22nd Online Film Critics Society (OFCS) Award Nominations Announced

The Favourite, Roma, and If Beale Street Could Talk top the nominations list for the 2018 Online Film Critics Society Awards (OFCS). The winners will be revealed 2nd January 2019. 


BEST PICTURE
Annihilation
BlacKkKlansman
Eighth Grade
The Favourite
First Reformed
Hereditary
If Beale Street Could Talk
Roma
A Star Is Born
Suspiria
You Were Never Really Here

BEST ANIMATED FEATURE
Incredibles 2
Isle of Dogs
Mirai
Ralph Breaks the Internet
Spider-Man: Into the Spider-Verse

BEST DIRECTOR
Alfonso Cuarón – Roma
Barry Jenkins – If Beale Street Could Talk
Yorgos Lanthimos – The Favourite
Spike Lee – BlacKkKlansman
Lynne Ramsay – You Were Never Really Here

BEST LEAD ACTOR

Christian Bale – Vice
Bradley Cooper – A Star Is Born
Ethan Hawke – First Reformed
Joaquin Phoenix – You Were Never Really Here
John David Washington – BlacKkKlansman

BEST LEAD ACTRESS
Yalitza Aparicio – Roma
Toni Collette – Hereditary
Olivia Colman – The Favourite
Regina Hall – Support the Girls
Lady Gaga – A Star Is Born

BEST SUPPORTING ACTOR

Mahershala Ali – Green Book
Adam Driver – BlacKkKlansman
Richard E. Grant – Can You Ever Forgive Me?
Michael B. Jordan – Black Panther
Steven Yeun – Burning

BEST SUPPORTING ACTRESS
Elizabeth Debicki – Widows
Regina King – If Beale Street Could Talk
Thomasin McKenzie – Leave No Trace
Emma Stone – The Favourite
Rachel Weisz – The Favourite

BEST ORIGINAL SCREENPLAY
Eighth Grade
The Favourite
First Reformed
Roma
Sorry to Bother You

BEST ADAPTED SCREENPLAY
BlacKkKlansman
Can You Ever Forgive Me?
If Beale Street Could Talk
Leave No Trace
Widows

BEST EDITING
The Favourite
First Man
Mission: Impossible – Fallout
Roma
Widows

BEST CINEMATOGRAPHY

Cold War
The Favourite
First Man
If Beale Street Could Talk
Roma

BEST ORIGINAL SCORE

Black Panther
First Man
If Beale Street Could Talk
Isle of Dogs
Suspiria

BEST DEBUT FEATURE

Ari Aster – Hereditary
Bo Burnham – Eighth Grade
Bradley Cooper – A Star Is Born
Carlos López Estrada – Blindspotting
Boots Riley – Sorry to Bother You

BEST FILM NOT IN THE ENGLISH LANGUAGE

Burning
Cold War
Roma
Shoplifters
Zama

BEST DOCUMENTARY

Free Solo
Minding the Gap
Shirkers
Three Identical Strangers
Won’t You Be My Neighbor?

 

Weekend BO Report: Disney Fails To Reach Number One As ‘M:I – Fallout’ Retains Top Spot

Written by Dapo Olowu

It promised to be a close weekend at the top of the charts, but ‘Mission: Impossible – Fallout’ ended up well clear of the competition, grossing over $10m more than ‘Disney’s Christopher Robin’ in second place. ‘Fallout’ posted $35.3m in its second weekend, just a mere drop of 42% from last week’s opening, for a domestic running total of $124.8m.

It’s the first time in the franchise where a second weekend has grossed over $30m domestically, and ‘Fallout’s good fortune continued overseas; a $76m take from 56 international countries ballooned its overseas total to a whopping $205m. The film lies just $3m short of being Paramount’s biggest film of the year after only 11 days of release, and will overtake ‘A Quiet Place’s worldwide total of $332.6m by the time you’ve finished reading this sentence.

Christopher Robin’s original estimates of around $30m proved to be quite bearish, as its actual $24.6m opening falls right in line with February’s ‘Peter Rabbit’. While the Winnie-the-Pooh adaptation had the slightly sweeter critical reception (68% vs. 63% on the Tomatometer, and an A vs. A- on Cinemascore), the sheer amount of competition this week limited the Disney film’s audience – and with a budget of $75m, ‘Christopher Robin’ will hope to better ‘Peter Rabbit’s $115.3m domestic gross, and at least mirror its $350.7m worldwide total.

