $100.3m, and a worldwide gross of $171.6m – a fantastic return after just 3 weeks. As the film closes in on $200m, and critical reaction stands to be mostly positive, a possible sequel is looking more and more likely. True-story comedy ‘Tag’ has managed to take in $8.3m to bring its domestic total up to $30.4m – on-track with last month’s Melissa McCarthy comedy ‘Life of the Party’. The former will hope to better the $52.1m domestic total that the latter ended up on, as ‘Tag’s inflated $28m production cost requires a leggier Box Office run.

Deadpool 2’ triumphed over ‘Solo’ this weekend, earning $5.3m compared to the latter’s $4.5m, moving past ‘It’ as the 3rd biggest R-rated global hit (behind ‘The Matrix Reloaded’ and ‘Deadpool’). ‘Solo’ was hit a little hard by ‘Fallen Kingdom’, dropping 55% from last week’s gross. On the other hand, ‘Hereditary’ held steady after losing 1,000 cinemas, earning $3.6m  and leaving it just $2m short of $50m globally. The A24 film will be confident at landing somewhere close to $60m worldwide; a fantastic return for the studio with a patchy Box Office record to date.

Sony action film, ‘Superfly’, dropped by 50% from last weekend to gross $3.4m – a figure similar to Tyrese Gibson thriller, ‘Waist Deep’, from 2006, which also saw a $3.4m second weekend. While the latter’s $21.3m domestic total looks reachable for ‘Superfly’, it’ll be a disappointing run for the film that cost $16m. Finally, ‘Infinity War’ earned $2.6m in its final weekend in the top 10, while limited-release documentary ‘Won’t You Be My Neighbour’ brought in $1.8m for 10th spot.

As worldwide audiences can’t seem to get enough of the ‘Jurassic’ franchise, where do you the current film ending up? Will it break into the top ten biggest of all time? Let us know your thoughts – we’re on Instagram and Twitter at @JUMPCUT_ONLINE.

Untitled

Weekend BO Predictions: On A Potentially Record-Breaking Weekend, Will ‘Jurassic World: Fallen Kingdom’ Open With A Roar?

Written by Dapo Olowu

It’s sequel season in the Box Office sphere, with ‘Jurassic World: Fallen Kingdom’ following in the footsteps of ‘Ocean’s 8’ and record-breaking ‘Incredibles 2’ in its attempt to top the charts this weekend, in a live-action record 4,475 cinemas. The follow-up to Colin Trevorrow’s 2015 continuation of the ‘Jurassic Park’ franchise (which surprisingly broke the then-opening weekend record with $208.8m) looks to follow in the footsteps of last week’s ‘Incredibles 2’ and provide mass appeal. The problem is, Pixar sequel completely smashed expectations and performed brilliantly across the four main audience quadrants, providing men, women, alongside over and under-25s alike worth quality viewing. This then led to an animated record-breaking $187.2m opening for the film, practically ensuring it’s future Box Office profits. ‘Jurassic World 2’, on the other hand, has a 53% rotten rating on the Tomatometer, and is the sequel not many Americans seemingly asked for, much like ‘Solo’ some weeks ago.

Fears of this being another ‘Solo’ are quite extreme however; ‘Jurassic World 2’ has already made $450m in International markets without the film even reaching U.S. cinemas, and crossed over the $100m mark in China in its first 3 days. It aims to see a drop akin to ‘The Last Jedi’, which fell 13% from ‘The Force Awakens’ for a $220m opening. The same for ‘Jurassic World 2’ would give it a massive $181.7m domestic start, but without such a dedicated fanbase as ‘Star Wars’, even the most optimistic of analysts would roll their eyes at such a prediction. Therefore, I’m looking at ‘Rogue One’, which dropped by 37% from ‘The Force Awakens’. A similar fall from ‘Jurassic World’ would leave its sequel opening to $131m, and taking into account ‘Incredibles 2’s performance, we’re thinking ‘Jurassic World 2’ will hit $125m in its first 3 days. Fun fact: this is to be only the second time ever that a $100m opener has immediately followed another $100m opener in the next week, after ‘Pirates of the Caribbean 3’ followed ‘Shrek 3’ in 2007.

