‘The Max Trailer’ Released For ‘The Secret Life Of Pets’ Sequel

“The Secret Life of Pets 2 will follow summer 2016’s blockbuster about the lives our pets lead after we leave for work or school each day. Illumination founder and CEO Chris Meledandri and his longtime collaborator Janet Healy will produce the sequel to the comedy that had the best opening ever for an original film, animated or otherwise.”

Directed by: Chris Renaud, Yarrow Cheney

Cast: Patton Oswalt., Eric Stonestreet, Kevin Hart, Lake Bell, Tiffany Haddish, Jenny Slate, Harrison Ford

Release Date: 24th June, 2019

Decade Definers: 1980s – Birth Of The Action Hero

Written by Chris Gelderd

Like most things in life, it’s hard to pin-point the exact formation of something. A season. A movement. A trend. These things just seem to happen when every factor around it comes into alignment and all the signs point to go. Somethings just naturally work with the environment around them. The film industry also does this and has done for over 100 years

The 1980s saw the formation of many things that changed the industry forever. The emergence of special effects allowed film-makers to really let their imagination blossom. Risks were being taken across horror, sci-fi and comedy with franchises taking off left right and centre, content being pushed for teen audiences (the introduction of the US PG-13 rating for such an occasion) and talent was setting the bar high in their chosen genres, such as Martin Scorsese, Steven Spielberg, Jane Fonda and Eddie Murphy to name but a few.

Yet the 80s was a decade that discovered a new wave of acting and creative talent that changed the way we look at action movies and their heroes forever, and we can see that winning template is used in films today to cater to new generations.

The world needed heroes, and the right men – and women – came along at the right time to deliver. Not satisfied with your suave Brit Sir Roger Moore and his family friendly James Bond adventures, mature audiences wanted more. More action! More violence! More stars! More outrageous, exciting, balls-to-the-wall popcorn entertainment!

The studios listened. The creative talent put pen to paper. Ladies and gentlemen, welcome to the 1980s and the birth of the action hero!

Ask any film fan to name 5 action stars and they will probably give the same names.  From just a rather small selection of big name stars throughout the 1980s, we certainly got a truckload of memorable and long-standing action films from them. Some spawned franchises that still are going strong today, others simply one off treasures. Either way, they helped shape a genre that inspired much of what we see today on the big (and small) screen.

Let’s take a look at some of the big names that came to be during the 1980s and how they helped shape the action movie itself.

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Arnold Schwarzenegger

One man proved you didn’t need to be the next Charlton Heston of the acting world in order to make shockwaves across Hollywood and the world. Sometimes all you needed was a thick, inimitable European accent, muscles the size of watermelons and the passion to chase the American dream. Arnold Schwarzenegger, the ‘Austrian Oak’, did just that when he launched onto the scene during the 1980s with his imposing, unique frame as a bit player in cheaply produced movies before the studio execs took a risk and cast him in films where dialogue and plot were minimal, but action and iconography where high.

Arnie gave us 9 movies during the 1980s that became classics of the genre and his trademark style of witty one-liners, high violence, break-neck stunts and blending action into sci-fi, fantasy and comedy. From ‘Conan The Destroyer’ in 1982 that tested his boundaries for taking any role seriously and dishing out action in any form he was given, he soon was given movies such as ‘The Terminator’ in 1984, ‘Commando’ in 1985 and ‘Predator’ in 1987.

Each film was unique and different, letting Arnie win over fans and critics not with his acting, but with his ability to be an action hero across any genre who was tough talking, physically imposing and looked like a demi-God with his muscles and strong stance. He used any means at his disposal to eradicate bad guys – and sometimes good guys – and gave James Bond a run for his money with the one liners. Arnie became synonymous with action films and many of his 80s films stand strong today and shape franchise on the big and small screen in a career built on action that doesn’t seem to be slowing down anytime soon.

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Sylvester Stallone

Stallone gave us two big ‘R’s throughout the 70s and 80s…and 90s and 00s, all things considered. Rocky Balboa was his character for sport and drama, but Rambo was his character for action and excitement. From 1982 to 1988 (and 2008, but we’re not here for that), Stallone carved a new niche for his action ability in the form of John Rambo, a traumatized Vietnam veteran.

After a debut in ‘First Blood’ that actually gave us a grounded action film that used drama, humanity and tension as its main driving points, it’s two sequels “First Blood Part II” and “Rambo III” threw humanity out the window (literally) and cranked up the chaos to 10.

Muscles bulging as he waged war against the Vietnamese and Russians to save POWs and innocent people, Rambo became the invincible one-man army whom America and the world could count on.  Armed with  rocket launchers and sub-machine guns, bow and arrows and hunting knifes, Rambo proved Stallone could deliver the sort of story fuelled action audiences wanted, and it continued over his career with the likes ‘Tango & Cash’, ‘Demolition Man’ and ‘The Expendables’.

