JUMPSCARECUT: Bad Romance

October is synonymous with a few things: autumn leaves, pumpkin-spiced everything, Halloween, the return of The Walking Dead on TV, and more horror movies than you can wield a knife at. Not everyone has a stomach for gore or the mettle for scares though. If you’re wondering where all the romance goes when the monsters come out to play, fear not. It may not be the 14th February, but here are 14 love stories perfect for the spooky season.

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Crimson Peak (2015)

Guillermo del Toro’s 1880s-set ghost story charts the relationship between American aspiring-author Edith Cushing (Mia Wasikowska) and English baron/inventor Sir Thomas Sharpe (Tom Hiddleston). After she suffers a devastating family tragedy, she marries Thomas and moves into the dilapidated Sharpe home, a grand gothic mansion built on a hill that ‘bleeds’ red when it snows. Edith must not only compete with Thomas’ conniving sister Lucille (Jessica Chastain) for his attention, but she must contend with the spirits that haunt the house.

 

La Belle et la Bête (1946)

Jean Cocteau and René Clément’s surreal tale of tragic love between a beautiful girl, Belle (Josette Day), and a gentle beast (Jean Marais), was the first adaptation of the 1757 story, Beauty and the Beast. Now considered a French classic, La Belle et la Bête presents the Beast as so repellent, Belle faints at the sight of him – not quite the sumptuously animated creature Disney drew! The story unfolds like a Grimm’s fairy tale, a brooding dark fantasy, with not a singing teapot or candelabra in sight.

 

Warm Bodies (2013)

William Shakespeare’s Romeo and Juliet has been adapted to film countless times over the years. From direct adaptations, such as Franco Zeffirelli’s 1969 version and Baz Luhrmann’s 1996 modernised version, to more imaginative translations, such as West Side Story and The Lion King II: Simba’s Pride. Warm Bodies falls into the latter – a loose reworking of the classic star-crossed lovers narrative. The ‘Romeo’ of Warm Bodies is Nicholas Hoult’s zombie, known only as R, and the ‘Juliet’ is Teresa Palmer’s Julie, daughter of the U.S. Army Colonel hell-bent on eradicating the living dead once and for all. Told from the zombie’s perspective, and notably depicting the undead as retaining some human characteristics in death (un-death?), Warm Bodies will thaw even the iciest of hearts.

 

Bride of Frankenstein (1935)

The ending of the Universal Pictures 1931 classic, Frankenstein, is heart-breaking, as Frankenstein’s Monster (Boris Karloff) is apparently burned to death in the windmill he hides in, to escape the vicious mob chasing him. The Monster is woefully misunderstood, a lonely beast, desperate for a mate. In Bride of Frankenstein, Dr. Frankenstein and Dr. Pretorious heed no moral lesson from past mistakes as they create the Bride (Elsa Lanchester), a true icon in the genre’s oeuvre. Raise a glass to “the new world of gods and monsters!”

 

A Girl Walks Home Alone at Night (2014)

Known as “the first Iranian vampire western”, A Girl Walks Home Alone at Night focuses on a lonesome vampire (Sheila Vand), who spends her eternal life listening to music on vinyl, skateboarding around Bad City, and preying on men who disrespect women. One night, she meets a drugged-up, lost, Arash (Arash Marandi), and is charmed by his vulnerability and kindness. Their tentative attraction is fascinating to watch. With a soundtrack as killer as the girl herself, and shot in exquisite black and white, Ana Lily Amirpour has created a modern gem.

 

Thirst (2009)

South Korean producer/director Park Chan-wook knows a thing or two about forbidden lust – just watch Stoker or The Handmaiden. When Catholic priest Sang-hyun (Song Kang-ho) volunteers to participate in an experiment to find a vaccine for the deadly Emmanuel Virus, the unexpected side effects include a thirst for human blood, an extreme aversion to sunlight, and insatiable lust for his friend’s wife, Tea-ju (Kim Ok-bin). The two embark on an illicit and deadly affair, as the lines between right and wrong, monster and human, are blurred.

