JUMPCUT All The Way: The Holiday (2006)

Directed by: Nancy Meyers
Starring: Kate Winslet, Jack Black, Kate Winslet, Jude Law, Eli Wallach

Written by Fiona Underhill

The Holiday starts with a montage and a monologue which encapsulates everything good about this film – it is scored to Hans Zimmer’s beautiful music (maybe Zimmer’s best score? Yes, I’m glad you agree) and has Kate Winslet’s Iris espousing on love and life in voice-over over images of our central four characters. So; in London, there is Iris and her brother Graham, played by Jude Law (the best character called Graham to ever exist?) and in LA, there is Amanda (Cameron Diaz) and Miles (Jack Black). We also meet our villain Jasper (the delectable Rufus Sewell) in the first few minutes – he works at the same newspaper as Iris, they have had an “on-again/off-again” thing for some time (she is still very much in love with him), then tragedy strikes – his engagement to another woman is announced to the whole office and Iris’ beautiful face has to take in this news and try to hold it together. I’m getting emotional just thinking about it.

I’m willing to fight anyone who does not think that Winslet’s performance as Iris is in the top ten, if not the top five performances of her career. This opening section is extremely reminiscent of Bridget Jones’ Diary (with its newspaper setting, a woman in her 30s being in love with her male colleague) but for me, it is way better and Winslet’s performance is one of the main reasons for this.

We cut to Los Angeles, where of course, Diaz’s Amanda is also unlucky in love – she throws her cheating boyfriend (played by Ed Burns – remember him?) out of the house. Amanda owns a company that makes movie trailers and this means that there is an amazing scene early on where she is working on a trailer starring James Franco and Lindsay Lohan with her two colleagues played by John Krasinski and Kathryn Hahn. Things get surprisingly dark for a rom-com as Iris inhales gas from her oven – “low point” – and it is at this moment that salvation comes from a bing on her laptop. Amanda makes the decision that she needs to get away for Christmas, so she starts searching for vacation properties and comes across a cosy cottage in Surrey, owned by – you guessed it – Iris. The two unhappy women decide to do a house-swap for two weeks and away we go.

Diaz is perhaps the one weak-link of the central four for me, but she does demonstrate some physical comedienne prowess whilst slipping and sliding her way down an icy and snowy country lane to Iris’ cottage. She almost immediately begins to regret her decision until there is a knock on the door in the dead of night. It is drunk Graham (it’s only really hitting me now, after multiple re-watches, how funny that name is) and understandably, there is an immediate spark. It is the next morning, however, that Jude Law truly gets to shine in the role because he PUTS ON GLASSES.

Meanwhile in Los Angeles, Iris is enjoying Amanda’s palatial home and the sunshine and quickly meets film composer Miles, who visits and tells her about the Santa Anas (I learned everything I know about these crazy winds from The Holiday and Crazy Ex-Girlfriend). Miles has an actress girlfriend played by Shannyn Sossamon (remember her?), showing that Jack Black clearly has game in this movie. She also meets her neighbour Arthur (Eli Wallach), who it turns out was a screenwriter during the golden age of Hollywood. One of my favourite things about this film is that it is a love letter to old Hollywood. This film features a pre-Oscar Kate Winslet seeing an Oscar and gasping and I DO NOT KNOW WHAT ELSE YOU WANT FROM A MOVIE. Arthur gives Iris a watch-list of old movies, filled with women with “gumption” and she realises that she should be “the leading lady of her own life” – sniff. Iris even throws a Hanukkah party for Arthur and his friends (this film has all your holiday bases covered).

Back in England, Amanda comes to the realization that we’ve all had about Jude Law – that he is a DADDY. It starts to come to the end of their time together and weepy Graham tells Amanda he loves her. Jasper visits Iris in LA because of course he does. Jasper is one of the most realistically awful men to ever grace a cinema screen – we have all known a Jasper. In LA, the culmination comes with a fancy event at the Writer’s Guild of America, celebrating Arthur’s career. The ending of this movie is one of the happiest endings of all time and I’m positively glowing just thinking about it.

The Holiday is one of the best Christmas movies of all time, with a quality cast on their A-game. Winslet will have you sobbing into your egg-nog and Law will have you melting into your crackling open fire. It is eminently re-watchable, even when it’s not Christmas – it warms my cockles all year round. If you’ve never seen it, now is the time to question all of your life choices and get it into your eyeballs as fast as a one-horse open sleigh. If you’ve seen, now is the time to incorporate it into your annual Christmas-viewing traditions – just try not to get the wrapping paper soggy with tears.