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Bruce Willis

An interesting case study indeed when you look at it. Out of all the action heroes of the 80s, Willis looked least likely. He wasn’t imposing to look at, not intimidating to hear talk and his career launched in the 1984 US comedy drama TV show ‘Moonlighting’ and the 1987 comedy romance film ‘Blind Date’.

Fox produced a film based on a 1979 novel ‘Nothing Lasts Forever’, a sequel to the 1966 book ‘The Detective’, which was adapted into a 1968 film starring Frank Sinatra and allowed Sinatra to accept or decline to star in the new film. He declined. Arnold Schwarzenegger declined it as a sequel to ‘Commando’. Who was left to cast? Bruce Willis, obviously.

Now when you say the words ‘Die Hard’, it conjures up a film often agreed to be the greatest action film of the 1980s. A simple story about a New York cop saving hostages inside a skyscraper whilst taking down a small army of European terrorists was just what people wanted. Full of explosive action, snappy humour, a surprising world-weary and iconic portrayal by Willis of NYPD cop John McClane and a villain as dastardly and suave as them come in the guise of the late, great Alan Rickman as Hans Gruber.

‘Die Hard’ quickly became a template to base an action hero saving the day against the odds, and shaped the hero who could be an everyday cop in the wrong place at the wrong time, not just a muscle bound war hero or super soldier. It launched four sequels, video games and also Willis’s career into action orbit and also the greatest debate going in movies today – “Is Die Hard a Christmas film or not?”.

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Sigourney Weaver

The 80s action market was a place for men. Women had little chance to show they could do as much damage as the guys sadly, but one woman took a role, built it up over a franchise and proved that with the right support, it wasn’t just the men who could kick ass and save the world…or galaxy.

Sigourney Weaver has her niche in drama and comedy, but her action debut came in a little known sci-fi film in the late 1970s called ‘Alien’ that had her go up and survive against a deadly alien being in space, where nobody could hear her or her ill-fated male crew scream. The role of Warrant Officer Ellen Ripley was a big boost to female talent at that time, and while Weaver continued her box-office draw in comedy with other classics such as ‘Ghostbusters’ and ‘Working Girl’, the 80s saw her return to the role of Ripley in 1986s ‘Aliens’.

This time, Weaver led a group of male supporting actors as space marines to return to and wipe out the colony of aliens and their queen to save the galaxy from extinction. Weaver gave just as good as she got in terms of attitude, action and ability. A fine actress of her generation, she carried over a humane side to her tough-talking and ass-kicking Ripley going up against the deadly aliens and held her own, much like John McClane in ‘Die Hard’, being an everyday person up against the odds but who handles weaponry and heavy machinery as easy as breathing. Weaver cemented a successful and iconic role in an already iconic franchise and is one of the few female actors to carve out a successful action hero over the years.

Now, sadly, I have to rein this piece in because I could go on exploring defining actors and their roles for many more pages, but you all have lives and I must let you get on with them.

I hope this small glimpse into what the 1980s gave us in terms of action resonates with you. A handful of international actors helped produced dozens of action films with the support of creative talent such as James Cameron and Joel Silver that would resonate for years to come and also help launch female talent in front of and behind the camera around the world. The 80s gave us simple pleasures without the need for extensive plots, complicated stories and bloated character development. The era is almost a golden age of simplicity and it’s that simplicity that makes it so easy to return to watch any action film of the time for nothing but entertainment and enjoyment.

There are many more stars out there I could have mentioned. I’ll leave you with a handful more here to explore in your own time as ones who also helped define the action decade:

  • Jackie Chan (‘Police Story’, ‘Project A’)
  • Jean-Claude Van Damme (‘Bloodsport’, ‘Kickboxer’)
  • Harrison Ford (‘Raiders Of The Lost Ark’, ‘Blade Runner’)
  • Mel Gibson (‘Mad Max 2’, ‘Lethal Weapon’)
  • Chuck Norris (‘The Delta Force’, ‘Missing In Action’)
  • Kurt Russell (‘The Thing’, ‘Big Trouble In Little China’)

Yippie-ki-yay, mother f….

Decade Definers: 1980s – The Indiana Jones Trilogy

Written by Chris Gelderd

Fast forward 50 years to the year 2068 and let’s see how Hollywood and blockbuster movies are made. No film is every truly original. Everything from characters to plot devices to music and locations are influenced marginally by existing material that dates back half a decade or so before the release. From 2018, what will be influencing the future generations of Hollywood to create ground-breaking and genre defining work? Who knows.

But, for now, it’s the 1980s that is our focus for these current Decade Definers.

