Deadpool Goes PG In ‘Once Upon A Deadpool’ Trailer


“To kick off the holiday season audiences of almost all ages will soon be able to enjoy the Merc with the Mouth’s reimagining of Deadpool 2 filtered through the prism of childlike innocence. “Fox has been asking for a PG-13 basically since the start in 2006,” Ryan Reynolds told Deadline. “I’ve said no since 2006. Now, this one time, I said ‘Yes’ on two conditions. First, a portion of the proceeds had to go to charity. Second, I wanted to kidnap Fred Savage. The second condition took some explaining…”Fred Savage will join Reynolds in new scenes for ONCE UPON A DEADPOOL in an homage to Savage’s starring role in the 1987 bedtime-story classic THE PRINCESS BRIDE. Fred remarked, “while my participation in this film was anything but voluntary, I am happy to learn that Fudge Cancer will be the beneficiary of this shameless cash grab”For every ticket sold, $1 will go to the charity Fudge Cancer – previously known as Fuck Cancer, who have graciously changed their name to be more PG-13 friendly for the 12 days of Once Upon A Deadpool’s release.”

Directed by: David Leitch

Cast: Ryan Reynolds,  Moren Baccarin, Josh Brolin, Zazie Beetz, Brianna Hildebrand

Release Date: May 18th, 2018

Weekend BO Report: ‘Solo’ Continues To Crash But ‘Action Point’ Is The Real Catastrophe

 

Written by Dapo Olowu

A second weekend at the top of the Box Office charts was a certainty, barring a freak collapse, but ‘Solo’ still only crawled to the finish line with a total of $29.4m, a major 65% drop from 7 days ago. It fared a little better internationally, where it fell by only 47%, but brought in just $30.3m here for a global total of $264.4m. Remember, ‘Solo’ comes from the same family of films as ‘The Force Awakens’, that opened in the U.S. alone to $248m in 2015 – a number that ‘Solo’ won’t reach in its entire domestic run. The gross it will finally end on is up for debate. Its second weekend drop mirrored 2014s ‘X-Men: Days of Future Past’s 64% fall, but while the latter was able to nab a 2.58x opening weekend multiplier, the upcoming ‘Incredibles 2’ and ‘Jurassic World: Fallen Kingdom’ will surely cut ‘Solo’s Box Office legs short. Could we see ‘Solo’ crash and burn at under $200m domestically? It’s looking more and more like reality as each day passes.

Deadpool 2’ is now just $2m away from a global gross of $600m, with still enough left in the tank to close in on $700m. The duo has confirmed themselves as the biggest R-rated franchise of all time, overtaking the ‘Fifty Shades’ trilogy’s $1.32bn worldwide gross, with $1.38bn. It’s a little difficult to ignore the diminishing returns here; ‘Deadpool 2’ is currently 11% behind its predecessor at the same point in its run, but with bucketloads of profit already assured, Fox won’t be too displeased. Its third weekend showed an interesting similarity to MCU films ‘Thor: Ragnarok’ and ‘Iron Man 2’; all three by the third weekend had/have domestic totals in the region of $250m. A finish nearing $310m for ‘Deadpool 2’ is thus likely, a fantastic return for the merc with the mouth, and for the studio willing to take the risk on the comic book hero.

The biggest new release of the weekend went to ‘Adrift’, which sailed steadily to an $11.6m total, in-line with our below-teen prediction on Friday. Its solid 70% on Rotten Tomatoes, and B on Cinemascore should give it the legs it needs to reach the shores of profitability, and it gets a further boost from the lack of any meaningful competition in the coming weeks. Still, the production cost of $35m, and heavily-skewed audience (69% of viewers were over 25), lands it in choppy waters with little room to grow. It’s a mixed-year for STX Entertainment thus far; ‘Gringo’ flopped with a $5m gross, whilst ‘I Feel Pretty’ and ‘Den of Thieves’ both performed decently, with over $70m each from $30m budgets. Its upcoming Mark Wahlberg shoot-em-up, ‘Mile 22’, and Melissa McCarthy comedy, ‘The Happytime Murders’, probably won’t buck the trend either.

