The DCEU Movies Ranked

Written by Nick Staniforth

Braving the waters of the comic book universe once again this week, Warner Bros have supposedly turned back the tide and managed to deliver a superhero story that is getting unanimous praise for embracing its bonkers premise and surfing it to the shore of success. If you haven’t twigged yet, what with all the water puns, I am of course referring to Aquaman, the latest chapter of the DC universe starring Jason Momoa, Willem Dafoe, Patrick Wilson, Dolph Lundgren, Ludi Lin, Yahya Abdul-Mateen II, Temuera Morrison, Amber Heard, Nicole Kidman and Randall Park.

As of today, the man born of land and sea has made his way into cinemas, but following his release, where does the half-Atlantean sit among  Warner Bros. other highly debated efforts? Here be the rankin’ of the entire DCEU films so far that’ll no doubt cause some waves.


 

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Suicide Squad

It’s almost fitting that James Gunn has been tasked with a sequel to the film Warner Bros were keen to make their own Guardians of the Galaxy. Rough around the edges and filled with its own team of misfits, Suicide Squad had all the potential to be the outside contender that could straighten up the impending array of entries that were in the pipeline – instead, it almost ran the damn thing off the road.

A slung-together script, reshoots aiming to lighten the mood following the near-fatal feedback of Dawn of Justice (more on that later), and one of the shortest performances of The Joker ever caught on film, Suicide Squad was a slog of a viewing experience if it wasn’t for some key players that saved the day.

Margot Robbie and Will Smith as Harley Quinn and Deadshot reignite the chemistry they had in Focus, with the likes of Jay Hernandez’s El Diablo, Karen Fukuhara’s Katana and Jai Courtney as Captain Boomerang conjuring some compelling performances, but the outcome is still a visually murky slog that even with an impending sequel, is an instalment that rarely gets revisited.

 

 

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Justice League

Die-hard DC fans can hashtag the crap out of a campaign to release the Snyder Cut until the Parademons come home, but there’s no denying that the finished product of the Justice League was far from complete. The second that light touches the synthetic upper lip of Henry Cavill, things roll off to an uneven start for the film that should’ve been a team-up for the ages. Instead, we’re treated to a CGI-tastic tone tornado that was another close call for the end of the DCEU.

Snyder’s eyegasmic vision and Whedon’s wit colliding should’ve made for the perfect comic book film, but like Suicide Squad before it, Justice League ends up a drab and forgetful outing. There are glimmers of hope, with Jason Momoa’s Aquaman making his debut, Gal Gadot Gadoing what she’s great at, and that hair-raising moment Superman returns for real, but it’s just not enough.

That chase scene on Themyiscara still holds up but besides that, the rest of the film, for the most part, is a union of DC’s finest stuck together with PVA glue in front of an undeniably bland CGI backdrop. They should’ve entered a league of their own, but instead served as a grave injustice.

 

 

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Aquaman

A well-known horror director and a former horse lord are easily one of Warner Bros. bravest bargaining chips when it came to Aquaman and his solo film. Appearing as an undeniable redirection from the dark and sombre scope the DCEU has been focussed on for some time, Jason Mamoa’s standalone entry as the king beneath the ocean is one of the most refreshing instalments thus far, though not without its own issues.

Demonstrating that same flair he had with high-octane sequences in Fast & Furious 7, director James Wan gets his feet wet again in an at times visually impressive affair and tackles them to a degree, with Nicole Kidman as an ass-kicking Queen Atlanna being a standout moment. Sadly, these aren’t enough to wash over what is a fairly dull story that feels worn down. Plucking plot points from Thor, Black Panther and Wonder Woman, it avoids being a complete wipeout thanks to Momoa who is once again not giving a fork and having an absolute ball, which pushes the film along. Ultimately, it’s a good effort for DC to steady the ship but still not a patch on the best entry so far.

 

 

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Batman v Superman: Dawn of Justice

Tearing friendships apart as much as The Last Jedi, or when Ross and Rachel went on a break, Batman v Superman: Dawn of Justice was the film we never thought we’d see, and ultimately the film fans will never, ever agree on. Considered to be the stuff of dreams and I Am Legend Easter eggs, the sought-after showdown between The Dark Knight and The Man of Steel is a battle on so many levels. For every hit it lands, there’s another counter swing that puts it on the backfoot, which is why its slap bang in the middle of this list.

Forming a bond in the opening act to the previous film amid the rubble and chaos left behind in Man of Steel, Snyder does a great job at building up the motivations for both fighters in this epic bout. Cavill once again slips into the super suit with ease as the still tortured Superman trying to find his place in the world, while Ben Affleck delivers one of the best iterations of Bruce Wayne and Batman ever captured on screen. Fearful of this stranger beyond the stars and being a figure worth dreading himself, it helps a great deal for when these two finally do go toe to toe. It’s the time spent getting to and following from the final fight that is the films biggest issue.