Looking back to one such inspiration that helped shape the adventure genre during and going forward from the 80s, we have to go back to the late 1800s, early 1920s and the 1960s. Take the literary works of Sir H. Rider Haggard and Sir Arthur Conan Doyle, fuse this with the fun of James Bond films pre-1979 and then add the name of a pet Alaskan Malamute dog. Cook all this up in the minds of directors Steven Spielberg and George Lucas and you have the foundations for one of the greatest, if not THE greatest, cinematic adventure hero of all time.

Indiana Smith*, portrayed by Tom Selleck.**

*Soon changed to Indiana Jones after Smith was deemed to boring

**Soon re-cast with Harrison Ford after scheduling conflicts for ‘Magnum P.I’.

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The man with the hat” burst onto cinema screens in 1981, kicking off a decade full of inventive, creative, entertaining, fun and pretty much iconic movies spanning many genres that set a template for others to follow. ‘Raiders Of The Lost Ark’ (its original title before being re-branded with ‘Indiana Jones and the…’ prefixing it) was a loving homage to the Saturday morning serial adventures on television and B-movies that fuelled many a childhood before the dawn of computer games and multiplexes.

Director Steven Spielberg dared to take things back to basics film-making. His veteran cast and crew harnessed practical stunt-work over special effects, lovingly crafted models, authentic locations and props and an ol’ fashioned good v evil where the good guy is a dashing, rugged swashbuckling adventurer and the villains are the crux of ALL villainy in the guise of ruthless Nazis.

Harrison Ford, fresh from completing his second Star Wars film ‘The Empire Strikes Back’ in which he became a household name on the back of his smuggling scoundrel Han Solo was primed and ready to craft yet another hero for his playlist. But yet Ford avoided a carbon copy of Han Solo set in a galaxy not so far away. He portrayed Indiana Jones as a man rougher around the edges, more focused on his work than his ego and grounded in a reality where he felt pain, he bled and he was in greater danger than just flying pretend space-ships and avoiding pantomime bad guys with laser swords on fictional planets. Ford seemed to evolve into a real man’s man during the era – an American 007 for the early 1940s.

Following on from ‘Raiders…’ came ‘Indiana Jones and the Temple Of Doom’ in 1984 and ‘Indiana Jones and the Last Crusade’ in 1989. A real book-end of adventure films at the beginning, middle and end of the 80s.

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‘Temple Of Doom’ was, and still stands, as a brave sequel. It retains the formula of what worked previously whilst having the courage to introduce new themes, characters and stories. Not a carbon copy of ‘Raiders…’ in the slightest, it gave us more iconic practical, genre defining action that strayed from the modern era such as a perilous rope-bridge spanning a huge canyon, a nauseating mine cart chase and enough voodoo, slavery and black-magic to force even the easiest going film censor to work for his money.

While not initially as successful as its family-friendly predecessor, ‘Temple Of Doom’ is a fun affair on one hand but more mature and dark on the other – a’la ‘The Empire Strikes Back’ of sequels – pushing us out of our comfort zone with Indiana Jones to explore new dangers and face new villains. It certainly was a bold move but stands strong as the middle of the ‘then’ trilogy.

Rounding the decade out in ‘89, ‘The Last Crusade’ returned Indiana Jones and his audience back to familiar ground. The Nazis were back. The globe-trotting was back. The myths were back. The original cast were back. It was a comfort blanket, 8 years on from where it all began, except this time, Spielberg brought along one of the inspirations for the ride – James Bond himself, Sir Sean Connery, as Henry Jones Snr, Indy’s cantankerous father. After Spielberg lost out on the chance to direct Roger Moore as 007 in 1981’s ‘For Your Eyes Only’, it was only a matter of time before he had his chance in an “alternate universe” kind of way. Sean Connery’s 007 was a base for the creation of Indiana Jones, so what better way to have the man himself involved.

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This pairing of Ford and Connery is one of the most beloved relationships in cinema thanks to their natural chemistry and mature performances that test their patience and tolerance, all the while cemented with a heart-warming love and developing appreciation for estranged father and son. Couple this with the award-winning mix of sun-kissed European, American and African locations, a stellar support cast and daring action, stunt-work and intrigue, ‘The Last Crusade’ proved that Indiana Jones brought a fresh look to the adventure genre in the 1980s that would resonate for decades and generations to come.

Everything about the trilogy felt and looked real. It was a breath of fresh air to audiences who wanted to escape the influx of science fiction or brutal horrors or macho action. They were, in essence, family friendly adventures that traversed the globe in search of mythical, fantastical artefacts from the past with adrenalin-fuelled stunt-work and action; all set around likeable characters and dastardly villains. Importantly, they were all set during crucial points in world history would be very familiar to audiences, allowing them to connect in some way to the story.

From a trademark opening sequence that was a love letter to the B-movies to often tense and chilling, (sometimes face-melting) climaxes blending fact and fantasy, Spielberg and Ford never gave you chance to catch your breath or be complacent from the start – the thrill ride was non-stop for each outing and it was created with such passion that it was impossible to falter, regardless of how strong, different or controversial the story was.

