The DCEU Movies Ranked

Written by Nick Staniforth

Braving the waters of the comic book universe once again this week, Warner Bros have supposedly turned back the tide and managed to deliver a superhero story that is getting unanimous praise for embracing its bonkers premise and surfing it to the shore of success. If you haven’t twigged yet, what with all the water puns, I am of course referring to Aquaman, the latest chapter of the DC universe starring Jason Momoa, Willem Dafoe, Patrick Wilson, Dolph Lundgren, Ludi Lin, Yahya Abdul-Mateen II, Temuera Morrison, Amber Heard, Nicole Kidman and Randall Park.

As of today, the man born of land and sea has made his way into cinemas, but following his release, where does the half-Atlantean sit among  Warner Bros. other highly debated efforts? Here be the rankin’ of the entire DCEU films so far that’ll no doubt cause some waves.


 

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Suicide Squad

It’s almost fitting that James Gunn has been tasked with a sequel to the film Warner Bros were keen to make their own Guardians of the Galaxy. Rough around the edges and filled with its own team of misfits, Suicide Squad had all the potential to be the outside contender that could straighten up the impending array of entries that were in the pipeline – instead, it almost ran the damn thing off the road.

A slung-together script, reshoots aiming to lighten the mood following the near-fatal feedback of Dawn of Justice (more on that later), and one of the shortest performances of The Joker ever caught on film, Suicide Squad was a slog of a viewing experience if it wasn’t for some key players that saved the day.

Margot Robbie and Will Smith as Harley Quinn and Deadshot reignite the chemistry they had in Focus, with the likes of Jay Hernandez’s El Diablo, Karen Fukuhara’s Katana and Jai Courtney as Captain Boomerang conjuring some compelling performances, but the outcome is still a visually murky slog that even with an impending sequel, is an instalment that rarely gets revisited.

 

 

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Justice League

Die-hard DC fans can hashtag the crap out of a campaign to release the Snyder Cut until the Parademons come home, but there’s no denying that the finished product of the Justice League was far from complete. The second that light touches the synthetic upper lip of Henry Cavill, things roll off to an uneven start for the film that should’ve been a team-up for the ages. Instead, we’re treated to a CGI-tastic tone tornado that was another close call for the end of the DCEU.

Snyder’s eyegasmic vision and Whedon’s wit colliding should’ve made for the perfect comic book film, but like Suicide Squad before it, Justice League ends up a drab and forgetful outing. There are glimmers of hope, with Jason Momoa’s Aquaman making his debut, Gal Gadot Gadoing what she’s great at, and that hair-raising moment Superman returns for real, but it’s just not enough.

That chase scene on Themyiscara still holds up but besides that, the rest of the film, for the most part, is a union of DC’s finest stuck together with PVA glue in front of an undeniably bland CGI backdrop. They should’ve entered a league of their own, but instead served as a grave injustice.

 

 

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Aquaman

A well-known horror director and a former horse lord are easily one of Warner Bros. bravest bargaining chips when it came to Aquaman and his solo film. Appearing as an undeniable redirection from the dark and sombre scope the DCEU has been focussed on for some time, Jason Mamoa’s standalone entry as the king beneath the ocean is one of the most refreshing instalments thus far, though not without its own issues.

Demonstrating that same flair he had with high-octane sequences in Fast & Furious 7, director James Wan gets his feet wet again in an at times visually impressive affair and tackles them to a degree, with Nicole Kidman as an ass-kicking Queen Atlanna being a standout moment. Sadly, these aren’t enough to wash over what is a fairly dull story that feels worn down. Plucking plot points from Thor, Black Panther and Wonder Woman, it avoids being a complete wipeout thanks to Momoa who is once again not giving a fork and having an absolute ball, which pushes the film along. Ultimately, it’s a good effort for DC to steady the ship but still not a patch on the best entry so far.

