The Odyssey Awards: 2018 Retrospective

As everyone begins to wind down after Christmas, here at JUMPCUT we’re excitedly gearing up for 2019! Before we’re done with 2018 though, we have a few more treats up our sleeve for you, including our most anticipated films of 2019 list and some big news which we’ll be sharing in a few days!

The retrospective features just some of our favourite films this year* (sadly we couldn’t fit them all in!) including A Quiet Place, BlacKkKlansman, Blindspotting, Bumblebee, Hereditary, Widows, Annihilation, Avengers: Infinity War, Love, Simon, and First Man to name but a few.

We’re sure you’ll likely pick up some notable absences from our video, but we aimed to keep it less than 2 minutes long – so not all our choices made the final cut!

We’d love to hear what films you’ve enjoyed this year and if you’ve got your top 10 list firmly nailed, share it with us on Twitter!

 

*based on UK release dates

Advertisements

‘Spider-Man’ Soars To $35m In Mixed Weekend: Box Office Report

Written by Dapo Olowu

After two weeks of no new major releases, we’d be forgiven for expecting ‘Spider-Man: Into the Spider-Verse’ to open big this Box Office weekend, or at least break the $40m barrier.

Still, it swung in at $35.4m, meaning it takes the record as December’s biggest ever animated start anyway, beating out the likes of ‘Sing’ from 2016 ($35.3m). ‘Sing’ makes for an apt comparison – its $75m budget is just a shade under ‘Spider-Man’s $90m, and the musical’s eventual $270.4m domestic finish potentially signals a long, leggy ‘Jumanji’-like run for the Sony animation.

For such a run to be had, however, ‘Spider-Man’ must benefit from overwhelmingly positive word of mouth reviews – which it has in excess. Boasting 97% on the Tomatometer and an A+ on Cinemascore, the film, which stars the voices of Shameik Moore, Jake Johnson, Hailee Steinfeld and others, could breakout in coming weekends, although heavy competition in the form of ‘Aquaman’ and ‘Bumblebee’ should definitely stifle its attempts.

Internationally, ‘Spider-Man’ earned $21m from 44 markets, yet won’t be making the front pages just yet, due to the continued runaway success of Warner Bros’ ‘Aquaman’, which brought in a whopping $126.4m in its second weekend overseas.

To date, its non-U.S. total stands at $261.3m, and includes a DCEU-record $190m from China. To put this into perspective, it’s already Warner Bros’ second biggest film there ever (after ‘Ready Player One’), and only ‘Age of Ultron’, ‘Venom’, and ‘Infinity War’ stand in its way of becoming the country’s biggest superhero movie of all time.

With its U.S. release perfectly timed for this coming Friday, we could genuinely see ‘Aquaman’ swim to levels never before seen by the DCEU, and could even hit the $1bn mark.

With much smaller ambitions comes Clint Eastwood’s crime drama ‘The Mule’, which opened to a solid $17.5m. It’s an opening that marks Eastwood’s 5th biggest as a director, and 3rd biggest as an actor (inflation aside), as well as his biggest of the year, comfortably seeing out his February effort ’The 15:17 to Paris’ ($12.6m).

While many may balk at its seemingly pricey $50m production cost, Eastwood and those over at WB will be quietly optimistic at the potential for it grow in coming weekends, as it looks to appeal to a crowd uninterested in upcoming (and current) major action blockbusters. Its A- on Cinemascore implies a film highly-rated among audiences that were practically all (88%) over the age of 25, so perhaps we may see a ‘Book Club’-type performance here.

It wasn’t all good news in the Box Office, however. Universal’s ‘Mortal Engines’, the YA steampunk dystopian adaptation of the 2001 novel, failed to get started at the domestic Box Office, spluttering in with a miserable $7.6m.

Two things of note here: firstly, that ‘Mortal Engines’ has somehow outdone ‘Robin Hood’ as the flop of the season, and secondly, that Universal and co. decided it wise to spend $100m+ on a YA dystopian, as if ‘The Darkest Minds’, ‘The 5th Wave’, and ‘Allegiant’ haven’t already put the struggling genre out of its misery in recent memory. Regardless, it’ll be a real surprise to see this one reach $30m, or even be around by early January.