Looking to take advantage of ‘Jurassic World’s disappointing opening is ‘Incredibles 2’, which aims to make history by being the first film to ever make $100m or more in the same weekend as another. No two films have ever simultaneously achieved the feat on the same weekend; the closest this ever came was in 2015, when in a curious case of reverse fortune, Disney favourite ‘Inside Out’ opened to $90.4m during ‘Jurassic World’s second weekend (where it itself grossed $106.6m). ‘Incredibles 2’ would have to drop by 45.3% to reach $100m, and that’s where we’re hoping it reaches.

Next, is ‘Ocean’s 8’, and this continues to emulate ‘Ghostbusters’ with around a $10m 3rd weekend. Comedy ‘Tag’ would love to mirror ‘Game Night’s second weekend performance with a 38.8% drop, but will probably perform closer to ‘Neighbors 2’ and fall somewhere in the 50% region. A gross of $7.5m will be enough for fourth place, ahead of ‘Solo’, who will finally pass the $200m domestic total this weekend, for a gross of $6m, in-line with the performance of ‘Days of Future Past’. Closely trailing is ‘Deadpool 2’ with $5.6m, now reaching $700m worldwide and $300m domestically.

A24 horror ‘Hereditary’ continues its impressive run, and looks to earn $4.3m in the U.S. this weekend, leaving the film just $19m away from being A24’s biggest domestic hit, and close to making $50m globally. ‘Infinity War’ should come 8th with a gross of $3.8m, and finally ‘Superfly’ and ‘Adrift’ round off the top ten with $3.2m and $1.1m each.

Will ‘Jurassic World 2’ and ‘Incredibles 2’ make Box Office history, or will the latter fall just short of the $100m target? Let us know your thoughts on Instagram and Twitter – we’re at @JUMPCUT_ONLINE.

 

Untitled

Weekend BO Report: ‘Incredibles 2’ Destroys Animated Opening Record On A Memorable Father’s Day For Disney

Written by Dapo Olowu

It’s Disney’s world, and we’re all just living in it. After securing the two biggest openings of the year so far in ‘Black Panther’ and ‘Infinity War’ (the latter being the biggest domestic and global opening of all time), the studio strengthened their position as a Box Office powerhouse by breaking its own animated opening record, with ‘Incredibles 2’ making $182.7m in the first 3 days of its release. The gross, almost $50m more than ‘Finding Dory’s $135.1m in 2016, eclipsed the entire 3-day opening of ‘The Incredibles’ in just 24 hours — including, in total, a record-breaking $18.5m from Thursday previews. The $53.1m brought in from overseas gives ‘Incredibles 2’ a worldwide opening of $233.8m; a blistering start for the sequel that cost a reported $200m to make.

Looking ahead, it’s hard to see this film not going after ‘Finding Dory’s final record of being the biggest animated film of all time in the States. The $486.3m grossed by the ‘Finding Nemo’ sequel would only require ‘Incredibles 2’ to have an opening week multiplier of 2.7x to better it, and when considering that no film with an A+ Cinemascore has ever had a multiplier under 3x, ‘Incredibles 2’ looks to become the first animated film to make $500m in the U.S.

In second place is ‘Ocean’s 8’, bringing in $19m for a $78.6m domestic total. Its 54% drop mirrors that of ‘Ghostbusters’ and franchise predecessor ‘Ocean’s Twelve’, increasing the likelihood that its final U.S. gross will land in the $120m+ region. It’s currently on $115.4m globally and will need to pull in another $70m or so if it wants to start raking in a profit. Next is new release, ‘Tag’, that matched our expectations by grossing $14.9m in its opening weekend. The R-rated comedy was a surprising hit with the ladies; with 51% of viewers being female, it will hope to use the even audience demographics to its advantage, and continue to attract a wider-than-expected audience in the upcoming weeks.

Star Wars origin story, ‘Solo’, held strong against ‘Incredibles 2’, bringing in a solid $10m and leaving the film just $6m away from the $200m domestic mark (and $9m away from $350m globally). ‘Deadpool 2’ is looking at doubling that worldwide figure, and is well on the way to doing so, after this weekend saw it earning $8.7m for 5th place. It’s just $5m away from the $300m domestic mark and $10m away from earning $700m worldwide. Those over at Fox will be hopeful it passes ‘Days of Future Past’s total of $747.9m to become the second biggest ‘X-Men’ film of all time.