 

 

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Batman v Superman: Dawn of Justice

Tearing friendships apart as much as The Last Jedi, or when Ross and Rachel went on a break, Batman v Superman: Dawn of Justice was the film we never thought we’d see, and ultimately the film fans will never, ever agree on. Considered to be the stuff of dreams and I Am Legend Easter eggs, the sought-after showdown between The Dark Knight and The Man of Steel is a battle on so many levels. For every hit it lands, there’s another counter swing that puts it on the backfoot, which is why its slap bang in the middle of this list.

Forming a bond in the opening act to the previous film amid the rubble and chaos left behind in Man of Steel, Snyder does a great job at building up the motivations for both fighters in this epic bout. Cavill once again slips into the super suit with ease as the still tortured Superman trying to find his place in the world, while Ben Affleck delivers one of the best iterations of Bruce Wayne and Batman ever captured on screen. Fearful of this stranger beyond the stars and being a figure worth dreading himself, it helps a great deal for when these two finally do go toe to toe. It’s the time spent getting to and following from the final fight that is the films biggest issue.

The Martha motive is still frustrating to even recall, as is Jesse Eisenberg’s weedy, tick-induced Lex Luthor. It’s a lengthy lost opportunity that we may never get back but thankfully gave the world Gal Gadot as Wonder Woman, the films most undeniable redeeming factor. If your chest doesn’t swell the second she flies in on Hans Zimmer’s score, then you really need to seek medical attention.

 

 

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Man of Steel

Ah yes, back when it all looked so promising. Snyder’s debut venture into the world of DC’s greatest heroes may have had its issues, but Henry Cavill’s first turn as the man with the big red cape is undoubtedly one of the strongest of the bunch.  Retelling the origin story of the most iconic superheroes ever for the modern era is a tough task but even more so when that beloved tale is tweaked to significant levels.

It all works, for the most part, aided by a strong cast that solidifies this world, and provides realism in a way that even Marvel still hasn’t done. From Amy Adams’ sharp Lois Lane to Michael Shannon’s tyrannical iteration of General Zod, every box is checked for the players involved in this effort to get Superman soaring to new heights. Most notably are the parents that mould Clark into the hero he becomes. Russell Crowe and Kevin Costner bring varied but vital fatherly roles as Jor-El and Jonathan Kent, respectively, while Diane Lane as keeps her son grounded as widowed mother MARTHA (sorry, old habit).

There are flecks of kryptonite littered through the film of course, most notably in that films final building breaking scuffle between Cavill’s Superman and Shannon’s Zod. Turning the shining Metropolis into an abandoned car park by the film’s end may well have been Snyder’s plan, but he once again spends too much time on something that should’ve zipped by faster than a speeding bullet. Not a bad first try – if only they’d been this good, though.

 

 

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Wonder Woman

There was only one place for Gal Gadot’s solo gig as the Amazonian princess to go and that’s right at the very front. Putting aside all the convoluted, reconstructed world-building that has been tried and tested, Diana’s first adventure is the closest to perfect Warner Bros. has been. Patty Jenkin’s take on the most well-known female superhero is an absolute treat from beginning to end, distancing itself from all the other entries by decades and finally giving audiences a film they could all agree on as being an absolute belter.

A fish out of water tale with added oomph, braving the era of World War I to bring Diana’s story to life is a refreshing chapter in an uneven series of instalments. Already demonstrating she could wield the headgear and lasso in Dawn of Justice, Gal Gadot gets time to really fit into the role of Wonder Woman and make it her own. Strong, graceful and an undeniable presence of good, she elevates every frame she’s in and makes the walk through No Man’s Land as iconic as Christopher Reeve circling the earth.

Taking the lead behind an equally charismatic Chris Pine who is in awe of his co-star as much as we are, she’s a breath of fresh air in a world that up until then was lost in its own self-manufactured smog. So the familiar final act may suffer some crash, bang and CGI wallop, but it’s redeemed by Diana’s heartwrenching goodbye to Steve Trevor that conjures the more emotion than any of the films that came before it. It’s a wonder we even got this, far but thank the gods we did.

