JUMPCUT’s Top 10 Films Of 2018

As our 2018 movie window closes, and another one for 2019 is ready to burst open.

Taking a look back over the last 12 months of film and remembering all those big blockbusters, indie treasures and specialist cinema debuts are one thing, but narrowing them all down to just ten of the best is something else.

The staff at JumpCut Online locked themselves away from social media to draw up their own personal ‘Top 1O’. From that, each nominated film was awarded points (1st = 10, 2nd = 9 etc) until a definitive list was formed.

Ladies and gentlemen, for your debating pleasure, here is that list of the JumpCut Online Top 10 of 2018 in ascending order, based on UK release dates.


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#10 – A Star Is Born
[dir. Bradley Cooper]

Jack (Bradley Cooper), a washed-up, alcoholic musician helps young singer Ally (Lady GaGa) find fame with her natural talent. But his demons threaten to send his career and even his life into a into a downward spiral from which there may be no return…

“The first half of the movie may hit some beats you’ll likely expect, but the second half will knock you for six, diving deep into the aftermath of lovesick decisions, all before reaching a devastating conclusion. Despite the pain and the many, many tears, this is a film that demands an immediate revisit as soon as the credits roll. Cooper has landed a masterpiece on his first go. You could say, a star is born.” – Cameron Frew

 

 

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#9- You Were Never Really Here
[dir. Lynne Ramsay]

Joe (Joaquin Phoenix) is a traumatized gun-for-hire who is unafraid of violence. When a job spins out of control, Joe’s nightmares overtake him as a conspiracy is uncovered leading to what may be his death trip or his awakening…

“Truly edge of your seat stuff, and whilst the comparisons with ‘Taxi Driver’ kind of write themselves, it is still amazing on its own merit. Joaquin Phoenix gives an electric, and possibly career-best performance…this is one of the most genuinely thrilling films in a long time, and one which packs a mean punch into a relatively short space. An explosive, and unmissable film.”Sarah Buddery

 

 

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#8 – Avengers: Infinity War
[dirs. Joe & Anthony Russo]

Earth’s mightiest heroes, The Avengers, must reach out to their allies in order to unite and stop Thanos (Josh Brolin), a powerful warlord intent on acquiring the Infinity Stones and using them to wipe out half of all beings in the galaxy and change things forever…

“At its best is epic, emotional and very, very shocking. It has impressive set pieces and of course it’s very funny. The few faults it does have are going to be down purely to the viewer. A knowledge of all that has happened before is essential. This is not the film for newbies….overall this was worth the wait.”Dave Curtis

 

 

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#7 – Spider-Man: Into The Spider-Verse
[dirs. Bob Persichetti, Peter Ramsey]

Young teenager Miles Morales is involved in a freak accident and becomes Spider-Man. When the evil Kingpin creates a powerful machine that blends alternate dimensions, he crosses paths with five Spider-People from other dimensions who must work together and save all of their worlds…

“It’s a universal story that can be loved by everyone, filled with beautifully touching moments for both comic book and non-comic book fans alike, great laughs, and some pretty great music. This movie really showcases what minds like Steve Ditko and Stan Lee saw in these characters and what they wanted to express; a mask is a mask, but what really matters is who is underneath it – and that could be anyone.”Fernando Andrade

 

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#6 – The Shape Of Water
[dir. Guillermo del Toro]

At a top secret research facility in 1960s America, Elisa, (Sally Hawkins) a lonely janitor, forms a unique relationship with an amphibious creature (Doug Jones) that is being held in captivity by the brutal Richard Strickland (Michael Shannon) who wants to unlock super-human secrets to use against America’s enemies…

“Utterly magical in every sense of the word, and “more” than what you could wish for in all conceivable ways….with incredible performances, absolutely stunning visuals (special nod to the underwater scenes which are totally breathtaking), masterful direction, and a unique and memorable story, ‘The Shape of Water’ deserves to be looked back on with the same fondness and reverence that ‘Pan’s Labyrinth’ is. A modern masterpiece, and a truly spectacular film.”Sarah Buddery

 

 

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#5 – First Man
[dir. Damien Chazelle]

American astronaut Neil Armstrong (Ryan Gosling) and his wife Janet (Claire Foy) must deal with pressure at work and at home when he is offered a historic NASA space mission; to become the first man to walk on the Moon. But pre-flight tests and training don’t come easy, with many highs and lows that push Neil, and the mission, almost to breaking point…