Finally, in the battle for 10th spot between ‘Green Book’, Deadpool-lite ‘Once Upon a Deadpool’, and ‘The Favourite’, it was ‘Green Book’ who prevailed and kept its place in the ranks, earning $2.8m in its 5th weekend of release.

Next weekend sees ‘Aquaman’ come up against the might of ‘Mary Poppins Returns’ and ‘Bumblebee’. Can the latter cause an upset, or will Warner Bros earn its 10th chart-topper of the year? Let us know your thoughts on Twitter and Instagram – we’re at @JUMPCUT_ONLINE.

Untitled.png

‘Spider-Man: Into The Spider-Verse’ To Swing In With $50m, While ‘Mortal Engines’ Can’t Get Started: Box Office Predictions

Written by Dapo Olowu

After two barren weekends without a major cinematic release, the theatrical cobwebs and tumbleweed will be brushed aside as three new films bring an end to the post-Thanksgiving void, and usher in the Christmas period.

Finally.

Kicking off the weekend is ‘Spider-Man: Into the Spider-Verse’, Sony’s latest foray into the world of Marvel’s most beloved hero after releasing the spinoff ‘Venom’ back in October. The film sees teenager Miles Morales (voiced by Shameik Moore) taking up the ‘Spider-Man’ mantle, after teaming up with multiple parallel-universe Spider-Men to defeat crime lord Wilson Fisk.

Its all-star cast, featuring the voices of Mahershala Ali, Nicolas Cage, Hailee Steinfeld, Jake Johnson, and Lily Tomlin among many others, is only bolstered by an equally strong team behind the scenes, with Lord & Miller producing, and the latter getting a co-writing credit.

The quality in production has apparently shone through to the final product; its near-perfect 97% on Rotten Tomatoes, A+ on Cinemascore, and 87 on Metacritic means it’s one of the best-reviewed superhero films in modern memory, perfect fuel for a great Box Office lift-off.

We’re optimistically forecasting a gross just below $50m from Friday to Sunday, considering the recent slew of family-friendly animations (and superhero movies) that have already quenched the thirsts of the general audience. It’s an opening that falls just behind another Lord & Miller production ‘The Lego Batman Movie’ from 2017, which made $53m in its first 3 days, on its way to earning $175.8m domestically.

Next is Clint Eastwood’s second film of the year after February’s ’15:17 to Paris’ – ‘The Mule’. Eastwood directs and stars as Earl Stone, an elderly drug trafficker (based on the true story of World War 2 veteran Leo Sharp). The film also sees Bradley Cooper as DEA Agent Colin Bates, alongside Laurence Fishburne, Michael Peña, Taissa Farmiga, and Andy García.

This R-rated crime flick has the better of ’15:17’ when it comes to critical reception, but this makes little difference for the $50m production, which looks to open at around $14m$1.5m more than ’15:17’. ‘The Mule’, it seems, will need to keep delivering the goods in coming weeks, or else get caught by the chasing pack.

What’s a Box Office weekend without a big budget flop? First-time director Christian Rivers teams up with Peter Jackson (‘Lord of the Rings’, ‘The Hobbit’) to deliver ‘Mortal Engines’, Universal’s steampunk dystopian based off of Phillip Reeve’s 2001 novel of the same name.

Fears of a ‘Robin Hood’-like failure are warranted, given its bloated $100m+ budget and poor response from both critics and audiences (28% on RT, B- on Cinemascore). Therefore, we’re predicting a start of $10.6m, meaning ‘Mortal Engines’ has already stalled upon release.

Finally, Oscar-hopeful ‘The Favorite’, directed by Yorgos Lanthimos, looks to beat out ‘Once Upon a Deadpool’ and ‘Green Book’ for a place in the top ten. Still in a limited release, playing in just 423 cinemas, the historical period-piece, starring Olivia Coleman, Emma Stone, and Rachel Weisz, should earn $3.4m for 10th place.

The Box Office is back in full swing this weekend, with ‘Spider-Man’ leading the way. Will it hit the lofty $50m heights we predict, or will it just fall short? Let us know your thoughts on Twitter and Instagram – we’re at @JUMPCUT_ONLINE.