The Martha motive is still frustrating to even recall, as is Jesse Eisenberg’s weedy, tick-induced Lex Luthor. It’s a lengthy lost opportunity that we may never get back but thankfully gave the world Gal Gadot as Wonder Woman, the films most undeniable redeeming factor. If your chest doesn’t swell the second she flies in on Hans Zimmer’s score, then you really need to seek medical attention.

 

 

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Man of Steel

Ah yes, back when it all looked so promising. Snyder’s debut venture into the world of DC’s greatest heroes may have had its issues, but Henry Cavill’s first turn as the man with the big red cape is undoubtedly one of the strongest of the bunch.  Retelling the origin story of the most iconic superheroes ever for the modern era is a tough task but even more so when that beloved tale is tweaked to significant levels.

It all works, for the most part, aided by a strong cast that solidifies this world, and provides realism in a way that even Marvel still hasn’t done. From Amy Adams’ sharp Lois Lane to Michael Shannon’s tyrannical iteration of General Zod, every box is checked for the players involved in this effort to get Superman soaring to new heights. Most notably are the parents that mould Clark into the hero he becomes. Russell Crowe and Kevin Costner bring varied but vital fatherly roles as Jor-El and Jonathan Kent, respectively, while Diane Lane as keeps her son grounded as widowed mother MARTHA (sorry, old habit).

There are flecks of kryptonite littered through the film of course, most notably in that films final building breaking scuffle between Cavill’s Superman and Shannon’s Zod. Turning the shining Metropolis into an abandoned car park by the film’s end may well have been Snyder’s plan, but he once again spends too much time on something that should’ve zipped by faster than a speeding bullet. Not a bad first try – if only they’d been this good, though.

 

 

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Wonder Woman

There was only one place for Gal Gadot’s solo gig as the Amazonian princess to go and that’s right at the very front. Putting aside all the convoluted, reconstructed world-building that has been tried and tested, Diana’s first adventure is the closest to perfect Warner Bros. has been. Patty Jenkin’s take on the most well-known female superhero is an absolute treat from beginning to end, distancing itself from all the other entries by decades and finally giving audiences a film they could all agree on as being an absolute belter.

A fish out of water tale with added oomph, braving the era of World War I to bring Diana’s story to life is a refreshing chapter in an uneven series of instalments. Already demonstrating she could wield the headgear and lasso in Dawn of Justice, Gal Gadot gets time to really fit into the role of Wonder Woman and make it her own. Strong, graceful and an undeniable presence of good, she elevates every frame she’s in and makes the walk through No Man’s Land as iconic as Christopher Reeve circling the earth.

Taking the lead behind an equally charismatic Chris Pine who is in awe of his co-star as much as we are, she’s a breath of fresh air in a world that up until then was lost in its own self-manufactured smog. So the familiar final act may suffer some crash, bang and CGI wallop, but it’s redeemed by Diana’s heartwrenching goodbye to Steve Trevor that conjures the more emotion than any of the films that came before it. It’s a wonder we even got this, far but thank the gods we did.

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Batman Day 2018: JUMPCUT’s Top 5 Cinematic Batmen

Today is Batman Day 2018, an annual event where fans come together to celebrate all things Batman. DC is marking the occasion this year by launching it’s highly anticipated streaming service, which will feature shows such is Titans, Doom Patrol, The Swamp Thing, and even Harley Quinn be getting her own show.

Here at JUMPCUT we’re marking Batman Day by ranking our top five favourite cinematic Batmen. As always with our rankings, the team have voted for their personal favourites, and we use a point based system to determine the final rankings – so the rankings below don’t necessarily reflect the teams personal rankings.

 

#5 LEGO Batman (Will Arnett)

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Will Arnett’s LEGO Batman made his first appearing in the 2014 hit The LEGO Movie and he proved such a hit with viewers that Warner Bros. got big ol’ dollar signs in their eyes and made plans for a solo film. Chris McKay, who directed The LEGO Movie, signed on to direct LEGO Batman’s solo outing and he said the comedy in the film was heavily influenced by films like Airplane! and The Naked Gun – and boy does it show. This animated caper pulled no punches with its barrage of easter eggs, cameos, and its general bat-shit craziness. Arnett is returning to voice this moody vigilante in the upcoming The LEGO Movie 2: The Second Part, which hits cinemas next year.

