22nd Online Film Critics Society (OFCS) Award Nominations Announced

The Favourite, Roma, and If Beale Street Could Talk top the nominations list for the 2018 Online Film Critics Society Awards (OFCS). The winners will be revealed 2nd January 2019. 


BEST PICTURE
Annihilation
BlacKkKlansman
Eighth Grade
The Favourite
First Reformed
Hereditary
If Beale Street Could Talk
Roma
A Star Is Born
Suspiria
You Were Never Really Here

BEST ANIMATED FEATURE
Incredibles 2
Isle of Dogs
Mirai
Ralph Breaks the Internet
Spider-Man: Into the Spider-Verse

BEST DIRECTOR
Alfonso Cuarón – Roma
Barry Jenkins – If Beale Street Could Talk
Yorgos Lanthimos – The Favourite
Spike Lee – BlacKkKlansman
Lynne Ramsay – You Were Never Really Here

BEST LEAD ACTOR

Christian Bale – Vice
Bradley Cooper – A Star Is Born
Ethan Hawke – First Reformed
Joaquin Phoenix – You Were Never Really Here
John David Washington – BlacKkKlansman

BEST LEAD ACTRESS
Yalitza Aparicio – Roma
Toni Collette – Hereditary
Olivia Colman – The Favourite
Regina Hall – Support the Girls
Lady Gaga – A Star Is Born

BEST SUPPORTING ACTOR

Mahershala Ali – Green Book
Adam Driver – BlacKkKlansman
Richard E. Grant – Can You Ever Forgive Me?
Michael B. Jordan – Black Panther
Steven Yeun – Burning

BEST SUPPORTING ACTRESS
Elizabeth Debicki – Widows
Regina King – If Beale Street Could Talk
Thomasin McKenzie – Leave No Trace
Emma Stone – The Favourite
Rachel Weisz – The Favourite

BEST ORIGINAL SCREENPLAY
Eighth Grade
The Favourite
First Reformed
Roma
Sorry to Bother You

BEST ADAPTED SCREENPLAY
BlacKkKlansman
Can You Ever Forgive Me?
If Beale Street Could Talk
Leave No Trace
Widows

BEST EDITING
The Favourite
First Man
Mission: Impossible – Fallout
Roma
Widows

BEST CINEMATOGRAPHY

Cold War
The Favourite
First Man
If Beale Street Could Talk
Roma

BEST ORIGINAL SCORE

Black Panther
First Man
If Beale Street Could Talk
Isle of Dogs
Suspiria

BEST DEBUT FEATURE

Ari Aster – Hereditary
Bo Burnham – Eighth Grade
Bradley Cooper – A Star Is Born
Carlos López Estrada – Blindspotting
Boots Riley – Sorry to Bother You

BEST FILM NOT IN THE ENGLISH LANGUAGE

Burning
Cold War
Roma
Shoplifters
Zama

BEST DOCUMENTARY

Free Solo
Minding the Gap
Shirkers
Three Identical Strangers
Won’t You Be My Neighbor?

 

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The Odyssey Awards: 2018 Retrospective

As everyone begins to wind down after Christmas, here at JUMPCUT we’re excitedly gearing up for 2019! Before we’re done with 2018 though, we have a few more treats up our sleeve for you, including our most anticipated films of 2019 list and some big news which we’ll be sharing in a few days!

The retrospective features just some of our favourite films this year* (sadly we couldn’t fit them all in!) including A Quiet Place, BlacKkKlansman, Blindspotting, Bumblebee, Hereditary, Widows, Annihilation, Avengers: Infinity War, Love, Simon, and First Man to name but a few.

We’re sure you’ll likely pick up some notable absences from our video, but we aimed to keep it less than 2 minutes long – so not all our choices made the final cut!

We’d love to hear what films you’ve enjoyed this year and if you’ve got your top 10 list firmly nailed, share it with us on Twitter!