Untitled

The Smallest Weekend Of The Year Sees ‘Ralph Breaks The Internet’ Score A Hattrick with $16m: Box Office Report

It was always going to be a small weekend.

Friday to Sunday in the Box Office sphere saw just $84.5m grossed from 87 movies across the United States, and was topped by three-time winner ‘Ralph Breaks the Internet’ with $16.3m. Only two films in 2018 have stayed at number 1 in the Box Office charts for longer than ‘Ralph’, and both – ‘Black Panther’ (5 weekends) and ‘Jumanji’ (4 weekends) – became Box Office behemoths in the process.

Ralph’ won’t be following in their footsteps, as its three-peat is the result of a severe lack of Box Office competition than a record-breaking opening or an incredibly leggy run. Although it won’t tip Disney’s balance sheet like ‘Black Panther’ did, it does, however, stand at a respectable $141m after 3 weekends.

Internationally, it added an extra $18m for a worldwide total of $258.9m, and should top ‘Wreck-It Ralph’s $471.2m global gross by the end of December.

All seems well for those at Disney, although the lingering fear that ‘Ralph’s $175m price-tag may harm the potential of theatrical profitability is only heightened by comparisons to ‘The Grinch’, who, after earning $15m this weekend, becomes the 6th biggest domestic film of the year with $222.3m in the bank ($325.2m globally).

This retelling of Dr. Seuss’ ‘How The Grinch Stole Christmas’, produced by ‘Minions’ helmers Illumination, cost $100m less than ‘Ralph’ and sits comfortably behind ‘Incredibles 2’ as the second biggest animated film of the year.

Both studios take vastly different approaches to their productions, with Disney’s focus on improvements in picture quality resulting in ballooning budgets and giant break-even numbers. This may work when ‘Incredibles 2’ earned $1.2bn off of a $200m production cost, but for the smaller releases like ‘Ralph’, it’s the Illumination model that shines the brightest.

Next is MGM’s ‘Creed II’, earning $10m for 3rd place, ahead of ‘Fantastic Beasts 2’ ($7m) and ‘Bohemian Rhapsody’ ($6.1m). A 40% drop edges it ever closer to the century mark domestically, and just $13m away from reaching ‘Creed’s total gross. Its sights are firmly set on ‘Rocky IV’s $127.9m domestic total however, which still stands as the biggest boxing movie gross in U.S. history, 33 years after its release. It’s a title ‘Creed II’ should definitely win, although upsets do happen.

Finally, last weekend’s lonely newcomer ‘The Possession of Hannah Grace’ brought in $3.2m from Friday to Sunday, leaving it on a respectable $11.5m gross overall.

The quiet before the storm; this weekend was the last without any new wide releases before next week’s onslaught. Who is going to suffer the most when 3 new films come into play next weekend? Let us know your thoughts on Twitter and Instagram – we’re at @JUMPCUT_ONLINE.

 

Untitled.png

‘Ralph Breaks The Internet’ Goes For The Hattrick With $15m Weekend: Box Office Predictions

Written by Dapo Olowu

There won’t be any new major releases troubling the Box Office weekend, clearing the way for ‘Ralph Breaks the Internet’ to top the charts for the third consecutive time.

Only fellow-Disney release, ‘Black Panther’, and Sony’s ‘Jumanji’ have stayed at number 1 for longer this year, but ‘Ralph’s forecasted $14.8m will be the 2nd lowest weekend winner of 2018, after ‘Jumanji’s $10.9m saw it beat out ‘Maze Runner 3’ and ‘Winchester’ in early February.

It’s also a gross that’ll draw ‘Ralph’ to within inches of a $140m total, just $4m behind 2016’s ‘Moana’ (another Disney Thanksgiving treat) at the same point in its run, with a view to earning around $220m by the time it ends in cinemas.

That, of course, far exceeds ‘Wreck-It Ralph’s $189.4m domestic total from 2012, but this won’t be the only sequel of the weekend looking to improve upon its predecessor’s success, as ‘Creed II’s $10m weekend should edge it over the $100m domestic mark, leaving the film just a few million short of ‘Creed’s $109.8m total.

