Ocean’s Eight

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Year: 2018
Directed by: Gary Ross
Starring:  Sandra Bullock, Cate Blanchett, Anne Hathaway, Helena Bonham Carter, Rihanna, Mindy Kaling, Sarah Poulson, Awkwafina

WRITTEN BY FIONA UNDERHILL

The ‘all-female reboot’ has been a controversial trend in recent movies, none more so than ‘Ghostbusters’, a film which I loved, after growing up with and being a huge fan of the originals. Although many have been mooted (let’s pray the female ‘Lord of the Flies’ never happens), only two high-profile examples have come to fruition, with ‘Ocean’s Eight‘ being the second. These reboots have been unpopular with some men (the ‘Ghostbusters ruined my childhood’ crowd) and also some women, who believe we should have new, original and risk-taking material for teams of women to star in, instead of rehashing male-dominated franchises. I fall somewhere in between; I have mostly found them fun, but my biggest issue is that they don’t have women directors or predominantly female crews. The female empowerment aspect feels somewhat empty without the women being behind, as well as in front of the camera.

When I first heard about the cast of ‘Ocean’s Eight‘, I couldn’t help but get excited. As each name was announced and added to the impressive roster, the anticipation built. Then on-set photos were released, revealing the ultra-cool costuming, especially of Cate Blanchett’s character in her velvet suits and scarves. The press tour has blessed us even further in terms of spectacular outfits and great humour, chemistry and flirtations between the cast members. With a cast clearly having this much fun, making and promoting a film, it’s hard not to fall a little bit in love.

The film begins with Debbie Ocean (Sandra Bullock) blagging her way out of jail and immediately returning to her old criminal ways, which clearly run in the family. She contacts her old partner-in-crime Lou (Cate Blanchett), with whom she certainly shares a history, which seems both professional and personal. Debbie has spent her jail time (including deliberately landing herself in solitary) planning an elaborate heist (it wouldn’t be an Oceans film without one) and sets about assembling the team she needs. Key to the plan is fashion designer Rose Weil (Helena Bonham Carter), who Debbie recruits to dress film star Daphne Kluger (Anne Hathaway) for the event of the year – the Met Gala Ball. She wants Rose to pretend that she simply must have a 150-million dollar necklace from the vaults of Cartier to adorn the neck of Daphne and then the team can steal it. Further members of the team include diamond expert and forger Amita (Mindy Kaling), pickpocket Constance (Awkwafina), multi-talented suburban Mum Tammy (my favourite; Sarah Paulson) and lastly, in an inspired piece of casting, hacker Nine Ball (Rihanna).

The sparkling and in some cases, sizzling chemistry between the cast is definitely the main strength of this film. There is undeniable tension between Bullock and Blanchett especially, although the plot does hinge around revenge against Bullock’s ex-boyfriend (played by The Hobbit’s Richard Armitage). The glamour of the Met Ball is obviously a big selling point, including an abundance of celebrity cameos. The outfits, coupled with the actual exhibition of crown jewels makes for an impossibly beautiful backdrop and you cannot help but be sucked in by it. There is lots of humour, with Hathaway being particularly great as the spoiled film star who hasn’t eaten for days. Flavours of the familiar score from the original films are featured throughout, along with the trademark split-screen style.

Look, I don’t know what else to tell you. I watched this film in a gorgeous setting, with a cocktail, quality savoury snacks and a good friend. That may have prejudiced me in favour of this film, but so what? It’s meant to be an easy-going, fun, enjoyable ride for women (especially) to enjoy on a Friday night (as we did) and that’s exactly what it is. I really hope Rihanna continues making movies in exactly the vein of this and ‘Valerian‘ because it’s Rihanna and she does what the f**k she wants. As for the continuation of the ‘female reboot’ trend? It’s hard to say at this stage if I’m for or against. I certainly am here for films with amazing ensemble casts of incredible women. If they are new, original and have women directors, all the better.