One film that won’t get anywhere close to that number is action-comedy, ‘The Spy Who Dumped Me’, starring Mila Kunis, Kate McKinnon, and Justin Theroux. The film, directed by Susanna Fogel and skewed heavily (62%) towards female viewers, failed to put up a fight with only $12.1m, just under our $14m Friday prediction.

The real story here, is its inflated $40m budget that would require well over a $100m gross for the film to break-even – a target that only one out-and-out comedy has managed this year (‘Game Night’ with $117.4m). It’s the same story with other comedies this year, with ‘Life of the Party’, and ‘I Feel Pretty’’s similar-sized budgets failing to set the Box Office alight. What ‘The Spy Who Dumped Me’ will hope for is to leg it out, as only ‘The Happytime Murders’, featuring Melissa McCarthy and coming out at the end of August, provides any R-rated comedy competition for Kunis & co.

Mamma Mia! Here We Go Again’ found its voice this week to earn $9.1m, leaving it just $9m away from reaching $100m domestically. Denzel Washington’s ‘The Equalizer 2’ grossed $8.8m, and is tracking at exactly the same pace as the first film, with $79.8m after the second weekend. Losing 850 cinemas, but still coasting along with a solid $8m this weekend, was ‘Hotel Transylvania 3: Summer Vacation’, coming in ahead of ‘Ant-Man and The Wasp’s $6.4m.

If there was any hope for a YA dystopian revival, then Jennifer Yuh Nelson’s bomb ‘The Darkest Minds’ killed it off with just $5.8m off a $34m budget. Stars Mandy Moore, Amandla Stenberg, Bradley Whitford, and Gwendoline Christie couldn’t save this adaptation of Alexandra Bracken’s popular book, which will be lucky to even finish at $20m domestically. Fox’s dreams of a potential sequel are now dashed, and they’ll want to save face in the ancillary markets of the Box Office, with any hopes to at least break-even resting on Blu-Ray and digital sales.

Disney’s ‘Incredibles 2’ will have no such worries, after earning $5m to close to in on that $600m domestic mark. The top ten is then rounded off by ‘Teen Titans Go! To The Movies’, losing its power with just $4.8m, as expected. Other wide releases, A24’s comedy-drama ‘Eighth Grade’ and Dinesh D’Souza’s controversial documentary ‘Death of a Nation’ battled for 12th and 13th place; ‘Eighth Grade’ earning $2.9m from 1,084 cinemas, while ‘DoaN’ made just $2.4m from 1,005.

How impressed are you with ‘Mission: Impossible – Fallout’s second weekend hold? Did Christopher Robin disappoint, or was it in-line with your expectations? Let us know your thoughts on Instagram and Twitter – we’re at @JUMPCUT_ONLINE.

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Weekend BO Predictions: Close Finishes Expected In This 5-Star Weekend

Written by Dapo Olowu

We may be cooling on the summer blockbusters, but that doesn’t stop the competition from hotting up, as five (yes, five) new films enter wide release in the U.S. this weekend. Leading the bunch is Disney’s ‘Christopher Robin’, starring Ewan McGregor, Hayley Atwell, and directed by ‘World War Z’ and ‘Finding Neverland’s Marc Forster. The comedy-drama follows Winnie-the-Pooh and friends teaming up with an older Christopher Robin, who has lost his sense of imagination.

While the film aims to please both critically and commercially, its middling reviews (60% on the Tomatometer coupled with a 59 Metascore) may see it open similarly to another ‘so-so’ animal-based CGI/live-action mix from earlier this year, ‘Peter Rabbit’. That opened to a solid, but unspectacular $25m back in February, alongside ‘Fifty Shades Freed’ and ‘The 15:17 to Paris’. Although the increased competition could be a hindrance, Disney’s brand power could see an opening for ‘Christopher Robin’ hit close to $28m.

This would mark McGregor’s 2nd biggest non-franchise opening, behind only 2005s ‘Robots’ ($36m). It won’t be enough for the top spot, however, as Christopher McQuarrie’s action-thriller ‘Mission: Impossible – Fallout’ hopes to manage a drop under 50% for its second weekend, a feat that ‘Rogue Nation’ accomplished back in 2015. While ‘Fallout’ should earn just under $32m — to push it well over the $100m domestic mark and the $200m global total, the hope now is for its stellar reviews to help it leg out as the summer tentpole season comes to an end.