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REVIEW: Ralph Breaks The Internet (2018)

Directed by: Phil Johnston, Rich Moore
Cast: John C. Reilly, Sarah Silverman, Gal Gadot, Taraji P. Henson, Alan Tudkyk, Jack McBrayer

Written by Fernando Andrade

After Wreck-It Ralph hit the big screen back in 2012 and introduced us to the arcade world of Ralph and Vanellope, we get the long-awaited sequel which transports our characters to the vast world of the internet. Fully equipped with its product placement, Disney nostalgia, and Easter eggs, Ralph Breaks the Internet delivers much more than just eye candy. It tells a story about friendship, true friendship, one which everyone, young and old, should see.

Ralph Breaks the Internet takes place six years after the events of Wreck-It Ralph. Both Ralph (John C. Rielly) and Vanellope (Sarah Silverman) live rather simple lives in their world, following a pretty strict routine and rarely breaking from it – no pun intended. They see the sunrise, play their game – or as they call it “work”, and then goof off, going into other games, drinking root beer, and then the process repeats. Ralph is more than content doing the same thing over and over again, and so is Vanellope – to an extent. She is vocal about how easy her game has become, shes memorized all the tracks and finds no challenge in it anymore. So when a girl comes into the arcade ready to play her game, Ralph takes it upon himself to make a new track for her to hopefully give her a new sense of joy. When Vanellope starts taking control over the game, the girl playing ends up breaking the steering wheel causing her game to be unplugged. This sets our heroes on a journey through the internet to try and buy the missing part to save Vanellope’s game.

The surprising thing about Ralph Breaks the Internet is how deeply layered it is. The directors Phil Johnston and Rich Moore, along with their entire team, created a very intelligent movie, one which both children and adults can enjoy – which also happens to be a great sequel. Both Ralph and Vanellope develop as characters from the original movie in a very believable and earned way. A lot of that has to do with the incredible voice talents of John C. Reilly and Sarah Silverman who bring these characters to life. Its a true testament to how good both of them are when you are able to have such strong emotions watching a giant hobo and candy princess figure out their friendship while inside the world of the internet.

Speaking of the internet, the way it is portrayed in this movie is also very intelligent, sometimes even for its own good. Unlike other internet inspired movies like the abomination that is The Emoji Movie, Ralph Breaks The Internet does not prioritize the internet as it’s main engagement tool (that is strictly reserved for the relationship between Ralph and Vanellope). If anything the internet is just used as a vessel to get our characters to there ultimate destination, while along the way providing some great moments of comedy that is also extremely relatable (yes the princess scene is absolutely wonderful). It could be argued that the internet is this movies main selling point, as the trailers highlighted in depth, but once the movie transitions into the world wide web, it sticks with its characters every step of the way. That being said, at times the pacing suffers a little in the second act of the film when our heroes are deep within the internet world. At times some references can be really in your face and take you out of the movie, but the directors went about a clever way of trying to reduce that by creating their own websites where the majority of the movie takes place.

Ralph Breaks The Internet is one of the best animated films of the year, providing a very sincere and important message which everyone should witness. While it is littered with references and nods to familiar things, the relationship of Ralph and Vanellope, one that grows from the original movie, is front and center. We see them grow and change as characters which culminate in a very satisfying ending – one that is capable of causing tears, so you have been warned.

Fernando’s Rating:

4

NBR Award Winners Announced

The annual National Board of Reviews awards were announced earlier this evening. Steven Spielberg’s  ‘The Post’ claimed the top prizes, including ‘Best Film’, ‘Best Actor’, and ‘Best Actress’. Greta Gerwig was awarded the ‘Best Director’ award for her directorial debut, ‘Lady Bird’.