Infinity War held on strong this weekend to bring in $10.5m, but the real story this comes from China, as it dropped only 25% this weekend for a total of $356.2m – the 3rd biggest Hollywood film in Chinese history. Its current global total is $1.97bn, and although $2bn is guaranteed, reaching ‘The Force Awakens’ $2.07bn total seems like a step too far. Fifth spot goes to ‘Book Club’, which again boasted the lowest drop of the weekend, by only falling by 30% to take home $7m. Even with potential competition in ‘Adrift’, the rom-com is comfortably over $50m globally at the moment with a clear schedule ahead.

Now for one of the biggest surprises of the weekend, ‘Upgrade’ smashed expectations by grossing $4.7m in its first three days – enough to be BH Tilt’s second biggest opener ever, and needing just a multiplier of 2.3x to become their biggest ever domestic hit. The sci-fi horror opened in under 1,500 cinemas but was able to boast the 4th best per-cinema average of the weekend, with $3,206. Both ‘Life of the Party’ andBreaking In’ continued their similar runs by bringing in $3.5m and $2.8m each, with domestic totals reaching $46.4m and $41.3m respectively.

No words can really describe just how badly Johnny Knoxville’s ‘Action Point’ did this weekend. It bombed, bringing in just $2.4m of a $19m budget. Far away from our hopeful $9m start, ‘Action Point’ suffered from the lack of advertising, 19% on Rotten Tomatoes (and C+ on Cinemascore), and no tie-in with the ‘Jackass’ franchise that launched Knoxville’s career. Paramount likely knew this would flop from a while back, and thus limited their exposure by spending as little as possible on promotion, which only raises the question: did they attempt to sell this to Netflix? Like they did with ‘Annihilation’ & ‘The Cloverfield Paradox’? The final film rounding off our top ten list was ‘Overboard’, which brought in $1.9m, just $170k off of ‘A Quiet Place’ in 11th.

Next weekend sees the horror ‘Hereditary’, crime thriller ‘Hotel Artemis’, and star-studded heist comedy ‘Oceans 8’ enter the picture. How will they get on against our current top ten? Let us know your thoughts on Twitter and Instagram – we’re at @JUMPCUT_ONLINE.

 

Rank Last Week Rank Film Total U.S. Gross Weekend Gross Weekend drop Jumpcut’s prediction Difference Week number
1 1 Solo: A Star Wars Story $149m $29.4m -65.2% $33m $3.6m 2
2 2 Deadpool 2 $254.5m $23.2m -46.7% $22m $1.2m 3
3 Adrift $11.6m $11.6m $12.5m $0.9m 1
4 3 Avengers: Infinity War $643m $10.5m -39.2% $9.4m $1.1m 6
5 4 Book Club $47.6m $7m -30.1% $7.3m $0.3m 3
6 Upgrade $4.7m $4.7m $3.8m $0.9m 1
7 5 Life of the Party $46.4m $3.5m -34.9% $3.6m $0.1m 4
8 6 Breaking In $41.3m $2.8m -34.4% $2.5m $0.3m 4
9 Action Point $2.4m $2.4m $9m $6.6m 1
10 8 Overboard $45.5m $1.9m -37.8% 5

 

 

 

Weekend BO Results: ‘Solo’ is DOA As ‘Infinity War’ Closes In On $2 Billion

Written by Dapo Olowu

If there was a lesson to be learned from ‘Solo’ bombing at the Box Office this weekend (and trust me, there are lessons), it’s that no franchise or property, however popular, is fully immune to disappointing returns. The late promotion, effects of a polarising ‘The Last Jedi’, mediocre reviews, poor release date, and a story that audiences never really asked for in the first place took its toll on the ‘Star Wars’ franchise – giving solo a 3-day opening of just $84.4m. The poor opening is further cemented by an International gross of just $68.2m; to put this into perspective, even March’s ‘Pacific Rim: Uprising’ opened abroad to $122.4m.

But what do these numbers mean? How can we already tell that ‘Solo’ is a Box Office bomb? Let’s have a look at its budget. We already know it’s the most expensive ‘Star Wars’ film of all time, but with Deadline recently reporting its production cost (before advertising charges, mind you) at well over $300m, ‘Solo’ is officially one of the most expensive films ever, and will thus need around $700m+ to break-even. From this, we can determine that a global opening of just over $150m does not cut it. We’re looking at ‘Solo’ finishing below $500m worldwide, losing well over $200m, making it one of the biggest Box Office flops of all time. It’s incredible. Just 2 and a half years ago, Disney released the biggest domestic film ever, and have now dropped a film in the same franchise that won’t even be the biggest film of the month.