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And it wasn’t just the visual side of things, but also the audible. Composer John Williams, who already had a back catalogue of scores to his name such as ‘Jaws’, ‘Star Wars’ and ‘Superman’, gave us yet another soundtrack that speaks volumes without any need for dialogue. The triumphant, rousing and exciting score that accompanied Indiana Jones on his travels blended sweeping romance, eerie occult, uplifting joy, paternal mischief and a general sense of adventure that is so simple in execution, but never fails to swell the listener’s heart with its sense of pride, passion and power.

So timeless (ironically set over approximately 6 years in real time) was this trilogy of films that 19 years later in 2008 a fourth film was released – ‘Indiana Jones and the Kingdom Of The Crystal Skull’ blending old and new techniques for a new generation of fans, whilst catering to what we loved from the original trilogy. While reception and expectation was not quite met, it still proved that for that sense of simple adventure and daring heroism, Indiana Jones is the man who still delivers.

Countless comic book adaptations, novels, computer games, toys and a host of other merchandise followed showing that the love for Indy never dwindled, and that love and will soon be heightened again with a 5th film planned, uniting Steven Spielberg and Harrison Ford once more for an expected release date of 2020.

If the 80s proved adventure has a name, then that name is Indiana Jones.

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Blade Runner 2049

Release: 2017
Director: Denis Villeneuve
Cast: Ryan Gosling, Robin Wright, Harrison Ford, Jared Leto, Ana De Armas, Sylvia Hoeks

Written by Abbie Eales

Ridley Scott’s 1982 dystopian sci-fi epic ‘Blade Runner’ saw Harrison Ford playing Deckard, one of the titular blade runners, who had been tasked with hunting down and killing four replicants, (extremely life-like androids), who had escaped from the colonies and were now posing a threat to human life in the city of Los Angeles. The film is filled with stark and beautiful imagery, philosophical musings on the nature of humanity and love, and is scored by a wonderful soundtrack by Vangelis.

When it emerged there was a sequel in the works, with Harrison Ford attached to star again hearts sank. Let’s face it, ‘Indiana Jones and the Kingdom of the Crystal Skull’ was almost bad enough to turn the world off the originals, so bringing Ford back to the role of Deckard 35 years later did not seem like solid thinking. Then it was announced that Ryan Gosling was attached, an actor who has been extremely canny in his choice of roles, seemingly not having made a recent mis-step. Once ‘Arrival’ and ‘Sicario’s’ Denis Villeneuve was announced as director, hopes were raised once more. But would this be the thoughtful sequel the world wanted or clumsy “re-energising” and potential franchise starter?

Blade Runner 2049 continues the hunt for artificial humans, 30 years on from the original, echoing the real-life passage of time since Ridley Scott’s classic hit the big screen. Gosling plays K, a blade runner who has been charged with rounding up and dispatching the last of the old model replicants, the last of the robots with free will. To say much more about the plot could ruin the experience, as this is a near perfect piece of cinema which should be enjoyed to the full.

From the opening shot of a single ice-blue eye filling the screen, to the inclusion of a clear plastic raincoat, ‘Blade Runner 2049’ is perfectly respectful of its predecessor while taking some of its beautiful imagery to even more extraordinary places. The film is stunning, mildly disorienting and borderline surreal, quietly worming its way under your skin over the course of its 2 hour 43 minute run-time.

Roger Deakins’ cinematography is just sublime. Every shot in the film is near perfect. The design of costumes and make-up is among the best I’ve seen, subtle but always adding to character. The soundtrack, by Hans Zimmer and Benjamin Wallfisch, is by turns a thundering juggernaut of mechanical crunches and shudders and then delicate piano notes, giving way to the space-age echoes of Vangelis work on the original.

Every single member of the cast is superb, with Villeneuve eliciting some career-best performances. Ford adds multiples layers to his usual curmudgeon-with-a-heart turn, embracing an unusual vulnerability. Gosling is quietly enigmatic, channelling his turn in Drive. The real stand out among the cast is Sylvia Hoeks as Luv, who manages to be both eerily serene and utterly terrifying.

‘Blade Runner 2049’ may also be Villeneuve’s best work to date. Taking time to really linger on key scenes, to build tension, but also to allow the audience to think and take in not just the visuals but the concepts being shown to them, it’s an extremely confident and uncompromising piece of cinema.

It is an absolute marvel of film-making, a thoughtful, beautiful piece of art. Profound, moving, intellectual and solid evidence that studios can make blockbusters that might also win Academy awards. Go see it big and loud and be left breathless by the spectacle.

Abbie’s Rating: 10 out of 10

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Watch This Space: 9th – 15th October

Every Monday we will be recommending films that are on TV that week, films playing at the cinema, and also remind you of those brilliant films hiding on streaming services, such as Netflix and Amazon Prime, and possibly in your own collection.