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Wonder Wheel

Year: 2018
Directed by: Woody Allen
Starring: Kate Winslet, Jim Belushi, Justin Timberlake, Juno Temple, Max Casella.

WRITTEN BY HUNTER WILLIAMS

“Men can’t be trusted”, says Kate Winslet, in one of her best performances in more than a decade. Under a different director, reading that wouldn’t be as uncomfortable, but only prolific writer-director Woody Allen could mistakenly emphasize such a line within these circumstances and still perform a miracle that is ‘Wonder Wheel’.

In the lush, colourful setting of 1950’s Coney Island, sad waitress Ginny lives a dysfunctional family life where love and betrayal collide like unhinged roller coasters. On one hand, she meets a young and charismatic playwright who sparks love back into her life. And on the other, she’s married to the wrong man, while also taking care of two chaotic children. It’s a big story for a small island.

Of course, it’s nothing we haven’t seen before. Comparisons to Allen’s previous work on ‘Blue Jasmine’ are expected, and, as always, each of the main protagonists exist as a different version of Woody Allen himself, only in another universe. But, ‘Wonder Wheel’ is certainly the most assured he’s ever felt, improving on many of his own staples: smooth jazz, vivid colours, hardcore melodrama, and larger-than-life characters. It makes for a very exciting and emotional roller coaster and those, typically, are the best kind.

Kate Winslet plays the beleaguered middle-aged wife who’s tragic flaw can burn any type of love to the ground. Her relationship with her husband, Harold ‘Humpty’, is explosive and unpredictable, allowing both actors (Winslet and Belushi) to equally shine in their most emotionally resonant performances in years. Ginny is also challenged by her son’s destructive nature in literally watching things burn. And, lastly, her daughter is marked by her ex-husband’s gang. What could possibly go wrong?

As Ginny begins to fall apart, cinematographer Vittorio Storaro shifts gears and transforms the poetic photography into a thrilling chase for the truth. In ‘Wonder Wheel’s’ final act, for example, Allen’s sharp dialogue is complemented by the fast-moving energy of the camera. It adds a new level of feeling that is, as described by a side character, Jake Jacoby ‘Mickey’s Friend’, “playing in a whole other ballpark”. It proves the relationship between Allen and Storaro has shaped into a masterful pairing since they shot the ‘Life Without Zoe’ segment on ‘New York Stories’ all the way back in 1989.

Since 1989, however, we’ve learned two things: We can’t trust Woody Allen with everything, but we can certainly trust him to make a good movie. ‘Wonder Wheel’, in this case, it told with such a striking awareness of its own tone and characters that even if it were one of his last films—assuming Hollywood disowns him still— that would be okay because it’s just that wonderful.

Hunter’s Rating: 7.9/10

 

Watch This Space: 9th – 15th October

Every Monday we will be recommending films that are on TV that week, films playing at the cinema, and also remind you of those brilliant films hiding on streaming services, such as Netflix and Amazon Prime, and possibly in your own collection.

In Cinemas

Blade Runner 2049: Fans of the original have waited 35 years for a sequel to ‘Blade Runner’, and last week their wish was granted. It may not be receiving the best numbers at the box office, but fans and critics alike can’t help but share their love the this masterpiece. Our full review will be on site later today!

Star Wars: The Last Jedi: Whilst we know it’s not December yet, we thought we’d take this opportunity to remind you that tickets for ‘The Last Jedi’ go on sale Tuesday AM (UK), and with them comes a brand new trailer! We’ll have it up on site as soon as it hits the web!

The Mountain Between Us: Idris Elba and Kate Winslet are stranded after a tragic plane crash. They must forge a connection to survive the extreme elements of a remote snow covered mountain. ‘The Mountain Between Us’ opened in UK cinemas last Friday, and our full review will be up soon!

On TV

Monday

Se7en (1995): If you discount ‘Alien 3’ because, well, who wouldn’t, ‘Se7en’ was our introduction to a master filmmaker. David Fincher has blessed us with numerous films that rightfully earn their place on countless best films ever lists, though arguably none have managed to be as high on said lists as ‘Se7en.’ It’s a crime noir starring a pre-Fight Club and Morgan Freeman as they investigate a string of murders all based on the seven deadly sins. It’s a deceptively clever thriller that keeps you engaged, guessing, and shocked at some of the truly messed up ways the sins have been visualised as murder scenes. On a personal note, ‘Se7en’ is one of my favourite films of all time. This film can be watched and rewatched countless times and you will still find new things to love about it, right up until it’s brilliant, soul-crushing climax.