We don’t want to revel in Disney’s failure here, but, there lingers a belief that Disney keeping its December release for ‘Solo’ would’ve at least ensured better Box Office legs, as well as causing potential competition to move their own release dates away. Instead, we have legitimised fears of ‘Star Wars’ fatigue, and serious questions over the future spinoffs (yes, including you Boba Fett) planned for the franchise. This, of course, comes after the $100m-budget ‘A Wrinkle In Time’ brought in just $129m worldwide recently, enough for losses well over $100m. A small consolation? Disney and Lucasfilm now have 1.5 years until ‘Episode 9’ to steer their wayward ship, and ensure profits continue for a potentially troubled franchise.

Solo’ wasn’t the only story of the Memorial Day weekend however, as ‘Deadpool 2’ dropped by 65% to pull in just $43.5m. We warned about the front-loaded sequel curse in our predictions on Friday, but this was a full $10m under our expectations. Still, its 4-day weekend total of $53.8m pushes its domestic grossing up to $218.5m, and globally it sits just a shade under the $500m mark. From a budget of $110m, Marvel are proving that R-rated franchises can also be money-makers if done well.

Next, we have ‘Infinity War’ which really benefited from ‘Solo’s weak performance, dropping by just 41% from last weekend. Now just $86m away from becoming the 4th film to ever reach $2bn, it passed ‘The Avengers’ domestically this weekend to claim 6th spot in the U.S. all-time charts. Although it won’t reach ‘Black Panther’ (which is still struggling to hit the $700m mark), Disney & Marvel studios will likely end the year with 2 of their 2018 releases in the domestic top 5 of all time.

One of the best performances of the weekend, Paramount’s ‘Book Club’, brought in a solid $10.1m in its 2nd week of release. It’s domestic total of $35.3m already gives it an opening weekend multiplier of 2.6x, putting it on track to be the one of the leggiest films of the year. ‘I Can Only Imagine’, the Christian biopic from mid-March, currently leads the pack with a 4.9x multiplier, but by the same point in its Box Office run as ‘Book Club’, it had a 2.2x multiplier. Paramount will be hoping that their rom-com continues this trend, and with the summer finally here, it’s looking likely to do so.

Life of the Party’ and ‘Breaking In’ both exceeded expectations by bringing in $5.4m and $4.3m each – their best drops yet. The Memorial Day weekend boosted this, as the big tentpole release this weekend had no impact on their audiences. Although the $30m budget may prove to be too costly for the Melissa McCarthy comedy (which is currently at $48.5m globally), the Will Packer-produced ‘Breaking In’, starring Gabrielle Union, is potentially looking at breaking-even soon, as it’s made $40m from just a $6m investment.

Show Dogs’ is performing eerily similarly to 2016s ‘Nine Lives’ (both had 2nd weekend % drops in their mid-40s), showing that the kids are pretty consistent with the whole talking-animals-in-a-poorly-reviewed-family-comedy thing (well, that isn’t ‘Alvin & The Chipmunks’). With only $12m in the bank domestically, this can officially be classed a Box Office bomb. That can’t be said for the comedy ‘Overboard’, which only dropped 32% for a $43m domestic haul, even after losing over 600 cinemas. Similarly, ‘A Quiet Place’ lost 800 and is officially coming to the end of its domestic run, pulling in $2.4m. Its worldwide gross of $312.5m has surely exceeded expectations, and from just a $17m budget, it sits alongside ‘Black Panther’ and ‘Solo’ as 2018s biggest Box Office shock. Finally, ‘RBG’ (still in limited release) grossed $1.3m for the 10th and final spot.

There we have it. ‘Solo’ bombs, ‘Infinity War’ continues its ascent, and ‘Book Club’ begins to really impress. What will happen next week, when 3 new releases enter the picture? Let us know your thoughts on Twitter and Instagram – we’re at @JUMPCUT_ONLINE.

