Sicario 2: Soldado

Year: 2018
Directed by: Stefano Sollima
Cast: Benicio Del Toro, Josh Brolin, Isabela Moner, Jeffrey Donovan, Catherine Keener

Written by Rhys Bowen Jones

Taylor Sheridan has crafted himself a very successful niche in Hollywood. Following his writing successes on films like ‘Hell or High Water and Wind River’ (which he also directed), Sheridan has penned a sequel to the film that truly put him on the map, 2015’s ‘Sicario’. ‘Sicario’ is a crime thriller, directed by Denis Villeneuve and was one of the smash hits of 2015, earning Sheridan worldwide recognition for his superb screenplay and the way he handles dialogue. Flashing forward 3 years, ‘Sicario 2: Soldado’ is Sheridan’s first sequel, and it’s clear that Sheridan hasn’t lost his knack for piercing dialogue and riveting storytelling.

‘Sicario 2: Soldado’ stars Josh Brolin’s CIA Agent Matt Graver and his frequent inside man Alejandro Gillick (played superbly by Benicio Del Toro) as they attempt to find a solution to the increasingly troublesome drug war on the US-Mexico border. Their solution is as American as it gets – to incite a war between the biggest drug cartels in Mexico by kidnapping the daughter of one of the cartel kingpins and staging it as a rival cartel’s doing.

‘Sicario’ did a masterful job of unpacking the American approach to the drug trade in Mexico, examining why America does it, how it does it, and what it needs to do better. It criticises everything we have come to expect from a film like this by subverting our expectations, thanks in large part to the superb role Emily Blunt played as our audience surrogate. This time, Blunt is sadly nowhere to be seen, and as Graver says when recruiting Gillick again, there are “no rules this time,” with the ‘Sicario 2: Soldado’ team aiming to take a far more blunt approach to proceedings. While the overall effect of the film doesn’t match ‘Sicario,’ it delivers a satisfying follow up to one of 2015’s best efforts.

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Starting with the good, the performances are as great as we’ve come to expect from pros like Brolin and Del Toro, each of them relishing their cutting lines of dialogue to various people who sadly get on their bad side. Brolin chews up his script like a man on a mission, with the ham-fisted subtlety that we expect from a man whose plan to stop the drug war is to, well, start a different war. Graver is the embodiment of the American Way in ‘Soldado’, when presented with two options, Graver will choose the one that makes the biggest explosion.

Del Toro’s performance is far more nuanced, a welcome change to Graver’s brash nature, as he completes his tasks strategically and efficiently. He has moments of brutality, like an early assassination where he uses his left index finger to fire his handgun faster than his right index finger could for reasons other than this looks cool. Alejandro is faced with many moral quandary’s through the film, mainly related to the kidnapped daughter, Isabel (played by Isabela Moner, off the back of a supporting role in ‘Transformers: The Last Knight’). Those familiar with ‘Sicario’ will know why Isabela is important to Alejandro, but what could have been forced melodrama comes off really nicely thanks to Del Toro’s performance, the highlight of which is the eye-opening sign-language conversation he has with a deaf-mute man he meets on his travels. Del Toro continues to be on fine form whatever he does, whether it’s the subtlety of this role or the madness of The Collector in ‘Guardians of the Galaxy’.

Further positives for ‘Soldado’ come from its music. With the tragic passing of Jóhann Jóhannsson earlier this year, soundtrack duties were passed to regular Jóhansson collaborator Hildur Guðnadóttir. The original ‘Sicario’ soundtrack is stunning, earning numerous award nominations including an Oscar nomination for Best Original Score. ‘Soldado’s’ soundtrack is naturally influenced by ‘Sicario’s’, but where ‘Sicario’ knew when to include moments of levity and calm before the ensuing storm, ‘Soldado’s’ is much more consistently intense. It has some superb moments where it’s the soundtrack to a shootout or a chase sequence, but the overall impact isn’t quite as strong as the original.

That becomes a theme as the film transpires. I found myself thoroughly enjoying the film all the way through, but ‘Sicario’ felt different. It had the vision of masters like director Denis Villeneuve and cinematography legend Roger Deakins to guide proceedings to where they needed to be. Where ‘Sicario’ had “the scene” in form of the US-Mexico border traffic jam scene, or where it had “the shot” in the form of the US military silhouettes descending into darkness against the Mexican sunset, ‘Soldado’ doesn’t have moments like that. It has flashes of excellence, there’s a very well-done night vision scene in the first act, and there’s a very good shoot-out in the middle of a dirt road that’s shown almost entirely from inside a car. Director Stefano Sollima, a veteran of the highly rated Italian drama series ‘Gomorrah’, plays things safer than Villeneuve did, opting for functional shots rather than impressive ones. That isn’t to say there aren’t great shots and moments in the film, but it’s not as well-executed as the original.