 

*based on UK release dates

Weekend BO Report: ‘The Nun’ Delivers A Heavenly Franchise-Best $54m Opening

Written by Dapo Olowu

This weekend saw ‘The Nun’s holy ascent up to first place in the Box Office charts, with Corin Hardy’s supernatural prequel earning a scary $53.8m in its 3-day debut, smashing ‘The Conjuring’ franchise’s (better known as the CCU) opening record. All praise be to ‘The Nun’, it seems, as its now the biggest horror opening of the year, and the 4th biggest of all time in the States.

Not bad for a film with just 27% on the Tomatometer.

It’s especially remarkable once you realise that the CCU wasn’t initially planned as a franchise, but only came to existence due to the popularity of ‘The Conjuring’. The first spinoff, 2014s ‘Annabelle’, was helmed by ‘The Conjuring’ cinematographer John R. Leonetti, and grossed $257m worldwide. Fast-forward 4 years and newest edition ‘The Nun’, should easily topple that gross by the end of its BO run.

Its overseas earnings are just as impressive. Opening in around 60 countries, the horror, starring Taissa Farmiga (sister to ‘The Conjuring’ actress Vera Farmiga) and Demián Bichir, reached number one in 54 of them, including the U.K. with $5.3m. A near-$80m international start gives the film $133.1m after just 3 days, leaving it a highly profitable investment – off of a $22m budget – for Warner Bros.

The studio hoped to be the first in over 25 years to hold the top 2 places on the BO charts for four consecutive weeks, but fell short at the final hurdle, as ‘Crazy Rich Asians$13.1m wasn’t enough to stay ahead of new release ‘Peppermint’s $13.4m, but still saw more than double that of fellow WB-er ‘The Meg’ ($6.1m).

It was a familiar story for the vigilante-action flick ‘Peppermint’, opening on-par to genre-matching ‘Death Wish’ ($13m), and ‘The Foreigner’ ($13.1m). Its B+ on Cinemascore was furthered its similarities with the pair, and now Pierre Morel’s latest offering will likely finish in the $35m region domestically (again, like the two films). Its R rating predictably drew in the older crowd, with 78% of the opening weekend audience above 25 years old – providing perfect counter-viewing for ‘The Nun’, which saw just 44% of its watchers over 25.

This marks a solid year for Jennifer Garner, whose last film ‘Love Simon’ legged out from a $11.8m start to finish on $40.8m domestically and $66.3m worldwide. John Cho-fronted ‘Searching’ hopes for similar luck, and is currently on track for a domestic finish close to $30m, with its $4.6m weekend. The thriller, now at $32.5m worldwide, beat out ‘Mission: Impossible – Fallout’ as predicted ($3.9m), but the latter now stands at a whopping $726.7m globally, now officially Tom Cruise’s biggest film in his career thus far.

New release ‘God Bless the Broken Road’ flattered to deceive, pulling in a wretched $1.4m from 1,300 theatres, for a per-cinema average of just $1.1k. Although many forecasted an opening closer to ‘Disney’s Christopher Robin’s weekend ($3.4m) or even ‘Operation Finale’ ($2.9m), it ended up grossing nearly half of ‘BlacKkKlansman’ ($2.6m) and ‘Alpha’ ($2.5m), for an 11th place finish.

With ‘The Nun’ breaking records just as Andy Muschietti’s ‘It’ did exactly a year ago, just how far can this film go in the Box Office? Let us know your thoughts on Twitter and Instagram – we’re at @JUMPCUT_ONLINE.

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Weekend BO Predictions: ‘The Nun’ Looks To Conjure Up A $40m+ Opening

Written by Dapo Olowu

The summer may be over, but the big Box Office hitters keep stepping up to the plate as Warner Bros’ ‘The Nun’ looks to keep the high-grossing momentum going. 2018s summer, which culminated in a threepeat win for rom-com ‘Crazy Rich Asians’, marked a 14% rise from a year ago and shows no signs of slowing down, with Corin Hardy’s horror expecting to gross over $40m from 3,876 cinemas in its first 3 days – a potential franchise record.