 

Rank Last Week Rank Film Total U.S. Gross Weekend Gross

(4-day weekend)

Weekend drop

(4-day weekend)

Jumpcut’s prediction

(4-day weekend)

Difference (4-day weekend) Week number
1 Solo: A Star Wars Story $103m $84.4m

($103m)

$85m

($103.7m)

$0.6m

($0.7m)

1
2 1 Deadpool 2 $218.5m $43.5m

($53.8m)

-65.4%

(-57.1%)

$53m $9.5m 2
3 2 Avengers: Infinity War $627.6m $17.3m

(22.4m)

-41.3%

(-23.8%)

$14.7m $2.6m 5
4 3 Book Club $35.3m $10.1m

($13.1m)

-25.8%

(-3.4%)

$9m $1.1m 2
5 4 Life of the Party $40.9m $5.4m

($6.9m)

-29.3%

(-9.6%)

$3.8m $1.6m 3
6 5 Breaking In $37.1m $4.3m

($5.5m)

-37.2%

(-19.4%)

$2.7m $1.6m 3
7 6 Show Dogs $11.9m $3.3m

($4.3m)

-45.8%

(-28.1%)

$2.8m $0.5m 2
8 7 Overboard $42.6m $3.1m

($4.1m)

-32.3%

(-10.5%)

$2.4m $0.7m 4
9 8 A Quiet Place $180.8m $2.4m

($3.1m)

-38.3%

(-20.6%)

$2.6m $0.2m 8
10 12 RBG $6.2m $1.3m

($1.7m)

+2.8%

(+37.8%)

$1m $0.3m 4

 

Deadpool 2

Year: 2018
Directed by: David Leitch
Starring: Ryan Reynolds, Josh Brolin, Julian Dennison, Zazie Beetz, Morena Baccarin

Written by Rhys Bowen Jones

The runaway smash-hit of 2016 ‘Deadpool’ saw the debut (yes, debut) of a fan favourite character known for breaking the fourth wall and being supremely foul-mouthed, as played by Ryan Reynolds in a passion project in the works for years. 2 years on, Deadpool is a household name thanks to Reynolds being widely considered the perfect man for the role and the film being supremely entertaining and laugh-out-loud funny from its opening credits right to its post-credits scene. 2 years on, we have been given the inevitable sequel a record breaking film was destined to have, and I’m happy to report that Deadpool hasn’t changed one bit.

‘Deadpool 2’ sees Deadpool fully invested in his saving-the-world-as-unethically-as-possible shtick as we are shown in the opening sequences. When tragedy strikes, Deadpool finds himself in a rut and it’s up to Colossus (voiced by Stefan Kapcic) to pick him back up and continue his attempts at turning him into a true member of the X-Men. Meanwhile, mutants are popping up left and right, namely young Russell Collins, a teenager who can control fire, and Cable, a time-travelling cybernetic soldier who arrives, Terminator style, to complete a personal revenge mission.

What immediately comes across as you watch is ‘Deadpool 2′ has a far wider scope than the original. Where Deadpool spent the majority of its runtime on one section of a motorway, Deadpool 2 zips around the world in a montage sequence catching us up on what Deadpool has been up to since we last saw him. This sequence showcases impressive choreography thanks largely to its new director, David Leitch, fresh off his impressive work on ‘John Wick’ and ‘Atomic Blonde’, while also informing us that the jokes will fly at you faster than you can process them.

The wider scope isn’t only evident visually either, as the dialogue very heavily references other Marvel films, from the X-Men franchise (which Deadpool is very much a part of) to the MCU (which Deadpool isn’t a part of…yet). Some jokes come obviously (Josh Brolin’s Cable is the target of multiple MCU jokes for obvious reasons), while others are far more subtle. It also does very well at referencing lines from the first Deadpool that, granted, not many in my screening caught, but I did, and I appreciated the commitment to writing jokes to include everyone in the audience, from the casual viewers to the hardcore fans.

The quality of filmmaking itself is evident as Leitch brings his stunt related past to the film, showcasing the talent we have clearly seen in his previous work in genuinely impressive sequences like a slow-motion one-take sequence that Deadpool narrates over near the beginning of the film, as well as the fight choreography on the truck in the climax of Act 2. There are no annoyingly fast cuts to be found as the punches are given time to land and take effect; one of the biggest factors in well-shot action is the geography, and it was always clear where each character was after every hit. David Leitch is an exciting director that I hope continues this impressive form throughout his inevitably successful career.