FIONA’S RATING:

3

 

 

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Reel Women: June UK Releases

Written by Elena Morgan

Welcome back to Reel Women, a monthly feature where we highlight the films that are being released in the UK this month that are written and/or directed by women. As ever this is a mixture of wide and smaller releases, so depending where in the country you are, some might be easier to see than others, and there’s a couple of Netflix Original films here too. All the release date information comes from Launching Films and all dates are correct at the time this post was written – we all know film releases can change at the last minute, especially for smaller films.

This month there’s romantic comedies, documentaries, dramas, and one I’m personally very excited for – the Ocean’s spin-off.

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1 June

Book Club
Directed by Bill Holderman
Written by Bill Holderman and Erin Simms

When four long-time friends (Diane Keaton, Jane Fonda, Candice Bergen and Mary Steenburgen) decide to read 50 Shades of Grey for the book club, they all get a whole new lease for life.

Erin Simms is an actress and producer who worked as a part of the crew for such films as ‘A Walk in the Woods’ and ‘Pete’s Dragon’. ‘Book Club’ is her first produced screenplay.

Ismael’s Ghosts

Directed by Arnaud Desplechin
Written by Arnaud Desplechin, Julie Peyr and Léa Mysius

Ismael (Mathieu Amalric) is a filmmaker whose life is turned on its head when his wife (Marion Cotillard), who he hasn’t seen for over twenty years comes back into his life, disrupting his relationship.

This is Julie Peyr’s second collaboration with Arnaud Desplechin and her tenth screenwriting credit. Léa Mysius is a writer and director of a number of short films. Her debut feature film, ‘Ava’, screened at the London Film Festival last year.

Lost in Vagueness
Directed by Sofia Olins

A music documentary about Roy Gurvitz who created Lost Vagueness at Glastonbury and reinvigorated the festival.

‘Lost in Vagueness’ is Sofia Olins’ first feature-length documentary. She’s previously worked as a second unit director or assistant director on a variety of British television series including ‘Primeval’, ‘The IT Crowd’ and ‘Peep Show’.

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8 June

The Boy Downstairs
Written and Directed by Sophie Brooks

Diana (Zosia Mamet) is forced to reflect on her past relationship with Ben (Matthew Shear) when she unintentionally moves into the apartment above his.

‘The Boy Downstairs’ is Sophie Brooks first feature film.

15 June

Set It Up
Directed by Claire Scanlon
Written by Katie Silberman

Harper (Zoey Deutch) and Charlie (Glen Powell) are two stressed out assistants who each have a high maintenance boss, Kristen (Lucy Liu) and Rick (Taye Diggs). When they decide to play matchmaker, maybe they can spread some romance and get their freedom.

Think of any big American comedy show of the past ten years and Claire Scanlon has probably directed at least one episode of it. Her directing credits include ‘The Office’, ‘Brooklyn Nine-Nine’, ‘Modern Family’ and ‘Fresh Off the Boat’. ‘Set It Up’ is her first feature film. Katie Silberman has previously produced comedy films ‘Hot Pursuit’ and ‘How to Be Single’. ‘Set It Up’ is her first feature-length screenplay to make it to the screen.

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22 June

Ocean’s 8
Directed by Gary Ross
Written by Gary Ross and Olivia Milch

Debbie Ocean (Sandra Bullock) gathers a crew to attempt to rob the Met Gala.

Olivia Milch is a writer-director whose debut film, ‘Dude’, is a Netflix Original Film. As well as co-writing Ocean’s 8 she is also a co-producer on the film.

Boom for Real: The Late Teenage Years of Jean-Michel Basquiat
Directed by Sara Driver

A documentary exploring the pre-fame years of American artist Jean-Michel Basquiat, and how New York City its people and the shifting arts culture of the 1970s and ‘80s shaped his work.

‘Boom for Real’ is Sara Driver’s first documentary feature film and her first film in 15 years.

Freak Show
Directed by Trudie Styler
Written by Patrick J. Clifton and Beth Rigazio

Despite attending an ultra-conservative high school, teenager Billy Bloom (Alex Lawther) decides to run for Homecoming Queen.