Other NBR winners include Willem Dafoe for ‘Best Supporting Actor’ in Sean Baker’s ‘The Florida Project’, Jordan Peele won ‘Best Directorial Debut’ for ‘Get Out’, which also won ‘Best Ensemble’. ‘Coco’ took home the prize for ‘Best Animated Feature’ and Timothée Chalamet wins yet another ‘Breakthrough Performance’ award for his role in ‘Call Me By Your Name’

Full list of winners:

Best Film: The Post
Best Director: Greta Gerwig – (Lady Bird)
Best Actor: Tom Hanks (The Post)
Best Actress: Meryl Streep (The Post)
Best Supporting Actor: Willem Dafoe (The Florida Project)
Best Foreign Language Film: Foxtrot
Best Animated Feature: Coco
Best Documentary: Jane
Best Original Screenplay: Paul Thomas Anderson (Phantom Thread)
Best Adapted Screenplay: Scott Neustadter & Michael H. Weber (The Disaster Artist)
Best Directorial Debut: Jordan Peele (Get Out)
Best Ensemble: Get Out
Breakthrough Performance: Timothée Chalamet (Call Me By Your Name)
Spotlight Award: Patty Jenkins & Gal Gadot (Wonder Woman)
NBR Freedom of Expression: First They Killed My Father

Top Films: Baby Driver, Call Me By Your Name, The Disaster Artist,  Downsizing,  Dunkirk,  The Florida Project,  Get Out,  Lady Bird,  Logan,  Phantom Thread

Top 10 Independent Films: Beatriz at Dinner,  Brigsby Bear,  A Ghost Story,  Lady Macbeth,  Logan Lucky,  Loving Vincent,  Menashe  Norman: The Moderate Rise and Tragic Fall of a New York Fixer,  Patti Cake$,  Wind River

Top 5 Foreign Language Films: A Fantastic Woman,  Frantz,  Loveless,  Summer 1993,  The Square

Top 5 Documentaries: Abacus: Small Enough to Jail , Brimstone & Glory,  Eric Clapton: Life in 12 Bars,  Faces Places,  Hell On Earth: The Fall of Syria and the Rise of ISIS

Justice League

Year: 2017
Directed by: Zack Snyder
Cast: Ben Affleck, Henry Cavill, Gal Gadot, Jason Momoa, Ezra Miller, Ray Fisher, Ciarán Hinds, Amy Adams, J.K. Simmons, Diane Lane

Written by Tom Sheffield

Having thankfully managed to avoid spoilers, major plot points, and reading the opinions of film critics, I walked into the cinema at midnight last night full of hope and excitement – and I left completely blown away by what I just witnessed. I think even the DCEU sceptics reading this will be find themselves pleasantly surprised with ‘Justice League’ and the direction it takes.  I will avoid writing any spoilers in this review as I strongly feel that it would really dampen your viewing experience if you knew what to expect!

Following the death of Superman, Bruce Wayne and Diana Prince attempt to assemble a team to be humanity’s defence against a new threat to Earth. The pair recruit rookie speedster Barry Allen (The Flash), half-human half-Atlantean Arthur Curry (Aquaman), and Victor Stone (Cyborg), who was recently brought back to life through the power of a Motherbox. The team must come together to stop Steppenwolf and his terrifying Parademons gaining the Motherboxes.

Affleck, Gadot, Momoa, Miller, and Fisher are a delight to watch on screen together. Whilst their characters don’t always see eye to eye, it’s clear to see the cast had a blast working together. Each has their moment to shine, and boy do they deliver! Miller was a standout for me, but I may be a little bias with Flash being my all-time favourite superhero. Miller was the perfect choice for Barry and his humour and charisma were spot on. The cast as a whole were brilliant in their respective roles, so I tip my hat to Snyder and the folks in casting for their choices!

Ciarán Hinds lends a menacing voice to Steppenwolf, and whilst his performance is respectable, the poor CGI is quite attention drawing and sadly weakens his stature as a villain. Steppenwolf shines when he comes face to face with the League – but I couldn’t help but feel we didn’t get to see enough of him. Hopefully this is something that can be resolved in the inevitable extended cut.  Witnessing Henry Cavill back in action as Superman was a beautiful sight to behold – and whilst my review will remain spoiler-free, it’s easy to spot which scenes were part of Whedon’s reshoots as the FX team attempt to CGI-out Cavill’s moustache he grew for ‘Mission Impossible 6’.