‘Deadpool 2’ continues the trend from the first by being very funny and very entertaining on every level. The jokes do come at you at a supreme pace that you will not catch all of them even after multiple viewings, but ‘Deadpool 2’ is definitely going for re-watchability, which it most definitely is. And yet, while the film is consistently very funny, it doesn’t quite manage to tip over into hilarious territory. A few sequences come very close – Basic Instinct, X-Force for reference – but it doesn’t quite get there as well as ‘Deadpool’ does. “A fourth wall break inside a fourth wall break? That’s like…16 walls” from the first film is an all-time favourite quote of mine, there isn’t a line in ‘Deadpool 2′ that matches this one.

‘Deadpool 2’ does a lot of things very well, not least the cast. Everyone on screen is evidently having a blast with the film, and so many of them are perfect for the role. As aforementioned, Reynolds is Deadpool, Zazie Beetz almost steals the show as Domino, the endlessly cool and very lucky (it’s definitely a superpower and definitely cinematic) member of the X-Force, and Josh Brolin for the second time this year knocks a major Marvel character out of the park with a terrific performance as the time-travelling badass, Cable.

The true MVP of the film though is Julian Dennison as Russell Collins. Fresh off his hilarious turn in Taika Waititi’s ‘Hunt for the Wilderpeople’, Dennison has charm for days and has the ability to make any line, any look, any body movement funny. On top of being funny, Dennison genuinely makes Russell (or Fire Fist as he hilariously named himself) a character you empathise with, even as he descends into pyromania in the final act.

While there are a lot of positives to take from ‘Deadpool 2′, the film does have its flaws that teeter on the edge of having a significant effect on the film. Given the nature of firing jokes at you at an alarming rate, it falls occasionally on the side of jokes not landing. When they land, they’re great, but when they don’t land, you can feel the awkward silence in the room waiting for the next one. There are several of these moments, and they all add up into stretches of the film feeling like dead air. This wouldn’t be too much of a problem, but the film is 2 hours long, and these long stretches of jokelessness, or unfunny jokes, stay with you.

Secondly, I have praised the film’s wider scope already in this review, but this proves to be the film’s double-edged sword. At several points, the film tries to do things that are just too much for its budget. There’s a very fun sequence that’s effectively a truck chase sequence and the truck, at multiple points, looks like it belongs in a PS2 racing game. In the final act, there’s a self-aware CGI fight (Deadpool literally shouts “CGI fight!” at the screen to set it up) that feels weightless when it really shouldn’t given the characters involved because of how blatantly CGI it is.

Finally, ‘Deadpool 2′ suffers from the same problem as the first film. ‘Deadpool’ very clearly set itself up as the antithesis to the MCU, a superhero film that breaks all the rules and refuses to follow convention, and yet follows all the rules and the convention. The act of acknowledging the conventions before they happen doesn’t excuse the fact that they remain followed. I enjoyed the self-referential nature of the film because it’s something that’s so rarely seen, but it frustrated me to see the trends followed and see missed opportunities to do change things up.

All told, I did really enjoy ‘Deadpool 2′. I thought it was funny throughout, the cast were all excellent, and it has, without a doubt, the best mid-credits scene of all-time. There are problems abound that come with trying to exceed the expectations set by a great first outing, but I honestly feel ‘Deadpool 2′ has more re-watchability than the original because of its attempts to go bigger than the first. Oh, and keep an eye out for some excellent cameos!

Rhys’ Rating:

3.5

Weekend BO Results: ‘Deadpool 2’ Hits Its Ceiling In A Weekend Of Big Box Office Drops

Written by Dapo Olowu

The build-up to the weekend saw one major talking point in particular: would ‘Deadpool 2’ beat ‘Deadpool’s opening weekend record for an R-rated film? We here at Jumpcut were certainly optimistic with our $140m+ prediction, but ‘Deadpool 2’ ultimately came in under the $132.4m target, with a $125.5m gross. Opening a few weeks after direct competition ‘Infinity War’ certainly did it no favours, but what’s most concerning is the realisation that ‘Deadpool’s popularity came from its bold and unique approach to a superhero film; could its sequel ever really recapture that magic in a bottle?