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“The Shot” from ‘Sicario’

‘Sicario 2: Soldado’ is a well-done film, it has great elements to it, mainly from its actors, but it doesn’t quite have the spark the original has, lacking the necessary subtlety to take on such a modern-day, real-world, hot button topic. I’ve read Sheridan say ‘Soldado’ is less a sequel to the original, it’s more of a standalone story within that world, and I buy that. I would like to see more of that. Take these characters, put them in a situation, see how it unfolds. It’s a good approach, because the further away from the original you take ‘Soldado’, the better it comes across.

I could’ve done without the final line, though.

Rhys’ Rating:

3-5

 

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It’s Time To Start A War In The First Trailer For ‘Sicario’ Sequel – ‘Soldado’

“FBI agent Matt Graver teams up with a former member of a Mexican drug cartel to kidnap a kingpin’s daughter.”

Directed By: Stefano Sollima

Cast: Josh Brolin, Benicio Del Toro, Catherine Keener, Jeffrey Donovan

Release Date: June 29th, 2018 (UK TBA)

Star Wars Episode VIII: The Last Jedi

Year: 2017
Directed by: Rian Johnson
Starring: Mark Hamill, Daisy Ridley, Adam Driver, Carrie Fisher, John Boyega, Oscar Isaac, Gwendoline Christie, Domhnall Gleeson, Andy Serkis, Laura Dern, Benicio Del Toro.

WRITTEN BY CHRIS GELDERD

This 2017 American sci-fi fantasy is written and directed by Rian Johnson and is the sequel to 2015s ‘The Force Awakens’, the second of the New Trilogy and ninth in the overall Star Wars saga.

Following the destruction of Starkiller Base at the hands of the Resistance led by General Leia Organa (Carrie Fisher), the brave heroes find themselves mercilessly hunted by the First Order under the command of General Hux (Domhnall Gleeson) and Supreme Leader Snoke (Andy Serkis).

As the Resistance attempts to survive the First Order, young Jedi in training Rey (Daisy Ridley) seeks the help of Jedi Master Luke Skywalker (Mark Hamill) to join the fight and defeat Snoke and his powerful apprentice, Kylo Ren (Adam Driver).

Emotions will be pushed to breaking point as Rey discovers shocking truths about key fighters in the Resistance and First Order, and Luke Skywalker himself, which will force everyone to question just where their destiny lies within the galaxy and which side of the fight they are truly on…

I’m going to say it from the off here – I walked out of the midnight showing of ‘The Force Awakens’ and ‘The Last Jedi’ a little disappointed. Not for J.J. Abrams’ thrill ride, but for the new episode from writer/director Rian Johnson. ‘The Last Jedi’ is a blend of all that works from the prequels and original trilogy, but sadly lots that doesn’t. The result is a film that delivers on the most part, but stumbles along the way and gives, I think, little payoff for a film that should offer more resolutions than headaches.

Maybe I will feel different on the second viewing with a clearer head? Or maybe that’s me as an avid Star Wars fan desperate to find more in this blockbuster than I originally found.

We are catapulted into the fall-out from ‘The Force Awakens’ in a typical Star-Warsy narrative that is tried and tested; a number of stories running parallel that converge at the end. The late Carrie Fisher has far more to do this time around leading the Resistance again as General Leia Organa. Oscar Isaac is back as passionate pilot Poe along with John Boyega as Finn and newcomer Kelly Marie Tran as Rose, a maintenance worker for the Resistance. It is this group, along with Laura Dern as the ‘is she good / is she bad?’ Admiral Holdo, that are the ones scrabbling around trying to simultaneously fight against and flee from the First Order.

On the other hand, we have Daisy Ridley’s Rey and Mark Hamill’s Luke Skywalker seeking to understand each other, the Force and the state of the galaxy at war. On the OTHER other hand, Adam Driver’s Kylo Ren and Domhnall Gleeson’s General Hux ham it up for all it’s worth as the brash, short-fused, volatile but merciless First Order agents.