Already the 9th biggest boxing movie in U.S. history (after only 17 days in release), the drama should leapfrog ‘Million Dollar Baby’ into 5th spot by Sunday night, with its sights firmly set on ‘Rocky IV’. Reaching the record-holder’s $127.9m gross will surely make for an exciting title fight in itself.

Before ‘Creed II’ this weekend comes ‘The Grinch’, which looks to gross $12m to continue what’s been an impressive Box Office performance so far. Seeing off family-friendly competition in ‘Ralph’ and ‘Fantastic Beasts 2’ (the latter will continue its dizzying drop with a $5.7m weekend) has seen the film rise up the ranks as one of the biggest domestic hits of the year.

Specifically, ‘The Grinch’ sits in 10th place behind ‘Venom’ and ‘Solo’ in 9th and 8th respectively, and in a few days will pass not only them in the yearly list, but also ‘The Lorax’ as Illumination’s 7th biggest film. Reaching ‘Despicable Me’ in 6th with $251.5m, however, may be a step too far for the Seuss-adaptation, which will likely finish in the $240m region.

Finally, last weekend’s only newbie ‘The Possession of Hannah Grace’ won’t be terrorizing its audience for much longer, dropping by over 50% to gross $3m, passing the $10m domestic mark in the process.

Next week sees our films, after two empty weekends, come up against ‘Mortal Engines’, ‘The Mule’, and ‘Spider-Man: Into The Spider-Verse’. How will they fair in the face of actual competition? Let us know your thoughts on Twitter and Instagram – we’re at @JUMPCUT_ONLINE.

Untitled

‘Ralph Breaks The Internet’s $25m Weekend Makes It 14 Number 1’s In 2018 For Disney: Box Office Report

Written by Dapo Olowu

Just the one wide release this weekend in ‘The Possession of Hannah Grace’ meant that ‘Ralph Breaks the Internet’ faced little in the way of competition, ending Sunday night atop the Box Office charts.

Its $25.6m gross was a little on the low side of our $30m forecast, giving it a domestic total of $119.1m – now behind ‘Moana’ in the same point in its run ($119.8m), but ahead of ‘Wreck-It Ralph’ by almost $20m at the same stage. ‘Moana’, of course, went on to earn a remarkable $248.8m stateside, while ‘Wreck-It Ralph’ grossed $189.4m in 2012.

Ralph Breaks the Internet’s weekend marked Disney’s 14th Box Office #1 of 2018 from just 5 films (afterBlack Panther’, ‘Infinity War’, ‘Solo’, andAnt-Man 2’), leaving the studio well clear of nearest competitors Universal and Warner Bros, who both boast 9 weekend winners apiece.

Just 4 weekends remain until 2018 draws to a close, and Disney aren’t finished yet, with ‘Ralph’ looking for a 3rd straight win in a week’s time, and ‘Mary Poppins Returns’ opening on the 19th. Internationally, ‘Ralph’ made $33.7m from 27 countries, including snatching first place in the U.K. This gives the film a worldwide total of $207.1m after just 2 weeks in release, with more to come by the end of the year.

There was a closer fight than expected for second place, involving ‘The Grinch’ and MGM’s ‘The Creed II’. ‘The Grinch’ ultimately won this round, earning $17.9m against ‘Creed II’s $16.6m, but the latter can take solace from the fact that it’s just $20m away from passing the century mark domestically, $30m away from beating its predecessor ‘Creed’s domestic total, and $50m away from becoming the biggest boxing movie in U.S. history.

The Grinch’, meanwhile, crossed $200m in the U.S, sneaking in at 10 on the biggest grossing films of the year list with $203.7m. Now in its 4th weekend, it’s survived threats from ‘Ralph’ and ‘Fantastic Beasts 2’ and can now look to establish itself as the year’s second-biggest animated hit, behind the record-breaking ‘Incredibles 2’.

Finally, the only new release of the weekend came from Sony, as ‘The Possession of Hannah Grace’ haunted audiences across the States to earn an impressive $6.4m from just 2,000 cinemas. Its 17% on the Tomatometer and C- on Cinemascore hint at a film that wasn’t adored by critics or audiences alike, but from just a $9.5m budget, its reception may not prove to be as important when its run is over.