“Stunning. It’s an astounding achievement for a young director on the winning streak of his life; it has two award-worthy leading performances; it’s gorgeous to look at; it’s amazing to listen to; and it’s an utterly overwhelming experience. See it on the biggest, loudest screen you can. Chazelle, you’ve done it again.”Rhys Bowen-Jones

 

 

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#4 – Phantom Thread
[dir. Paul Thomas Anderson]

Set in 1950s London, Reynolds Woodcock (Daniel Day-Lewis) is a renowned dressmaker whose fastidious life is disrupted by a young, strong-willed woman, Alma (Vicky Krieps), who becomes his muse and lover and who turns his view on life, and himself, upside down…

“When it comes down to it, ‘Phantom Thread’ is surprisingly quotable, cinematically very pleasing and a joy to watch. The cast all share strong chemistry and with a little help from Johnny Greenwood, Paul Thomas Anderson has created another excellent film which sits very nicely with his back catalogue. If this is Daniel Day-Lewis’ last ever film, then I will happily watch his old films with a smile on my face…but I do hope he changes his mind. He is just too good. He has loads left in the tank.”Dave Curtis

 

 

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#3 – Hereditary
[dir. Ari Aster]

After the family matriarch passes away, a grieving family is haunted by tragic and disturbing occurrences, and begin to unravel dark secrets. The mother, Annie (Toni Collette), begins to see her family slow fall apart, and while she is the only one who can hold them together, the supernatural powers surrounding them become too strong to contain…

“There are clear inspirations from classics such as Rosemary’s Baby and The Omen (and even 2011’s much underrated Kill List). And like those fondly remembered shockers, Aster’s film isn’t perfect – it’s a little overlong, occasionally fumbling around the good stuff towards the end… An outstandingly horrifying achievement from a debut filmmaker, Hereditary is a classic in the making, built on rock-solid, terrifying, atmospheric terror.”Cameron Frew

 

 

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#2 – Roma
[dir. Alfonso Cuarón]

Set in the early 1970s in Mexico City, we follows the life of live-in housekeeper Cleodegaria “Cleo” (Yalitza Aparicio) to an upper-class family. It tells the story of situations; the life Cleo and her family face in and around Mexico City at a time when living and providing was nothing but a struggle for most…

“Visually striking, aurally immersive and emotionally captivating, ‘Roma’ is undoubtedly one of the finest films of the year and arguably Cuarón’s best film. It is certainly his most personal film, and the labour of love that this film represents permeates through every single frame. With exceptional performances, beautiful imagery, and the finest sound design in recent years, ‘Roma’ isn’t just a film which deserves to be seen on the big screen, it is one which deserves to be heard on the big screen. It bears repeating: ‘Roma’ is a masterpiece.” – Sarah Buddery

 

 

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#1 – Mission: Impossible – Fallout
[dir. Christopher McQuarrie]

IMF agent Ethan Hunt (Tom Cruise) and his allies must race against time to find a deadly crime syndicate intent on throwing the world into chaos. CIA agent August Walker (Henry Cavill) is also on hand to make sure IMF can do the job in hand when it becomes clear there is a mole within their ranks…

“Not only is ‘Fallout’ fun to watch, but it is also technically brilliant. From the score to the cinematography and the stunt work, it’s amazing to think about the hours of hard work the crew have had to put in to make a movie like this. They are the real MVP’s. I salute them…It is a proper popcorn flick which only has a few minor flaws. To think this franchise has been going for 22 years and it still feels this fresh and new is a testament to the director and star. I can’t imagine what they have in store for Mission Impossible 7. Surely only outer space beckons now.” – Dave Curtis


So there we have it. Agree or not, that’s the consensus for the Top 10 best films of 2018 from a team who, between them, have probably watched all that has been on offer.

Films that narrowly missed out a spot include ‘Beast’, ‘Black Panther’, ‘Isle Of Dogs’, ‘A Prayer Before Dawn’ and ‘Bohemian Rhapsody’.

We can’t wait to do it all again next year for the barnstorming 2019 offerings ahead!

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‘Mission: Impossible’ Retrospective: Part 2

Welcome back. My mission, that I’ve chosen to accept, is to look at the recent era of the M:I franchise. If you missed it, check out Part 1 of this retrospective.

Amidst growing opinions about Cruise’s personal life and despite the commercial success of Mission: Impossible III, Paramount were reportedly undecided on the future of their spy adventures. With everything quiet on M:I front for a few years, it wasn’t until august of 2009 that the matches considered to be lit once more. Writers Josh Appelbaum and André Nemec brought on to write the screenplay.