As you can see, it’s a busy narrative with lots of new and old characters, new planets, species and technology. And as you suspect, there is a lot of waste and a lot of back and forth that messes up the flow. The Resistance has a lazy plot that revolves around breaking a secret code on-board the biggest Star Destroyer in the First Order fleet to allow their ships to flee. So much time is spent on this task that is made out to be much easier to do than it really should be, giving Boyega, Tran and co. reasons to forge relationships and run around on the very prequel-esque digital world of Cantonica and Canto Bight. It detracts from the main flow of the story and is very digital, compared to the practical worlds of Takodana and Jakku from ‘The Force Awakens.’

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The CGI here and throughout is very noticeable. It’s not 100% polished, but because there is so much it’s far easier to spot. From Snoke’s digital body to dozens of new alien species and much more gravity/physics defying action, it reminded me more of the flamboyant CGI of the prequels than the restrained, minimal CGI J.J. Abrams introduced us to. As I said, some of the prequel material worked, much didn’t. ‘The Last Jedi’ plays out like a new modern entry wrapped up in a prequel skin.

It’s a busy film, and the secondary narrative detracts from what we are here to see – the return of Mark Hamill as Luke Skywalker and his relationship with Rey. We get this and more, and it’s wonderful. A highlight of the film is seeing the two bicker, argue try to understand each other, exploring lore from the past and touching on the future. Hamill is not the Jedi we last saw on Endor, but a world-weary, scared and bitter hermit questioning his own existence and the Force itself. He draws us into his story and the spark between him and Ridley grips you, wondering just who is right and who is wrong.

And on the subject of Luke; his Porgs. Not as annoying as you’d expect, and rather amusing in a restrained way. They are NOT the new Ewoks, believe me, and the best of the various digital creatures we have here (the Canto Bight ones truly pointless if you ask me).

But with constant interjections from a slightly boring Resistance story, it becomes frustrating being drip-fed so much about Luke, Rey and Kylo that while it is electric to watch, Johnson doesn’t offer clear resolutions to questions raised in 2015. I felt short-changed by many outcomes, and annoyed at what seemed to be a waste of established material. To be honest, at times I didn’t know if I was watching the middle of a trilogy or the end of one. As both stories crank up to converge, my mind’s eye saw ‘The Empire Strikes Back’ blended with ‘Return Of The Jedi’ in a mish-mash of sequences that, while hitting the humour, emotion and action just right, were just too rushed and hap-hazard to take in. Even the Battle Of Hoth-esque finale  (spot the Gareth Edwards solider cameo!) is pretty boring, un-eventful and jammed with digital creations that I was turning off even when a certain character brushed his shoulder off. It felt too much, too late.

I was seeing things I didn’t want to see happen. Outcomes I didn’t want to witness. Characters go when I couldn’t see a reason for.  The film itself is immersive, don’t get me wrong. There are some really beautiful shots and really tender, well executed moments developing our heroes and villains. I just felt the outcomes were either cheap or rushed.  Even the score by John Williams is devoid of anything standout, and the only motifs that roused me were ones recycled from the Original Trilogy for a truly sentimental impact.

You can see, I am torn, and I’m annoyed that a Star Wars film has made me feel like this especially following such a blistering opening chapter.

As I said, I felt the trilogy was wrapping up towards the end of this. It was strange. Where will they go from here? J.J. Abrams needs to really add something new to ‘Episode IX’ because questions and motives are still clouded and over-looked all for dramatic effect, and opportunities have been missed. While I buy into this new galaxy and always will be an avid fan, I need more to invest in for this current battle between good and evil to give me chills the way that all closing chapters should. Because to me it feels Johnson has peaked the trilogy far too soon.

CHRIS’ RATING: 5.0/10.

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Marvel Unleash First ‘Avengers: Infinity War’ Trailer

“An unprecedented cinematic journey ten years in the making and spanning the entire Marvel Cinematic Universe, Marvel Studios’ “Avengers: Infinity War” brings to the screen the ultimate, deadliest showdown of all time. The Avengers and their Super Hero allies must be willing to sacrifice all in an attempt to defeat the powerful Thanos before his blitz of devastation and ruin puts an end to the universe.

Anthony and Joe Russo direct the film, which is produced by Kevin Feige. Louis D’Esposito, Victoria Alonso, Michael Grillo and Stan Lee are the executive producers. Christopher Markus & Stephen McFeely wrote the screenplay.”