In Cinemas

Blade Runner 2049: Fans of the original have waited 35 years for a sequel to ‘Blade Runner’, and last week their wish was granted. It may not be receiving the best numbers at the box office, but fans and critics alike can’t help but share their love the this masterpiece. Our full review will be on site later today!

Star Wars: The Last Jedi: Whilst we know it’s not December yet, we thought we’d take this opportunity to remind you that tickets for ‘The Last Jedi’ go on sale Tuesday AM (UK), and with them comes a brand new trailer! We’ll have it up on site as soon as it hits the web!

The Mountain Between Us: Idris Elba and Kate Winslet are stranded after a tragic plane crash. They must forge a connection to survive the extreme elements of a remote snow covered mountain. ‘The Mountain Between Us’ opened in UK cinemas last Friday, and our full review will be up soon!

On TV

Monday

Se7en (1995): If you discount ‘Alien 3’ because, well, who wouldn’t, ‘Se7en’ was our introduction to a master filmmaker. David Fincher has blessed us with numerous films that rightfully earn their place on countless best films ever lists, though arguably none have managed to be as high on said lists as ‘Se7en.’ It’s a crime noir starring a pre-Fight Club and Morgan Freeman as they investigate a string of murders all based on the seven deadly sins. It’s a deceptively clever thriller that keeps you engaged, guessing, and shocked at some of the truly messed up ways the sins have been visualised as murder scenes. On a personal note, ‘Se7en’ is one of my favourite films of all time. This film can be watched and rewatched countless times and you will still find new things to love about it, right up until it’s brilliant, soul-crushing climax.

 

Tuesday

Southpaw (2015): Directed by Antoine Fuqua and starring Jake Gyllenhaal, ‘Southpaw‘ is the gritty drama about a successful pro boxer who goes off the hinges after his wife is shot at a press event. Gyllenhaal delivers a strong and heavyweight performance as Billy “The Great’ Hope, a husband and father who wins titles in the ring, but ultimately loses himself outside. He’s on top of the world, beating opponents to a pulp with a fight fueled by anger. Hope must rehabilitate himself in order to take back his life and the custody of his daughter. Gyllenhaal’s character is aggressive and the onscreen punches are impressive. If you want something decent and gritty that isn’t afraid to throw punches, this is your film. Catch this knockout boxing drama on Film4 at 9pm.

Wednesday

Locke (2013): One of Tom Hardy’s most astonishing performances makes for an audacious film. Almost entirely a one-man monologue delivered over the course of a long night-time road trip. We watch as Locke slowly unravels and details of his career and personal life are revealed through a series of confessional phone conversations. Remarkable that this film was made at all and I’m very glad it was. Alongside ‘The Drop’ – one of Hardy’s best but underseen roles. Highly recommend.

Dirty Dancing (1987): An iconic soundtrack runs throughout this 80s classic, set in the 60s and telling the tale of a summer romance. Rich girl Baby meets bad boy and dirtier dancer Johnny and an illicit affair is sparked. Throw in a watermelon, a botched abortion and a corner where NOBODY puts Baby and you have one of the most quotable films of a generation. Again, if you haven’t seen it, why not? Rectify this immediately!

The Green Mile (1999): In the season of Stephen King adaptations, why not visit one of the most profound and heart-breaking? Tom Hanks (one of Hollywood’s most reliable actors) stars as Paul Edgecomb, who accompanies men down the ‘mile’, the walk cons take to the chair, to the death. When he meets the simple and naive John Coffey (played to perfection by Michael Clarke Duncan), a giant of a man accused of murdering two young girls, Paul begins to question John’s guilt.

Legally Blonde (2001): Elle Woods (Reese Witherspoon) has everything: hot shot law student boyfriend, top spot in a prestigious sorority house, a stellar fashion sense, and the most infectiously lovely personality. When her sure-to-be future husband unceremoniously dumps her for being too blonde, she is determined to win him back. Using her unstoppable willpower and wit, she gets into Harvard Law School, and brings all her charm, a splash of pink and her chihuahua with her. Riotously fun and positive, Legally Blonde is the perfect antidote to the darker nights.

Thursday

License to Kill (1989): Rewind 17 years before Daniel Craig made James Bond a badass, and you’ll find Timothy Dalton doing it just as good if not better this time in the darkest 007 film of all. Going up against drug baron Robert Davi with the aid of the kick-ass Carey Lowell, Dalton shoots, stabs, water-skis, parachutes and punches his way into the heart of a dangerous drug cartel to bring them down from the inside in a mission of revenge. Blistering action, brutal violence and a real film of it’s time. The world wasn’t ready for a darker 007. Well, they are now. Enjoy!