With ‘The Grinch’ working its way into the top ten domestic hits of the year, can it stay there once ‘Aquaman’, ‘Mary Poppins’, and ‘Spider-Man: Into the Spiderverse’ come around? Let us know your thoughts on Twitter and Instagram – we’re at @JUMPCUT_ONLINE.

Untitled2

REVIEW: Creed II (2018)

Directed by: Steven Caple Jr.
Cast: Michael B. Jordan, Sylvester Stallone, Tessa Thompson, Dolph Lundgren, Florian Munteanu

Written by Cameron Frew

“If he dies, he dies,” said Ivan Drago (Dolph Lundgren) in Rocky IV, arguably the finest entry in the series outside the all-time classic original. It was a film that captured the essence of its time; the ultra-machismo, the air-punching music, a self-aware corniness, post-Cold War observations. But Creed II, the follow-up to 2015’s acclaimed spin-off, is a much different beast from its ancestor.

After Adonis Creed (Michael B. Jordan) becomes world champion, Drago, the man who killed Creed’s father, and his brutish son, Viktor (Florian Munteanu) challenge him to a fight. Against Rocky’s (Sylvester Stallone) better judgement, Creed takes the bout, sparking repercussions that will affect his life at home with Bianca (Tessa Thompson).

Lundgren’s mournful icon opens the picture, from the frosty-blue filtered snowscape of Kiev, awakening his boy for what we can only assume a long, hard day of montage-worthy training. It’s not long before we see the terrifyingly hulkish Viktor, deftly handled by Munteanu, in action in the ring. One thing is established fast; Viktor shares one huge trait with his dad – a lack of compassion.

Director Steven Caple Jr, taking the gloves from Ryan Coogler, plays a tension-raising little game – we’re reacquainted with Creed and co fairly quickly (in a sneakily modest one-take). Rocky says to him: “Are you here to prove something to other people, or prove something to yourself?” The triumphant spirit that helped give the first film a surprising strength is back, but Caple Jr is keen to remind you that there’s definitely a storm coming, and there’s only so far a good man can go against someone “who was raised in hate”.

Stallone earned himself an Oscar-nom for the (formerly) titular role, and here he’s on similarly excellent form. There’s a really interesting narrative in play between him and Drago throughout; the latter broke things in Rocky “that ain’t ever been fixed”, but he also lost everything and was exiled by his wife – and country – following his homeland defeat. Lundgren is fantastic here, bringing a cautious vulnerability and real, hard vindictive streak in a fractured, immensely satisfying performance that makes these two titans meeting again feel more than an exercise in cheap memories.

The moral conflict is meaty; Rocky is against Creed fighting Viktor because of the past, because of how dangerous he knows Drago’s son is and, obviously, because he can’t face watching the son of the man whose life ended at the hands of his Russian foe, also die. But Rocky fought Drago out of guilt, so if Creed wants to fight his son after Drago has the brass neck to challenge him, can he be blamed? It’s a tale as old as time – testosterone firing on all cylinders. Thankfully, writers Sascha Pem, Juel Taylor and also Stallone keep the story rooted in harsh reality; Creed II is more of a story about finding oneself in the shadow of our parents, and the need to let the past go to become who you really want to be. That, and some tellingly obvious comments on toxic masculinity, takes this a little further than more surface-level genre efforts.

Thompson and Jordan are a fabulous duo that endures a heart-wrenching plight – the writing in this regard excels at not romanticizing their lives (aside from the dreamy L.A flat they acquire just like *finger snap*).  With the exception of a small number of truly moving moments, their narrative is filled with foregone conclusions. In fact, the film itself is excessively formulaic, almost going exactly the way any relatively clued-up moviegoer would predict.

But that’s the thing; Creed II only works if you’ve got skin in the game, if you have more than a floating investment. You need to care and believe in the stakes and the people. If you don’t, the clichés will hit harder, but if you do, there’s much to be enjoyed here as both a series veteran and newbie.