 

Tuesday

Southpaw (2015): Directed by Antoine Fuqua and starring Jake Gyllenhaal, ‘Southpaw‘ is the gritty drama about a successful pro boxer who goes off the hinges after his wife is shot at a press event. Gyllenhaal delivers a strong and heavyweight performance as Billy “The Great’ Hope, a husband and father who wins titles in the ring, but ultimately loses himself outside. He’s on top of the world, beating opponents to a pulp with a fight fueled by anger. Hope must rehabilitate himself in order to take back his life and the custody of his daughter. Gyllenhaal’s character is aggressive and the onscreen punches are impressive. If you want something decent and gritty that isn’t afraid to throw punches, this is your film. Catch this knockout boxing drama on Film4 at 9pm.

Wednesday

Locke (2013): One of Tom Hardy’s most astonishing performances makes for an audacious film. Almost entirely a one-man monologue delivered over the course of a long night-time road trip. We watch as Locke slowly unravels and details of his career and personal life are revealed through a series of confessional phone conversations. Remarkable that this film was made at all and I’m very glad it was. Alongside ‘The Drop’ – one of Hardy’s best but underseen roles. Highly recommend.

Dirty Dancing (1987): An iconic soundtrack runs throughout this 80s classic, set in the 60s and telling the tale of a summer romance. Rich girl Baby meets bad boy and dirtier dancer Johnny and an illicit affair is sparked. Throw in a watermelon, a botched abortion and a corner where NOBODY puts Baby and you have one of the most quotable films of a generation. Again, if you haven’t seen it, why not? Rectify this immediately!

The Green Mile (1999): In the season of Stephen King adaptations, why not visit one of the most profound and heart-breaking? Tom Hanks (one of Hollywood’s most reliable actors) stars as Paul Edgecomb, who accompanies men down the ‘mile’, the walk cons take to the chair, to the death. When he meets the simple and naive John Coffey (played to perfection by Michael Clarke Duncan), a giant of a man accused of murdering two young girls, Paul begins to question John’s guilt.

Legally Blonde (2001): Elle Woods (Reese Witherspoon) has everything: hot shot law student boyfriend, top spot in a prestigious sorority house, a stellar fashion sense, and the most infectiously lovely personality. When her sure-to-be future husband unceremoniously dumps her for being too blonde, she is determined to win him back. Using her unstoppable willpower and wit, she gets into Harvard Law School, and brings all her charm, a splash of pink and her chihuahua with her. Riotously fun and positive, Legally Blonde is the perfect antidote to the darker nights.

Thursday

License to Kill (1989): Rewind 17 years before Daniel Craig made James Bond a badass, and you’ll find Timothy Dalton doing it just as good if not better this time in the darkest 007 film of all. Going up against drug baron Robert Davi with the aid of the kick-ass Carey Lowell, Dalton shoots, stabs, water-skis, parachutes and punches his way into the heart of a dangerous drug cartel to bring them down from the inside in a mission of revenge. Blistering action, brutal violence and a real film of it’s time. The world wasn’t ready for a darker 007. Well, they are now. Enjoy!

Titanic (1997): What can be said about the biggest film in the world? I can’t imagine there are many people left who haven’t seen it. It’s a classic tale of boy meets girl, girl meets enormous blue diamond, iceberg meets boat, floating door not big enough for two people. Despite all the cliches, the second half of the film is still quite thrilling and visually spectacular. Get it in your eyeballs.

Friday

GoldenEye (1995): The Cold War is over, but there are plenty of reasons for James Bond to thrill us in the wake of a 6 year absence from an early end to Timothy Dalton’s run in 1989. Old and new cast and crew come together to take 007 to new heights with classic elements laced with a new, modern twist. Pierce Brosnon re-introduces Bond to a new generation of fans going up against rogue agent Sean Bean from bringing the world to it’s knees with a hi-tech super-weapon. With death-defying stunts, loud action sequences, a rousing theme and all the martinis, girls and guns we’ve come to expect from 007, it’s a new era but one that proves nobody does it better still.