Trudie Styler is an actress and producer and ‘Freak Show’ is her directorial feature debut. Beth Rigazio has previously written TV movies including the Disney Channel original movie, ‘Go Figure’.

24 June

To Each, Her Own (aka Les Gouts et Les Couleurs)
Directed by Myriam Aziza
Written by Myriam Aziza, Denyse Rodriguez-Tomé

Simone’s (Sarah Stern) been in a relationship with Claire (Julia Piaton) for years but has never come out to her family. Her brothers keep trying to set her up with men, her father’s a traditionalist and her mother is just a little bit eccentric – soon everything comes to ahead and Simone is forced to make some hard choices.

‘To Each, Her Own’ is a Netflix Original and is Myriam Aziza’s sixth film. She wrote, directed, edited and was cinematographer on her documentary film ‘L’an prochain à Jérusalem’. Denyse Rodriguez-Tomé previous screenwriting credits include ‘I Hate Love‘ which won the Award of the Youth in the French Film category at the 1997 Cannes Film Festival.

27 June

Maquia: When the Promised Flower Blooms
Written and Directed by Mari Okada

Maquia (Manaka Iwami) is an immortal girl and when she ventures out into the world she meets Erial (Miyu Irino) a mortal boy, their friendship becomes an unbreakable bond that lasts throughout the years.

‘Maquia: When the Promised Flower Blooms’ is Mari Okada’s directorial debut but she’s written episodes for dozens of different anime. In 2011 Okada won the Animation Kobe Award, an award and event that aims to promote anime and other visual media.

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29 June

Leave No Trace
Directed by Debra Granik
Written by Debra Granik and Anne Rosellini

A father (Ben Foster) and his teenage daughter (Thomasin McKenzie) have an idyllic life living in a vast urban park in Oregon, until they are forced to re-join society.

Debra Granik is the director of ‘Winter’s Bone’, a film she co-wrote with Anne Rosellini and which earned them both an Oscar nomination for Best Adapted Screenplay. ‘Leave No Trace’ is their first feature film since ‘Winter’s Bone’ was released in 2010.

Patrick
Directed by Mandie Fletcher
Written by Vanessa Davies, Mandie Fletcher and Paul de Vos

Sarah’s (Beattie Edmondson) life is a bit of a mess and she really could do without the pug named Patrick her grandmother bequeathed her. As Sarah struggles to look after Patrick, find romance with his vet (Ed Skrein) and cope with a new job, Sarah realises that Patrick might just be helping her turn her life around.

Mandie Fletcher has directed episodes of popular British comedies like ‘Black Adder the Third’, ‘Only Fools and Horses’, and ‘Miranda’ and her previous film was ‘Absolutely Fabulous: The Movie’. ‘Patrick’ is both Mandie Fletcher’s and Vanessa Davies’s first produced screenplay.

The Bookshop
Written and Directed by Isabel Coixet

Set in a small English town in 1959, Florence (Emily Mortimer) decides to open a bookshop but is met with polite yet ruthless opposition.

Isabel Coixet is a Spanish filmmaker with over 30 directing credits and 20 writing credits to her name.

 


 

That’s thirteen films made by women being released in the UK in June. There’s something for everyone with animation, dramas, documentaries and a fair few romantic comedies. Personally, I’m looking forward to ‘Ocean’s 8′ and ‘Set It Up’, two films that have been on my radar for a while, but one I hadn’t heard of before researching this feature but definitely want to see is ‘Freak Show’ – the trailer makes it look like so much fun!

The Heist Begins In The First Trailer For ‘Ocean’s 8’

“In Summer 2018, the tide will turn as Debbie Ocean attempts to pull off the heist of the century at New York City’s star-studded annual Met Gala. Her first stop is to assemble the perfect crew: Lou; Nine Ball; Amita; Constance; Rose; Daphne Kluger; and Tammy.”

Directed by: Gary Ross

Cast: Sandra Bullock, Cate Blanchett, Anne Hathaway, Mindy Kaling, Sarah Paulson, Awkwafina, Rihanna, Helena Bonham Carter

Release Date: June 22nd, 2018