It’s finally arrived! After months of fan speculation, numerous fake pictures and screenshots of release dates, Marvel have unleashed the first official trailer for the third ‘Avengers’ film, ‘Infinity War’.

The star studded film brings together every hero we’ve met in the last 10 years, including Iron Man, Thor, Captain America, The Guardians, Black Widow, Hawkeye, and Black Panther. They’re all coming together to take on the Mad Titan, Thanos, who we’ve seen very little of and only ever really been teased about the threat he poses to Earth. Last time we saw him he grabbed his currently stone-less Gauntlet and declared “I’ll do it myself”.

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In the first post-credit scene, Thor, Loki, Valkyrie, and the Asgardians come face to face with a humongous ship. Fans speculate that ship belongs to non-other than the Mad Titan himself, and that this will tie in with the beginning of ‘Infinity War’.

The heroes also feature in the latest Vanity Fair issue, which includes photos of how some of the heroes will look in the film, but as many have noticed, some costumes (and weapons) don’t seem to match what we know going into ‘Infinity War’, which could mean that the Russo Brothers have plenty of surprises up their sleeves.

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The Avengers Trilogy Teaser Posters

Darkness Rises In Brand New ‘Star Wars: The Last Jedi’ TV Spot

“In Lucasfilm’s ‘Star Wars: The Last Jedi’, the Skywalker saga continues as the heroes of ‘The Force Awakens’ join the galactic legends in an epic adventure that unlocks age old mysteries of the Force and shocking revelations of the past”

Directed By: Rian Johnson
Cast: Daisy Ridley, Mark Hamill, John Boyega, Carrie Fisher, Oscar Isaac, Andy Serkis, Gwendoline Christie, Domhnall Gleeson, Adam Driver, Laura Dern, Benicio Del Toro, Billi Lourd
Release Date: 14th December 2017

Rey and Kylo Ren Take Centre Stage In Brand New ‘Star Wars: The Last Jedi’ Trailer

“Luke Skywalker’s peaceful and solitary existence gets upended when he meets Rey, a young woman who shows strong signs of the Force.”

Direct By: Rian Johnson
Cast: Daisy Ridley, Mark Hamill, Adam Driver, John Boyega, Domhnall Gleeson, Oscar Isaac, Carrie Fisher, Andy Serkis, Laura Dern, Benicio Del Toro, Gwendoline Christie
Release Date: 14th December 2017

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The JumpCut UK Film Awards 2015: The Nominees

After weeks of agonising over the films of 2015, our esteemed panel have finally submitted their picks for the first annual JumpCut UK Film Awards. The votes have been counted and the nominees are…


actors
Best Support Actress
Alicia Vikander (Ex Machina)
Kate Winslet (Steve Jobs)
Kristen Stewart (Clouds Of Sils Maria)
Marion Cotillard (Macbeth)
Rooney Mara (Carol)
Best Support Actor
Benicio del Toro (Sicario)
Idris Elba (Beasts Of No Nation)
JK Simmons (Whiplash)
Oscar Isaac (Ex Machina)
Paul Dano (Love & Mercy)
Best Lead Actress
Cate Blanchett (Carol)
Charlize Theron (Mad Max: Fury Road)
Emily Blunt (Sicario)
Olivia Cooke (Me And Earl And The Dying Girl)
Saoirse Ronan (Brooklyn)
Best Lead Actor
Abraham Attah (Beasts Of No Nation)
Jason Segel (The End Of The Tour)
Matt Damon (The Martian)
Michael Fassbender (Steve Jobs)
Miles Teller (Whiplash)
Best Breakthrough Actor/Actress
Abraham Attah
Alicia Vikander
Daisy Ridley
O’Shea Jackson Jr
Taron Egerton
Worst Acting Performance
Adam Sandler (Pixels)
Jai Courtney (Terminator Genisys)
Jamie Dornan (Fifty Shades Of Grey)
Johnny Depp (Mortdecai)
Vincent D’Onofrio (Jurassic World)

 

technical

Best Director
Alex Garland (Ex Machina)
Damien Chazelle (Whiplash)
Denis Villeneuve (Sicario)
George Miller (Mad Max: Fury Road)
Ridley Scott (The Martian)
Best Original Story
Ex Machina
Inside Out
The Gift
The Lobster
Whiplash
Best Adaptation
American Sniper
Macbeth
Me And Earl And The Dying Girl
Steve Jobs
The Martian
Best Cinematography
American Sniper
Macbeth
Mad Max: Fury Road
Sicario
The Martian

 