Unfortunately, during the filming of ‘Justice League’ Zack Snyder had to step away from the project to be with his family following the tragic loss of his daughter. Joss Whedon, who was already working with Snyder on the film, was asked to step in as Director and finish the film – which included reshoots. Anyone familiar with Snyder and Whedon’s portfolio can easily pick out who directed and wrote the dialogue in which scene, but thankfully they gel well enough together to deliver a sturdy and action-packed 120 minutes. It is a real shame the film got cut to pieces, with lots of footage from the teasers and trailers nowhere to be seen – a thread of which can be found here – but following the bashing the previous films received, it’s understandable (but not welcome) why Warner Bros. would limit the film’s content and run-time to try and appeal to the general audience.

In another twist during the production, Junkie XL was replaced by Danny Elfman as the composer for the film. In all honesty, his score as a whole was a little underwhelming, but there are a few notable moments where the score gave me actual goosebumps , and when you watch the film you’ll know EXACTLY which scenes I mean. Hearing some familiar notes just added to the joy and wonder of what I was witnessing. It really did give off JLA vibes and I felt like I was witnessing my childhood come to life in front of my very eyes.  I would have loved for Hans Zimmer and Junkie XL to score the film, but I guess we don’t always get what we want!

To wrap up, ‘Justice League’ is popcorn blockbuster of epic proportions. Zack Snyder’s  vision comes to fruition with the return of Superman, and with him, the return of hope for the future of the DCEU. I’ve made no secret of my admiration for Snyder and his work, and if this happens to be his final directorial work within the DCEU (which I really hope it isn’t) then he should be proud of his trilogy and what he’s achieved.  ‘Justice League’ is full of heart, humour, and most importantly…hope. It’s flawed and suffers in places with bad CGI, but to finally see these characters on the big screen together and to witness the group dynamic come to life with such an incredible cast is just a childhood dream come true.

You’ll also want to remain seated for the TWO post credit scenes, and believe me, they are well and truly worth it. I guarantee you won’t be disappointed.

Tom’s Rating: 7.0/10

Explosive New ‘Justice League’ Trailer Has Arrived!

Directed by: Zack Snyder
Cast: Ben Affleck, Gal Gadot, Henry Cavill, Ezra Miller, Ray Fisher, Amy Adams, Jeremy Irons, Ciarán Hinds, Amber Heard, J.K. Simmons
Release Date: 17th November 2017

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Watch This Space: 9th – 15th October

Every Monday we will be recommending films that are on TV that week, films playing at the cinema, and also remind you of those brilliant films hiding on streaming services, such as Netflix and Amazon Prime, and possibly in your own collection.

In Cinemas

Blade Runner 2049: Fans of the original have waited 35 years for a sequel to ‘Blade Runner’, and last week their wish was granted. It may not be receiving the best numbers at the box office, but fans and critics alike can’t help but share their love the this masterpiece. Our full review will be on site later today!

Star Wars: The Last Jedi: Whilst we know it’s not December yet, we thought we’d take this opportunity to remind you that tickets for ‘The Last Jedi’ go on sale Tuesday AM (UK), and with them comes a brand new trailer! We’ll have it up on site as soon as it hits the web!

The Mountain Between Us: Idris Elba and Kate Winslet are stranded after a tragic plane crash. They must forge a connection to survive the extreme elements of a remote snow covered mountain. ‘The Mountain Between Us’ opened in UK cinemas last Friday, and our full review will be up soon!