Kate McKinnon and Mila Kunis team up for ‘The Spy Who Dumped Me’, an R-rated action-comedy that hopes to better the former’s last effort, ‘Rough Night’, which opened to just $8m on its way to a $22.1m domestic gross and a $47.3m worldwide total. A 40% on the Tomatometer and having 4 other new films vying for a general audience could see this open to less than ‘Tag’, which earned $14.9m in its first 3 days just a month and a half ago. A $14m gross will be enough for third place, ahead of ‘The Darkest Minds’, which is caught in a tight battle with ‘Mamma Mia! Here We Go Again’.

It’s safe to say that the YA dystopian era of films has been left behind. While young adult movies are broad enough to encompass everything from ‘Harry Potter’ to ‘The Fault in Our Stars’, the YA dystopian genre peaked with ‘The Hunger Games’, fell with ‘The Divergent’ series, and finally ended this year with the last ‘Maze Runner’ film. This raises the question as to why Amandla Stenberg’s ‘The Darkest Minds’, directed by Jennifer Yuh Nelson and featuring a group of teens with special powers running from the government, wasn’t released years ago.

Still, this is a Box Office article so I’ll leave the reviews to the better-equipped JUMPCUT team. It features a poor 39 Metascore, and just 15% on Rotten Tomatoes (with only 6 positive reviews), meaning I can’t even see this reaching the numbers of 2016s ‘The 5th Wave’ ($10.3m opening), let alone getting close to Stenberg’s biggest hit, ‘The Hunger Games’ ($152.5m opening). An $8.5m opening will just be enough to clear ‘Mamma Mia 2’, which should earn around $8.3m.

The Equalizer 2’ aims to stabilise this weekend after its 62% fall 7 days ago, to earn $7m, while ‘Hotel Transylvania 3: Summer Vacation’ should reach $300m worldwide this weekend with a $6.5m domestic take. Marvel’s ‘Ant-Man and The Wasp’ finally opens in the U.K., which should pad its already-comfy $212.2m international gross., and in the U.S. it aims to earn $5m more to bring it closer to a $200m domestic total. Animation ‘Teen Titans Go! To The Movies’ looks to make around $5m too, and ‘Incredibles 2’, which recently became the fastest animated film to reach $1bn, will continue its journey with a $4m gross.

Finally, although both won’t reach the top ten, it’s a race for the better finish between the last two wide releases of the weekend, with A24s coming-of-age comedy-drama, ‘Eighth Grade’, boasting 98% on the Tomatometer, facing off against Dinesh D’Souza’s controversial documentary, ‘Death of a Nation’. ‘DoaN’, which aims to emulate ‘RBG’ and ‘Won’t You Be My Neighbor’ by joining the club of successful 2018 documentaries, carries an impressive 0% on Rotten Tomatoes, and has been dubbed one of the worst films of the year. Still, this won’t stop it from beating out ‘Eighth Grade’s first-time director Bo Burnham, with a $3m gross compared to the latter’s $2.9m.

But what do you think? Will ‘Death of a Nation’ succeed? Will ‘Christopher Robin’ rise above ‘Mission: Impossible 6’? Let us know your thoughts on Twitter and Instagram – we’re at @JUMPCUT_ONLINE.

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Weekend BO Report: ‘Mission: Impossible – Fallout’ Delivers Franchise-Best Opening As Other Films Fall Out Of Love

Written by Dapo Olowu

It’s been a mixed year for Paramount Studios so far, with the studio delivering Box Office flops in Johnny Knoxville’s ‘Action Point’, ‘Sherlock Gnomes’, and critical darling ‘Annihilation’, but also releasing Box Office bombshells, ‘A Quiet Place’ (6th biggest horror movie of all time) and leggy rom-com, ‘Book Club’. The introduction of ‘Mission: Impossible – Fallout’, starring Tom Cruise, Ving Rhames, Rebecca Ferguson, and Simon Pegg, makes it an even split in the disappointments vs. successes battle, as its $61.2m opening means it’s not only the studios biggest opening of the year, but the franchise’s biggest too.