New release ‘Superfly’ and A24 horror ‘Hereditary’ battled it out for 6th spot, with $6.9m each. The former grossed around $15k more, but with just $9m domestically so far, off a $16m budget, it’s nothing to write home about. ‘Hereditary’, on the other hand, has already out-grossed ‘Winchester’ in just its 2nd weekend to become the third biggest horror of the year, and is already the A24’s third biggest domestic hit ever after dropping by only 50% this weekend — making a $27m domestic total.

Infinity War’ sticks with the trend of continuously smaller weekend drops, and fell by only 25% from last weekend. Its $5.4m means it’s passed ‘Titanic’ to become the 4th biggest film in the U.S. of all time, with $664.3m. Although it’s likely to remain in 4th domestically, it aims to finish 3rd globally, as it’s just $50m away from passing ‘The Force Awakens’ $2.07bn worldwide total. Finally, ‘Adrift’ and ‘Book Club’ both lost over 1,000 cinemas each, and thus saw falls close to 60%, grossing $2.2m and $1.8m respectively. While it seems as if studio STX is cutting their losses with ‘Adrift’, as it struggles to even gross back its $35m budget, Paramount can rest easy knowing that it’s costs are repaid (and then some) with ‘Book Club’ closing in on a $70m worldwide gross.

Next weekend sees ‘Jurassic World: Fallen Kingdom’ enter American cinemas, and after already grossing close to $400m in International markets, how will ‘Incredibles 2’ and the rest cope? Let us know your thoughts on Twitter and Instagram – we’re at @JUMPCUT_ONLINE.

 

Rank Last Week Rank Film Total U.S. Gross Weekend Gross Weekend drop JUMPCUT’s prediction Difference Week number
1 Incredibles 2 $182.7m $182.7m $150m $32.7m 1
2 1 Ocean’s 8 $78.6m $19m -54.4% $20.8m $1.8m 2
3 Tag $14.9m $14.9m $15m $0.1m 1
4 2 Solo $193.8m $10m -36.5% $6.3m $3.7m 4
5 3 Deadpool 2 $294.6m $8.7m -38.6% $7.5m $1.2m 5
6 Superfly $9m $6.9m $4.5m $2.4m 1
7 4 Hereditary $27m $6.9m -49.5% $6.4m $0.5m 2
8 5 Avengers: Infinity War $664.3m $5.4m -24.8% $4m $1.4m 8
9 6 Adrift $26.9m $2.2m -58.3% $2.6m $0.2m 3
10 7 Book Club $62m $1.8m -57.4% $2.8m $1m 5

 

 

 

Weekend BO Predictions: ‘Incredibles 2’ Hints At A Record-Breaking Opening Worth the 14 Year Wait

Written by Dapo Olowu

What’s new?

It’s taken well over a decade for Brad Bird and Pixar to release a sequel to the 2004 sensation ‘The Incredibles’, and ‘Incredibles 2’ looks to blast the animated opening weekend record to shreds. The current record of $135.1m was set by ‘Finding Dory’ in 2016, another Disney sequel that built upon the anticipation following one of the most popular animated films of all time. The edge that ‘Incredibles 2’ has over ‘Finding Dory’, however, is that a) it’s following a film that had always hinted toward a sequel, and b) it’s a superhero film in an age where caped crusaders regularly top the Box Office charts. From this, we believe ‘Incredibles 2’ will make around $150m in its first 3 days.

Making a sequel 14 years later does pose problems; retirement caused Jonathan Banks to replace Bud Luckey as the voice of Rick Dicker, while young Dash’s voice artist, Spencer Fox, is now too old to play a child. The World Cup kicking off on the same weekend also brings strong competition for viewers. However, a 95% on Rotten Tomatoes (and the fact that the USA didn’t even qualify) hints that the only thing that’s truly changed from its predecessor, was dropping ‘The’ from the title.