It’s the latest in the highly successful ‘Conjuring Cinematic Universe’, or the CCU (coined by yours truly). The franchise currently houses the 7th, 8th, and 9th biggest horror movies of all time globally in ‘The Conjuring 2’ ($320.4m), ‘The Conjuring’ ($319.5m), and 2017s ‘Annabelle: Creation’ ($306.5m). It’s openings continuously straddle the $40m boundary, with the biggest being ‘The Conjuring’s $41.9m in 2013, and does this regardless of critical reception, meaning that ‘The Nun’s 32% on the Tomatometer (which isn’t the worst in the franchise) remains largely irrelevant.

With American ticket-seller Fandango reporting pre-sales to not only be over that of ‘A Quiet Place’ (that saw a $50m opening in April) but to be greater than the combined sales of the entire CCU, we could even be tempted to push our forecasts closer to $60m, by far a franchise-best. The film stars Taissa Farmiga and Demián Bichir as Sister Irene and Father Burke, who, in 50s Romania, are sent to investigate supernatural happenings in a Monastery.

Although it won’t reach the standards set by horror counter-part ‘It’ exactly 12 months ago, ‘The Nun’ will continue a successful period for Warner Bros after recent hits ‘Crazy Rich Asians’ and ‘The Meg’. It’ll mark the 5th weekend in a row where WB have topped the charts, and last weekend’s winner ‘Crazy Rich Asians’ aims to double the studio’s delight by earning $17m for second place. Nearly a month into its release, it now has a strong chance of equaling ‘Black Panther’s superb feat of remaining in the top 10 for 13 consecutive weekends.

This weekend also sees the release of STXEntertainment’s newest flick ‘Peppermint’, starring Jennifer Garner. Unlike ‘The Nun’, this vigilante-action film isn’t critic-proof, and its less-than-fresh 10% on Rotten Tomatoes will surely hinder any chances of a Box Office breakout. Director Pierre Morel, of ‘Taken’ fame, will hope it performs much like the Liam Neeson blockbuster, but will probably open closer to his next effort, ‘From Paris With Love’ ($8.2m), and likely match the similarly-themed ‘Proud Mary’s $10m.

Thriller ‘Searching’ expands into over 2,000 cinemas this weekend, which will see it leapfrog ‘Mission: Impossible – Fallout’ with a gross around $5.5m, compared to ‘Fallout’s $5m. This won’t be enough to challenge ‘The Meg’ ($6.6m) for fourth place however, but will add some breathing room between it and last week’s newbie ‘Operation Finale’ ($3.6m).

The final new release of the week comes in the form of ‘not-quite-a-Christian-drama’ ‘God Bless The Broken Road’, directed by ‘God’s Not Dead’ helmer Harold Cronk. Based off a song (like March’s $83.5m breakout ‘I Can Only Imagine’) and starring Jordin Sparks, its 1,235 cinema count and 17% Rotten Tomatoes score won’t bless its Box Office numbers this weekend. An opening close to $2m won’t be enough to make the top ten, as it falls behind ‘Disney’s Christopher Robin’ ($3.5m), ‘Alpha’, and ‘BlacKkKlansman’ (both $2.7m).

All good things come to an end, as ‘The Nun’ seems likely to break ‘Crazy Rich Asians’ stay at the top. Could it really open to over $50m though, or will it fall short like its franchise predecessors? Let us know your thoughts on Twitter and Instagram – we’re at @JUMPCUT_ONLINE.

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Weekend BO Results: ‘Crazy Rich Asians’ Is The Biggest Comedy Of The Year – After Just 20 Days!

Written by Dapo Olowu

After just three weekends in U.S. release, ‘Crazy Rich Asians’ once again topped the charts to become the biggest grossing comedy of the year – ‘Deadpool 2’ not included. A $22m gross over the 3-day weekend marks an 11% fall from 7 days ago, allowing Jon Chu’s adaptation of the bestselling 2013 novel of the same name to hit a hattrick of consecutive number ones.