The potential for this to beat the $57.8m of ‘MI2’ was evident; ‘Fallout’s franchise-best 98% on the Tomatometer was coupled by an A on Cinemascore, the only time the series has bettered an A-. Its gender-split of 55% male was an improvement on the more skewed audience profile of ‘Rogue Nation’s opening and, although the opening itself is only the 8th biggest of the year so far, it marks Tom Cruise’s 2nd best – just behind 2005s ‘War of the Worlds’ ($64.9m). Globally, ‘Fallout’ has hit $155.8m off a $178m budget, a fantastic start for the star-studded action-thriller.

In one of the biggest drops of the weekend, ‘Mamma Mia! Here We Go Again’ made just $15.1m (-57%) in a classic case of sequel-itis. The seemingly front-loaded musical now sits on a strong $70.5m in the U.S., and a whopping $167.9m worldwide, after just 2 weekends in release. Blasting in with $14m is ‘The Equalizer 2’, which was hit hard by ‘Fallout’, resulting in a 61% drop. ‘Hotel Transylvania 3: Summer Vacation’ earned $12.3m and is now just $50m away from franchise-best ‘Hotel Transylvania 2’s domestic total of $169.7m.

If ‘Fallout’ was a success, then ‘Teen Titans Go! To the Movies’ was the opposite, pulling in just $10.4m in its first 3 days (although its $10m budget means Warner Bros. won’t lose too much sleep over it). The issue here was two-fold: there were already two major animated films out this week, in ‘HT3’ and record-breaking ‘Incredibles 2’, and the film has a very specific audience (i.e. fans of the TV show) making this a tight squeeze. What this resulted in was ‘Teen Titans’ becoming the first superhero movie since ‘Fan4stic’ not to debut at number one. The film that did sit atop the charts back then, in August 2015? ‘Mission: Impossible – Rogue Nation’.

Ant-Man and The Wasp’ continues to fly high, earning $8.8m to close in on the $200m domestic mark, and it is currently just $4m away from $400m worldwide (without China, Japan, Germany, or the U.K., mind you). ‘Incredibles 2’ is now just under $1m away from reaching $1bn globally, after earning $7.3m this weekend in the U.S., while ‘Jurassic World: Fallen Kingdom’ made $6.7m. Finally, ‘Skyscraper’ and ‘The First Purge’ round off the top ten with $5.3m and $2.2m alike.

So, ‘Mission: Impossible – Fallout’ reached the $60m mark, but ‘Teen Titans Go! To The Movies’ disappointed in a weekend with big weekend drops. What were you expecting? Let us know your thoughts on Instagram and Twitter – we’re at @JUMPCUT_ONLINE.

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Weekend BO Predictions: ‘Mission: Impossible – Fallout’ To Cruise To A Franchise Best Opening

Written by Dapo Olowu

The last weekend in July sees Tom Cruise’s first film in a year, ‘Mission: Impossible  – Fallout’, come up against a nice dose of counter-programming in ‘Teen Titans Go! To The Movies’. While it’s inevitable that ‘MI6’ will cruise to a win against the animated comedy (and to first place this weekend), the real question is, what will this film open to?

After the semi-death of the ‘Transformers’ franchise last summer (although its reboot this December may mean there’s life in it yet), Paramount’s only real profit-churning franchise is the ‘Mission: Impossible’ series. They’re a group of films that have all increased steadily in budget with each sequel, but have opened to a high of just $57.8m, achieved 18 years ago with ‘MI2’. The same film earned the franchise’s biggest domestic gross of $215.4m, while Brad Bird’s 2011 release ‘Ghost Protocol’ made $694.7m worldwide — the highest to date.

Now, with a production cost of at least $180m (Cruise’s injury actually ballooned the budget to well over $200m, but an insurance payout deflated this), ‘MI6’ needs to be the franchises big breakout, and boy do they deserve it. ‘MI6’ is coming after two films with a 93% rating on the Tomatometer, and its own 98% (and 86 on Metacritic) means it’s supposedly the best yet.

‘MI6’ sees Cruise back as the iconic Ethan Hunt; alongside Ving Rhames, Rebecca Ferguson, and Simon Pegg, we see Angela Bassett and Henry Cavill added to the Impossible Mission’s Force — and, hopefully, we’ll also see it becoming the first film to do the impossible and open to over $60m. We’re foreseeing a $63m gross, which’ll serve as Cruise’s second biggest opening, just behind ‘War of the Worlds’ in 2005 ($64.9m).