 

A Chinese Ghost Story (1987)

Chinese folklore (as imagined by A Chinese Ghost Story) dictates that the spirit of any person buried at the foot of a tree outside the haunted Lan Ro temple will be eternally bound to the servitude of the sinister Tree Devil, whose tongue wraps around its victims to suck out their life essence. Lip Siu-sin (Joey Wong) is one of those unfortunate souls. When Ling Choi-san (Leslie Cheung) meets her ghost, it’s love at first sight, and he vows to free her from her misery. Martial arts meets phantasm meets melancholy in this supernatural tale of love and loss.

 

Spring (2014)

Romantic body horror is not a combination of words one would expect, yet perfectly describe Spring. Evan (Lou Taylor-Pucci) suffers a devastating loss that prompts him to travel to Italy, where he meets the enigmatic Louise (Nadia Hilker), a student of genetics. A creature-feature unlike any other, Louise gradually reveals her ghastly secrets to Evan, as her transformative nature is exposed.

 

The Mummy (1932)

What’s more romantic than a love that spans centuries? When British archaeologists accidentally bring Egyptian priest Imhotep (Boris Karloff) back from the dead, the last thing they expect is to sacrifice their lives in order to bring the high priest’s lover, Anck Su Namun (Zita Johann) back from the dead too. A timeless fable warning us of the perils of reading ancient runes aloud, The Mummy is oft replicated (see The Mummy of 1999, starring swashbuckling Brendan Fraser, or The Mummy of 2017, starring fearless Tom Cruise), but never bettered.

 

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Let the Right One In (2008)

Based on the novel of the same name by John Ajvide Lindqvist (who also wrote the screenplay), Let the Right One In centres on the sweet relationship that blossoms between 12-year-old outcast Oskar (Kare Hedebrant) and his new mysterious neighbour Eli (Lina Leandersson). The two exchange toys and Morse code messages through their neighbouring wall, and learn over time that though they are different species (she is a vampire, he is a human), their bloodlust is not so different; he wants to kill, to seek revenge on his tormenters, whereas she needs to kill to survive. Tomas Alfredson directs the children’s disturbing bond with a tenderness and empathy that is rare.

(I urge you to seek out the original Swedish version, though the American remake, Let Me In, is intriguing in its own way.)

 

The Fly (1986)

David Cronenberg’s seminal transfiguration sci-fi horror about scientist Seth Brundle (Jeff Goldblum) and his botched attempt at teleportation doesn’t exactly scream “romantic”. The make-up effects that turn Brundle into half-man-half-fly are gruesome. However, the love between Brundle and girlfriend Veronica Quaife (Geena Davis) is so pure, that even as Brundlefly evolves fully into an tyrannical insectoid, she cries for him.

 

Bram Stoker’s Dracula (1992)

There’s been a lot of vampires on this list, which perhaps speaks to how romanticised the immortal bloodsuckers are. The love in Francis Ford Coppola’s bat-shit crazy adaptation of Bram Stoker’s Dracula is not for the titular evil, but between lawyer Jonathan Harker (Keanu Reeves, with one of the worst English accents put to celluloid) and his fiancée, Mina (Winona Ryder). When Count Dracula (Gary Oldman) takes a fancy to Mina for her astonishing resemblances to his sweetheart from the 15th Century, Elisabeta (also Ryder), he rabidly pursues her.

 

Shaun of the Dead (2004)

Arguably the birth of the “zom-com” genre, Shaun of the Dead is the first in Edgar Wright’s Cornetto Trilogy, and stars Simon Pegg as the titular Shaun, a 30-something down-on-his-luck dude who realises the importance of showing his love only when the zombie apocalypse is upon him. Arming himself with a bat, he traverses across London with best friend Ed (Nick Frost) to save his mum, Barbara (Penelope Wilton) and win back his girlfriend, Liz (Kate Ashfield).

 

The Shape of Water (2017)

Bookending this list with another Guillermo del Toro romance seemed only natural given his proclivity for playing in the backyard of horror iconography. The Amphibian Man (played by the incomparable Doug Jones) may look scary with his big black eyes and scaly skin, but isolated mute Eliza (Sally Hawkins) sees past that to the scared creature within. The ‘Big Bad’ comes in the form fo Micheal Shannon’s villainous government agent, Strickland, a very human face of unsympathetic “just following orders” iniquity. A cinematic masterpiece, taking inspiration from classic sweep-you-off-your-feet grand romance, wrapped up in a brooding fantasy thriller, complimented by an epic score, The Shape of Water is perfect for the spooky season. Perfect for any season, really.