In a potential triumph in counter-programming, star-studded comedy, ‘Tag’, opens in over 3,300 cinemas in the U.S. this weekend — and hopes to use the unique premise to its advantage. It stars (amongst many others) Jeremy Renner, Jon Hamm, Hannibal Burress, and Annabelle Wallis, and is a completely different type of offering to the family-friendly (and millennial darling) ‘Incredibles 2’. First time director Jeff Tomsic helms this $28m production, which aims to emulate ‘Central Intelligence’s opening (on the same weekend as record-breakingFinding Dory’) and make around $35m. No chance here though, as its R-rating puts it in the camp of this year’s ‘Game Night’, and a bunch of others in the mid-teens region. Therefore, an opening of around $15m is likely, and it’ll look to hone in on a male, over-25 audience in the coming weeks — one that won’t have too much competition until ‘Sicario 2’ at the end of June.

Finally, there’s action crime film ‘Superfly’, which actually opened on Wednesday to avoid a complete collapse against ‘Incredibles 2’. Unfortunately, the plan backfired as it only brought in around $1.2m from its opening day. The remake of the 1972 Blaxploitation film, ‘Super Fly’, stars Jason Mitchell, Rick Ross, and Michael K. Williams, and is produced by rapper, Future. What it will inevitably lack in Box Office numbers (not helped by a 53% on Rotten Tomatoes), it’ll at least make up for in catchy songs (the soundtrack features everybody from Future to Miguel), and a stylistic look, as Director X (known for many famous music videos) takes charge. We’re not expecting this to really take off, and will only see around $4.5m from Friday to Sunday.

What else is on?

Ocean’s 8’ looks to cement second place with around $20.8m, a 50% drop from last weekend. Its daily changes almost mirror that of ‘Ghostbusters’, which saw a 54% fall in its second weekend. Superhero flick, ‘Deadpool 2’ looks to close in on the $300m domestic mark and, although it won’t hit it this week, a $7.5m gross will aid its pursuit. ‘Incredibles 2’ won’t affect it too much, but it will see a massive impact on ‘Solo’, which could have a large chunk of its audience lost to the animated blockbuster. A gross around $6.3m is similar to what we believe ‘Hereditary’ will land in its second weekend, showing that audiences weren’t as put off as its Cinemascore suggests. Although horrors are quite a front-loaded genre, ‘Hereditary’ should take advantage of a summer that promises a leggy run.

Next is ‘Infinity War’, which recently became the first ever comic book movie to make $2bn worldwide. Its run in recent weekends has been particularly impressive and will continue in the face of superhero competition, with a $4m gross. Finally, we have ‘Book Club’ with an estimated $2.8m, and ‘Adrift’, which barely remains afloat on $2.6m.

Is ‘Incredibles 2going to break the animated opening record, or will it fall just short of ‘Finding Dory’? Let us know your thoughts on Twitter and Instagram – we’re at @JUMPCUT_ONLINE.

Untitled

Weekend BO Results: ‘Oceans’s 8’ Steals The Show As ‘Hotel Artemis’ Fails To Impress

Written by Dapo Olowu

Crime really did pay this weekend with ‘Ocean’s 8’ breaking the franchise record and opening with $41.6m, $2.4m above ‘Ocean’s Twelve’, and just $600k off our original estimates. It’s a solid start that almost mirrors ‘Ghostbusters’, which made $46m (but also had double the budget). The plan now for ‘Ocean’s 8’ is for a nice, leggy, summer run – it was never really a highly-anticipated blockbuster. Its skewed audience (69% female, and 69% over-25s) may scupper the scheme, but even a decent 2.5x opening weekend multiplier would land ‘Ocean’s 8’ with a strong $104m domestic final gross.

Solo’ posted a better-than-expected 46% drop this weekend, right before its inevitable double-knockout at the hands of ‘The Incredibles 2’ and ‘Jurassic World: Fallen Kingdom’ in the next two weeks. Maybe that’s harsh; its numbers are decent, if you forget that a) it’s a ‘Star Wars’ film, and b) it cost over $300m to produce. A budget of $125m max would have seen the film possibly break-even, but the extensive reshoots removed any possibility of that happening. It’s currently pacing $13m behind ‘X-Men: Days of Future Past’, which ended up grossing $233.9m in the U.S. – ‘Solo’ would be lucky to even hit $200m.