Last Action Hero (1993):  The film that easily divides many Arnold Schwarzenegger fans, this is actually far cleverer than it appears and delves into the self-parodying track of spoofing the action genre and Hollywood in general. Director John McTiernan makes sure the action is played out tongue-in-cheek as we jump from inside the silver screen and beyond when Arnie goes up against villain Charles Dance. As long as the film is understood to be a mockery of the thing it tries to be, it comes across more enjoyable than if watched to be a serious actioner. And don’t worry, there are many Arnie one-liners a plenty here. “Iced that guy, to cone a phrase!”

Twilight: Breaking Dawn Part I (2011): The Twilight Saga lives on with its second to last installment, based on the novel Breaking Dawn. Bella Swan, the average girl who fell hard for vampire stud Edward Cullen, gets married and soon becomes impregnated with a half-mortal, half-immortal child. Seen as a potential threat to the local wolf pack and humans, the Cullen family must help Bella survive her pregnancy, and protect their livelihood in Washington. The young Kristen Stewart and Robert Pattinson reprise their roles in this fairytale drama that grossed big box office numbers among book and film fans alike.Catch the popular endearing story on E4 at 9pm.

Gladiator (2000): It’s Friday, and we all know what that means. A cosy night in, all snuggled up in front of the TV with snacks aplenty. And what better way to spend your Friday evening by watching Ridley Scott’s epic ‘Gladiator’, a 155-minute spectacle that throws you into the gladiator pits of Ancient Rome. With mesmerising cinematography by John Mathieson and career-defining performances from Russell Crowe and Joaquin Phoenix, ‘Gladiator’ is an epic that stands shoulder-to-shoulder with other grand, cinematic spectacles like ‘Lawrence of Arabia’ and ‘Ben-Hur’. A must-see.

 

Hiding Online / In Our Collection / Out This Week

 

Wonder Woman (2017): Yesterday we were treated to the final ‘Justice League’ trailer in which we saw Wonder Woman, along with Bruce Wayne, assemble the League to save the world. As of today, ‘Wonder Woman’ is yours to take home on DVD/Blu-ray in the UK! With it’s record breaking run at the box office almost complete, we can probably expect more records to be broken on her home release.

Ace Ventura: Pet Detective (1994): Allllrriigghhttyy then! 1994 was a very good year for Jim Carrey. During this breakout year he starred in not one, not two, but three comedy classics. Dumb and Dumber and The Mask were great for Carrey to showcase his talents, but Ace Ventura was the one that he really was allowed to let loose in. With his rubber face cranked up to 11 and his limbs in a non stop hurricane of madness, Ace is a character that Jim Carrey looked like he had the best time playing. It shines through in his performance. The premise is simple. Ace Ventura is hired by the Miami Dolphins to find their missing mascot, Snowflake the Dolphin. What follows is 87 minutes of pure 90s gold. With support from Courtney Cox and Sean Young, Jim Carrey’s Ace Ventura Pet Detective is an easy, fun comedy which will keep you entertained for all its duration. They don’t really make them like this anymore so catch it while you can.

Fast Five (2011): The Fast and Furious franchise, whether you love it or hate it, can be an entertaining breakaway from the mundaneness of everyday life. The absurd car chases, the improbable yet insanely fun shootouts, even the fast-paced fight sequences in which the franchise is renowned for is especially present in the fifth instalment; ‘Fast Five’. Arguably the best in the now 8-film series, ‘Fast Five’ is relentless in its presentation, and with the addition of Dwayne Johnson’s hulking Hobbs joining the rest of the charismatic roster, ‘Fast Five’ rejuvenated a franchise that most felt was on its way out. Popcorn entertainment has never looked so good, so be sure not to miss it!

The Notebook (2004):  If you’re a hopeless romantic, the latest addition to the Netflix roster is for you. Adapted from a Nicholas Sparks novel (king of the rom-com), The Notebook is a story of everlasting love told in two timelines. With notes of The Princess Bride (‘Always’) and Romeo & Juliet (forbidden love), the lead characters are so irresistible to root for. Ryan Gosling and Rachel McAdams as Noah and Allie bring to screen one of the most authentic representations of first love and teenage love, one that is sure to make you feel sentimental. Watch this under a blanket with a hot cup of cocoa.

