Carol Unleashes Her Powers In A Brand New ‘Captain Marvel’ Trailer

“The story follows Carol Danvers as she becomes one of the universe’s most powerful heroes when Earth is caught in the middle of a galactic war between two alien races.  Set in the 1990s, “Captain Marvel” is an all-new adventure from a previously unseen period in the history of the Marvel Cinematic Universe.”

Directed by: Anna Boden, Ryan Fleck

Cast: Brie Larson, Gemma Chan, Lee Pace, Samuel L. Jackson, Jude Law, Djimon Hounsou, Ben Mendelsohn, Clark Gregg, Mckenna Grace

Release Date: March 8th, 2019

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REVIEW: Robin Hood (2018)

Directed by: Otto Bathurst
Cast: Taron Egerton, Jamie Foxx, Ben Mendelsohn, Eve Hewson, Tim Minchin, Jamie Dornan

Written by Tom Sheffield

With countless films, books, and TV shows about the legendary outlaw,  we can probably assume almost everyone will have have heard of Robin of Loxely, aka Robin Hood, in some form of media. The last time we saw him on the silver screen was in 2010 played by Russell Crowe in Ridley Scott’s Robin Hood, and in those 8 years Robin Hood has appeared in multiple TV films and shows, including Doctor Who,  Once Upon A Time, and Alyas Robin Hood (Bow of Justice) and many more.

Hell, there’s even films multiple films in the works focusing on Robin Hood, Maid Marian, and the Merry Men.  Disney are currently developing one under the title Nottingham and the Hood, the Wachowski sister’s have written, and will direct, a modern retelling of Robin’s story in their film Hood, and Sony are developing Marian which currently has Margot Robbie set to star in the titular role and will focus on her character as she mourns the death of Robin. It wouldn’t suprise me at this point if Disney announced a live-action remake of their 1973 animated classic and we see Robin Hood in fox form once again..

After fighting in the crusade for 4 years, Lord Robin of Loxley (Egerton) returns to Nottingham only to learn that the Sheriff of Nottingham (Mendelsohn) has pushed the people of the city to breaking point with his war taxes and tolls and they’re forced to work in the mines and constantly beaten at the hands of the Sheriff’s guards. Robin and John (Foxx), a former Arabian soldier, begin to plan their revenge by restoring hope to the people and hitting the Sheriff where it hurts most… his treasury.

It’s clear that Egerton put a lot of work into this film, even going so far as to train with YouTube archery sensation Lars Andersen. This definitely paid off in the final product because whilst some of the CGI shots were shockingly bad (some sticking out like a sore thumb), I could at least enjoy the fact that (for the most part) Egerton was being an actual badass with a bow. The performances from the rest of the cast are pretty good across the board, despite them not really having all that much to do. Hewson and Minchin were criminally underused and the film as a whole would of benefitted from giving the pair of them more screen time, especially as we start to learn more of what the pair have been up to in Robin’s absence.

The set and costume design is sure to confuse many who find themselves watching this film. The design of the character’s clothes doesn’t quite fit in with the medieval look of Nottingham. Taron Egerton could waltz down the streets of Hollywood in his Robin Hood get up and no one would bat an eyelid. Even the Crusader’s armour at the beginning of the film looks a little too modern for the setting, so much so you could have replaced the bows in their hand with a modern day rifle and it wouldn’t have looked out of place. That’s not to say the costumes don’t look good though. Some of them are really well designed and you’ll catch me wearing the Sheriff of Nottingham’s cloak when it hits the racks in M&S later this month.

The fight choreography was also very hit and miss. In some scenes it felt like their was a bit of creativity in the way Robin fought and sparked a little hope in me that it would build up to something special. Sadly this wasn’t the case and instead the audience is bombarded with pointless slow-motion shots of fists clenching, cloaks twirling, someone drop kicking a shield, and fire.. lots and LOTS of fire. As touched upon a couple paragraphs above, the CGI in some of the scenes is laughably poor. There’s one chase scene in particular that the poor quality is really noticeable on, and it feels like the constant burst of flames they’ve thrown in throughout were there to try and distract you from noticing the poor quality green screen.

As for character development, well, there was none. We know next to nothing about Robin, other than he’s a Lord and before the crusade he loved nothing more than just spending time in his manor with Marian (and doing dramatic kissing spins). Marian and the rest of the unassembled Merry Men may as well have just been another face in the crowd for this story because anyone could have stepped into their shoes. The film relies heavily on you investing in Robin and Marian’s relationship in the opening scenes of the film to add some emotional depth to the story later on but sadly they fall flat due to the  incredibly poor writing and pacing of the film.

