Ocean’s Eight

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Year: 2018
Directed by: Gary Ross
Starring:  Sandra Bullock, Cate Blanchett, Anne Hathaway, Helena Bonham Carter, Rihanna, Mindy Kaling, Sarah Poulson, Awkwafina

WRITTEN BY FIONA UNDERHILL

The ‘all-female reboot’ has been a controversial trend in recent movies, none more so than ‘Ghostbusters’, a film which I loved, after growing up with and being a huge fan of the originals. Although many have been mooted (let’s pray the female ‘Lord of the Flies’ never happens), only two high-profile examples have come to fruition, with ‘Ocean’s Eight‘ being the second. These reboots have been unpopular with some men (the ‘Ghostbusters ruined my childhood’ crowd) and also some women, who believe we should have new, original and risk-taking material for teams of women to star in, instead of rehashing male-dominated franchises. I fall somewhere in between; I have mostly found them fun, but my biggest issue is that they don’t have women directors or predominantly female crews. The female empowerment aspect feels somewhat empty without the women being behind, as well as in front of the camera.

When I first heard about the cast of ‘Ocean’s Eight‘, I couldn’t help but get excited. As each name was announced and added to the impressive roster, the anticipation built. Then on-set photos were released, revealing the ultra-cool costuming, especially of Cate Blanchett’s character in her velvet suits and scarves. The press tour has blessed us even further in terms of spectacular outfits and great humour, chemistry and flirtations between the cast members. With a cast clearly having this much fun, making and promoting a film, it’s hard not to fall a little bit in love.

The film begins with Debbie Ocean (Sandra Bullock) blagging her way out of jail and immediately returning to her old criminal ways, which clearly run in the family. She contacts her old partner-in-crime Lou (Cate Blanchett), with whom she certainly shares a history, which seems both professional and personal. Debbie has spent her jail time (including deliberately landing herself in solitary) planning an elaborate heist (it wouldn’t be an Oceans film without one) and sets about assembling the team she needs. Key to the plan is fashion designer Rose Weil (Helena Bonham Carter), who Debbie recruits to dress film star Daphne Kluger (Anne Hathaway) for the event of the year – the Met Gala Ball. She wants Rose to pretend that she simply must have a 150-million dollar necklace from the vaults of Cartier to adorn the neck of Daphne and then the team can steal it. Further members of the team include diamond expert and forger Amita (Mindy Kaling), pickpocket Constance (Awkwafina), multi-talented suburban Mum Tammy (my favourite; Sarah Paulson) and lastly, in an inspired piece of casting, hacker Nine Ball (Rihanna).

The sparkling and in some cases, sizzling chemistry between the cast is definitely the main strength of this film. There is undeniable tension between Bullock and Blanchett especially, although the plot does hinge around revenge against Bullock’s ex-boyfriend (played by The Hobbit’s Richard Armitage). The glamour of the Met Ball is obviously a big selling point, including an abundance of celebrity cameos. The outfits, coupled with the actual exhibition of crown jewels makes for an impossibly beautiful backdrop and you cannot help but be sucked in by it. There is lots of humour, with Hathaway being particularly great as the spoiled film star who hasn’t eaten for days. Flavours of the familiar score from the original films are featured throughout, along with the trademark split-screen style.

Look, I don’t know what else to tell you. I watched this film in a gorgeous setting, with a cocktail, quality savoury snacks and a good friend. That may have prejudiced me in favour of this film, but so what? It’s meant to be an easy-going, fun, enjoyable ride for women (especially) to enjoy on a Friday night (as we did) and that’s exactly what it is. I really hope Rihanna continues making movies in exactly the vein of this and ‘Valerian‘ because it’s Rihanna and she does what the f**k she wants. As for the continuation of the ‘female reboot’ trend? It’s hard to say at this stage if I’m for or against. I certainly am here for films with amazing ensemble casts of incredible women. If they are new, original and have women directors, all the better.

FIONA’S RATING:

3

 

 

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The Heist Begins In The First Trailer For ‘Ocean’s 8’

“In Summer 2018, the tide will turn as Debbie Ocean attempts to pull off the heist of the century at New York City’s star-studded annual Met Gala. Her first stop is to assemble the perfect crew: Lou; Nine Ball; Amita; Constance; Rose; Daphne Kluger; and Tammy.”

Directed by: Gary Ross

Cast: Sandra Bullock, Cate Blanchett, Anne Hathaway, Mindy Kaling, Sarah Paulson, Awkwafina, Rihanna, Helena Bonham Carter

Release Date: June 22nd, 2018

First Official Ocean’s Eight Photo and Synopsis Released

‘Ocean’s Eight’ is an all-female spin-off to Steven Soderbergh and George Clooney’s 2001 ‘Ocean’s Eleven’ trilogy. The spin-off is set to focus on Debbie Ocean, the cousin of Danny Ocean (George Clooney) as she attempts to pull off a heist at a “star-studded annual Met Gala”. 

Debbie Ocean enlists the help of  Lou (Cate Blanchett); Nine Ball (Rihanna); Amita (Mindy Kaling); Constance (Awkwafina); Rose ( Helena Bonham Carter); Daphne Kluger (Anne Hathaway); and Tammy (Sarah Paulson) who all feature in the first picture released from Warner Bros. (below)

Also set to join the star-studded cast are Damian Lewis, Richard Armitage, Olivia Munn, Katie Holmes, James Corden, Kim Kardashian West, Kylie and Kendall Jenner, and Matt Damon is even rumoured to be reprising his role as Linus Caldwell, who we met in the trilogy. 