Its drop domestically wasn’t mirrored in the International markets however, where it infact grew to $176.3m – a record for 20th Century Fox. That brings its worldwide opening to a little over $300m, the biggest global opening weekend for an R-rated film, and a massive 3-day return off of a $110m investment. Some fears remain about ‘Deadpool 2’s domestic future, as sequels tend to be more front-loaded due to the early audience demand – but the improved numbers abroad may leave the film with a similar gross to its predecessor 2 years ago.

Next was ‘Infinity War’, which finally left the top spot after grossing $29.5m in its 4th weekend. With an expected 52% drop, eyes will now be looking forward to Friday, when Solo hits and inevitably hurts ‘Infinity War’s revenue some more. Now just $5m away from a $600m domestic total, it’s global cume of $1.8bn makes it the biggest summer movie of all time, as well as having the 3rd biggest overseas gross ever (ahead of ‘Furious 7’ and behind ‘Titanic’ and ‘Avatar’).

Next was Paramount’s ‘Book Club’, impressing us all with a $13.5m take, just $4m under ‘My Big Fat Greek Wedding 2’s opening in 2016. This is Paramount’s second film of the year that’s called upon new directors and original ideas, and the strategy is seemingly paying off, with ‘A Quiet Place’ and now Bill Holderman’s romantic comedy making waves in the Box Office from small budgets. Its A- on Cinemascore also shows it performed pretty well amongst its target audience, which usually translates into stronger Box Office legs.

If you were to think this was going to be another successful week for comedies after ‘Book Club’s decent opening however, ‘Life of the Party’ wants you to think again. In a way, this panned effort by married couple Melissa McCarthy and Ben Falcone was the comedic straw that broke the camel’s back; a drop of around 58% this weekend after ‘Deadpool 2’s release meant it only brought in $7.6m, a far cry from the $10m we originally predicted. That $30m budget isn’t looking like the greatest investment anymore, as this will surely go down as one of McCarthy’s weakest performers. Similarly, ‘Breaking In’ suffered massively and took a fall of 61.3%, a mirror image to 2016’s ‘When the Bough Breaks’ 61.4% drop in its second weekend. It now stands at $31.3m worldwide and will look to end up just over the $40m mark globally by the end of its run.

Show Dogs’ expectedly ended up as the runt of the new litter with a $6m gross this weekend. Remarkably, this was just the second ever film released by studio ‘Global Road’, with the first being the drama ‘Midnight Sun’ from March, which made a respectable $22m off a $2.8m budget. ‘Show Dogs’ couldn’t live up to the unremarkable heights that ‘Midnight Sun’ set, with an opening $3.5m under that and $2m under Will Arnett’s (and Gabriel Iglesias’) last feature, ‘The Nut Job 2’.

The last comedy in the top ten this week is ‘Overboard’, with ‘I Feel Pretty’ having a momentous 66.7% collapse and finishing in 11th. ‘Overboard’ took in $4.6m for a current domestic total of $37m, and global total of $49m. Its worldwide number is just $12m away from ‘How To Be a Latin Lover’s $61.9m gross, a feat achievable if it’s able to perform well against ‘Solo’ this upcoming weekend.

A Quiet Place’ had quite a brilliant time in China this weekend, where it finally opened to $17.5m – enough for 3rd place in their weekend rankings. In the US, it brought home a solid $3.9m in its 7th weekend, finally pushing it ahead of ‘Get Out’s domestic total of $176m with a gross of $176.1m. With $300m being reached sometime this week, this is shaping up to be one of the year’s most impressive Box Office performances.

Finally, we have ‘Rampage’ with a decent $1.6m gross, and for the second week running, a surprise in 10th spot, with ‘Super Troopers 2’ beating the odds by having a 31.7% increase from last weekend (even though it lost 900 cinemas). The reason? Its distributor, 20th Century Fox, decided to promote a double feature between it and ‘Deadpool 2’, allowing it to take home a respectable $1.3m.

What film surprised you this weekend? How will ‘Deadpool 2’ and ‘Infinity War’ do against Solo next week? Let us know your thoughts on Twitter and Instagram – we’re at @JUMPCUT_ONLINE.