The writing for Ben Mendelsohn’s Sheriff of Nottingham in particular was pretty underwhelming and whilst we know he CAN deliver an intimidating portrayal of a power-hungry villain (Orson Krennic in Rogue One, Sorrento in Ready Player One), the Sheriff of Nottingham just didn’t hit the mark for me here (despite Mendelsohn’s best efforts), and winds up becoming a pretty forgettable villain.

Whilst I left the cinema feeling like I’d just wasted 2 hours of my Saturday morning, my brother had the compete opposite feeling and was pretty damn happy with Robin Hood’s latest outing. My brother is a big fan of all things Robin Hood (and archery) and there probably isn’t a film, TV show, or character cameo that he hasn’t seen. Make of that what you will…

Sadly this is yet another misfire when it comes to telling the story of one of the greatest and most legendary outlaws. Maybe one of the multiple Robin Hood films currently in development might actually deliver? Just don’t tell me it’s not worth fighting for.

 

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Meet Lance Stirling In The First Trailer For ‘Spies In Disguise’

“Super spy Lance Sterling (Will Smith) and scientist Walter Beckett (Tom Holland) are almost exact opposites. Lance is smooth, suave and debonair. Walter is… not. But what Walter lacks in social skills he makes up for in smarts and invention, creating the awesome gadgets Lance uses on his epic missions. But when events take an unexpected turn, Walter and Lance suddenly have to rely on each other in a whole new way. And if this odd couple can’t learn to work as a team, the whole world is in peril. SPIES IN DISGUISE is an animated comedy set in the high-octane globe-trotting world of international espionage.”

Directed by: Nick Bruno, Troy Quane

Cast: Will Smith, Tom Holland, Karen Gillan, DJ Khaled, Rashida Jones, Ben Mendelsohn, Masi Oka

Release Date: 13th September 2019

Robin Becomes The Hood In New ‘Robin Hood’ Trailer

“Robin of Loxley (Taron Egerton) a war-hardened Crusader and his Moorish commander (Jamie Foxx) mount an audacious revolt against the corrupt English crown in a thrilling action-adventure packed with gritty battlefield exploits, mind-blowing fight choreography, and a timelessromance.”

Directed by: Otto Bathurst

Cast: Taron Egerton, Ben Mendelsohn, Jamie Foxx, Jamie Dornan, Tim Minchin, Eve Hewson

Release Date: November 23rd, 2018

Marvel Release Hotly Anticipated First Teaser Trailer For ‘Captain Marvel’

“The story follows Carol Danvers as she becomes one of the universe’s most powerful heroes when Earth is caught in the middle of a galactic war between two alien races.  Set in the 1990s, “Captain Marvel” is an all-new adventure from a previously unseen period in the history of the Marvel Cinematic Universe.”

Directed by: Anna Boden, Ryan Fleck

Cast: Brie Larson, Gemma Chan, Lee Pace, Samuel L. Jackson, Jude Law, Djimon Hounsou, Ben Mendelsohn, Clark Gregg, Mckenna Grace

Release Date: March 8th, 2019

Netflix Release New Trailer For ‘The Land of Steady Habits’

“Feeling trapped in the stifling, wealthy enclave of Westport, Connecticut, Anders Hill (Ben Mendelsohn) retires from his job in finance and leaves his wife (Edie Falco) in the hopes that it will renew his lust for life. However, he’s quickly faced with the startling reality of his choices; he spends his days looking for things to decorate his empty shelves, sleeping with strangers and feeling terribly lost.”

Directed by: Nicole Holofcener

Cast: Natalie Gold, Ben Mendelsohn, Connie Britton

Release Date: September 14th, 2018 (Netflix)

A New Action-Packed ‘Robin Hood’ Trailer Has Been Released

“Robin of Loxley (Taron Egerton) a war-hardened Crusader and his Moorish commander (Jamie Foxx) mount an audacious revolt against the corrupt English crown in a thrilling action-adventure packed with gritty battlefield exploits, mind-blowing fight choreography, and a timeless romance.”

Directed by: Otto Bathurst

Cast: Taron Egerton, Ben Mendelsohn, Jamie Foxx, Jamie Dornan, Tim Minchin, Eve Hewson

Release Date: November 23rd, 2018

The Revolution Begins In The First Teaser Trailer For ‘Robin Hood’

“Robin of Loxley (Taron Egerton) a war-hardened Crusader and his Moorish commander (Jamie Foxx) mount an audacious revolt against the corrupt English crown in a thrilling action-adventure packed with gritty battlefield exploits, mind-blowing fight choreography, and a timeless romance.”