Best Editing
Birdman
Mad Max: Fury Road
Sicario
Star Wars: The Force Awakens
Whiplash
Best Soundtrack/Score
Dope
Inside Out
Mad Max: Fury Road
Sicario
Whiplash
Best Visual Effects
Ex Machina
Jurassic World
Mad Max: Fury Road
Star Wars: The Force Awakens
The Martian

genre

Best Action Film
American Sniper
Avengers: Age Of Ultron
Kingsman: The Secret Service
Mad Max: Fury Road
Sicario
Best Comedy Film
Inside Out
Spy
The Lobster
The Night Before
Trainwreck
Best Drama Film
Carol
Me And Earl And The Dying Girl
Straight Outta Compton
Whiplash
White God
Best Horror Film
Crimson Peak
Insidious: Chapter 3
It Follows
The Gift
Best Sci-Fi Film
Ex Machina
Jurassic World
Star Wars: The Force Awakens
The Martian

 

Best Documentary, Foreign, Indie or Short Film
Cobain: Montage Of Heck
The End Of The Tour
Kung Fury
The Lobster
World Of Tomorrow
Worst Sequel/Reboot
Fantastic Four
Hot Tub Time Machine 2
Taken 3
Terminator Genisys
Vacation
Worst Film
Hot Tub Time Machine 2
Pan
Paul Blart 2
Pixels
Vacation
Best Film
Ex Machina
Mad Max: Fury Road
Sicario
The Martian
Whiplash

miscellaneous

The “Guilty Pleasure” Award
American Ultra
Focus
San Andreas
Ted 2
The Interview

 

 

 

 



So there you have it – 24 categories with lots of films and individuals to celebrate. We will be opening up the voting to the public for the following categories: Best Breakthrough Actor/Actress, Worst Film and Best Trailer, and you can cast your vote here (voting closes 31st December). The rest of the categories will be decided by the JumpCut UK team, our official partners and a handful of expert guests, with all the winners announced on our special YouTube Awards Show at the end of January. 

Oscars 2016: Best Picture Predictions

Written by Chris Winterbottom

It may be early, but with awards season kicking off, I thought I would share my tips for who will be nominated at the 2016 Academy Awards, which will be held on the 28th February. Last year’s winner of the award for Best Picture, ‘Birdman’, was part of an eight-strong group vying for that prestigious gold statuette, but the category can have up to ten films nominated. With that in mind, I’m predicting a nine horse race, considering the amount of interesting films still to be released before the big night.

And the nominees are…

Steve Jobs

After making the hugely enjoyable ‘Trance’, Danny Boyle is back to courting the big awards with this biopic of the Apple genius Steve Jobs. Michael Fassbender plays the titular character and with supporting actors in Kate Winslet and Jeff Daniels, early reviews have suggested this is the one to watch. Personally, I am looking forward to this immensely; Danny Boyle is one of my favourite filmmakers and with a script penned by Aaron Sorkin, whose other works include the wonderful ‘The Social Network’, this film looks set to be a huge success both financially and critically.

Suffragette

This recent release has seen much of its acclaim directed towards the acting performances; I am sure Carey Mulligan in particular will at least be nominated for Best Actress at the awards ceremony next February. I haven’t seen the film, but with Jennifer Lawrence’s recent essay on sexism in Hollywood, and the regular calls of discontent at the amount of roles for women and the pay they receive when they come along, I feel the Academy will include the film in the Best Picture category to acknowledge female filmmakers’ cries for equality, regardless of its quality.

Sicario

This Denis Villeneuve film is one of my favourites of the year so far. Currently, I would like ‘Sicario’ to win the award for Best Picture, but I haven’t seen the majority of the other potential nominees so it is too early to put fully commit. That said, the film is a brilliant piece of visceral, shocking and tense filmmaking. There may be nominations for its cast too, particularly for Emily Blunt and Benicio del Toro, and Roger Deakins is sure to win the Best Cinematography award for the first time. For now, ‘Sicario’ is an outsider, but we shall see what will happen in the coming months.

Inside Out

This may prove a controversial choice to some, considering no animated film has ever won Best Picture, but the amount of positive reviews for this Disney-Pixar effort may sway Academy voters. This is another film which I am yet to see, and I have to say that it is one of my big film regrets this year. I suspect that ‘Inside Out’ is the animated film most likely to pick up the Best Picture gong in February, but it still remains a big outsider. However, it was not so long ago that the majestic ‘Toy Story 3’ picked up the nomination for Best Picture, with ‘Up’ achieving this feat the year before.