The fight scenes are intense and muscular, shot with a firm hand and never, as the trap less adept efforts fall into, disorientating to enjoy. However, the choreography is miles behind decades-earlier movies; not just Rocky, but also Raging Bull, or even Warrior in 2011. There’s a certain lack of distance afforded to the viewer, always cinematically in amongst it instead of taking a step back. In a boxing picture, that would seem like a detrimental flaw – but Caple Jr is slick enough to carry it off.

Returning to compose is Ludwig Göransson, who separates this work even further from its family tree, weaving the soundtrack with a hip, modernized flare that rarely taps into that classic theme (oh boy when it does, though), exhibiting a rare confidence in the culture of sequels. The music makes for a thrilling accompaniment to Kramer Morgenthau’s raw, evocative cinematography; a natural at both establishing the emotional range of an intimate environment and accenting a brilliant montage. A little more recognition of its roots would have carried it that extra stretch (don’t wait on Drago saying that famous line), but this is a cool, unruffled entry in a franchise that would be welcomed back again.

Gripping and poignant, Creed II marks the humble passing of the mantle. Just need Mr. T’s son for next time.

 

Cameron’s Verdict:

4

‘Creed II’ Goes For The Title Whilst ‘Ralph Breaks The Internet’ Remains Top In Slow Weekend: Box Office Predictions

Written by Dapo Olowu

As the tumbleweed rolls through this barren Box Office weekend, you may be forgiven for asking why just 1 film is opening wide on Friday (and none 7 days later). The post-Thanksgiving weekend is one of historical dryness – this time last year saw 0 films open in over 600 cinemas, although it did welcome the release of award-fodder ‘The Disaster Artist’ and ‘The Shape of Water’ in a few theatres each.

Why? The mid-December onslaught, which in 2018 includes ‘Aquaman’, ‘Spider-Man: Into the Spider-Verse’, ‘Bumblebee’, and ‘Mary Poppins Returns amongst many others, leaves studios in a difficult scheduling position, where they’re forced to contend with both the Thanksgiving’s leftovers, as well as the upcoming competition.

Leaving this release date alone is almost always preferred – the 2-week theatrical guarantee means that most big films have a fortnight in the cinemas before their screen counts drop. Of course, this would swallow up most releases in the upcoming weekend, leaving Sony’s low-budget horror ‘The Possession of Hannah Grace’ as the only new film to torment cinemagoers from around 2,000 theatres. The film follows the story of an ‘exorcism gone wrong’, and stars Shay Mitchell (‘Pretty Little Liars’), Shana Katic (‘Castle’), and Grey Damon (‘Aquarius’).

Much like 2016s ‘Incarnate’, which opened to $2.5m on its way to a $4.8m domestic finish, ‘The Possession of Hannah Grace’ won’t seriously trouble many in the top ten, and its forecasted $2.6m gross may even be too optimistic, as the strong Thanksgiving weekend holdovers will leave this supernatural thriller needing more than just some holy water.

Ralph Breaks the Internet’, last weekend’s winner, will remain on top, pulling in a solid $30m to bring its domestic total close to $120m. Although its ahead of both ‘Coco’ and ‘Moana’ at the same point in their runs, ‘Ralph 2’ will be lucky to finish close to the latter’s $248.8m total – sequel-itis can be unforgiving. The front-loaded nature of franchises can be seen with ‘Fantastic Beasts 2’, which will struggle to reach a $200m domestic total (while ‘FB1’ hit $234m). The ‘Harry Potter’ spinoff should earn around $15m this weekend for 4th place.

The same can’t be said for ‘Creed II’ however, who after less than 2 weeks of release is just $40m off ‘Creed’s entire domestic gross. The film stands currently bells in as the 10th biggest boxing film in U.S. history, and an $18m this weekend gross will see it leapfrog predecessor ‘Rocky Balboa’ into 9th spot. The fighter student has become the master trainer, it seems, but Michael B. Jordan and co. won’t be stopping here, as its sights are fittingly set on ‘Rocky IV’s record $127.9m total. Whether or not it’ll deliver that knock-out gross, we’ll see.