 

#4 Adam West

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The late, great Adam West was cast as Batman after a producer saw him in an advert for Nestlé. West played Bruce Wayne/Batman in the Batman TV series that ran from 1966 – 1968 and had 3 seasons and one feature film. Even after the shows cancellation, West returned to the role of Batman in voice-over roles for both TV and animated films – most recently Batman: Return of the Caped Crusaders and Batman vs Two-Face, which are based around the campy 60’s version of Batman and his enemies/allies.

 

#3 Michael Keaton

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Michael Keaton donned the Dark Knight’s cape in Batman (’89) and again in Batman Returns (’92), but there were a lot of names in the ring before he secured the role. Actors such as Pierce Brosnan, Tom Selleck, Billy Murray, and Willem Dafoe were all considered for the role before Keaton. His casting caused some controversy amongst comic books fans and Warner Bros received over 50,000 letters of complaint (luckily for them there was no social media platforms back then!) . Complaints aside, Batman (’89) became the fastest film to earn $100m, a feat it managed it just 11 days.  Talks of Keaton returning the the role of Bruce Wayne/Batman have been circling social media later as fans say they would like to see him as an older version of the character in a live-adaptation Batman Beyond.

 

#2 Ben Affleck

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Whilst his future as the caped crusader may be in doubt, Ben Affleck comes graciously in second place amongst our rankings of Batmen. For his first outing in the cape, Affleck went toe-to-toe with Henry Cavill’s Man of Steel in Batman v Superman: Dawn of Justice. Affleck was Zack Snyder’s first choice for the role, but it quickly became apparent that, much like Keaton, Affleck’s casting wasn’t popular amongst comic book ‘fans’. Practically minutes after news broke that Affleck would be the latest live-action Batman, people took to social media with a number of petitions calling for Warner Bros. to remove him from the role and cast someone else. Batman v Superman received what Connor4Real would call ‘mixed reviews‘, but Affleck was largely praised for his performance despite the initial backlash. The less said about Justice League the better, but we here at JUMPCUT hope to see Affleck don the batcowl at least one more time in the near future. The whole team are rooting for Ben and wish him all the best as he recently checked back into rehab for his alcohol addiction. You’ve got this, Ben!

 

#1 Christian Bale

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Our number one likely comes as no surprise to you at this point. Bale suited up for Batman Begins (2005), The Dark Knight (2008), and The Dark Knight Rises (2012) in what is surely one of the highest praised comic book movie trilogies to date. Bale originally had to bulk up for the role in Batman Begins as he had just finished filming The Machinist when he was cast. He gained over 100lb in muscle in just a few months, then he and Nolan agreed he was too big and so he had to lose some of that newly gained muscle to get the look of his Batman just right. Bale’s portrayal of Batman is one of the most popular comic book performances to date and the trilogy as a whole has raked in just under $2.5b at the worldwide box office.

And that’s our cinematic Batmen ranked! We’d love to hear your rankings – feel free to tell us over on Twitter, or in the comments below!

Justice League

Year: 2017
Directed by: Zack Snyder
Cast: Ben Affleck, Henry Cavill, Gal Gadot, Jason Momoa, Ezra Miller, Ray Fisher, Ciarán Hinds, Amy Adams, J.K. Simmons, Diane Lane

Written by Tom Sheffield

Having thankfully managed to avoid spoilers, major plot points, and reading the opinions of film critics, I walked into the cinema at midnight last night full of hope and excitement – and I left completely blown away by what I just witnessed. I think even the DCEU sceptics reading this will be find themselves pleasantly surprised with ‘Justice League’ and the direction it takes.  I will avoid writing any spoilers in this review as I strongly feel that it would really dampen your viewing experience if you knew what to expect!

Following the death of Superman, Bruce Wayne and Diana Prince attempt to assemble a team to be humanity’s defence against a new threat to Earth. The pair recruit rookie speedster Barry Allen (The Flash), half-human half-Atlantean Arthur Curry (Aquaman), and Victor Stone (Cyborg), who was recently brought back to life through the power of a Motherbox. The team must come together to stop Steppenwolf and his terrifying Parademons gaining the Motherboxes.

Affleck, Gadot, Momoa, Miller, and Fisher are a delight to watch on screen together. Whilst their characters don’t always see eye to eye, it’s clear to see the cast had a blast working together. Each has their moment to shine, and boy do they deliver! Miller was a standout for me, but I may be a little bias with Flash being my all-time favourite superhero. Miller was the perfect choice for Barry and his humour and charisma were spot on. The cast as a whole were brilliant in their respective roles, so I tip my hat to Snyder and the folks in casting for their choices!