Bridge Of Spies

Steven Spielberg, Tom Hanks and The Cold War? I’m predicting this film will receive the most nominations of all at the 2016 Academy Awards. But I feel this movie will pull an ‘American Hustle’ – receive the most nominations, including Best Picture, but then fail to win anything. Whilst it has a chance in the Best Costume and Best Make Up categories, and maybe some of the technical categories, I just don’t feel like the ‘Bridge Of Spies’ campaign will gain enough momentum.

The Hateful Eight

Tarantino’s last two films, ‘Inglourious Basterds’ (I know it’s spelled wrong) and ‘Django Unchained’ both received Best Picture nominations, and I am certain his latest effort will deliver him another. The film’s official release date is the 8th January 2016 in the USA, which would have made this ineligible, but with a limited release on Christmas Day, I’m confident that ‘The Hateful Eight’ will be nominated. The release date is telling; films with a release date around January and February here in the UK are often the big contenders when it comes to awards. I wouldn’t be surprised if this turned out to be Tarantino’s most financially successful film, even surpassing ‘Django Unchained’, but like his previous couple of movies, I don’t think it’ll win the Best Picture award.

The Revenant

Will Leonardo Di Caprio finally win the elusive Oscar for Best Actor? Many seem to think it’ll be his year, but I think the great man will have to wait at least another year. Alejandro Gonzalez Inarritu enjoyed big success at last year’s ceremony with ‘Birdman’, but I think he will receive something of a muted backlash for ‘The Revenant’, at least in terms of its critical reaction. However, The Academy love Inarritu and because of this, I believe the film will be competing for the Best Picture award. More likely though, I think we could see Emmanuel Lubezki pick up another statue for his cinematography work. For those that have seen the trailer, it already looks to be a visually stunning film.

Hail, Caesar!

The Coen Brothers are back with ‘Hail, Caesar!’, a musical-comedy satirising Hollywood. The film has a 1950’s setting, during Hollywood’s golden era, and features a fantastic cast including Scarlett Johansson. This film will be the main competition for Danny Boyle’s ‘Steve Jobs’. It will certainly challenge in terms of the technical awards, like Best Editing, but in my opinion the film will most likely pick the Best Director(s) award. The Coen Brothers are no strangers to award nominations, after the receiving a whole spate of them for ‘No Country For Old Men’, ‘True Grit’ and ‘Inside Llewyn Davis’.

The Danish Girl

I am a big admirer of Tom Hooper, particularly for his work on the underrated ‘The Damned United’. But his rise to the top, in terms of British filmmakers, has come off the back of ‘The Kings Speech’ and ‘Les Miserables’. You only have to look at the poster for this movie to know that this is an unashamed, Oscar-bait project. I don’t feel like this will be much of a success at the Oscars in February, but having said that I didn’t think ‘Gravity’ would either. Sometimes there are surprises, and I am sure Redmayne will receive another Best Actor nomination for his defiant, cross-dressing role, but my gut instinct is that the film will slip under the radar somewhat.

So there you have it – my predictions for the Best Picture category. Of course, this list may well be wrong and even if it is, it does not necessarily represent the year’s best films. I often find that The Academy is completely wrong in its choices; like Christopher Nolan being ignored twice, for ‘Inception’ and ‘Interstellar’. We are talking about an awards ceremony which snubbed ‘Citizen Kane’, after all. But there is no getting around the fact that the Oscars are the most prestigious of awards ceremonies, and I think in 2016 we will see Danny Boyle and his film ‘Steve Jobs’ be the triumphant victor.

Gugu Mbatha-Raw Rumoured For Star Wars Role

You may be focussing all your attention on ‘The Force Awakens’ right now, and we can’t blame you. With all the hype surrounding J.J Abrams’ addition to the franchise, it’s quite possible you will have missed the news that ‘Star Wars: Episode VIII’ has reportedly landed on a leading lady. 

After previous frontrunners for the role, Tatiana Maslany and Olivia Cooke signed onto other projects which would clash with filming for Rian Johnson’s ‘Star Wars’ effort, it has emerged that Gugu Mbatha-Raw has all but signed on the dotted line. After appearing in sci-fi flop ‘Jupiter Ascending’, we’re sure Mbatha-Raw would relish the chance to star opposite Benicio del Toro in this iconic series.

Written by Jakob Lewis Barnes