It’ll be another second place finish for ‘Mamma Mia 2’, as it aims for a similar drop to 2012s ‘Les Miserables’, to bring in around $20.6m. Just behind will be one of 3 animations in the top ten, ‘Teen Titans Go!’, which proved quite difficult to predict. Based on the TV show, and starring beloved superheroes like Robin, Cyborg, Raven, Batman, Wonder Woman, and Nicholas Cage (!) as Batman, this could go as high as ‘The Lego Movie’ ($69.1m), or as low as, well, anything. Its 88% on the Tomatometer hints towards the former and a $10m budget means a small opening may not spell trouble, but it’s most likely that these young bucks will fight their way to a $20m opening.

After the shock debut of Denzel Washington’s ‘The Equalizer 2’ last week, it’ll be back to normal in the next 3 days with a 50%+ drop, to post just under $17m. The introduction of ‘Teen Titans Go!’ may lead to some audience crossover with ‘Hotel Transylvania 3’, but the latter should hold strong to earn over $14m, clear of ‘Ant-Man and the Wasp’s $10.4m. The MCU sequel will pass the domestic gross of 2015s ‘Ant-Man’ this weekend and could even pass the entire worldwide gross of Disney flop ‘Solo: A Star Wars Story’, if its international markets perform well.

Incredibles 2’ will continue its superb run as it closes in on the $1bn worldwide mark with over $8m this weekend, just ahead of ‘Jurassic World 2’ with $7.5m. Finally, ‘Skyscraper’ and ‘The First Purge’ round off the top ten, looking to gross $5.7m and $2.5m each.

Is ‘Teen Titans Go!’ to become a hit like ‘The LEGO Movie’? Will ‘MI6hit that magical $60m mark, or will it fall just short like the rest? Let us know your thoughts on Twitter and Instagram – we’re at @JUMPCUT_ONLINE.

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Weekend BO Report: ‘The Equalizer 2’ Guns Down The Competition In A Tight Finish

Written by Dapo Olowu

It’s weekends like these that remind me why I love the Box Office. Just when you thought ‘Mamma Mia: Here We Go Again!’ would dance away with the number one spot, it was Antoine Fuqua’s ‘The Equalizer 2’ that had the last laugh — earning $36m in its opening weekend, just $1m above ‘Mamma Mia 2’s $35m. ‘E2’, Denzel Washington’s first ever sequel, went into Saturday $1m below MM2’ but had the benefit of not being as front-loaded, with Friday making up just 37% of its weekend gross (compared to ‘MM2’s 41%). This may be down to ‘MM2’s skewed opening audience (83% women) but nevertheless, it’s a solid start for both.

The opening of ‘E2’ marks Denzel Washington’s 3rd biggest ever, behind 2007s ‘American Gangster’ ($43.6m) and 2012s ‘Safe House’ ($40.2m); it’s also Antoine Fuqua’s biggest, beating another Denzel-collab, 2016s ‘The Magnificent Seven’ ($34.7m). Meanwhile, ‘MM2’s officially the third biggest musical opening of all time, just ahead of ‘Enchanted’ ($34.4m), and although the film probably won’t reach a 5.19x opening weekend multiplier like ‘MM’ did in 2008, a strong finish is still expected. The musical also opened to $42.4m overseas, including $13m from the U.K.

On a studio level, this marks a second consecutive weekend at the top for Sony, whose last double triumph was back in January, when ‘Jumanji 2’ brought in the new year at number one for three straight weeks. Looking forward to next weekend, Sony would be lucky to remain in the top 3, with the introduction of Tom Cruise’s ‘MI6: Fallout’ and DC animation, ‘Teen Titans Go! To The Movies’.

On the topic of Sony, ‘Hotel Transylvania 3’ had the biggest 2nd week drop in the franchise, falling nearly 50% to post a $23.8m gross. It’s already made $208.1m worldwide since its release, marking a very prosperous few weeks for the company who’ve had a mixed year so far. In fourth place was ‘Ant-Man and the Wasp’ earning a solid $16.5m to leave it $15m shy (in just its 3rd weekend) of equalling the $180.2m domestic total made by ‘Ant-Man’ 3 years ago.