In third place was ‘Deadpool 2’, continuing its impressive run by bringing in $14.1m. Its current worldwide total of $655.7m is still $130m away from ‘Deadpool’s original total however, showing just how massive the first film was. At $363.1m domestic and nearly $800m worldwide, it was the 6th biggest domestic hit and 9th biggest global film in 2016. ‘Deadpool 2’ is currently 3rd on both lists for 2018, but is $400m away from ‘Infinity War’s $655.1m domestic total and a massive $700m off of ‘Black Panther’s $1.35bn global gross.

Hereditary’ broke A24’s opening record with $13.6m, making it two in two for the new releases this weekend. This 3-day total is solid for a $10m budget, but hopes of the film having a long Box Office run is seriously harmed by its audience reaction; its poor D+ Cinemascore harkens back to the audience reactions of ‘Mother!’ and ‘It Comes At Night’, two horrors famously mis-marketed, resulting in an F and D score on Cinemascore alike.

Remarkably, ‘Infinity War’ held best this weekend with only a 31% drop, bringing in $7.2m. Its worldwide figure of $1.999bn is just $500k away from making ‘Infinity War’ just the fourth film ever (behind ‘The Force Awakens’, ‘Titanic’, and ‘Avatar’) to reach $2bn. Impressive stuff. ‘Adrift’ was nearly drowned by ‘Ocean’s 8’ eating into its audience, posting just $5.3m (a 55% fall) for a $22m domestic total. Profit for this is probably beyond reach now, but rom-com ‘Book Club’s weekend makes for good reading, as it brought in $4.3m in the last 3-days. Although this was ‘Book Club’s biggest drop so far, it’s still one of the leggiest films of the year, boasting a 4.2x opening weekend multiplier, with at least $10m left in the tank.

In possibly the most disappointing news of the weekend, ‘Hotel Artemis’ continued new studio, Global Road’s abysmal Box Office run this year, by opening to just $3.2m, below even the most pessimistic of expectations. The crime thriller, by first time director Drew Pearce, was in direct competition with ‘Hereditary’ for the male, over-25 demographic, and its C- on Cinemascore has seemingly cemented its fate. Finally, in 9th and 10th place, we saw ‘Upgrade’ bring in a decent $2.4m to close in on BH Tilt’s record of $10.8m (‘The Darkness’) with $9.4m so far, and ‘Life of the Party’ grossed $2.2m for a worldwide total just shy of $60m.

What impressed you the most this weekend? Is ‘Ocean’s 8’ on its way to becoming the biggest film in the franchise? Let us know your thoughts on Twitter and Instagram – we’re at @JUMPCUT_ONLINE.

 

Rank Last Week Rank Film Total U.S. Gross Weekend Gross Weekend drop Jumpcut’s prediction Difference Week number
1 Ocean’s 8 $41.6m $41.6m $41m $0.6m 1
2 1 Solo: A Star Wars Story $176.7m $15.7m -46.4% $13.8m $1.5m 3
3 2 Deadpool 2 $279.2m $14.1m -39% $12.8m $1.3m 4
4 Hereditary $13.6m $13.6m $13m $0.6m 1
5 4 Avengers: Infinity War $655.1m $7.2m -31.1% $6.8m $0.4m 7
6 3 Adrift $$22m $5.3m -54.6% $6m $0.7m 2
7 5 Book Club $57m $4.3m -39.1% $4.7m $0.4m 4
8 Hotel Artemis $3.2m $3.2m $5m $1.8m 1
9 6 Upgrade $9.4m $2.4m -49% $2m $0.4m 2
10 7 Life of the Party $50.3m $2.2m -38.2% $2m $0.2m 5

 

6 Months Later: A Look At Our 2018 Most Anticipated Films And How They Measured Up

Written by Tom Sheffield

Back in December we asked our team what their most anticipated films of 2018 were, and we compiled a list of our top 10. We are now half way through the year, and eight films that made our top ten have been released – but did they live up to our expectations? Click the film titles to be taken to our official verdicts!

The two films in our list we are still twiddling our thumbs waiting for at Martin Scorsese’s ‘The Irishman’, which has now been pushed back to 2019, and the return of the Parr family in ‘Incredibles 2’, which we only have a few more weeks to wait for!