It left both shark-thriller ‘The Meg’, and ‘Mission: Impossible – Fallout’ (which is just $50m away from breaking $700m worldwide) trailing its wake, with $10.5m and $7m respectively. Its Labor Day total brought in $28.6m, just below the 4-day record set by 2007s Halloween ($30.6m).

By Sunday night, the film had made $110.7m domestically, and currently sits at $117.3m – bigger than the global gross of the previous highest-earning comedy of the year ‘Game Night’, and even above 2017s sensation ‘Girls Trip’. It’s record-breaking $5.3m Australian opening (their biggest for a rom-com) gives the film a $20m overseas cushion, and by the time this sentence is over, ‘Crazy Rich Asians’ will be sitting on $140m worldwide.

The biggest new release this weekend was MGM’s ‘Operation Finale’, the historical nazi-drama fronted by Oscar Isaac and Ben Kingsley. Opening on Wednesday, it earned $7.9m by the end of Monday night, including a $6m Friday to Sunday to put it just behind ‘Searching’s $6.1m. Not the best start for Chris Weitz’s $24m-budgeted flick, which hopes to leg it out post-summer.

The aforementioned ‘Searching’ brought in the weekend’s second best per-cinema average of $5k (after ‘Crazy Rich Asians’), as it played in only 1,200 cinemas but still finished fifth in the rankings. The thriller stars John Cho as David Kim, whose on the hunt for his missing daughter Margot (played by Michelle La). Its $8.1m domestic gross and $15.2m global take makes for a solid start after just 1 weekend in wide release.

In what was a true disappointment this weekend, comedy ‘The Happytime Murders’ capitulated by earning a lowly $4.4m. The gross fell below ‘Disney’s Christopher Robin’s $5.3m and ‘Alpha’s $4.5m, and will likely become Melissa McCarthy’s lowest grossing film as a lead. The only solace lies in the fact that it at least outgrossed ‘BlacKkKlansman’ and ‘Mile 22’, whose $4.2m and $3.8m earnings placed them 9th and 10th.

Finally, sci-fi action film ‘Kin’ is a certified flop, after earning just $3m from Friday to Sunday. This gross put it below a Disney expansion for ‘Incredibles 2’, which became the first animated film to ever make $600m domestically, by grossing $3.4m from 2,890 cinemas.

With the end of summer officially upon us, which film has surprised you the most? Can ‘Crazy Rich Asians’ continue its impressive Box Office run? Let us know your thoughts on Twitter and Instagram – we’re at @JUMPCUT_ONLINE.  

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BlacKkKlansman

Year: 2018
Directed by: Spike Lee
Starring: John David Washington, Adam Driver, Laura Harrier, Alec Baldwin, Ken Garito

WRITTEN BY SARAH BUDDERY

Just putting this out there upfront, BlacKkKlansman is one of the hardest films I’ve ever had to review. There is so much that it has to say, so much weight to it, and so much potency and relevance for our times that it seems an injustice to the film to try and condense it into a review. All I can hope for is that this review encourages you to seek it out, because BlacKkKlansman is without a doubt, one of the year’s very best films so far.

Focusing on an unbelievable and frankly downright ludicrous true story of an undercover black cop who manages to infiltrate the notorious Ku Klux Klan, this is a film which simultaneously manages to be faithful both in stylistic choices and cultural nods to its period setting, whilst also remaining terrifyingly current. There is a knowingness to this film, most keenly shown in a conversation between Stallworth (John David Washington) and Sergeant Trapp (Ken Garito), when they discuss the unlikelihood of a known racist ending up in the White House. You’ll find director Spike Lee’s tongue very firmly in his cheek here. However despite this knowingness, this film never feels like it is ramming an agenda down our throats; it is a film with something to say but it also manages to be entertaining and enjoyable.