On TV

Monday

Se7en (1995): If you discount ‘Alien 3’ because, well, who wouldn’t, ‘Se7en’ was our introduction to a master filmmaker. David Fincher has blessed us with numerous films that rightfully earn their place on countless best films ever lists, though arguably none have managed to be as high on said lists as ‘Se7en.’ It’s a crime noir starring a pre-Fight Club and Morgan Freeman as they investigate a string of murders all based on the seven deadly sins. It’s a deceptively clever thriller that keeps you engaged, guessing, and shocked at some of the truly messed up ways the sins have been visualised as murder scenes. On a personal note, ‘Se7en’ is one of my favourite films of all time. This film can be watched and rewatched countless times and you will still find new things to love about it, right up until it’s brilliant, soul-crushing climax.

 

Tuesday

Southpaw (2015): Directed by Antoine Fuqua and starring Jake Gyllenhaal, ‘Southpaw‘ is the gritty drama about a successful pro boxer who goes off the hinges after his wife is shot at a press event. Gyllenhaal delivers a strong and heavyweight performance as Billy “The Great’ Hope, a husband and father who wins titles in the ring, but ultimately loses himself outside. He’s on top of the world, beating opponents to a pulp with a fight fueled by anger. Hope must rehabilitate himself in order to take back his life and the custody of his daughter. Gyllenhaal’s character is aggressive and the onscreen punches are impressive. If you want something decent and gritty that isn’t afraid to throw punches, this is your film. Catch this knockout boxing drama on Film4 at 9pm.

Wednesday

Locke (2013): One of Tom Hardy’s most astonishing performances makes for an audacious film. Almost entirely a one-man monologue delivered over the course of a long night-time road trip. We watch as Locke slowly unravels and details of his career and personal life are revealed through a series of confessional phone conversations. Remarkable that this film was made at all and I’m very glad it was. Alongside ‘The Drop’ – one of Hardy’s best but underseen roles. Highly recommend.

Dirty Dancing (1987): An iconic soundtrack runs throughout this 80s classic, set in the 60s and telling the tale of a summer romance. Rich girl Baby meets bad boy and dirtier dancer Johnny and an illicit affair is sparked. Throw in a watermelon, a botched abortion and a corner where NOBODY puts Baby and you have one of the most quotable films of a generation. Again, if you haven’t seen it, why not? Rectify this immediately!

The Green Mile (1999): In the season of Stephen King adaptations, why not visit one of the most profound and heart-breaking? Tom Hanks (one of Hollywood’s most reliable actors) stars as Paul Edgecomb, who accompanies men down the ‘mile’, the walk cons take to the chair, to the death. When he meets the simple and naive John Coffey (played to perfection by Michael Clarke Duncan), a giant of a man accused of murdering two young girls, Paul begins to question John’s guilt.

Legally Blonde (2001): Elle Woods (Reese Witherspoon) has everything: hot shot law student boyfriend, top spot in a prestigious sorority house, a stellar fashion sense, and the most infectiously lovely personality. When her sure-to-be future husband unceremoniously dumps her for being too blonde, she is determined to win him back. Using her unstoppable willpower and wit, she gets into Harvard Law School, and brings all her charm, a splash of pink and her chihuahua with her. Riotously fun and positive, Legally Blonde is the perfect antidote to the darker nights.

Thursday

License to Kill (1989): Rewind 17 years before Daniel Craig made James Bond a badass, and you’ll find Timothy Dalton doing it just as good if not better this time in the darkest 007 film of all. Going up against drug baron Robert Davi with the aid of the kick-ass Carey Lowell, Dalton shoots, stabs, water-skis, parachutes and punches his way into the heart of a dangerous drug cartel to bring them down from the inside in a mission of revenge. Blistering action, brutal violence and a real film of it’s time. The world wasn’t ready for a darker 007. Well, they are now. Enjoy!

Titanic (1997): What can be said about the biggest film in the world? I can’t imagine there are many people left who haven’t seen it. It’s a classic tale of boy meets girl, girl meets enormous blue diamond, iceberg meets boat, floating door not big enough for two people. Despite all the cliches, the second half of the film is still quite thrilling and visually spectacular. Get it in your eyeballs.