With the smallest drop of the weekend, ‘Incredibles 2’s $11.9m gross (a fall of just 27%) leaves it under $50m away from being the 3rd film of the year to reach $600m in the U.S., and just $60m away from making $1bn worldwide. The Rock’s ‘Skyscraper’ only just made it past ‘Jurassic World: Fallen Kingdom’, making $11.4m compared to ‘JW2’s $11.3m. Although the former was able to open in China to $47m (during the Chinese cinema’s Hollywood blackout period, too), this still won’t be enough to save it from being a flop.

Horror, ‘The First Purge’, produced no shocks, earning in-line with our expectations ($5.1m), while BH Tilt’s ‘Unfriended: Dark Web’ grossed just $3.7m from 1,546 cinemas. Finally, Boots Riley’s ‘Sorry to Bother You’ added nearly 250 cinemas to its roster, but couldn’t improve its total from last week, finishing with just $2.9m.

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Weekend BO Predictions: Two New Releases Go Head-to-Head For Top Spot, But Only Will Be Crowned The $30m Dancing Queen

Written by Dapo Olowu

Three new sequels aim to please U.S. audiences this weekend, with star-studded ‘Mamma Mia: Here We Go Again!’, Denzel Washington’s ‘Equalizer 2’, and Blumhouse’s ‘Unfriended: Dark Web’ dropping into thousands of cinemas each. ‘Mamma Mia 2’, the successor of the 2008 bombshell that hit a high note of $615.7m worldwide (4th biggest musical ever), is set exactly 10 years on from the first and sees the return of (but not limited to) Donna (Streep) and Sophie (Amanda), and the introduction of Andy Garcia and Lily James.

Hoping to better ‘Mamma Mia’s unspectacular $27.8m opening, ‘MM2’ will also be aware that any opening above $30m would ensure it’s one of the 5 biggest Musical openings ever – and with a warm reception (80% on the Tomatometer), this may just happen. We’re expecting a gross around $36m, to sit comfortably between 2007s ‘Enchanted’ ($34.4m) and 2008s ‘High School Musical 3’ ($42m), but a far cry from 2017s ‘Beauty and the Beast’ in number one ($174.8m).

It’s not the size of the opening that matters here, however, as musicals generally have strong Box Office lungs (‘The Greatest Showman’ is still in U.S. cinemas 8 months on). The previous film in 2008 achieved a phenomenal 5.19x opening weekend multiplier, for a domestic finish of $144.1m. ‘MM2’ is destined to be more front-loaded, but a domestic finish over $100m is almost ensured, and a huge worldwide gross to offset its $70m production cost is a guarantee, leaving many wondering, why didn’t this film come sooner?

Two Sony films battle for second place in ‘Hotel Transylvania 3’ and ‘Equalizer 2’, and it’s looking like a close fight between the pair. While ‘HT3’ is looking to check in ahead of its prequels at just over $26m, Denzel Washington’s first ever sequel ‘E2’ is failing to hit ‘The Equaliser’s target of $34.1m – a target that then reached $101.5m in the States and $192.3m worldwide. ‘E2’s underwhelming RT score pales in comparison (41% vs. 60%), and is looking at a drop similar to ‘London Has Fallen’, which opened at 29% under director Antoine Fuqua’s ‘Olympus Has Fallen’ back in 2016. A similar-ish drop gives both Fuqua and Denzel (in their 4th film together) a $25.5m opening, a long-shot away from original tracking of over $30m.

The shoot-em-up sees Denzel back as Robert McCall, the retired CIA Blacks Ops operative, avenging the death of an old friend. It stars Pedro Pascal and Ashton Sanders, as well as Bill Pullman and Melissa Leo. It’s cast, like ‘MM2’ is stacked with talent, but unlike ‘MM2’, which is opening in 41 markets worldwide, news on ‘E2’s international release is limited, and with ‘Mission: Impossible – Fallout’ opening next weekend, ‘E2’ may find itself outgunned very quickly.

This weekend also sees ‘Ant-Man and the Wasp’ in its 3rd weekend, and this looks to stabilise after a heavy 2nd weekend fall with $14.8m. The disappointment of ‘Skyscraper’ looks to continue, as it’ll earn just over $10m, just above ‘Incredibles 2’ as the latter continues its impressive run. Universal’s ‘Jurassic World: Fallen Kingdom’ will aim to earn close to $9.7m, and ‘The First Purge’ and ‘Sorry to Bother You’ will gross $5.1m and $4m each.