Like Abrams before them, the two writers had cut their teeth in the TV circuit and Ghost Protocol was to be their big break. Funnily enough, Nemec had actually served as a writer prior on Abrams successful show, Alias. With the script in the works, the search for a director was underway. Due to scheduling conflicts, J.J Abrams made it clear that directing would not be an option for him; opting to take a producing position instead alongside Cruise.

March 2010 saw the preliminary talks of bringing The Incredibles director Brad Bird on board. By May of the same year, it was confirmed that Bird would be sitting in the director’s chair. This was to be Bird’s first live action feature; a choice that Bird didn’t take lightly.

This was his chance to flex his already outstanding skill set, in a now well oiled franchise. Consideration towards the direction of the brand itself was in the air, going right down to the “Mission: Impossible” namesake. Discussions were taking place to consider scrapping the established brand name, to be more akin to Christopher Nolan’s The Dark Knight. Thankfully, it was decided that going into a subtitle phase would be the suitable way forward for Mission: Impossible IP.

Production began on September 29th 2010 and ran all way to March of the following year. Carrying on the globetrotting element of M:I III, locations would include the Czech Republic, Hungary, Moscow and Dubai. Most of the crew heading into the production, Cruise in particular, felt that M:I III was a turning point for the franchise in regards to tone and how to combine action with a gripping story. The aim was to continue this approach and give audiences a visceral blockbuster experience. With the director of thrilling stories like The Iron Giant and The Incredibles, Cruise and Bird were ready to turn the tide.

Fan favourites Ving Rhames and Simon Pegg returned to the cast, while newcomers Jeremy Renner and Paula Patton were brought onto the I.M.F team. It could be seen that Renner was maybe a contingency plan, should Cruise fail to deliver the goods on his fourth outing, in a franchise with an uneasy start. The ball was in Cruise’s court to turn public perception around and give them new contest for exactly why he might be referred to as “crazy” or “insane”. How exactly would do that? Hanging off the side of the tallest building in the world isn’t a bad idea to start with.

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Ghost Protocol would up the ante for the audacity of death defying stunt work. Cruise being the workhorse that he is, was ready again to cheat the reaper on screen. The Burj Khalifa sequence in Ghost Protocol is a stomach churning endurance test for the best of those unafraid of heights. Like the best sequences in the recent entries, this set piece isn’t shoehorned in just for the sake of it. The height induced paranoia is in service of the story.

Bird’s touch and sense in Ghost Protocol has the same air of style and sophistication displayed in The Incredibles. In tandem with the returning Michael Giacchino and Robert Elswitt making the first of two contributions to M: I, Bird oozes an aura that’s closer to Bond but refined rather than copied beat for beat. Of course with bigger action, comes the realisation that M:I retains a license to be sillier if done right. While my soft spot for M:I II remains, it’s more of a Bond shaped ghost than a competitor to Daniel Craig’s grounded character study approach.

Cruise is dialling it all the way. Sandstorms and a descending battle through a multi-level car park see Cruise proving he is the anchor on this ship. No contingency is needed. Mission: Impossible was now your go to vender for blood rushing action.

Filling into cinemas on December 16th 2011, Ghost Protocol became the highest grossing entry in the franchise and Cruise’s biggest grossing film. Critical consensus also offered the installment the highest praise of the series (until Fallout).

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Following previous collaborations and the release of an adaption based around Lee Child’s Jack Reacher novel series, Christopher McQuarrie and Tom Cruise were ready to get back to work again on a project together. Following McQuarie’s uncredited rewrite on Ghost Protocol, Cruise already impressed with Oscar winning McQuarrie’s ideas and was eager for him to helm the next installment of M:I.

Hungry to get back in motion, Paramount announced in August of 2013 that Christopher McQuarrie would be taking on the director’s mantle for the next endeavour. With a story from Iron Man 3 writer Drew Pearce, McQuarrie sank his teeth in concocting the screenplay. Taking cues and inspiration from De Palma’s original outing and admiring the franchise’s growing legacy, McQuarrie decided to bring the story back it’s insider operation roots. After hints of the next installment were left literally in the last seconds of Ghost Protocol, it was the first time that Mission: Impossible were considering having a direct-sequel narrative.

Once again however, Bond was being thrown back into the conversation. As both productions were set to feature narratives about villainous organisations (S.P.E.C.T.R.E and The Syndicate), the topic of which film would come out on top began to dominate itself amongst fans. Was Bond even a threat to Mission: Impossible at this point? Not a chance.