BlacKkKlansman is wild, outrageous, dangerously funny and full of a sparkling wit which ensures it is never anything short of entertaining. Alongside this, it delivers frequent and ferocious punches to the gut which might make you feel slightly guilty for the outbursts of laughter that precede or follow this. There is intentionality in these tonal shifts though, and where it forces you to jump between humour and outrage, it is through and through a film which makes you feel uncomfortable enjoyment, and this makes for a truly unique and compelling experience.

Speaking of gut punches, the final moments of this film are some of the most powerful and the audience reaction it provoked is unlike anything else I have ever experienced. Immediately following a shot that could have been taken straight out of a 70s blaxploitation film, we’re hurled into the present day and delivered the terrifying notion that not only have things not really changed, in many ways, they are so much worse.

Spike Lee works wonders with this outrageous story, dialling up the ridiculous when it is appropriate to do so, and scaling back when the emotional resonance needs to speak for itself. The cast are equally fantastic, John David Washington and Adam Driver both bring a wonderful duality to their characters, and their interactions are believable and enjoyable to watch. As revolutionary Patrice Dumas, Laura Harrier lights up the screen, and she is a character that is fully interesting in their own right.

BlacKkKlansman is a film which is timely, relevant, and potent, the comedy and darkness expertly layered. It is scathing yet charming, hilarious yet horrifying, and its slow burn tension is staged like a horror film, something which is appropriate given some of the subject matter. This is an important film, and one which deserves to be seen by many. Simply unmissable.

SARAH’S RATING:

4.5

Weekend BO Report: ‘Crazy Rich Asians’ Mirrors Opening In Historic Weekend

Written by Dapo Olowu

Hands up – who said ‘Crazy Rich Asians’ would gross a sub-$20m second weekend? Well, they (we) were dead wrong, because the romantic-comedy, starring Constance Wu, Henry Golding, and Awkwafina, dropped just 6% to earn $24.8m from Friday to Saturday, after it’s opening last weekend of $26.5m.

It’s a weekend fall that marks the 3rd smallest ever for a wide release (in over 3,000 cinemas, not in December, and not during an American holiday weekend, mind you) behind 2011s ‘Puss in Boots’ and 2003s ‘Brother Bear’, and leaves the film on a domestic gross after 2 weekends of $76.6m. The opening weekend multiplier already stands at 2.90x, and will only grow as the film continues to benefit from good reviews, a stellar cast, and strong word of mouth.

The question on the industry’s lips now is: just how far can this thing go? With the U.S. celebrating Labor Day next Monday, the first September weekend itself is notorious for low drops, giving ‘Crazy Rich Asians’ more room to grow. Gone are the comparisons with ‘My Big Fat Greek Wedding 2’ and in come the estimates alongside award-winning drama ‘The Help’, which finished on a remarkable $169.7m. It takes a brave somebody to bet against ‘Crazy Rich Asians’ beating that target.

Warner Bros. will be equally happy with the performance of ‘The Meg’, which earned $12.8m to breach the $100m domestic total. Its $411.6m global total so far is just $15m away from another WB monster-flick ‘Rampage’, and a $500m total looks nailed on as weeks go by.

Not all studios can say they’re having such a good year however, as both STX and Global Road faltered this weekend with their releases. While Melissa McCarthy’s ‘The Happytime Murders’ saw a career-low opening for her as lead with just $9.5m, Global Road’s ‘A.X.L.’ brought in just $2.8m off a $10m budget.

The former continues the downward-trend in the openings of R-rated comedies this year, after ‘Blockers’ ($20.6m), ‘Super Troopers 2’ ($15.2m), ‘Tag’ ($14.9m), and ‘The Spy Who Dumped Me’ ($12.1m) in recent months. Its $40m budget draws similarities to 2017s ‘The House’, starring Amy Poehler and Will Ferrell, which opened to $8.7m and finished on $26.5m in the U.S. Although ‘The Happytime Murders’ looks to slightly improve on this, its C- on Cinemascore practically ensures it’ll flop, meaning another poor financial showing for STX. It’s last release, ‘Mile 22’, only just reached $25m domestically after a $6.4m weekend.