 

Rank Last Week Rank Film Total U.S. Gross Weekend Gross Weekend drop Jumpcut’s prediction Difference Week number
1 Deadpool 2 $125.5m $125.5m $143m $17.5m 1
2 1 Avengers: Infinity War $595.8m $29.5m -52.6% $29.8m $0.3m 4
3 Book Club $13.6m $13.6m $12.5m $1.1m 1
4 2 Life of the Party $30.9m $7.6m -57.5% $10m $2.4m 2
5 3 Breaking In $29.1m $6.8m -61.3% $8m $1.2m 2
6 Show Dogs $6m $6m $7m $1m 1
7 4 Overboard $4.6m $4.6m -53.1% $5.9m $1.3m 3
8 5 A Quiet Place $176.1m $3.9m -38.9% $5m $1.1m 7
9 7 Rampage $92.5m $1.6m -54.4% $2.1m $0.5m 6
10 14 Super Troopers 2 $29.1m $1.3m +31.7% 5

Wade Assembles the X-Force In Brand New ‘Deadpool 2’ Trailer

“After surviving a near fatal bovine attack, a disfigured cafeteria chef (Wade Wilson) struggles to fulfill his dream of becoming Mayberry’s hottest bartender while also learning to cope with his lost sense of taste. Searching to regain his spice for life, as well as a flux capacitor, Wade must battle ninjas, the yakuza, and a pack of sexually aggressive canines, as he journeys around the world to discover the importance of family, friendship, and flavor – finding a new taste for adventure and earning the coveted coffee mug title of World’s Best Lover.”

Directed by: David Leitch

Starring: Ryan Reynolds, Zazie Beetz, Josh Brolin, Morena Baccarin, Terry Crews, Julian Dennison

Release Date: May 16th, 2018

Meet Cable In A Brand New ‘Deadpool 2’ Trailer!

“After surviving a near fatal bovine attack, a disfigured cafeteria chef (Wade Wilson) struggles to fulfill his dream of becoming Mayberry’s hottest bartender while also learning to cope with his lost sense of taste. Searching to regain his spice for life, as well as a flux capacitor, Wade must battle ninjas, the yakuza, and a pack of sexually aggressive canines, as he journeys around the world to discover the importance of family, friendship, and flavor – finding a new taste for adventure and earning the coveted coffee mug title of World’s Best Lover.”

Directed by: David Leitch

Cast: Ryan Reynolds,  Moren Baccarin, Josh Brolin, Zazie Beetz, Brianna Hildebrand

Release Date: May 18th, 2018

New ‘Deadpool 2’ Teaser Includes Our First Look At Film Footage!

After surviving a near fatal bovine attack, a disfigured cafeteria chef (Wade Wilson) struggles to fulfill his dream of becoming Mayberry’s hottest bartender while also learning to cope with his lost sense of taste. Searching to regain his spice for life, as well as a flux capacitor, Wade must battle ninjas, the yakuza, and a pack of sexually aggressive canines, as he journeys around the world to discover the importance of family, friendship, and flavor – finding a new taste for adventure and earning the coveted coffee mug title of World’s Best Lover.”

Directed by: David Leitch
Cast: Ryan Reynolds, T.J Miller, Morena Baccarin, Brianna Hildebrand, Josh Brolin, Zazie Beetz, Julian Dennison
Release Date: 1st June 2018

20th Century Fox Confirms THREE X-Men Films For 2018

Next year could be a huge year for Fox’s X-Men Universe as today they officially confirmed release dates for three X-Men films. ‘New Mutants’ is up first on 13th April, which will be directed by Josh Boone, followed by ‘Deadpool 2’ on 1st June. Finally, the follow up to Bryan Singer’s ‘X-Men: Apocalypse’, ‘X-Men: Dark Phoenix’ will release 2nd November.

We have next to no details about  ‘Dark Phoenix’, but we do know David Leitch will be in the director’s chair for ‘Deadpool 2’, with Ryan Reynolds returning as the Merc with a mouth. Joining him in this sequel is Zazie Beetz as Domino and recently announced Josh Brolin as Cable! 

Comic book movie fans look set to have a fantastic year to look forward to, with these 3 on the list alongside ‘Black Panther’ in February,  the huge ‘Avengers: Infinity War’ in May, ‘Ant-Man and the Wasp’ is currently dated for July, and Jason Momoa’s fist solo outing as Aquaman in December.

Which comic book movie are you most excited for next year? Which X-Men film are you looking forward to more?

Written by Tom Sheffield