Production began on Rogue Nation on August 20th 2014 and concluded in March of 2015, a week before the official announcement of the title and teaser poster were released. Rogue Nation felt confident from the get go. With the critical affirmation of the franchise in it’s past two entries, Cruise and his team were in business. It was time for Bond to see how far this franchise had come in full force.

How should we start out movie? Cold open? Shadowy objectives via sunglasses? Let’s throw the audience in head first.

The intro sequence of Rogue Nation couldn’t encompass what this franchise is about more if it tried. Ethan’s team are in position. Communication is assertive, panicked but assertive. Where is Cruise though?

Enter the iconic notes of Lalo Schifrin’s theme and the definition of movie star enters the frame. The objective is simple: stop a plane from taking off and secure the payload. Sure? Not in this franchise.

The excitement sets in and we’re off to the races. Cruise mounts the airbus, clinging for dear life, more than ever. The airbus storms into the air and takes Cruise with it, at 5,000 feet in the air. No stunt double.

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The pressure is increasingly mounting both for Cruise and his team. Alas, the objective is secured and we’re strapped into the grin inducing title sequence.

This IS Mission: Impossible in all its glory. Everything you need to know about this series is given you to in an exhilarating injection of adrenaline. From there on, McQuarrie’s direction is assured, composed and almost pitch perfect. I could go on about that Opera sequence for days but I think its already clearer how dynamite that set piece is.

Sean Harris is also a saving grace for the antagonist aspect of these films. Where Ghost Protocol lacked a memorable foe, Rogue Nation rectifies this and gives us the sometimes underused Solomon Lane. With his nasally voice and soul inspecting stare, Sean Harris dominates the role every chance he is given. I can’t explain how claustrophobic I feel when Lane bests Ethan in the record shop.

The sheer terror on Cruise’s face explains it all.

Rogue Nation is an excellent feat for both McQuarrie and the series. Unfortunately, I do feel like the transition from Morocco into the third act is unfocused at times. It was reported in February of 2015 that production was on hold so that Cruise, McQuarrie and an unknown party could reconfigure the third act (specifically the ending). This may explain why Rogue Nation struggles to find its ongoing purpose after the superb beats that have come before it.

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Have I mentioned Alec Baldwin’s speech in the third act? In any other film where the hero is referred to as the “living manifestation of destiny”, I would erupt with laughter. Here, I have a massive grin on my face as you made clearly aware just how bad ass Ethan Hunt has become over the past two decades.

Opening in July of 2015, Rogue Nation would go to make just slightly less than its predecessor, with a box office take of $682.7 million. Just like Ghost Protocol, Rogue Nation was another freshly received entry to the franchise that was confidently set to rival Bond’s November outing later in the year.

So now we’ve reached 2018 and this week sees the release of the sixth (sixth!!) installment of Mission: Impossible. In a series first, McQuarrie has returned to deliver his second take on Ethan Hunt’s ongoing tale of defying the impossible. It really is incredible to see a franchise like this still going strong after all this time. Tom Cruise has to be commended for his undying commitment to his endearing goal as an actor: to entertain an audience the best he can.

I have seen Fallout currently three times and you can bet I’ll be catching it a forth. If you want to know what JUMPCUT makes of it, head over to Dave’s review to see his take on McQuarrie’s critical darling.

I hope you’ve enjoyed this retrospective of Mission: Impossible.

This article will not self destruct in five seconds.

 

 

 

 

 

 

Mission: Impossible – Fallout

Year: 2018
Directed by: Christopher McQuarrie
Cast: Tom Cruise, Henry Cavill, Rebecca Ferguson, Ving Rhames, Angela Bassett, Vanessa Kirby, Simon Pegg, Michelle Monaghan

Written by Dave Curtis

I like to imagine it is fun being in meetings when coming up with ideas for the next ‘Mission Impossible’ film. Tom Cruise sits quietly in the corner staring out the window. The director and writer, Christopher McQuarrie, paces around behind him.