We’ve also just had a fantastic week of trailers for upcoming films to be excited for, so be sure to check them out if you missed any!


FotoJet (10).jpg

#10 – The Irishman

 

FotoJet (10).jpg

#9 – A Wrinkle in Time

“With stunning visual effects and incredible costume, hair and make-up design; this film was a feast for the eyes”

 

FotoJet (10).jpg

#8 – Deadpool 2

“There are problems abound that come with trying to exceed the expectations set by a great first outing, but I honestly feel ‘Deadpool 2′ has more re-watchability than the original because of its attempts to go bigger than the first.”

 

FotoJet (10).jpg

#7 – Incredibles 2

 

FotoJet (10).jpg

#6 – Ready Player One

“Ultimately, one of 2018’s most anticipated productions does not disappoint, nor purge Ernest Cline’s concept of its defining qualities. Instead, Sir Steven — God of euphoric adventure — deserves one thunderous high-five for letting us break free from the mundane and witness a magical journey too colossal for the real world.”

 

FotoJet (10).jpg

#5 – Annihilation

“It’s a miraculous achievement in filmmaking across the board, and it deserves your attention. It’s on Netflix right now. Watch it, experience it, and prepare for it to take over your every thought for some time.”

 

FotoJet (10).jpg

#4 – Solo: A Star Wars Story

“Is this a Star Wars film we needed in the timeline? Not really, but I’m glad we have it because Ron Howard just whetted my appetite for more of this sort of anthology film away from the ‘Episodes’. And on the basis of a certain cameo towards the end, the timeline just got a whole lot spicier!”

FotoJet (10).jpg

#3 – Isle of Dogs

“‘Isle of Dogs’ stumbles occasionally when the dogs aren’t on screen, but this doesn’t diminish the film as an impressive achievement in animation. Most importantly, ‘Isle of Dogs’ is better than ‘Fantastic Mr. Fox’  in my opinion. Yes, I went there.”

FotoJet (10).jpg

#2 – Black Panther

“‘Black Panther’ wasn’t just a Marvel superhero movie, it was a rattling of the cages type film. It spoke a lot of truth that we often sweep under the rug about the world we live in. It raises awareness and then offers the global society an olive branch. ‘Black Panther’ is well-crafted in every sense of the word. “

FotoJet (10).jpg

#1 – Avengers: Infinity War

“‘Avengers Infinity War’ at its best is epic, emotional and very, very shocking. It has impressive set pieces and of course it’s very funny. The few faults it does have are going to be down purely to the viewer. A knowledge of all that has happened before is essential. This is not the film for newbies. “

 

Weekend BO Predictions: ‘Oceans 8’ To Steal Top Spot From ‘Solo’, Which May Not Even Finish Second

 

Written by Dapo Olowu

What’s new?

Ocean’s 8’ hit the screens of over 4,000 U.S. cinemas on Friday, 11 years to the day since the last of the original trilogy opened to moviegoers. The gender-swapped crime caper joins a prestigious family of films boasting over $1bn worldwide, and with the average opening weekend gross being $38m, ‘Ocean’s 8’ looks to become the first to open above the $40m mark. Similarly, 2016s ‘Ghostbusters’, which famously swapped out an all-male cast for women, got off to a $46m start, but ultimately failed to get going at the Box Office with just $229.1m from a $144m budget. ‘Ocean’s 8’s more stream-lined $70m production cost means that a similar opening (and gross) would be solid return and has the added benefit of not being plagued with pre and post-release negativity. Regardless it’ll fall just short of the target, with an opening closer to around $41m.

Indie studio A24 release original horror ‘Hereditary’ this weekend, and its 94% on Rotten Tomatoes suggests they’ve yet again struck critical gold. However, it’s when attempting to reach the same heights commercially that A24 seem to falter, with their biggest domestic hit so far being last year’s Oscar-nominated ‘Lady Bird’, with only $49m. ‘Hereditary’ wants to buck the trend, and although it contains a cast not as star-studded as ‘Lady Bird’, it does include rising star Alex Wolff (‘My Friend Dahmer’, ‘Jumanji: Welcome to the Jungle’) and Golden Globe winner Toni Collette. Another plus is its release size; ‘Hereditary’ looks to scare in a record number of theatres for A24 with a shade under 3,000, and from this should break A24’s opening weekend gross record of $8.8m, made by ‘The Witch’ in February 2016. Using that horror’s per-cinema average (and then some) gives ‘Hereditary’ a strong 3-day total of $13m, for the third biggest horror opening of the year, behind ‘A Quiet Place’ and ‘Insidious: The Last Key’.