Ciarán Hinds lends a menacing voice to Steppenwolf, and whilst his performance is respectable, the poor CGI is quite attention drawing and sadly weakens his stature as a villain. Steppenwolf shines when he comes face to face with the League – but I couldn’t help but feel we didn’t get to see enough of him. Hopefully this is something that can be resolved in the inevitable extended cut.  Witnessing Henry Cavill back in action as Superman was a beautiful sight to behold – and whilst my review will remain spoiler-free, it’s easy to spot which scenes were part of Whedon’s reshoots as the FX team attempt to CGI-out Cavill’s moustache he grew for ‘Mission Impossible 6’.

Unfortunately, during the filming of ‘Justice League’ Zack Snyder had to step away from the project to be with his family following the tragic loss of his daughter. Joss Whedon, who was already working with Snyder on the film, was asked to step in as Director and finish the film – which included reshoots. Anyone familiar with Snyder and Whedon’s portfolio can easily pick out who directed and wrote the dialogue in which scene, but thankfully they gel well enough together to deliver a sturdy and action-packed 120 minutes. It is a real shame the film got cut to pieces, with lots of footage from the teasers and trailers nowhere to be seen – a thread of which can be found here – but following the bashing the previous films received, it’s understandable (but not welcome) why Warner Bros. would limit the film’s content and run-time to try and appeal to the general audience.

In another twist during the production, Junkie XL was replaced by Danny Elfman as the composer for the film. In all honesty, his score as a whole was a little underwhelming, but there are a few notable moments where the score gave me actual goosebumps , and when you watch the film you’ll know EXACTLY which scenes I mean. Hearing some familiar notes just added to the joy and wonder of what I was witnessing. It really did give off JLA vibes and I felt like I was witnessing my childhood come to life in front of my very eyes.  I would have loved for Hans Zimmer and Junkie XL to score the film, but I guess we don’t always get what we want!

To wrap up, ‘Justice League’ is popcorn blockbuster of epic proportions. Zack Snyder’s  vision comes to fruition with the return of Superman, and with him, the return of hope for the future of the DCEU. I’ve made no secret of my admiration for Snyder and his work, and if this happens to be his final directorial work within the DCEU (which I really hope it isn’t) then he should be proud of his trilogy and what he’s achieved.  ‘Justice League’ is full of heart, humour, and most importantly…hope. It’s flawed and suffers in places with bad CGI, but to finally see these characters on the big screen together and to witness the group dynamic come to life with such an incredible cast is just a childhood dream come true.

You’ll also want to remain seated for the TWO post credit scenes, and believe me, they are well and truly worth it. I guarantee you won’t be disappointed.

Tom’s Rating: 7.0/10

Fans v Critics: Dawn Of Hypocrisy

Written by Chris Winterbottom

A great chasm has opened between critics and film fans. Upon the release of ‘Batman v Superman: Dawn of Justice’, critics gave the film a monumental kicking whereas fans seemed to be a lot more forgiving. With the release of ‘Suicide Squad’, audiences and critics were split once again. The cracks have re-emerged and the debate about the use of critics and fan-boy (and fan-girl) reactions is back at the forefront. Why is this? Why are there such differences of opinion when it comes to films? In particular, those films in which there is already a huge built-in fan base. From the outset, I want to make it clear that I have not seen ‘Suicide Squad’, so this article is not to pass judgement on the film, but to raise questions about the (almost) extreme reactions of those who are connected with it.

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Steven Spielberg: Top 5

Written by Chris Winterbottom

It’s going to be an interesting year for Steven Spielberg, as his upcoming adaptation of ‘The BFG’ is due to be released to UK audiences on the 22nd July 2016, and I for one am very much looking forward to it. As a child, this Roald Dahl novel about nasty and nice giants was one of my favourites, so it will be interesting to see how Spielberg’s vision fairs. The novel is obviously aimed at younger audiences, yet it also holds a real sinister edge, which I absolutely love.

Spielberg is often criticised for being overly sentimental in his films (War Horse being a near-unbearable example of this), so I do hope Spielberg finds a perfect balance between the dark edge and family-friendly tone of the novel. With this and the recent announcement that Spielberg and Harrison Ford would be re-teaming to create a fifth instalment in the ‘Indiana Jones’ saga, I thought now would be a good to go through my favourite Spielberg films. Here’s my top 5.


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5. Saving Private Ryan

Criticism of this film is levelled at its sentimentality, and its inability to improve on what is one of the most groundbreaking opening sequences in cinema history. The D-Day landings which open the film is as brutal, powerful and moving now as it was upon release in 1998. I agree that the rest of the film does not reach the dizzy heights of the opening, but for me, it remains one of Spielberg’s most accomplished technical achievements. I also agree that its sentimentality becomes a little cloying by the end, but there is no doubting the technical brilliance and moving story at the heart of this film. Also the acting is superb, particularly from Tom Hanks, who delivers one of the most interesting performances of his career. Hollywood’s treatment of battle sequences changed forever after this film and it’s clear that the technical achievements have inspired other filmmakers (Paul Greengrass for example). ‘Saving Private Ryan’ is undoubtedly one of the finest war films ever made.