Friday

GoldenEye (1995): The Cold War is over, but there are plenty of reasons for James Bond to thrill us in the wake of a 6 year absence from an early end to Timothy Dalton’s run in 1989. Old and new cast and crew come together to take 007 to new heights with classic elements laced with a new, modern twist. Pierce Brosnon re-introduces Bond to a new generation of fans going up against rogue agent Sean Bean from bringing the world to it’s knees with a hi-tech super-weapon. With death-defying stunts, loud action sequences, a rousing theme and all the martinis, girls and guns we’ve come to expect from 007, it’s a new era but one that proves nobody does it better still.

Last Action Hero (1993):  The film that easily divides many Arnold Schwarzenegger fans, this is actually far cleverer than it appears and delves into the self-parodying track of spoofing the action genre and Hollywood in general. Director John McTiernan makes sure the action is played out tongue-in-cheek as we jump from inside the silver screen and beyond when Arnie goes up against villain Charles Dance. As long as the film is understood to be a mockery of the thing it tries to be, it comes across more enjoyable than if watched to be a serious actioner. And don’t worry, there are many Arnie one-liners a plenty here. “Iced that guy, to cone a phrase!”

Twilight: Breaking Dawn Part I (2011): The Twilight Saga lives on with its second to last installment, based on the novel Breaking Dawn. Bella Swan, the average girl who fell hard for vampire stud Edward Cullen, gets married and soon becomes impregnated with a half-mortal, half-immortal child. Seen as a potential threat to the local wolf pack and humans, the Cullen family must help Bella survive her pregnancy, and protect their livelihood in Washington. The young Kristen Stewart and Robert Pattinson reprise their roles in this fairytale drama that grossed big box office numbers among book and film fans alike.Catch the popular endearing story on E4 at 9pm.

Gladiator (2000): It’s Friday, and we all know what that means. A cosy night in, all snuggled up in front of the TV with snacks aplenty. And what better way to spend your Friday evening by watching Ridley Scott’s epic ‘Gladiator’, a 155-minute spectacle that throws you into the gladiator pits of Ancient Rome. With mesmerising cinematography by John Mathieson and career-defining performances from Russell Crowe and Joaquin Phoenix, ‘Gladiator’ is an epic that stands shoulder-to-shoulder with other grand, cinematic spectacles like ‘Lawrence of Arabia’ and ‘Ben-Hur’. A must-see.

 

Hiding Online / In Our Collection / Out This Week

 

Wonder Woman (2017): Yesterday we were treated to the final ‘Justice League’ trailer in which we saw Wonder Woman, along with Bruce Wayne, assemble the League to save the world. As of today, ‘Wonder Woman’ is yours to take home on DVD/Blu-ray in the UK! With it’s record breaking run at the box office almost complete, we can probably expect more records to be broken on her home release.

Ace Ventura: Pet Detective (1994): Allllrriigghhttyy then! 1994 was a very good year for Jim Carrey. During this breakout year he starred in not one, not two, but three comedy classics. Dumb and Dumber and The Mask were great for Carrey to showcase his talents, but Ace Ventura was the one that he really was allowed to let loose in. With his rubber face cranked up to 11 and his limbs in a non stop hurricane of madness, Ace is a character that Jim Carrey looked like he had the best time playing. It shines through in his performance. The premise is simple. Ace Ventura is hired by the Miami Dolphins to find their missing mascot, Snowflake the Dolphin. What follows is 87 minutes of pure 90s gold. With support from Courtney Cox and Sean Young, Jim Carrey’s Ace Ventura Pet Detective is an easy, fun comedy which will keep you entertained for all its duration. They don’t really make them like this anymore so catch it while you can.

Fast Five (2011): The Fast and Furious franchise, whether you love it or hate it, can be an entertaining breakaway from the mundaneness of everyday life. The absurd car chases, the improbable yet insanely fun shootouts, even the fast-paced fight sequences in which the franchise is renowned for is especially present in the fifth instalment; ‘Fast Five’. Arguably the best in the now 8-film series, ‘Fast Five’ is relentless in its presentation, and with the addition of Dwayne Johnson’s hulking Hobbs joining the rest of the charismatic roster, ‘Fast Five’ rejuvenated a franchise that most felt was on its way out. Popcorn entertainment has never looked so good, so be sure not to miss it!