A huge thank you to contributors this week: Dave Curtis, Chris Gelderd, Jessica Peña, Rhys Bowen-Jones, Fiona Underhill, Corey Hughes, Sasha Hornby

wts

Amazon Release First Trailer For Woody Allen’s ‘Wonder Wheel’

“‘Wonder Wheel’ tells the story of four characters whose lives intertwine amid the hustle and bustle of the Coney Island amusement park in the 1950s: Ginny (Kate Winslet), a melancholy, emotionally volatile former actress now working as a waitress in a clam house; Humpty (Jim Belushi), Ginny’s rough-hewn carousel operator husband; Mickey (Justin Timberlake), a handsome young lifeguard who dreams of becoming a playwright; and Carolina (Juno Temple), Humpty’s long-estranged daughter, who is now hiding out from gangsters at her father’s apartment.”

Directed By: Woody Allen
Cast: Kate Winslet, Justin Timberlake, Juno Temple, Debi Mazar, Max Casella
Release Date: Select Cinemas in the U.S December 1st. (UK Date TBA)

wonder wheel

Oscars 2016: The Nominees

The second biggest awards show in the film calendar (after the JumpCut UK Film Awards, of course) is feeling a hell of a lot closer now, after the nominees for the 88th Academy Awards were announced this week. 

Not surprisingly, ‘The Revenant’, Alejandro G. Iñárritu’s critically-acclaimed follow-up to his Best Picture win of last year (Birdman), leads the way with 12 nominations. The Academy also pleased film fans everywhere with a surprising 10 nominations for everyone’s favourite action film, ‘Mad Max: Fury Road’.

As usual, there’s plenty of controversy and public outcry, with scripts from Quentin Tarantino (The Hateful Eight) and Aaron Sorkin (Steve Jobs) snubbed, and an apparent lack of diversity still plaguing the awards show. 

Will Leo finally win the Oscar? Can Iñárritu win back-to-back director gongs? Or will George Miller and his brainchild ‘Mad Max’ steal the show? Here’s all the nominees, plus a few predictions as to who might win on the night (although, if my earlier predictions of the Best Picture nominees are anything to go by, I wouldn’t pay much attention to my guesses).


BEST PICTURE
The Big Short
Bridge of Spies
Brooklyn
Mad Max: Fury Road
The Martian
The Revenant (our winner)
Room
Spotlight

BEST ACTOR
Bryan Cranston, Trumbo
Matt Damon, The Martian
Leonardo DiCaprio, The Revenant (our winner)
Michael Fassbender, Steve Jobs
Eddie Redmayne, The Danish Girl

BEST ACTRESS
Cate Blanchett, Carol
Brie Larson, Room (our winner)
Jennifer Lawrence, Joy
Charlotte Rampling, 45 Years
Saoirse Ronan, Brooklyn

BEST SUPPORTING ACTOR
Christian Bale, The Big Short
Tom Hardy, The Revenant
Mark Ruffalo, Spotlight
Mark Rylance, Bridge of Spies (our winner)
Sylvester Stallone, Creed

BEST SUPPORTING ACTRESS
Jennifer Jason Leigh, The Hateful Eight
Rooney Mara, Carol (our winner)
Rachel McAdams, Spotlight
Alicia Vikander, The Danish Girl
Kate Winslet, Steve Jobs

DIRECTING
Adam McKay – The Big Short
George Miller – Mad Max: Fury Road (our winner)
Alejandro G. Iñárritu – The Revenant
Lenny Abrahamson – Room
Tom McCarthy – Spotlight

ANIMATED FEATURE FILM
Anomalisa (our winner)
Boy and the World
Inside Out
Shaun the Sheep Movie
When Marnie Was There

COSTUME DESIGN
Carol (our winner)
Cinderella
The Danish Girl
Mad Max: Fury Road
The Revenant

DOCUMENTARY FEATURE
Amy
Cartel Land
The Look of Silence
What Happened, Miss Simone?
Winter on Fire

DOCUMENTARY SHORT
Body Team
Chau, Beyond the Lines
Claude Lanzmann
A Girl in the River: The Price of Forgiveness
Last Day of Freedom

MAKEUP AND HAIR STYLING
Mad Max: Fury Road
The Hundred-Year-Old Man Who Climbed Out The Window and Disappeared
The Revenant

ORIGINAL SONG
“Earned It” – Fifty Shades of Grey
“Manta Ray” – Racing Extinction
“Simple Song #3” – Youth
“Til It Happens to You” – The Hunting Ground
“Writing’s on the Wall” – Spectre