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4. Minority Report

This film really is an underrated gem. To tell the truth, my first viewing of ‘Minority Report’ left me uninspired; I thought it was just another middle of the road sci-fi movie. But one Christmas, I remember watching it on TV while flicking through the channels. Within seconds I was hooked and I saw a completely different movie than I did the first time around. I think this is one of Tom Cruise’s finest performances; he is so captivating and charismatic in this role it’s hard to think of another film where he is so watchable. Not to mention the beautiful cinematography which adds so much atmosphere. Where the special effects create a unique vision of the future, it is the oppressive light in the background that creates a heady mixture of noir and science fiction. The atmosphere is creepy, claustrophobic and strangely chilling. This overexposed light technique is something Spielberg has used quite often in his modern movies; he even used the technique in the recent ‘Bridge of Spies’ and it is clearly a device he will continue to use. The storytelling is also executed brilliantly and the set pieces are exhilarating.


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3. E.T. the Extra-Terrestrial

A moving and expertly-crafted family story where, once again, Spielberg’s unquenchable thematic exploration of an absent father is at the film’s heart. Of course, it ends on a syrupy-sweet note but there is no doubting the films power and you would be hard pushed not to be swept up in the film’s majesty. This is a film that is as timeless as any, and E.T. himself is one of the most recognisable movie characters in history. A spellbinding performance from Henry Thomas who plays Elliot, Spielberg really did get the best from an incredibly young cast. One of the key quotes from E.T. is “I’ll be right here” and I’m sure he will be for many a year.


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2. Jurassic Park

I personally think this is one of the finest films ever made. It is a rollercoaster ride that has all the thrills and spills you expect, as well as plenty of spectacle. But there are deep philosophical mutterings underneath the still gleaming surface, such as the fear of fatherhood and the morals of genetic engineering. This was a film long in the making for Spielberg; it is ‘Jaws’ on land and has some of the most iconic action sequences in recent cinema; the bloke on the toilet?! Wow. With strong performances throughout and Jeff Goldblum showing why he was one of the coolest actors of the ’90’s, this is one of Spielberg’s finest films and a movie that rewards repeat viewings.


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1. Jaws

Of course Spielberg’s finest film has to be ‘Jaws’. Films like ‘Jurassic Park’ would not have existed if it was not for this work of genius. With the now infamous production problems with the animatronic shark, the film is an example of how financial restrictions often spark the most interesting creativity. With recent big-budget superhero films being released – films which I believe fundamentally lack imagination and creativity – ‘Jaws’ is a lesson in how to stretch a budget and invent filmmaking techniques to achieve your cinematic goal. Not seeing the shark ultimately proved to be the greatest strength of this film, because it somehow amplified the scare-factor and cranked up the claustrophobia. It was also the first film to smash the box-office; word of mouth and large publicity meant this film was sold out for weeks. Now every big-budget blockbuster tries to emulate this feat and to be honest, it works – just look at ‘Batman v Superman: Dawn of Justice’. Thanks to a carefully moulded marketing campaign, no amount of bad reviews can stop a juggernaut of this scale. It is, by far, Spielberg’s greatest achievement both technically and on a commercial level. The film has inspired so many of his colleagues and even himself in recent years and will continue to do so for many more. 

Luke’s Top 5 Superhero Movies

Written by Luke Riley

Greetings to all geeks, nerds and superhero fans. The time is finally upon us and Batman and Superman have come together on the silver screen. Many of us have finally witnessed two of the most iconic heroes battling it out in ‘Batman v Superman’, a pre-cursor to what will be the Justice League and the DC Universe. To celebrate this, I bring you my (very subjective) top 5 superhero/comic book movies. I personally like these comic book movies as they represent what I like to see in terms of action, characters and the stories. Please feel free to comment below, whether it be to tell me what a great list I’ve put together, or that I’ve made a huge mistake.


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5. Hellboy 2: The Golden Army

The first ‘Hellboy’ film is a visual feast for the eyes, with an intriguing story and awesome characters, and the lovable red devil returns in this sequel. Guillmero del Toro turns it up to 11, and this is absolutely his movie. This sequel solidifies the universe that was set up in the first, with an amazing animated flashback in the intro to set up the motives of the villain, The Elven Prince Nuada. ‘Hellboy 2’ is so true to itself, everything is believable within the context it is presented. While we still haven’t seen a third in the franchise, this continuation brings it full speed to the conclusive, amazingly choreographed final fight. This movie proves that Guillermo del Toro can take source material and translate it well to the screen. Now, let’s pray for the trilogy to be completed.