The Notebook (2004):  If you’re a hopeless romantic, the latest addition to the Netflix roster is for you. Adapted from a Nicholas Sparks novel (king of the rom-com), The Notebook is a story of everlasting love told in two timelines. With notes of The Princess Bride (‘Always’) and Romeo & Juliet (forbidden love), the lead characters are so irresistible to root for. Ryan Gosling and Rachel McAdams as Noah and Allie bring to screen one of the most authentic representations of first love and teenage love, one that is sure to make you feel sentimental. Watch this under a blanket with a hot cup of cocoa.

A huge thank you to contributors this week: Dave Curtis, Chris Gelderd, Jessica Peña, Rhys Bowen-Jones, Fiona Underhill, Corey Hughes, Sasha Hornby

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We’re All In For The Brand New ‘Justice League’ Trailer

“Fueled by his restored faith in humanity and inspired by Superman’s (Henry Cavill) selfless act, Bruce Wayne (Ben Affleck) enlists newfound ally Diana Prince to face an even greater threat. Together, Batman and Wonder Woman work quickly to recruit a team to stand against this newly awakened enemy. Despite the formation of an unprecedented league of heroes — Batman, Wonder Woman, Aquaman, Cyborg and the Flash — it may be too late to save the planet from an assault of catastrophic proportions.”

Directed By: Zack Snyder / Joss Whedon
Cast: Ben Affleck, Gal Gadot, Ray Fisher, Ezra Miller, Jason Momoa, Jeremy Irons, Amy Adams, Amber Heard, Ciarán Hinds
Release Date: 17th November 2017

New Synopsis Suggests Wonder Woman Is To Lead The ‘Justice League’

‘Justice League’ merchandise is making it’s way in to stores as we have just under 100 days before it’s release. One eagle eyed fan spotted a Mera Mattel doll which had a new synopsis for ‘Justice League’ on the back, and whilst the synopsis itself doesn’t offer anything new, it does centre around Wonder Woman. This could settle arguments between fans over who is going to be the leader of the League.

“Once again, Wonder Woman must demonstrate her ability as a fierce warrior. Facing a great enemy, she and Batman join forces to recruit a group of metahumans to stand against this newly awakened threat. Having formed an unprecedented League of heroes, they set out to save the planet from an assault of catastrophic proportions.”

The current official synopsis, which focuses on Batman, reads:

“Fueled by his restored faith in humanity and inspired by Superman’s (Henry Cavill) selfless act, Bruce Wayne (Ben Affleck) enlists newfound ally Diana Prince to face an even greater threat. Together, Batman and Wonder Woman work quickly to recruit a team to stand against this newly awakened enemy. Despite the formation of an unprecedented league of heroes — Batman, Wonder Woman, Aquaman, Cyborg and the Flash — it may be too late to save the planet from an assault of catastrophic proportions.”

 

The Justice League Unite In Brand New Trailer

One of the most anticipated trailers the we were expecting this weekend has finally arrived! The brand new ‘Justice League’ trailer was released during the Warner Bros. Hall H presentation this evening .

But before the trailer played, Ben Affleck was quick to shoot down the recent rumours that he would be leaving the role of Batman in the DCEU. So take that, Batfleck haters! 

“Fueled by his restored faith in humanity and inspired by Superman’s (Henry Cavill) selfless act, Bruce Wayne (Ben Affleck) enlists newfound ally Diana Prince to face an even greater threat. Together, Batman and Wonder Woman work quickly to recruit a team to stand against this newly awakened enemy. Despite the formation of an unprecedented league of heroes — Batman, Wonder Woman, Aquaman, Cyborg and the Flash — it may be too late to save the planet from an assault of catastrophic proportions.”

Written by Tom Sheffield