Titanic (1997): What can be said about the biggest film in the world? I can’t imagine there are many people left who haven’t seen it. It’s a classic tale of boy meets girl, girl meets enormous blue diamond, iceberg meets boat, floating door not big enough for two people. Despite all the cliches, the second half of the film is still quite thrilling and visually spectacular. Get it in your eyeballs.

Friday

GoldenEye (1995): The Cold War is over, but there are plenty of reasons for James Bond to thrill us in the wake of a 6 year absence from an early end to Timothy Dalton’s run in 1989. Old and new cast and crew come together to take 007 to new heights with classic elements laced with a new, modern twist. Pierce Brosnon re-introduces Bond to a new generation of fans going up against rogue agent Sean Bean from bringing the world to it’s knees with a hi-tech super-weapon. With death-defying stunts, loud action sequences, a rousing theme and all the martinis, girls and guns we’ve come to expect from 007, it’s a new era but one that proves nobody does it better still.

Last Action Hero (1993):  The film that easily divides many Arnold Schwarzenegger fans, this is actually far cleverer than it appears and delves into the self-parodying track of spoofing the action genre and Hollywood in general. Director John McTiernan makes sure the action is played out tongue-in-cheek as we jump from inside the silver screen and beyond when Arnie goes up against villain Charles Dance. As long as the film is understood to be a mockery of the thing it tries to be, it comes across more enjoyable than if watched to be a serious actioner. And don’t worry, there are many Arnie one-liners a plenty here. “Iced that guy, to cone a phrase!”

Twilight: Breaking Dawn Part I (2011): The Twilight Saga lives on with its second to last installment, based on the novel Breaking Dawn. Bella Swan, the average girl who fell hard for vampire stud Edward Cullen, gets married and soon becomes impregnated with a half-mortal, half-immortal child. Seen as a potential threat to the local wolf pack and humans, the Cullen family must help Bella survive her pregnancy, and protect their livelihood in Washington. The young Kristen Stewart and Robert Pattinson reprise their roles in this fairytale drama that grossed big box office numbers among book and film fans alike.Catch the popular endearing story on E4 at 9pm.

Gladiator (2000): It’s Friday, and we all know what that means. A cosy night in, all snuggled up in front of the TV with snacks aplenty. And what better way to spend your Friday evening by watching Ridley Scott’s epic ‘Gladiator’, a 155-minute spectacle that throws you into the gladiator pits of Ancient Rome. With mesmerising cinematography by John Mathieson and career-defining performances from Russell Crowe and Joaquin Phoenix, ‘Gladiator’ is an epic that stands shoulder-to-shoulder with other grand, cinematic spectacles like ‘Lawrence of Arabia’ and ‘Ben-Hur’. A must-see.

 

Hiding Online / In Our Collection / Out This Week

 

Wonder Woman (2017): Yesterday we were treated to the final ‘Justice League’ trailer in which we saw Wonder Woman, along with Bruce Wayne, assemble the League to save the world. As of today, ‘Wonder Woman’ is yours to take home on DVD/Blu-ray in the UK! With it’s record breaking run at the box office almost complete, we can probably expect more records to be broken on her home release.

Ace Ventura: Pet Detective (1994): Allllrriigghhttyy then! 1994 was a very good year for Jim Carrey. During this breakout year he starred in not one, not two, but three comedy classics. Dumb and Dumber and The Mask were great for Carrey to showcase his talents, but Ace Ventura was the one that he really was allowed to let loose in. With his rubber face cranked up to 11 and his limbs in a non stop hurricane of madness, Ace is a character that Jim Carrey looked like he had the best time playing. It shines through in his performance. The premise is simple. Ace Ventura is hired by the Miami Dolphins to find their missing mascot, Snowflake the Dolphin. What follows is 87 minutes of pure 90s gold. With support from Courtney Cox and Sean Young, Jim Carrey’s Ace Ventura Pet Detective is an easy, fun comedy which will keep you entertained for all its duration. They don’t really make them like this anymore so catch it while you can.

Fast Five (2011): The Fast and Furious franchise, whether you love it or hate it, can be an entertaining breakaway from the mundaneness of everyday life. The absurd car chases, the improbable yet insanely fun shootouts, even the fast-paced fight sequences in which the franchise is renowned for is especially present in the fifth instalment; ‘Fast Five’. Arguably the best in the now 8-film series, ‘Fast Five’ is relentless in its presentation, and with the addition of Dwayne Johnson’s hulking Hobbs joining the rest of the charismatic roster, ‘Fast Five’ rejuvenated a franchise that most felt was on its way out. Popcorn entertainment has never looked so good, so be sure not to miss it!