CM: Right Tom, with ‘MI:5’ we hung you off the side of plane?
TC: That was fun, I love planes!
CM: We tried to drown you already didn’t we?
TC: That was easy, I can hold my breath for ages.
CM: How are you with heights, maybe we have you hanging off a tall building?
TC: Seriously, Did you not watch Ghost Protocol? I was on top of the highest building in the world!
[Chris scratches his head….]
CM: So what I’m hearing is that you want to go higher.
[Chris joints down higher on a pad on paper. ]
[Tom spins around on his chair and jumps on it.]
TC: Not only do I want to go higher, I want it be fucking crazy. How about you throw me out of a  plane this time?
CM: Like on green screen or something. I don’t think the producers would like us to drop you from the sky?
TC: Tom Cruise doesn’t fake action… he is action!
CM: Have you ever skydived before?
TC: Please. How hard can it be, I’ll just learn how to –
CM: OK!
[Chris writes down skydive.]
TC: I’m also learning to fly a helicopter at the mo so maybe we can do something with that?
CM: Sure…
[He writes down helicopter.]
CM: Anything else?
TC: I really like Paris.
[Chris writes Paris down.]
CM: Well this already sounds great TC we’ve done it again!

[Chris and Tom high five.]
** End scene.**

‘Mission Impossible – Fallout’ is insane…

The franchise so far has come be to known for its big set pieces and the chance to watch Tom Cruise run, jump, shoot, drive, climb and nearly kill himself in increasingly dangerous situations. As IMF’s best spy, Ethan Hunt, Tom Cruise is still trying to save the world the only way he knows how. He pretty much makes it up and hopes for the best. It seems he is a very lucky man.

The returning director and writer Christopher McQuarrie (the first director to return to the franchise) brings back all the familiar faces – Simon Pegg, Ving Rhymes and Alec Baldwin (No Jeremy Renner, he was busy on another small film). This is also a direct of sorts sequel to ‘Rogue Nation’ (‘Mission: Impossible 5’) so Rebecca Ferguson as the mysterious Ilsa Faust and Sean Harris as the villain Solomon Lane return.

As ever the IMF team are on race against time and somewhere a clock is ticking. Hunt and team are trying to locate the remaining members of the ‘Syndicate’, who now call themselves the ‘Apostles’. He isn’t sleeping well, thoughts of Solomon Lane fill his dreams. Maybe his past is catching up with him. Lane wants Ethan to see the world he protected for so long be destroyed and lose what he loves the most.  This isn’t the Ethan Hunt of old, he is a man on the edge who seems to carry more weight on his shoulders. He is at breaking point. Lane himself, the movies MacGuffin (like the rabbit foot in ‘MI:3’), is a villain of few words and seems to be pulling strings even when behind bars. Sean Harris brings his normal intensity to role. He is even given some action scenes, but he does still feels a bit under-cooked and not as interesting as the film wants to you to believe.

The IMF crew also have Henry Cavill’s CIA agent August Walker (great name) joining them for company. Walker is a black ops assassin who is assigned to get the job done by any means necessary, whether Hunt likes it or not. Their mission, if they chose to accept it, is to retrieve some black market plutonium and stop Solomon Lanes master plan. What Cavill lacks in personality he makes up in sheer physical presence. The fight scenes feel brutal and Walker’s more heavy handed approach to Hunts more delicate touch makes for bone breaking and more believable fights. The stand out fight is the bathroom scene, it’s up there with ‘True Lies’. Cavill looks like he is enjoying playing a more questionable character and his moustache is there and accounted for, no CGI needed there.

Other new additions to the franchise such as Vanessa Kirby’s White Widow and Angela Bassett’s head of  CIA, Erica Sloan, slot in nicely. Kirby’s underworld broker shines. She is not in it much but she steals every scene. Bassett’s head edge manner also brings Erica Sloan to life, this is not a woman to cross. She’s badass to the bone. What was once a man’s franchise brimmed to the rim of testosterone, ‘Fallout’ is so refreshing. Rebecca Ferguson’s MI6 agent Ilsa Faust once again nearly steals the film from everyone. She is still a match for Tom Cruise’s Ethan Hunt. Gone are the lingering shots of her legs. This time it’s all about her and the mission.

To be honest the ‘Mission Impossible’ films have never really been about plots and characters. It’s all about the big set pieces, the unbelievable stunt work and Tom Cruise being Tom Cruise. The plot does just about make sense, but the film really comes alive when Tom Cruise is doing some kind of death defying stunt. There are car and bike chases through the tight streets of Paris, the halo skydive (which Cruise trained a year for), crazy rooftops chases (that’s where he broke his ankle) and a helicopter pursuit which needs to be seen to be believed. Why does he do all this? It’s because he loves to entertain. He knows the audience want to see him in these situations. I also think he enjoys it. It seems Christopher McQuarrie and him enjoy pushing each other and seeing how far they can take it.

Not only is ‘Fallout’ fun to watch, it is also technically brilliant. From the score to the cinematography and the stunt work, it’s amazing to think about the hours of hard work the crew have had to put in to make a movie like this. They are the real MVP’s. I salute them.