ANIMATED SHORT
Bear Story
Prologue
Sanjay’s Super Team
We Can’t Live Without Cosmos
World of Tomorrow (our winner)

SOUND EDITING
Mad Max: Fury Road
Sicario
Star Wars: The Force Awakens (our winner)
The Martian
The Revenant

FILM EDITING
The Big Short
Mad Max: Fury Road
The Revenant (our winner)
Spotlight
Star Wars: The Force Awakens

FOREIGN LANGUAGE FILM
Embrace of the Serpent
Mustang
Son of Saul (our winner)
Theeb
A War

ORIGINAL SCORE
Bridge of Spies
Carol
The Hateful Eight
Sicario (our winner)
Star Wars: The Force Awakens

PRODUCTION DESIGN
Bridge of Spies
The Danish Girl
Mad Max: Fury Road
The Martian (our winner)
The Revenant

VISUAL EFFECTS
Ex Machina
Mad Max: Fury Road
The Martian
The Revenant
Star Wars: The Force Awakens (our winner)

ADAPTED SCREENPLAY
The Big Short
Brooklyn
Carol
The Martian (our winner)
Room

ORIGINAL SCREENPLAY
Bridge of Spies
Ex Machina (our winner)
Inside Out
Spotlight
Straight Outta Compton

BEST CINEMATOGRAPHY
Carol
The Hateful Eight
Mad Max: Fury Road
The Revenant
Sicario (our winner)

The JumpCut UK Film Awards 2015: The Nominees

After weeks of agonising over the films of 2015, our esteemed panel have finally submitted their picks for the first annual JumpCut UK Film Awards. The votes have been counted and the nominees are…


actors
Best Support Actress
Alicia Vikander (Ex Machina)
Kate Winslet (Steve Jobs)
Kristen Stewart (Clouds Of Sils Maria)
Marion Cotillard (Macbeth)
Rooney Mara (Carol)
Best Support Actor
Benicio del Toro (Sicario)
Idris Elba (Beasts Of No Nation)
JK Simmons (Whiplash)
Oscar Isaac (Ex Machina)
Paul Dano (Love & Mercy)
Best Lead Actress
Cate Blanchett (Carol)
Charlize Theron (Mad Max: Fury Road)
Emily Blunt (Sicario)
Olivia Cooke (Me And Earl And The Dying Girl)
Saoirse Ronan (Brooklyn)
Best Lead Actor
Abraham Attah (Beasts Of No Nation)
Jason Segel (The End Of The Tour)
Matt Damon (The Martian)
Michael Fassbender (Steve Jobs)
Miles Teller (Whiplash)
Best Breakthrough Actor/Actress
Abraham Attah
Alicia Vikander
Daisy Ridley
O’Shea Jackson Jr
Taron Egerton
Worst Acting Performance
Adam Sandler (Pixels)
Jai Courtney (Terminator Genisys)
Jamie Dornan (Fifty Shades Of Grey)
Johnny Depp (Mortdecai)
Vincent D’Onofrio (Jurassic World)

 

technical

Best Director
Alex Garland (Ex Machina)
Damien Chazelle (Whiplash)
Denis Villeneuve (Sicario)
George Miller (Mad Max: Fury Road)
Ridley Scott (The Martian)
Best Original Story
Ex Machina
Inside Out
The Gift
The Lobster
Whiplash
Best Adaptation
American Sniper
Macbeth
Me And Earl And The Dying Girl
Steve Jobs
The Martian
Best Cinematography
American Sniper
Macbeth
Mad Max: Fury Road
Sicario
The Martian

 

Best Editing
Birdman
Mad Max: Fury Road
Sicario
Star Wars: The Force Awakens
Whiplash
Best Soundtrack/Score
Dope
Inside Out
Mad Max: Fury Road
Sicario
Whiplash
Best Visual Effects
Ex Machina
Jurassic World
Mad Max: Fury Road
Star Wars: The Force Awakens
The Martian

genre

Best Action Film
American Sniper
Avengers: Age Of Ultron
Kingsman: The Secret Service
Mad Max: Fury Road
Sicario
Best Comedy Film
Inside Out
Spy
The Lobster
The Night Before
Trainwreck
Best Drama Film
Carol
Me And Earl And The Dying Girl
Straight Outta Compton
Whiplash
White God
Best Horror Film
Crimson Peak
Insidious: Chapter 3
It Follows
The Gift
Best Sci-Fi Film
Ex Machina
Jurassic World
Star Wars: The Force Awakens
The Martian