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The JumpCut UK Film Awards 2015: The Nominees

After weeks of agonising over the films of 2015, our esteemed panel have finally submitted their picks for the first annual JumpCut UK Film Awards. The votes have been counted and the nominees are…


actors
Best Support Actress
Alicia Vikander (Ex Machina)
Kate Winslet (Steve Jobs)
Kristen Stewart (Clouds Of Sils Maria)
Marion Cotillard (Macbeth)
Rooney Mara (Carol)
Best Support Actor
Benicio del Toro (Sicario)
Idris Elba (Beasts Of No Nation)
JK Simmons (Whiplash)
Oscar Isaac (Ex Machina)
Paul Dano (Love & Mercy)
Best Lead Actress
Cate Blanchett (Carol)
Charlize Theron (Mad Max: Fury Road)
Emily Blunt (Sicario)
Olivia Cooke (Me And Earl And The Dying Girl)
Saoirse Ronan (Brooklyn)
Best Lead Actor
Abraham Attah (Beasts Of No Nation)
Jason Segel (The End Of The Tour)
Matt Damon (The Martian)
Michael Fassbender (Steve Jobs)
Miles Teller (Whiplash)
Best Breakthrough Actor/Actress
Abraham Attah
Alicia Vikander
Daisy Ridley
O’Shea Jackson Jr
Taron Egerton
Worst Acting Performance
Adam Sandler (Pixels)
Jai Courtney (Terminator Genisys)
Jamie Dornan (Fifty Shades Of Grey)
Johnny Depp (Mortdecai)
Vincent D’Onofrio (Jurassic World)

 

technical

Best Director
Alex Garland (Ex Machina)
Damien Chazelle (Whiplash)
Denis Villeneuve (Sicario)
George Miller (Mad Max: Fury Road)
Ridley Scott (The Martian)
Best Original Story
Ex Machina
Inside Out
The Gift
The Lobster
Whiplash
Best Adaptation
American Sniper
Macbeth
Me And Earl And The Dying Girl
Steve Jobs
The Martian
Best Cinematography
American Sniper
Macbeth
Mad Max: Fury Road
Sicario
The Martian

 

Best Editing
Birdman
Mad Max: Fury Road
Sicario
Star Wars: The Force Awakens
Whiplash
Best Soundtrack/Score
Dope
Inside Out
Mad Max: Fury Road
Sicario
Whiplash
Best Visual Effects
Ex Machina
Jurassic World
Mad Max: Fury Road
Star Wars: The Force Awakens
The Martian

genre

Best Action Film
American Sniper
Avengers: Age Of Ultron
Kingsman: The Secret Service
Mad Max: Fury Road
Sicario
Best Comedy Film
Inside Out
Spy
The Lobster
The Night Before
Trainwreck
Best Drama Film
Carol
Me And Earl And The Dying Girl
Straight Outta Compton
Whiplash
White God
Best Horror Film
Crimson Peak
Insidious: Chapter 3
It Follows
The Gift
Best Sci-Fi Film
Ex Machina
Jurassic World
Star Wars: The Force Awakens
The Martian

 

Best Documentary, Foreign, Indie or Short Film
Cobain: Montage Of Heck
The End Of The Tour
Kung Fury
The Lobster
World Of Tomorrow
Worst Sequel/Reboot
Fantastic Four
Hot Tub Time Machine 2
Taken 3
Terminator Genisys
Vacation
Worst Film
Hot Tub Time Machine 2
Pan
Paul Blart 2
Pixels
Vacation
Best Film
Ex Machina
Mad Max: Fury Road
Sicario
The Martian
Whiplash

miscellaneous

The “Guilty Pleasure” Award
American Ultra
Focus
San Andreas
Ted 2
The Interview

 

 

 

 



So there you have it – 24 categories with lots of films and individuals to celebrate. We will be opening up the voting to the public for the following categories: Best Breakthrough Actor/Actress, Worst Film and Best Trailer, and you can cast your vote here (voting closes 31st December). The rest of the categories will be decided by the JumpCut UK team, our official partners and a handful of expert guests, with all the winners announced on our special YouTube Awards Show at the end of January. 

Watch This Space: October 12 – 18 [ladies week]

Welcome to a special edition of your weekly go-to film guide. This week, WatchThisSpace is celebrating women in film, so read on and enjoy Molly’s recommendations of some great female performances in the cinema, on the TV and a few of her all time favourites.