The synopsis Warner Bros. release with the picture is: 

“In Summer 2018, the tide will turn as (L-r) Debbie Ocean (Sandra Bullock) attempts to pull off the heist of the century at New York City’s star-studded annual Met Gala. Her first stop is to assemble the perfect crew: Lou (Cate Blanchett); Nine Ball (Rihanna); Amita (Mindy Kaling); Constance (Awkwafina); Rose ( Helena Bonham Carter); Daphne Kluger (Anne Hathaway); and Tammy (Sarah Paulson)”

Are you ready for Ocean and the ladies to hit the screen? Are you looking forward to this female-led spin off?

‘Ocean’s Eight’ currently doesn’t have a UK release date, but it scheduled to release on 8th June 2018 in the USA.

Written by Tom Sheffield

Oscars 2016: Best Picture Predictions

Written by Jakob Lewis Barnes

The approach of the winter months doesn’t just mean it’s time to go shopping for a new coat, because with the cold weather and shorter days comes a growing desire for people to discuss The Oscars. It may be more than four months until the 88th Academy Awards, but that doesn’t stop anyone speculating as to who the winners and losers will be on the big night. To be honest, I’ve been guessing since this year’s ceremony ended, and whilst guesses are all we have for now, The Academy certainly have a distinct pattern to their choices, hence the term “Oscar bait”. Here are the films that are likely to make the cut and be nominated in the Best Picture category.

And the nominees are…

Sicario
Arguably, this intense thriller from Denis Villeneuve (who directed the fantastic Prisoners) is the film which started the ball rolling with all this Oscars buzz. As one of the few films in this list that has actually been released in cinemas, I can offer my personal opinion of ‘Sicario’, and if it was up to me, this would be the winner. Whilst myself, and many others, love this gritty crime flick though, it’s unlikely that ‘Sicario’ will go further than a nomination.

Steve Jobs
Nothing gets The Academy’s attention like a biopic, and with the late founder of Apple taking centre stage in this Danny Boyle production, ‘Steve Jobs’ is about as relevant as they come. A fantastic cast, led by the very talented Michael Fassbender, and Academy favourite Kate Winslet in support, ‘Steve Jobs’ has been garnering praise from early viewings and could be the frontrunner for the Best Picture award.

Suffragette
If there’s anything The Academy loves more than a biopic, it’s controversy. A cast boasting some of the best actresses around – including Carey Mulligan and Helena Bonham Carter – should boost ‘Suffragette’ and allow the feminist movement to be represented next February. It also helps that various stars, including Meryl Streep herself, voiced their concerns over the lack of opportunities and equality for women at this year’s ceremony.

Bridge Of Spies
The man responsible for classics such as ‘Jurassic Park’, ‘Jaws’ and ‘Saving Private Ryan’, Steven Spielberg, is back, and has teamed up with legendary actor, Tom Hanks, for this cold war drama. Both of these men are probably sick of the sight of these trophies, but it is very likely that this winning recipe will earn them a few more nominations to add to their resumé.

The Revenant
One man who certainly wouldn’t mind getting hold of a golden statuette is Leonardo DiCaprio, and whilst we’re sure Tom Hanks could just lend him one for the weekend, we don’t think that would quite be the same. By hooking up with Tom Hardy, and last year’s big winner Alejandro González Iñárritu (director of Birdman), Leo may well have given  himself his best chance yet at grabbing a personal award and leading his film to glory. Could Iñárritu win back-to-back Best Picture awards?

Joy
Another winning team come together once again, to bring us ‘Joy’ this Christmas. Director David O Russell, who has received nominations for his last three films (The Fighter, Silver Linings Playbook and American Hustle), joins forces with Academy Award winner Jennifer Lawrence, and familiar faces Bradley Cooper and Robert De Niro, in what could be a perfectly crafted, Oscar-bait picture. Whilst unlikely to win the top gong, it would be a surprise to see this one snubbed.

The Lobster
The film festival circuit isn’t just a fun way to spend your summer, it’s actually a breeding ground for hot productions hoping to catch the eye of The Academy. Pretty much every year there will be one or two films that thrive in the quirky world of film festivals and make it to the big stage for The Oscars. With an interesting plot, big name stars in Rachel Weisz and Colin Farrell, and plenty of hype from critics, ‘The Lobster’ could well crawl its way into the Best Picture category.

Carol
The big success story from the film festival circuit however, is undoubtedly ‘Carol’. This film, which sees Cate Blanchett and Rooney Mara embark on a complicated lesbian relationship, has been lauded by critics all summer and will continue to be praised all the way through winter as it arrives in mainstream cinema theatres. It’s an outside shot, but this low-key, artistic offering could well beat the big names and steal the top prize next February.

So, with ‘Star Wars: The Force Awakens’ unlikely to get the nod from The Academy, in favour of something more stylistically brilliant (they don’t know what they’re missing), my money is on ‘Carol’ and ‘Steve Jobs’ to fight this one out.