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4. Avengers Assemble

The massively popular Marvel Cinematic Universe hinged on the success of 2008’s ‘Iron-Man’ – if that movie wasn’t a hit, we would never have seen an Avengers film. However, in 2012 we saw our beloved team come together to battle Thor’s adopted brother, Loki (played fantastically by Tom Hiddleston). The initial worry was whether each of these huge characters would be given enough screen time, but those worries were quickly slapped aside as each character was given their time in the spotlight in ‘Avengers Assemble’.

In one movie, we get; Iron-Man fighting Thor, Thor fighting Hulk, New York getting invaded by an alien army from another dimension and hints at the impending arrival of Thanos. Read that sentence again and remember that it all happened! What a world it is, that this material is given credence, presented authentically and respects source material as well as the audience. In Joss Whedon we trusted, and he truly delivered what is now a favourite of many comic book fans.


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3. Man Of Steel

Following on from ‘Superman Returns’ – a movie which I actually enjoyed – the man in blue was to be given a fresh reboot. ‘Superman Returns’ wasn’t enjoyed by many, and whilst it was set to have two sequels, those plans were shelved so that Warner Bros could re-adjust. If ‘Superman Returns’ was an evening of peaceful and reflective classical music, then ‘Man Of Steel’ is a night of sweat-inducing heavy metal. From the first frame, the pace of this movie does not stop, the first 20 minutes being a krypton-based civil war. We also get a never-before-seen fighting Jor-el (Russell Crowe) as he has a brief encounter with Zod.

When we go to earth, we see Clark Kent as an adult, trying to find out who is he is. From the moment Clark finds a crashed Kryptonian ship to the final fight, the movie is quite literally a comic book on the big screen. It’s not just the conflict between Superman and Zod that has divided audiences, with this film being highly polarising and widely panned. I love it though, and the sequel, ‘Batman v Superman’, which has also divided audiences. Both films are full of action and beautifully pay homage to their comic book counterparts, which is a big tick for me.


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2. Batman Begins

Warner Bros wisely put our Dark Knight on the shelf after the dreadful ‘Batman & Robin’, and it seemed like the caped crusader was done with. However, a hero would appear in the form of Christopher Nolan, a man who would strip away the needless cliches to reveal a very well-crafted story in a real world setting. Not only is this movie on an almost CGI-free diet, we are introduced for the first time to a live action R’as Al Ghul. While ‘The Dark Knight’ builds on the strength of ‘Batman Begins’, this is where the origins are so beautifully crafted. With a grimy colour palette, strong performances and a satisfying story, this is a worthy mantle for Batman to stand on high. It also comes with a bombastic soundtrack composed by Hans Zimmer; not only does the music fit the tone, it enhances it ten fold. For me this is the essential solo Batman movie, as I enjoy a villain who is lordly yet able to beat some fool into the ground if needed. I do enjoy ‘The Dark Knight’, but this first in the trilogy really hits a home run for me.


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1. X-Men

“Mututation, it is the key to our evolution” – Professor Charles Xavier

This is an opening quote that shows this movie will have intelligence and a respect for the source material. The first scene is particularly interesting as we see a young Magneto being taken away from his parents, as well as the origin of his power. His power is born of hatred and from being persecuted for being different and also the love for his parents. In his adult years, his motives are to protect his fellow mutants, but he also sees humans as inferior; he believes they should become mutant or die if they aren’t worthy. He becomes the things he hated, the reason why he is who is and also what created him. This hate is countered by the gentle yet determined Professor X, who believes the two species can co-exist. While we have characters such as Wolverine, Cyclops and Storm, my enjoyment stems from the conflict of Xavier and Magneto. These former friends with opposing ideologies have several conversations throughout this film which, because of their combined acting abilities, have more excitement than any fist fight. The first movie in the ‘X-Men’ series signified that Hollywood was ready to take comic books seriously, and I am thankful it began with The Children of the Atom.

Which Alfred Is The Best?

Written by Patrick Alexander

Much hullabaloo has been made in the recent weeks, months and years as to where Ben Affleck does, has and will stack up in the overall Batman role sphere. Is he better than Christian Bale? Probably not. He’s got to be better than Michael Keaton, right? A push, maybe. Yeah, but he kicks Val Kilmer’s butt? Definitely. However, forget being caught up in the endless debate over Affleck’s position on Mt. Batmore, inevitably carved out of the wet walls of the Batcave. We’re here today to talk about the butler of all butlers, Albert Thaddeus Crane Pennyworth, and where his various portrayals in film and television stack up. 