The Notebook (2004):  If you’re a hopeless romantic, the latest addition to the Netflix roster is for you. Adapted from a Nicholas Sparks novel (king of the rom-com), The Notebook is a story of everlasting love told in two timelines. With notes of The Princess Bride (‘Always’) and Romeo & Juliet (forbidden love), the lead characters are so irresistible to root for. Ryan Gosling and Rachel McAdams as Noah and Allie bring to screen one of the most authentic representations of first love and teenage love, one that is sure to make you feel sentimental. Watch this under a blanket with a hot cup of cocoa.

A huge thank you to contributors this week: Dave Curtis, Chris Gelderd, Jessica Peña, Rhys Bowen-Jones, Fiona Underhill, Corey Hughes, Sasha Hornby

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‘Blade Runner 2049’ Early Reactions Hit The Web

The first reactions to ‘Blade Runner 2049’ are up and they have us even more excited for Denis Villeneuve’s sequel. We’ve collected some of the spoiler-free tweets for your viewing pleasure, and as some advise, you may want to avoid the reviews if you want to avoid even the tiniest of spoilers!

‘2048: Nowhere To Run’: Latest ‘Blade Runner 2049’ Prequel Short Released

A new ‘Blade Runner 2049’ prequel short has been released, and this time it focuses on Dave Bautista’s character, Sapper. The short takes place just one year before the film, and we can expect to see more of Sapper in the film, as previous trailers have shown.

You can see Jared Leto in action as Niander Wallace in the previous prequel short that was released: ‘Nexus: 2036’

Blade Runner 2049 hits cinemas October 5th!

Watch This Space: September 4th – 10th

Every Monday we will be recommending films that are on TV that week, films playing at the cinema, and also remind you of those brilliant films hiding on streaming services, such as Netflix and Amazon Prime, and possibly in your own collection.

In Cinemas

IT: The highly anticipated ‘IT’, the second Stephen King adaptation to grace our cinemas this year, is released on Thursday! It’s been 27 years since we last saw Pennywise on screen, but this time he looks like he’ll really be inducing nightmares. We’ll have our review up early next week.

Patti Cake$: Last week we posted up our review of Geremy Jasper’s first feature length directorial effort. Sarah calls it “a delightful, uplifting comedy drama with a killer soundtrack“. Don’t let this one fly under your radar! 

Logan Lucky: Another film we reviewed last week,  Soderbergh’s ‘Logan Lucky’ hit cinemas at the end of last month and you’d be a fool to miss this one. With Adam Driver, Channing Tatum, and Daniel Craig delivering the charm and laughs, we think this is a must-see this month. 

On TV

Monday

Star Trek (1979): This 1979 sci-fi feature film debut for the crew of the USS Enterprise was made out of an un-used TV pilot. So with ready made costumes, sets and props, a film was green lit to rival ‘Star Wars’ and prove that Trekkies weren’t out of the space film race yet! This isn’t the easiest of watches, I warn you. It’s very slow, very of it’s time and very un-eventful. BUT it paved the way for twelve sequels, multiple new TV shows and a fan base to rival that of the Jedi. With the cast of the original 60s show back, you’re in good company, but don’t expect anything to knock your socks off JUST yet in the early voyages of Captain James T Kirk. Beam up on SyFy at 9pm

Unbreakable (2000): Still the best Shyamalan movie (in my humble opinion of course), ‘Unbreakable’ is also one of the most unassuming “superhero” films as well, with fascinating characters and an interesting narrative. With standout performances from Samuel L. Jackson and Bruce Willis, and with the recently announced sequel to ‘Unbreakable’ in the pipeline, what better time to watch it than right now…or this week at least!

 

Tuesday 

Gladiator (2000): The 2000 film that came from nowhere proved to be one of Hollywood’s biggest gambles – a genre that was pretty much dead in the water, leading actor Russell Crowe who was yet to break the big time and a story set in ancient history. ‘Gladiator’ did what it set out to do; redefine the historical epic, shine a light on a forgotten and fascinating culture and showcase top acting and crew talent for a thrilling, rousing and dramatic story of a Roman general who became a slave, who became a gladiator who then defied an Empire. It is quality film-making and it’s all presented in such a bombastic way that it hasn’t been bettered since and given us more swords and sandal epics than we deserve. Be entertained on Film4 at 9pm

Blades of Glory (2007): In 2007, Will Ferrell tried his hand at figure skating. If that sounds ridiculous, it’s because it is. What it also is, though, is a frequently funny romp that gives us some hilarious set-pieces, a brilliantly silly chase scene, and some surprisingly well thought out skating routines. Keep and eye out for the scene-stealing Will Arnett and Amy Poehler as the Van Waldenberg siblings, but the real stars are Will Ferrell (as funny as he’s ever been) and Jon Heder (the straight man to Ferrell’s joker who still has a fair few great lines of his own) as the two polar opposites are forced to work together. Witness the hilarity on Comedy Central at 9pm

Wednesday

Godzilla (1998): Roland Emmerich unleashes the Japanese created sumo-lizard in New York City, carrying the tag line “Size Does Matter” in perfect 90’s fashion. Matthew Broderick and Jean Reno give chase to the monster along with a group of baffled scientists and military personnel with plenty of comic relief. Buildings will shake if you forget the fish at 9pm on Sony Channel.