Directed by: Otto Bathurst

Cast: Taron Egerton, Ben Mendelsohn, Jamie Foxx, Jamie Dornan, Tim Minchin, Eve Hewson

Release Date: November 23rd, 2018

Ready Player One

Year: 2018
Directed by: Steven Spielberg
Starring: Tye Sheridan, Olivia Cooke, Ben Mendelsohn, Simon Pegg, Mark Rylance

Written by Jo Craig

During the eighties and nineties, standing before a chunky black mirror — fingers and thumbs strategically placed over buttons — was the norm for the vintage gamer. Saturday nights resembled the ‘Stranger Things’ arcade scene and the blind belief of beating an anonymous high score was initiated by one on-screen statement: “Player One, Ready!”

Encasing this nostalgia within a fictional epic was Sci-Fi writer Ernest Cline back in 2011, praised for his tale of friendship and pop culture explosion inside novel ‘Ready Player One’. Arriving seven years later — amidst a flurry of disco era revival in TV and film — marks the thirty-third release from the BFG of directors, Steven Spielberg. As predicted, it’s a spectacle not to be missed.

Masterful in filming thrilling adventures and creating memorable companionships, ‘The King of Entertainment’ was undeniably the man to bring Cline’s vision to life. Quoted as being his third most difficult movie to shoot behind ‘Jaws’ and ‘Saving Private Ryan’, Spielberg has roared a geek war cry and we have come running.

The complexity of RP1’s world of pure imagination was always going to be a high level endeavour to visually reconstruct. For Spielberg (who is no stranger to tackling Science fiction), transitioning a story largely set in a virtual reality interface demanded attention to detail and creative trust in effects team Industrial Light and Magic. Shot in Panavision, our first trip down the technicolour rabbit hole — where a rush of mass media characters are live, active and driven by civilians of the year 2045 — is nothing short of an eye-widening wonderland.

The OASIS (Ontologically Anthropocentric Sensory Immersive Simulation) is a limitless, retro universe and in outline, provides real-world outcast, Tye Sheridan’s Wade Watts, a platform to enter Anorak’s Quest — a competition designed by the late OASIS inventor James Halliday (Rylance) — and win full control of the multi-user program. Watts’ VR avatar Parzival is rock star cool — sporting hypnotic locks with a sleeveless, denim jacket — and introduces the OASIS’ main attraction: Being somebody/something else. In addition to escapism, themes of friendship, innocence and courage give a gooey centre to this technological gobstopper and equips a diligent plot with a solid, emotive core.

A level balance is constant between reality and fantasy, guiding you back to the grounded motifs after gawking too long at the ‘Gears of War’ styled gunfight surrounding The Iron Giant’s PvP battle against Mechagodzilla. Frontrunners Tye Sheridan and Olivia Cooke avoid scrutiny by being their charming selves, proving — along with Mark Rylance’s quirky Halliday and Ben Mendelsohn’s deceitful businessman Sorrento — that Spielberg’s casting is meticulous and loyal to the source material.

As awesome as it is watching central Gunter (Easter egg hunter) Art3mis (Cooke) annihilate Sorrento’s (Mendelsohn) army of Sixers by use of a Lancer assault rifle with a chainsaw bayonet, viewers unfamiliar with Cline’s material will be forgiven for missing plot details in the thick of ocular overload. While 3D IMAX might be a component too far for our motion sickness threshold, Spielberg enhances our first-person experience of virtual reality gaming by altering Cline’s Halliday challenges to accommodate a more visually acceptable result on screen. Left unaltered and we might have had to watch Parzival play hours of competitive Joust.

Weaving through a plethora of movie references (including a whole sequence dedicated toThe Shining’), gaming-inspired escape plans and equilibrium-altering camera movements, Spielberg — working closely with writer Zak Penn and Cline — stack several elements and every Easter egg imaginable into a cyberspace treasure hunt on steroids, without letting any eggs fall out of the basket. In simpler terms, it’s an adrenaline-pumping, good versus evil race to the finish line, complete with a down memory lane Alan Silvestri score blended with an 80’s classics soundtrack.

‘Ready Player One’ is a geekgasm that incidentally excites us for Marvel’s behemoth later this month, achieving $53 million coins on its four day debut at the Easter weekend box office. After Warner Bros. pushed forward RP1’s premiere from December – to avoid clashing with ‘The Last Jedi’ — fans of lightsabers, video games and cheeky superheroes will be grateful for the release date staggering, precluding the possibility of geeky heart-failure. Ultimately, one of 2018’s most anticipated productions does not disappoint, nor purge Ernest Cline’s concept of its defining qualities. Instead, Sir Steven — God of euphoric adventure — deserves one thunderous high-five for letting us break free from the mundane and witness a magical journey too colossal for the real world.

Jo’s Rating: 9 / 10