Rounding off this weekend is Blumhouse Tilt’s ‘Unfriended: Dark Web’, the $1m-budgeted horror looking to cause a scare In the top ten. Opening in just 1,500 cinemas (like most of BH Tilt’s releases), the film acts as a stand-alone sequel to 2014s ‘Unfriended’, with a completely different cast, including ‘Get Out’s Betty Gabriel, and Colin Woodell. Opening in over 1,000 cinemas less than ‘Unfriended’ means any chances of ‘U2’ opening close to the former’s $15.8m is near impossible, and should earn around $4m, in-line with BH Tilt’s other releases.

With one of the first weekends ever where 8 sequels making up the top ten is upon us, what do you think will be the biggest surprise? Will ‘Mamma Mia 2’ dance ahead of the pack, or will ‘Equalizer 2’ hunt down the competition? Let us know your thoughts on Instagram and Twitter – we’re at @JUMPCUT_ONLINE.

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Weekend BO Report: ‘Skyscraper’ Fails To Hit Predicted Heights

Written by Dapo Olowu

Hotel Transylvania 3: Summer Vacation’ coasted to first place in the domestic Box Office this weekend, marking the third time a film in the franchise debuted atop the U.S. charts. Its $44.1m gross, in-line with the $42.5m made by ‘HT1’ and the $48.5m earned by ‘HT2’, came from an audience which gave the animated-comedy an A- on Cinemascore (exactly the same as its predecessors).

Its domestic gross was also complimented by an overseas total of $46.4m across 44 countries (including topping the charts in over 30 territories), making enough to top the international charts too. Made on an $80m budget, the film follows Dracula (Sandler) and his family (Samberg and co) taking time off from running the hotel to get a holiday of their own. They can’t rest too easily, however, as competition, in the form of ‘Teen Titans Go! To The Movies’, hits cinemas in just 2 weeks.  

Earning $15m less than ‘HT3’ was ‘Ant-Man and the Wasp’, dropping like a fly in its second weekend, to post $29.1. Its 62% fall was reminiscent of MCU-fan favourite ‘Spider-Man: Homecoming’, which saw a similar drop in its second weekend, after the release of ‘War for the Planet of the Apes’. ‘SM:HC’, of course, rebounded for a domestic finish of $334.2m. A similar multiplier for ‘Ant-Man 2’ gives a U.S. total of $216.8m — a healthy return for a film yet to open in China, and for one not expected to truly break-out at all.

If ‘Ant-Man 2’s performance this week was disappointing, then The Rock’s ‘Skyscraper’ was all but a flop. Earning just $24.9m in its first 3 days from a $125m budget, it marks Dwayne Johnson’s worst opening since last May’s ‘Baywatch’. While a year may not seem long for us mere humans, it actually marks a period in which 4 (yes, 4) films starring The Rock have been released. It’s average B+ on Cinemascore, nor its 50% on the Tomatometer, can save ‘Skyscraper’ from being a domestic bomb.

The film only made $40.4m in international markets, as numbers across the globe continue to make for a depressing viewing. The film (co-financed by a Chinese-owned company) now relies heavily on the Chinese market, where it doesn’t open until Friday, to recoup the large amounts of money spent. The hope here is that Dwayne Johnson-fatigue hasn’t set in, unlike in the U.S., where audiences may just be a little too used to his presence on the big screen.

Incredibles 2’ held well against strong competition to gross a remarkable $16.3m in its 5th weekend, for a domestic total of $535.9m. This makes it the 9th biggest domestic film of all time, taking the place of ‘The Dark Knight’ (which started 2018 in 7th place). Its global take of $858.5m is the most impressive figure here, as the film hasn’t yet opened in countries such as Germany, Japan, South Korea, and Italy. The aim now is for ‘I2’ to join the list of only six (‘Frozen’, ‘Minions’, ‘Toy Story 3’, ‘Despicable Me 3’, ‘Finding Dory’ and ‘Zootopia’) animated films to break $1bn.