V for Vendetta (2005):  The year is 2028. The United Kingdom is a fascist police state, with political opponents, Jews, Muslims, atheists, immigrants, homosexuals and other “undesirables” executed. Hugo Weaving is the mysterious V, an anarchist and freedom fighter, wearing the infamous Guy Fawkes mask. Natalie Portman is Evey, a young woman who is recruited into V’s revolution. ‘V for Vendetta’ is THE dystopian political thriller to watch. And has never felt more ‘on the nose’ than in our current political climate. Be sure to join the revolution on SyFy at 9pm

Thursday

Kick-Ass 2 (2013): The follow up to the excellent ‘Kick-Ass’, about a young man called Dave (Aaron Taylor-Johnson) who puts on a mask to become Kick-Ass, an adequate crime-fighter. Chloe Grace Moretz reprises her role as the fowl-mouthed ultra-violent Hit Girl, with added Jim Carrey as Colonel Stars and Stripes. Throw in a new villain in Red Mist (Christopher Mintz-Plasse) and a supporting cast of loveable misfits, and Kick-Ass 2 is a fun grounded comic book movie that subverts expectations. Film4 at 11:25pm is the place to be. 

Friday

Resident Evil (2002): Up for a solid horror movie on a Friday night? Then look no further than Paul W.S. Anderson’s ‘Resident Evil’, the adaptation to the terrifying video-game series that scared millions. Whilst critics mostly panned the movie for its video-game aesthetic, it’s by far the best entry to the 7-film franchise. Catch Milla Jovovich and Michelle Rodriguez in the film that kick started the franchise at 10pm on 5*

Trainspotting (1995): Danny Boyle’s magnus opus ‘Trainspotting’, a masterclass of filmmaking that’ll have you immersed for its entirety. Follow Renton and his gang into the Edinburgh drug scene and all the grotesque imagery that comes with it, and with terrific performances from an incredible ensemble cast, this is a must see. You can catch this cult classic on Film4 at 1am.

This is England (2006): One of the best British films of the 21st century, This is England introduced the world to some exemplary world-class actors; Vicky McClure, Joe Gilgun and Stephen Graham among them. It is a hard-hitting and a difficult watch at times, but Midlands-based writer/director Shane Meadows always undercuts the drama with humour as well. This film tracks the ‘rise’ of a gang of skinheads in the 1980s, covering the music and fashion, as well as the much darker neo-Nazi side. Of course, this subject is unfortunately relevant today. If you do tune in to watch this film for the first time, I also highly recommend the TV series that followed. The acting is astonishing and heart-breaking. Catch the film on Film4 at 9pm

Hiding Online / In Our Collection

The Expendables 3 (2014): This is a fair entry into the series, but nowhere near as enjoyable as the second, and a very mediocre offering saved by seeing so many familiar faces clearly having a blast on screen. Ignore the youngsters if you can and just wait for the pay-off. With a cast including the likes of Sylvester Stallone, Wesley Snipes, Dolph Lundgren, Arnold Schwarzenegger, Harrison Ford, Mel Gibson, Terry Crewes and more, you know the bang for your buck you’re gonna get! But it’s a little more…family friendly this time, which is a shame.  If you enjoy this, I urge you to revisit the second film from 2012 which, to me, is the stand-out of this current trilogy.

Men in Black (1997): Will Smith and Tommy Lee Jones star as the relentless duo assigned to “Protect Earth from the Scum of the Universe.” Slick and comical with timeless entertainment and notorious Sci-Fi creatures, director Barry Sonnenfeld delivers an instant classic with charming wit and suave action built around a plethora of cool-as-they-get gadgets. Head over to Netflix and keep a hold of your memories.

 

A huge thank you to contributors this week: Chris Gelderd, Jo Craig, Corey Hughes, Sarah Buddery, Sasha Hornby, Fiona Underhill, and Rhys Bowen Jones

Jared Leto Introduces ‘Blade Runner 2049’ In Hologram Form

A hologram of Jared Leto appeared on the Hall H stage this evening to introduce ‘Blade Runner 2049’ to the crowd. Director Denis Velleneuve was asked why he decided to do this sequel, and his answer was because he “didn’t want someone else to fuck it up” – and if the incredible looking trailers are anything to go by, he certainly has a winner on his hands!

“Thirty years after the events of the first film, a new blade runner, LAPD Officer K (Ryan Gosling), unearths a long-buried secret that has the potential to plunge what’s left of society into chaos. K’s discovery leads him on a quest to find Rick Deckard (Harrison Ford), a former LAPD blade runner who has been missing for 30 years.”

Written by Tom Sheffield