‘Mission Impossible – Fallout’ is hugely entertaining. It is a proper popcorn flick which only has a few minor flaws. To think this franchise has been going for 22 years and it still feels this fresh and new is a testament to the director and star. I can’t imagine what they have in store for Mission Impossible 7.  Surely only outer space beckons now.

Dave’s Rating:

4

New ‘Mission: Impossible – Fallout’ Featurette Showcases Cruise’s ‘Most Dangerous Stunt Yet’

With each passing ‘Mission Impossible’ film there’s always one question on fans minds… What the hell is Tom Cruise going to do in the next one to top it!?

We’ve witnessed Cruise versus 16 tons of water as he blows the glass on a fish tank and quickly has to escape, free climbing Dead Horse Point, scaling the Burj Khalifa, base jumping, clinging on the to side of an aeroplane as it takes off, holding his breath for 6 minutes underwater, almost taking a knife to the eye… you name it, Cruise has probably done it!

But, even after his aeroplane stunt in ‘Rogue Nation’, Cruise still promised he would out-do himself, as he always somehow manages to do. From what we’ve seen so far in teasers and trailers, Cruise has upped the ante once again as he clings from a rope on a helicopter in mid-air, climbs up said helicopter to then fly it, leaping from buildings (and consequently breaking his ankle!) and of course, the Halo jump!

Whilst we eagerly await the films release, Paramount have released a featurette for the Halo jump, which showcases how the cast and crew trained and shot the scene that will have no doubt kept McQuarrie up at night!

“MISSION: IMPOSSIBLE – FALLOUT finds Ethan Hunt and his IMF team along with some familiar allies in a race against time after a mission gone wrong. Henry Cavill, Angela Bassett, and Vanessa Kirby also join the dynamic cast with filmmaker Christopher McQuarrie returning to the helm.”

Directed by: Christopher McQuarrie

Cast: Tom Cruise, Henry Cavill, Simon Pegg, Rebecca Ferguson, Ving Rhames, Sean Harris, Angela Bassett, Vanessa Kirby, Michelle Monaghan, Alec Baldwin, Wes Bentley, Frederick Schmidt

Release Date: July 25th, 2018

Ethan Hunt Is On The Run In The Final ‘Mission: Impossible – Fallout’ Trailer

“The best intentions often come back to haunt you. “MISSION: IMPOSSIBLE – FALLOUT” finds Ethan Hunt and his IMF team, along with some familiar allies,  in a race against time after a mission gone wrong. “

Directed by: Christopher McQuarrie

Cast: Tom Cruise, Henry Cavill, Rebecca Ferguson, Simon Pegg, Alec Baldwin, Michelle Monoghan, Angela Bassett

Release Date: July 27th, 2018

Henry Cavill Joins The Cast of Mission Impossible 6

Director Christopher McQuarrie made the less than subtle announcement last night that Henry Cavill will join Tom Cruise, Jeremy Renner, and Rebecca Ferguson in ‘Mission Impossible 6’. Over on his Instagram page, McQuarrie posted a photo of himself with the caption “Say, @henrycavill. Had a thought. Curious if you’re interested in a role in the 6th installment of Mission: Impossible. No pressure.” to which Cavill replied “How can I say no to a man with such perfect hair…..”

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The conversation between the pair continued with McQuarrie joking about what he’d expect from Henry –  

McQuarrie: “excellent. Just a few caveats: must enjoy extreme heights, high speeds, motor vehicles of all varieties (especially aircraft), practical stunts, firearms, and sporadic exposition. All good?”
Cavill: “only if I get to fly for real.”
McQuarrie:“ I do believe I specified practical stunts. You in?”
Cavill: “Oh ok…..I’m in!” 

To bring the conversation to a close, McQuarrie signed off in the most ‘Mission Impossible’ way possible- “@henrycavill Outstanding. Welcome aboard. Your social media account will self destruct in 5 seconds.”. It’s not known yet who Cavill will be playing, but whether he’s on Ethan Hunt’s side or not, I’m very excited to see him join such a huge franchise. 

Cavill is currently filming psychological thriller ‘Nomis’ with Alexandra Daddario and Ben Kingsley. He will also reprise his from as the Superman in this year’s highly anticipated ‘Justice League’, as well as Netflix’s British war drama, Sand Castle, which arrives on the popular streaming service April 21st 

‘Mission Impossible 6’ is scheduled to make it’s way into cinemas on July 27th in 2018

Written by Tom Sheffield