Finally, we have ‘Hotel Artemis’ which, like the other new releases, also boasts an A-List cast, with Jodie Foster, Sterling K. Brown, Sofia Boutella, Jeff Goldblum, and Dave Bautista just some of the names gracing the film. Unlike the other new releases however, ‘Hotel Artemis’ is the only one housing a rotten rating on the Tomatometer (currently 57%), and its these middling reviews that’ll inevitably hurt its Box Office run in the midst of heavy blockbuster and audience competition. It’s a real shame, as ‘Hotel Artemis’ perhaps should’ve opened on a weekend where most of its audience wouldn’t be drawn to watching ‘Hereditary’, and when behemoths ‘The Incredibles 2’ and ‘Jurassic World 2’ wouldn’t open within days of its release. From all of this, it’s clear that ‘Hotel Artemis’, with dreams of opening with numbers similar to ‘John Wick’ and ‘Atomic Blonde’s grosses, will unfortunately flop like ‘Sin City: A Dame to Kill For’, which opened to $6.3m in August 2014. Using a similar per-cinema average gives ‘Hotel Artemis’ an underwhelming start of around $5m.

What else is on?

This weekend sees ‘Solo’ close in on the $300m global mark, with a third domestic weekend total of $13.8m enough for it to drop to only second place. ‘Jurassic World’s recent international release means ‘Solo’ will drop like a stone outside the U.S., meaning its final gross most likely won’t even see $350m. Comparing this with ‘Deadpool 2’ makes for even sorrier reading, as a $12.8m gross this weekend will leave the merc with the mouth just $20m short of reaching that same $300m mark domestically. Currently the 2018s 3rd biggest film both in the U.S. and globally, I wouldn’t bet against ‘Deadpool 2’ doubling ‘Solo’s final gross.

The weekend drops for ‘Infinity War’ have lessened every weekend and this trend is set to continue. We’re predicting a gross of $6.8m, enough for the film to leapfrog ‘Jurassic World’ into 5th spot on the all-time domestic list, with $655m. ‘Adrift’ will follow closely behind, dropping by around 50% for a $6m gross. The hope here is that ‘Ocean’s 8’ doesn’t eat into its audience members, which also goes for the evergreen ‘Book Club’, that will continue its great run by only dropping 35% for a $4.7m total. BH Tilt’s horror ‘Upgrade’ won’t avoid its studio’s front-loaded trend and, coupled with ‘Hereditary’ being a director competitor, will see a pretty big drop to gross $2m, the same amount as our number 10, ‘Life of the Party’.

What do you think? Will ‘Ocean’s 8’ sink or swim this weekend? Will ‘Deadpool 2’ beat ‘Solo’? Let us know your thoughts and opinions – we’re on Twitter and Instagram at @JUMPCUT_ONLINE.

 

Rank Last Week’s Rank Film US Gross so far Budget Jumpcut’s prediction Weekend drop Week no. BoxOfficeMojo’s prediction Deadline’s Prediction Variety’s Prediction
1 Ocean’s 8 $70m $41m 1 $45m $40m $33m-$40m
2 1 Solo: A Star Wars Story $161m $300m+ $13.8m -53% 3 $14.5m $13m $11m-$15m
3 Hereditary $10m $13m 1 $12m $5m-$9m $5m-$9m
4 2 Deadpool 2 $265m $110m $12.8m -45% 4 $13m
5 4 Avengers: Infinity War $647.9m $300m $6.8m -35% 7 $6m
6 3 Adrift $16.7m $35m $6m -48% 2 $7.3m
7 Hotel Artemis $5m 1 $5m $5m-$9m $5m-$9m
8 5 Book Club $52.7m $10m $4.7m -33% 4 $4.6m
9 6 Upgrade $7m $3m-$5m $2m -57% 2 $2.5m
10 7 Life of the Party $48.2m $30m $2m -43% 5 $1.9m