Meanwhile, ‘Mission: Impossible – Fallout’ is just $6m away from $200m in the U.S. after its $8.1m weekend. Its current worldwide total of $538.8m puts it just behind ‘M:I2’ as the 4th biggest in the franchise so far. ‘Disney’s Christopher Robin’s $6.3m gross put it just ahead of ‘Alpha’ ($6m), ‘BlacKkKlansman’ ($5.1m), and ‘Slender Man’ ($2.8m).

How far can ‘Crazy Rich Asians’ go? Could it hit a $200m domestic total? Let us know your thoughts on Instagram and Twitter – we’re at @JUMPCUT_ONLINE.

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Weekend BO Predictions: ‘Crazy Rich Asians’ Strike Gold Again As ‘The Happytime Murders’ Can’t Muster A Smile

Written by Dapo Olowu

It won’t be a joyous affair for ‘The Happytime Murders’ this weekend, as Jon Chu’s rom-com ‘Crazy Rich Asians’, based on the bestselling 2013 novel by Kevin Kwan, looks to kill any chance of being overthrown. A sub-$20m gross will take pole position for the first time since February, when ‘Jumanji: Welcome to the Jungle’s $10.9m was enough to hold off competition from ‘Maze Runner: The Death Cure’ and ‘Winchester’.

It draws similarities to last year’s drab August finish; just 12 months ago, ‘The Hitman’s Bodyguard’ needed just $10.3m to top the worst Box Office weekend in 15 years – this time around, we’re a little luckier, as ‘Crazy Rich Asians’ aims to flash the cash with a total close to $17m, a few days after Warner Bros. announced a sequel is in works.

Melissa McCarthy’s second comedy of the year in ‘The Happytime Murders’ on the other hand, is a sad sight. The R-rated Sesame Street ‘adaptation’ pales in critical comparison to similar movies, as its 29% on the Tomatometer can’t hold a candle to ‘Team America: World Police’s 77%, or ‘Sausage Party’s 82%, let alone ‘Who Framed Roger Rabbit’s 97% (or even ‘Space Jam’s 38%).

It doesn’t help that its lead is unpredictable when opening at the Box Office: for every ‘The Heat’ ($39.1m off $43m), Melissa McCarthy’s had a ‘Life of the Party’ ($17.9m off $30m) meaning this $40m comedy is anything but a guaranteed success.

It’s directed by ‘The Muppet Christmas Carol’ and ‘Muppet Treasure Island’ director Brian Henson (son of Muppets creators Jim & Jane Henson), and stars McCarthy alongside Maya Rudolph, Elizabeth Banks, and Joel McHale. Set in a world where puppets and humans co-exist, Detective Connie Edwards (McCarthy) aims to find a serial killer murdering cast members of the 1980s show ‘The Happytime Gang’.

Recent R-rated comedies (from ‘Game Night’ to ‘The Spy Who Dumped Mecomes to mind) have all opened in the low-to-mid-teens region, and it’s likely that ‘The Happytime Murders’ uniqueness in its puppetry won’t give it a helping hand (nor will its 3,224 cinema count), with a $14.5m gross on the cards. This will be followed by Jason Statham-led ‘The Meg’, which should (barring a freak collapse) make it over the $100m domestic mark this weekend by earning $10.8m.

One film that won’t even get close to that number is ‘Mile 22’, looking to muster some dignity in its second weekend after its poor $13.7m showing 7 days ago. A $6.9m gross will be enough to put it ahead of ‘Mission: Impossible – Fallout’ ($6.5m), ‘Disney’s Christopher Robin’ ($5.8m), and fellow second-weekender ‘Alpha’ ($5.3m). ‘BlacKkKlansman’ is already Focus Features’ biggest film of the year both domestically and worldwide, and looks to build on its $30m global gross with a weekend earning of around $5m, beating ‘Hotel Transylvania 3’s $2.4m.