The DiCaprio-produced ‘Robin Hood’ gets an honourable mention here too, as it grasps to remain in the top ten. A film likely to litter many a ‘Box Office Bombs of 2018’ list (including ours), its $3.9m weekend should see it pass the $20m mark domestically but not much else, with a likely finish of $30m in store.

In a more uneventful Box Office weekend, ‘Ralph Breaks the Internet’ has the opportunity to extend its stronghold, while ‘Creed II’ has eyes on the title belt. Will the latter make it, and will ‘Ralph 2’ best that of ‘Coco’ and ‘Moana’? Let us know your thoughts on Twitter and Instagram – we’re at @JUMPCUT_ONLINE.

Untitled

‘Creed II’ And ‘Ralph Breaks The Internet’ Triumph, But ‘Robin Hood’ Falls On Its Sword In Record Thanksgiving Weekend (Box Office Report)

Written by Dapo Olowu

2018’s Box Office continues to deliver the goods, this time in the form of a record-breaking Thanksgiving holiday led by the impressive performances of ‘Ralph Breaks the Internet’ and ‘Creed II’.

Both films finished the 5-day holiday weekend with a combined $140m, which contributed heavily to the record $314m total – besting 2013s $294m, which included the still-standing record opening for ‘Frozen’ ($93.6m), and record gross for ‘The Hunger Games: Catching Fire’ ($109.9m).

Still, this time around gave us ‘Ralph Breaks the Internet’, which warmed the hearts (and wallets) of cinemagoers and earned a smashing $84.8m, including $56.2m from Friday to Sunday. It becomes the second biggest Thanksgiving opening of all time, beating out the likes of Disney companions ‘Coco’ ($72.9m) and ‘Moana’ ($82.1m), and now stands as the 13th time Disney’s topped the charts this year (from only 5 films).

Creed II’ was equally as impressive, with its $56m 5-day gross becoming the 7th biggest Thanksgiving opening ever, and the holiday’s largest live-action release of all time. The records don’t stop, as the film’s Friday to Sunday gross of $35.6m means it’s the biggest ever opening for a sports drama – beating 2009s ‘The Blind Side’ ($34.1m).

It marks Michael B. Jordan, Tessa Thompson, and Sylvester Stallone’s (cameos included) 2nd biggest openings ever, considering all 3’s ventures into the high-earning world of the MCU. Produced on a $50m budget, the sequel to 2015s ‘Creed’ sees Adonis Creed (Jordan) face Viktor Drago, son of Ivan, who famously killed his father in ‘Rocky IV’.

Internationally, while ‘Creed II’ only entered the U.S. market this weekend, ‘Ralph Breaks the Internet’ saw its audiences just as enthusiastic, earning $19.5m from China on its way to a $41.5m start. From just 19 countries, its worldwide total currently stands at a strong $127m.

This year’s Thanksgiving turkey goes to ‘Robin Hood’, which was put to the sword with a paltry $14.3m in its first 5 days. It somehow managed to gross below last year’s bomb ‘King Arthur: Legend of the Sword’s 3-day $15.4m opening, and its $9.2m Friday to Sunday will ensure the film goes down as one of the Box Office flops of the year.

It doesn’t get any better, as its 14% on Rotten Tomatoes should stop any chances of a semi-decent Box Office run dead in its tracks, and its international start consisting of just $1.7m from the U.K. and only $7m from 32 other countries means it hasn’t taken well across the globe. Distributing studio Lionsgate, it seems, have finished the year with a whimper, and not a roar.

The final 2 wide releases this weekend came in the form of ‘Green Book’, a critically-acclaimed biopic starring Viggo Mortensen and Mahershala Ali, and Jason Reitman’s ‘The Front Runner’, starring Hugh Jackman. It was a case of opposite fortunes, as ‘Green Book’ over-delivered on its expectations with $7.5m from just 1,000 cinemas, while ‘The Front Runner’ floundered with a poor $888k, for a total of just $1.1m.

It was a memorable Thanksgiving weekend, with records broken and ‘Ralph Breaks the Internet’ and ‘Creed II’ impressing. Will both films go onto beat their predecessors, or will sequel-itis strike again? Let us know your thoughts on Twitter and Instagram – we’re at @JUMPCUT_ONLINE.

Untitled