Jurassic World: Fallen Kingdom’ continued to perform well this weekend, earning $16.2m in the U.S., as well as a Universal Studio-record $12.7m opening in Japan — making a $364m domestic and $1.14bn global total respectively. Horror, ‘The First Purge’, delivered well against expectations, dropping by just 46% to earn $9.3m. Possibly the biggest surprise this week was Boots Riley’s ‘Sorry to Bother You’ earning $4.2m to reach 7th place, beating our $2.6m predictions by Saturday afternoon. This was more than enough to leapfrog ‘Sicario: Day of the Soldado’ ($3.9m), ‘Uncle Drew’ ($3.2m), and ‘Ocean’s 8’ ($2.9m), who are likely to leave the top ten after this week.

Just how badly will ‘Skyscraper’ do? Was it to be expected? Let us know your thoughts on Instagram and Twitter – we’re at @JUMPCUT_ONLINE.

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Incredibles 2

Year: 2018
Directed by:
Brad Bird
Cast:
Craig T. Nelson , Holly Hunter, Sarah Vowell, Huck Milner, Samuel L Jackson

Written by Lucy Buglass

It’s safe to say that ‘Incredibles 2′ was my most anticipated film of the year. The original ‘Incredibles’ film ended in a way that left it wide open for a sequel, but that sequel never came until now, 14 years later. Although I was very excited when the sequel was confirmed, I also felt very nervous. What if it wasn’t the same? What if it was forced and uninspired? Too many times we’ve seen film sequels that failed, and I was keeping everything crossed that ‘Incredibles 2′ wouldn’t fall into this category. The original was too good to have a bad sequel!

Thankfully, I thought the film met all my expectations. It’s a direct continuation of the first, picking up where we left off with the Underminer. This made me smile instantly as I was so glad we were getting a resolution there rather than just jumping into an entirely new story. The opening scene is amazing and really sucks you in, reminding you of the first and radiating a wonderfully nostalgic aura. It made me realise just how much I appreciated the first one, whilst still feeling excited about what was to come over the next two hours. The action sequences throughout are particularly stunning, but the first one stood out to me the most as we saw the family fighting together again. Not a lot of time had passed in the cinematic universe, but for us on the outside it had been years since we’d seen them fighting evil together.

This time, Elastigirl / Mrs Incredible takes a much more central role. I thought it was great to explore her abilities more and see how Mr Incredible handles life back home with the kids, contrary to the events of the original film. Whilst Elastigirl is out on a new mission to potentially legalise superheroes again, Mr Incredible has to adopt a more familial role and care for Violet, Dash and Jack Jack. Much like the first, ‘Incredibles 2′ explores how supers balance home life with super life, with hilarious results. Amongst the three children, Jack Jack really steals the spotlight as his powers gradually become known, causing chaos for his dad and siblings, and lots of laughs for the audience. I’m so glad he was explored more in the sequel as his powers were hinted at previously, but never really showcased as much as I would’ve liked. He’s turned into one baby you don’t want to mess with!

The villain in ‘Incredibles 2′ is a great antagonist, and on par with Syndrome in my opinion. It’s difficult for me to fully illustrate why without giving away some big spoilers, but the character’s motivations and abilities really are a joy to watch. They’re the epitome of the term “super villain” and embody everything we’d expect from someone who’d want to bring chaos to the world. But don’t think that makes them generic; they’re an incredibly well-rounded character with lots of depth, something that I have huge amounts of praise for. You have to see it to know what I’m talking about, but I sincerely hope you agree.

As well as the introduction to this new villain, we also meet some new supers with some fun new powers who end up playing big parts in the final act of the film. A lot of work has clearly gone into bringing them to life and giving them all different personalities and powers, which differed from the heroes referenced in the first one. I really am in love with the ‘Incredibles’ universe and everything about it, from the characters to the set design to the soundtrack. Even 14 years on, it felt like we’d never left.

Once again, Brad Bird knew exactly how to balance the right amount of humour with serious moments, without overdoing either. The script has enough to entertain both children and adults alike, and my audience were certainly engrossed no matter how old they were. I’m so glad we were given a well structured, thought provoking and thoroughly entertaining sequel that didn’t exist just to cash in on a franchise name. It was so wonderful to see the Parr family back in action again, and I left the cinema with a huge smile on my face because of it. If the ‘Incredibles 3′ is happening and is good as both predecessors, consider my ticket booked already.

Lucy’s Rating:

5