Finally, this weekend is rounded off by the second new wide release of the weekend, ‘A.X.L’ In a market inundated with franchises and remakes, it’s lovely to see an original family-adventure film about a dog made from top-grade military tech. The film stars Thomas Jane and Alex Neustaedter, and will only open in approximately 1,600 cinemas. Global Road, whose torrid time this year in the Box Office (think Show Dogs’, ‘Midnight Sun’, andHotel Artemis’) has culminated in being partly taken over by its creditors, are looking to complete its flop-quadrant with an opening around $2m.

It’s looking like being a close weekend between the top 2, so can ‘The Happytime Murders’ spring an upset, or will ‘Crazy Rich Asians’ hold onto first place? Let us know your thoughts on Instagram and Twitter – we’re at @JUMPCUT_ONLINE.

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Weekend BO Report: ‘Crazy Rich Asians’ Beat The Rest To Top The Box Office

Written by Dapo Olowu

It was always going to be a close fight, but this weekend saw Jon M. Chu’s ‘Crazy Rich Asians’ outgross shark-thriller ‘The Meg’ for first place. The U.S. Box Office saw Warner Bros take the top two spots for the first time in just over a year, when ‘Annabelle: Creation’ and ‘Dunkirk’ brought in $35m and $10.9m alike last August. This time around, ‘Crazy Rich Asians’ and ‘The Meg’ brought in $26.5m and $21.2m, with the latter having a total gross of $35.3m after its early Wednesday release.

The opening marks the second biggest start for a romantic comedy in 2018, just behind ‘Mamma Mia! Here We Go Again’s $35m in July, with the big difference being that ‘Crazy Rich Asians’ wasn’t coming off the back of a $614m global phenomenon, but a well-renowned novel from 2013. Regardless of the origins, this is a clear win for the film that was heavily-skewed towards women (68% of the opening weekend audience) and over-25s (66%). The aim now is to push on with this solid opening, and its A on Cinemascore should help the film leg out to a domestic total over $100m.

Abroad, however, it was ‘The Meg’ that continued to dominate, bringing in around $67m from international screenings to take its global total to $316m, compared to the $730k brought in by ‘Crazy Rich Asians’ from just 6 countries. It was a similar story for the Mark Wahlberg release ‘Mile 22’, which saw just $538k from 6 overseas countries, and a disappointing $13.7m in the U.S. Audiences (60% male and 73% over-25) were seemingly put off by the ‘thrill-deficient’ action flick from Wahl-Berg (ha), which opened in-line with another middling STX-thriller ‘Den of Thieves’ ($15.2m) from January. A similar opening weekend multiplier would leave ‘Mile 22’ with a domestic total in the region of $40m – a poor return off of a $35m budget.

The biggest surprise of the weekend goes to Sony’s ‘Alpha’ ($10.4m), which squared up to Paramount’s ‘Mission: Impossible – Fallout’ ($10.8m) in a close encounter. Although ‘Alpha’s $51m budget puts more emphasis on its international gross for any chance of it breaking-even (especially with its B- on Cinemascore harming chances of a potential leggy run), the opening marks a semi-respectable start compared to forecasts that saw the film making around half as much.

Disney’s ‘Christopher Robin’ earned $8.9m for 6th place, narrowly beating out Spike Lee’s ‘BlacKkKlansman’, which brought in $7.4m to take its domestic total up to $23.4m. Horror ‘Slender Man’ performed better than expected, with $4.8m in its second weekend, while ‘Hotel Transylvania 3’ and ‘Mamma Mia 2’ earned $3.8m and $3.4m respectively to round off the top ten.

So, with ‘Crazy Rich Asians’ topping the charts this weekend, what’s next for the film? How will it do next week against ‘The Happytime Murders’, and ‘A.X.L.’? Let us know your thoughts on Instagram and Twitter – we’re at @JUMPCUT_ONLINE.

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