Directed by: Otto Bathurst
Cast: Taron Egerton, Jamie Foxx, Ben Mendelsohn, Eve Hewson, Tim Minchin, Jamie Dornan
Written by Tom Sheffield
With countless films, books, and TV shows about the legendary outlaw, we can probably assume almost everyone will have have heard of Robin of Loxely, aka Robin Hood, in some form of media. The last time we saw him on the silver screen was in 2010 played by Russell Crowe in Ridley Scott’s Robin Hood, and in those 8 years Robin Hood has appeared in multiple TV films and shows, including Doctor Who, Once Upon A Time, and Alyas Robin Hood (Bow of Justice) and many more.
Hell, there’s even films multiple films in the works focusing on Robin Hood, Maid Marian, and the Merry Men. Disney are currently developing one under the title Nottingham and the Hood, the Wachowski sister’s have written, and will direct, a modern retelling of Robin’s story in their film Hood, and Sony are developing Marian which currently has Margot Robbie set to star in the titular role and will focus on her character as she mourns the death of Robin. It wouldn’t suprise me at this point if Disney announced a live-action remake of their 1973 animated classic and we see Robin Hood in fox form once again..
After fighting in the crusade for 4 years, Lord Robin of Loxley (Egerton) returns to Nottingham only to learn that the Sheriff of Nottingham (Mendelsohn) has pushed the people of the city to breaking point with his war taxes and tolls and they’re forced to work in the mines and constantly beaten at the hands of the Sheriff’s guards. Robin and John (Foxx), a former Arabian soldier, begin to plan their revenge by restoring hope to the people and hitting the Sheriff where it hurts most… his treasury.
It’s clear that Egerton put a lot of work into this film, even going so far as to train with YouTube archery sensation Lars Andersen. This definitely paid off in the final product because whilst some of the CGI shots were shockingly bad (some sticking out like a sore thumb), I could at least enjoy the fact that (for the most part) Egerton was being an actual badass with a bow. The performances from the rest of the cast are pretty good across the board, despite them not really having all that much to do. Hewson and Minchin were criminally underused and the film as a whole would of benefitted from giving the pair of them more screen time, especially as we start to learn more of what the pair have been up to in Robin’s absence.
The set and costume design is sure to confuse many who find themselves watching this film. The design of the character’s clothes doesn’t quite fit in with the medieval look of Nottingham. Taron Egerton could waltz down the streets of Hollywood in his Robin Hood get up and no one would bat an eyelid. Even the Crusader’s armour at the beginning of the film looks a little too modern for the setting, so much so you could have replaced the bows in their hand with a modern day rifle and it wouldn’t have looked out of place. That’s not to say the costumes don’t look good though. Some of them are really well designed and you’ll catch me wearing the Sheriff of Nottingham’s cloak when it hits the racks in M&S later this month.
The fight choreography was also very hit and miss. In some scenes it felt like their was a bit of creativity in the way Robin fought and sparked a little hope in me that it would build up to something special. Sadly this wasn’t the case and instead the audience is bombarded with pointless slow-motion shots of fists clenching, cloaks twirling, someone drop kicking a shield, and fire.. lots and LOTS of fire. As touched upon a couple paragraphs above, the CGI in some of the scenes is laughably poor. There’s one chase scene in particular that the poor quality is really noticeable on, and it feels like the constant burst of flames they’ve thrown in throughout were there to try and distract you from noticing the poor quality green screen.
As for character development, well, there was none. We know next to nothing about Robin, other than he’s a Lord and before the crusade he loved nothing more than just spending time in his manor with Marian (and doing dramatic kissing spins). Marian and the rest of the unassembled Merry Men may as well have just been another face in the crowd for this story because anyone could have stepped into their shoes. The film relies heavily on you investing in Robin and Marian’s relationship in the opening scenes of the film to add some emotional depth to the story later on but sadly they fall flat due to the incredibly poor writing and pacing of the film.
The writing for Ben Mendelsohn’s Sheriff of Nottingham in particular was pretty underwhelming and whilst we know he CAN deliver an intimidating portrayal of a power-hungry villain (Orson Krennic in Rogue One, Sorrento in Ready Player One), the Sheriff of Nottingham just didn’t hit the mark for me here (despite Mendelsohn’s best efforts), and winds up becoming a pretty forgettable villain.
Whilst I left the cinema feeling like I’d just wasted 2 hours of my Saturday morning, my brother had the compete opposite feeling and was pretty damn happy with Robin Hood’s latest outing. My brother is a big fan of all things Robin Hood (and archery) and there probably isn’t a film, TV show, or character cameo that he hasn’t seen. Make of that what you will…
Sadly this is yet another misfire when it comes to telling the story of one of the greatest and most legendary outlaws. Maybe one of the multiple Robin Hood films currently in development might actually deliver? Just don’t tell me it’s not worth fighting for.