First, a little history about Alfred. As any comic book nerd will tell you, Albert hails from Great Britain, having been a highly skilled British Intelligence Operative, making him the perfect guardian to protect young Bruce Wayne from the cruelties of a dark Gotham City. Outside of being the most overqualified babysitter and tea-man in the world – from his expertise in domestic sciences to his proficiency with mechanical and computer systems – Alfred always had Batman’s back, even putting his emergency medical acumen to work numerous times to save Master Wayne’s life. So where do the representations of the legendary chamberlain stack up? Let’s find out.


 

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5. Jeremy Irons 
Films: Batman vs. Superman: Dawn of Justice

The latest enactment of Alfred left much to be desired. While his role is scant in the new DC universe picture, Irons does flex his proficiency with mechanical and computer operating systems, helping Batfleck out several times, such as taking control of the Batplane whilst Batman has to skydive smash through a wall to go kick some criminal butts. Irons certainly looked the part as an aged and tired Alfred, ready to give up the reins to his care of Wayne Manor, finding his role rather diminished as Master Bruce had aged gracefully into a Kryptonite induced mid-life crisis. However, there is hope yet for Mr. Irons with ‘Wonder Woman’ and ‘Justice League’ pictures in production, and the possibility of appearing in solo Batfleck movies, we could still see Irons and his Alfred ascend this list.


 

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4. Michael Gough
Films: Batman, Batman Returns, Batman Forever, Batman & Robin

Gough carried nearly a decade’s worth of the Alfred torch, spanning the runs of Keaton, Kilmer, and lastly, George Clooney. Whilst Gough never portrayed the more tactical and eternally youthful former military man version of Alfred, Gough served his role as Batman’s foremost confidant in an ever-changing Gotham universe. The most dapper of this list, Gough seemed to always be there with a joke, or to light up a smoke when Master Wayne needed it most. Despite a heralded four film run, spanning three different Batmen, Gough’s finest hour, perhaps, might have been this 1990’s Diet Coke advert


alfred_batphone

3. Alan Napier
TV Series: Batman 

A throwback to the 1960s live action television series that any older American male can remember watching, spliced into the Saturday morning cartoons. Napier’s portrayal might well have been the most savvy in the pre-super-darkness era of Gotham. Napier’s lighthearted portrayal – before Batman got uber-techie – won hearts as Batman and Robin’s main man (servant). During a storied, three season, 120 episode run, Napier had the Batphone on lock down, always promptly answering and alerting Batman to the dangers of Gotham. Indubitably things got easier once they invented sonar tracking devices and advanced communication platforms, including computers, so it’s hard to say if Napier’s Alfred would have made it in the modern era.


Sean Pertwee

2. Sean Pertwee
TV Series: Gotham

Pertwee makes a strong case for the title belt here, combatting his way onto the Alfred scene. The youngest Alfred to date, known for protecting the young Bruce Wayne in the immediate aftermath of his parent’s demise, Pertwee’s protective instincts for young Bruce and his knack for continuously felling the villains of Gotham come in handy, as Bruce has yet to fully realise or actualise his future as the bodyguard of Gotham. The ‘Gotham’ TV series has been praised as a hot new show from Fox, and it’s casting of Pertwee really delivers, from Wayne Manor brawls with former British Intelligence Operative pals (psychopaths), to always putting himself in harm’s way to shield Master Wayne from the lurking evils of Gotham’s craziest menaces.


Michael Caine

1. Michael Caine
Films: Batman Begins, The Dark Knight, The Dark Knight Rises

Let’s be honest though, we all know Michael Caine is the greatest of all time when it comes to Alfred. Readily beside Christian Bale’s side through the best installment of the Batman franchise, his fame through association certainly buffers his ranking. Competent in (all too often) medical procedures, Alfred never wavers in his faith of Master Wayne as mainly a confidant and ally in his later years. Despite lacking the fighting ability other Alfreds reveal, Caine had perhaps the most quotable Alfred because he understood his role in Wayne’s life as a father figure better than any other. In ‘Batman Begins’, after the house burns down, Wayne belittles Alfred in a rough way saying: “why do you give a damn, Alfred? It’s not your family”. Caine replies in a manner representative of the Alfred who got it most, “I give a damn, because a good man once made me responsible for what was most precious to him in the whole world”. Beautiful, Michael.

Thanks For The Liebster Award Nomination

We’d like to say a big thank you to the lovely Alicja Johnson AKA Reel Red Reviews for nominating JumpCut UK for a Liebster Award. The Liebster Award is an online award passed on from blogger to blogger. By being a part of the Liebster Award process, bloggers can gain recognition for their own work, whilst discovering new and interesting bloggers. 