IN THE CINEMA

The Women’s Rights movement materialises in ‘Suffragette’, the latest offering from British director Sarah Gavron and writer Abi Morgan (The Iron Lady). The female-heavy cast and crew is headed by Carey Mulligan, while the film intertwines wrenching personal and political tales of female solidarity and strength. ‘Suffragette’ is in cinemas from Monday 12th October.

Mia Wasikowska and Jessica Chastain star alongside Tom Hiddleston in this thriller-come-romantic story from Mexican director Guillermo del Toro. Paying homage to gothic romance, ‘Crimson Peak’ is another British must-see, in cinemas from Friday 16th October.

ON THE TV

MONDAY 21:00 GMT: Renée Zellweger stars as the famed awkward, honest and self-conscious titular character in ‘Bridget Jones’ Diary’, the first installment of this romantic comedy series. With a third movie currently in the works, now is the time to switch to ITV2 and catch the original.

WEDNESDAY 18:20 GMT: A screen adaptation of the Jane Austen novel set in 18th century rural England, ‘Pride and Prejudice’ sees Keira Knightly lead as Elizabeth Bennet in a typical British romance film on Film4.

SATURDAY 22:45 GMT: Carey Mulligan returns to our recommendations with a star performance in ‘Drive’, that saw her nominated for a BAFTA back in 2012. See this thrilling offering from Nicholas Winding-Refn on BBC2.

SUNDAY 18:50 GMT: Feminist campaigner, Angelina Jolie, stars as adventurer Lara Croft in this film adaptation of the video game Tomb Raider. Get into the action with ‘Lara Croft: Tomb Raider’ on Syfy this Sunday evening.

DIG IT OUT

This is our favourite part of the WatchThisSpace section. We delve into our own DVD collection and pick out some amazing films, that may not instantly spring to mind when you’re stuck for inspiration to make your movie night a success. Maybe you’ve never seen a film that we pick – or even heard of them for that matter – but you’re gonna have to trust us on this one, and Dig It Out.

Thelma & Louise: An original girl-power film, ‘Thelma & Louise’ was branded controversial upon release, apparently due to the discomfort felt by many male viewers (un-fucking-believable). Geena Davis and Susan Surandon are cast perfectly as two women with a new found drive, confidence and zest for life that serves as a perfect example for females everywhere. What doesn’t serve as such a good influence are many of their impulsive choices – but they make for great viewing nonetheless! Ridley Scott directs the first screenplay from Academy Award-winning Callie Khouri, which would inspire Tori Amos’ famous and chilling tune ‘Me And A Gun’.

Girl, Interrupted: A challenge to observe; ‘Girl, Interrupted’ offers a chilling insight into mental health amongst various female characters with varying mental disorders. Winona Ryder, Angelina Jolie and Brittany Murphy all offer standout performances in their own, unique way. The roles of strong and submissive women blur, with seemingly powerful sociopathic Jolie unravelling as the movie progresses, meanwhile protagonist Ryder offers a character that you can never quite decipher. Based on Susanna Keysen’s memoir, the idea that this on-screen depiction has some truth at the root of it makes it all the more fascinating.

Bridesmaids: Not only does ‘Bridesmaids’ signify a funny and successful female comedy, it stands against the best comedies regardless of gender. Kristin Wiig is genius as lead character Annie, a woman still trying to find her way and generally refusing to become the responsible woman that she is expected to be. Alongside best friend and bride-to-be Lillian (Maya Rudolph), the duo offer a hilarious take on this major life event, with crude humour catering to both genders and leaving viewers (okay, me) yearning for more.

Erin Brockovich: Where would the list of powerful, shit-hot women in film be without Erin Brockovich? Not only does Julia Roberts provide an inspiring on-screen in character, but we must offer a huge THANK YOU to the real life Erin Brockovich for her phenomenal achievements as a legal clerk and activist, and offering us a woman to aspire to. The true story centres on a legal case against energy corporation Pacific Gas and Electric Company, accused of water contamination in the American town of Hinkley, California. The film covers personal tales, legal struggles and a whole load of stick-it-to-the-man drama.

This week’s special ladies week edition of WatchThisSpace was compiled by Molly Dolan