The rules are simple – answer the 11 questions set by the blogger who nominates you, and then nominate the bloggers you think deserve the award and pose them 11 questions of your own. 


Our editor-in-chief, Jakob, answers Alicja’s questions here:

1.What is your favorite movie from 2015? 
2015 actually turned out to be an amazing year for film releases, with ‘Mad Max: Fury Road’, ‘Ex Machina’ and ‘Sicario’ really impressing me. The best release of 2015 though, was ‘Whiplash’.
2. What are your most anticipated movies for this year?
I’m incredibly excited for all the comic book movies set to be released in 2016, but ‘Batman v Superman’ is a momentous occasion for cinema. Later in the year, Star Wars spin-off ‘Rogue One’ should be amazing too.
3. Biggest Disappointment (movie or TV show) from 2015?
Simply because of my own huge expectations, ‘Avengers: Age of Ultron’ was kinda disappointing. It was still a decent film, but nowhere near what I had hoped for, and the titular villain was a real letdown.
4. What celebrity do you think you’d get along really well with – who could be your best friend?
There’s lots of people I would love to hang out with. It would be great to spend some time with Margot Robbie, for obvious reasons, but in terms of a best friend, Oscar Isaac seems like a cool guy.
5. Do you have a celebrity lookalike? If not, is there a celebrity you’ve always imagined yourself being like?
I don’t think I look like anyone in particular, but if I could be like anyone, it would have to be Batman. You should always aspire to be Batman.
6. Do you have a travel bucket list? What are the top three places you’d like to visit?
I’m desperate to go and see the Northern Lights, probably in Norway – that’s number one on the list. I would love to relax on a beach in Hawaii too, of course, and maybe somewhere in South America like Brazil.
7. Name your ideal comfort meal.

Pizza. There’s nothing that can’t be fixed with pizza.
8. If you could choose any epic movie death, which way would you go?
I reckon it would be cool to go out in a massive shootout, à la any Quentin Tarantino film.
9. Which fictional town (or school, like Hogwarts) would you choose to live in?
I would love to live in Gotham City and give Batman a helping hand. Plus, it would be cool to meet The Joker.
10. What’s the first movie you remember seeing?
The first movie I remember seeing, at the cinemas at least, was ‘Babe’. You know, the George Miller film about the talking pig. I loved that film when I was little.
11. How long have you been blogging for, and why did you start?
I’ve been blogging for just over a year now. I started writing in January 2015, simply as a way to express my thoughts after watching films, kinda like an online journal. The plan quickly changed though, and I decided to push JumpCut UK to become a much broader venture and put together a team of writers (who are all excellent by the way).

So, we nominate: 

The Movie Guy 14
HC Movie Reviews
The Craggus
Movieblort
Caz AKA Let’s Go To The Movies
Grog’s Movie Blog
The Watcher Blog
A Tale Of Two Dans
Film Carnage
Movierob
and Jay AKA Assholes Watching Movies

Now, please answer these questions for us guys:

1. Which actor would you pick to play the lead in a biopic of your life?
2. What’s your favourite film of all time?
3. What’s the first ever film you remember watching?
4. Do you prefer watching films at home or at the cinema?
5. What is your favourite quote from a film?
6. Who is the coolest film character of all time?
7. Generally speaking, what is your favourite genre of film?
8. If you could interview any actor/actress/filmmaker, who would you pick?
9. Do you want to work in the film industry, and if so, in what capacity?
10. It seems that every film gets a sequel/remake these days, but which one film should never be messed around with?
11. Which 2016 film are you most excited about?

Thanks again to Alicja, and thanks in advance to all of our nominees for joining in and answering our questions. Peace y’all!

The JumpCut UK Film Awards 2015: Public Vote

Come one, come all, and cast your vote in the first annual JumpCut UK Film Awards! Of the 24 categories, three are open to a public vote. See below for details on how to make your vote count.

Best Trailer

Which trailer has blown you away this year? Take a look at our top 5 below and pick your favourite.

Batman v Superman
Captain America: Civil War
Star Wars: The Force Awakens
The Revenant
Triple 9

Best Breakthrough Actor/Actress

2015 has brought us some real stars in the making. So which new actor or actress has really impressed you this year and looks to have the brightest future in film?

Abraham Attah
Alicia Vikander
Daisy Ridley
O’Shea Jackson Jr.
Taron Egerton

Worst Film

Sadly, 2015 has also brought us some stinkers! Of all the film flops this year, which film has been the absolute worst of the worst? Here’s our top 5 (or bottom 5, depending how you look at it).

Hot Tub Time Machine 2
Pan
Paul Blart 2
Pixels
Vacation

VOTING HAS NOW CLOSED.