 

Best Documentary, Foreign, Indie or Short Film
Cobain: Montage Of Heck
The End Of The Tour
Kung Fury
The Lobster
World Of Tomorrow
Worst Sequel/Reboot
Fantastic Four
Hot Tub Time Machine 2
Taken 3
Terminator Genisys
Vacation
Worst Film
Hot Tub Time Machine 2
Pan
Paul Blart 2
Pixels
Vacation
Best Film
Ex Machina
Mad Max: Fury Road
Sicario
The Martian
Whiplash

miscellaneous

The “Guilty Pleasure” Award
American Ultra
Focus
San Andreas
Ted 2
The Interview

 

 

 

 



So there you have it – 24 categories with lots of films and individuals to celebrate. We will be opening up the voting to the public for the following categories: Best Breakthrough Actor/Actress, Worst Film and Best Trailer, and you can cast your vote here (voting closes 31st December). The rest of the categories will be decided by the JumpCut UK team, our official partners and a handful of expert guests, with all the winners announced on our special YouTube Awards Show at the end of January. 

Golden Globes 2016 Nominees Announced

The Oscars may be the biggest awards event of the year (after the JumpCut UK Film Awards of course), but The Golden Globes are pretty big too, and can often be used as an indicator of what films might be successful with The Academy. Earlier this week, the nominations for the 73rd Golden Globe Awards were announced, with Todd Haynes’ ‘Carol’ leading the way. You can see all the nominations here, and my attempts to predict the winners.

Best Motion Picture (drama): Carol, Mad Max: Fury Road, The Revenant, Room, Spotlight
Prediction: Carol

Best Motion Picture (comedy/musical): The Big Short, Joy, The Martian, Spy, Trainwreck
Prediction: The Martian

Best Performance by an Actress in a Motion Picture (drama): Cate Blanchett (Carol), Brie Larson (Room), Rooney Mara (Carol), Saoirse Ronan (Brooklyn), Alicia Vikander (The Danish Girl)
Prediction: Brie Larson

Best Performance by an Actor in a Motion Picture (drama): Bryan Cranston (Trumbo), Leonardo DiCaprio (The Revenant), Michael Fassbender (Steve Jobs), Eddie Redmayne (The Danish Girl), Will Smith (Concussion)
Prediction: Leonardo DiCapro

Best Performance by an Actress in a Motion Picture (comedy/musical): Jennifer Lawrence (Joy), Melissa McCarthy (Spy), Amy Schumer (Trainwreck), Maggie Smith (Lady In The Van), Lily Tomlin (Grandma)
Prediction: Jennifer Lawrence

Best Performance by an Actor in a Motion Picture (comedy/musical): Christian Bale (The Big Short), Mark Ruffalo (Infinitely Polar Bear), Steve Carell (The Big Short), Matt Damon (The Martian), Al Pacino (Danny Collins)
Prediction: Matt Damon

Best Performance by an Actress in a Supporting Role in any Motion Picture: Jane Fonda (Youth), Alicia Vikander (Ex Machina), Jennifer Jason Leigh (The Hateful Eight), Helen Mirren (Trumbo), Kate Winslet (Steve Jobs)
Prediction: Alicia Vikander

Best Performance by an Actor in a Supporting Role in any Motion Picture: Sylvester Stallone (Creed), Idris Elba (Beasts Of No Nation), Paul Dano (Love & Mercy), Mark Rylance (Bridge Of Spies), Michael Shannon (99 Homes)
Prediction: Michael Shannon

Best Director: Todd Haynes (Carol), Alejandro G. Inarritu (The Revenant), George Miller (Mad Max: Fury Road), Ridley Scott (The Martian), Tom McCarthy (Spotlight)
Prediction: Todd Haynes

Best Screenplay: Emma Donoghue (Room), Tom McCarthy/Josh Singer (Spotlight), Aaron Sorkin (Steve Jobs), Charles Randolph/Adam McKay (The Big Short), Quentin Tarantino (The Hateful Eight)
Prediction: Aaron Sorkin

Best Animated Feature Film: Inside Out, The Good Dinosaur, Anomalisa, Shaun The Sheep Movie, The Peanuts Movie
Prediction: Anomalisa

Best Foreign Language Film: The Club, The Fencer, Mustang, The Brand New Testament, Son Of Saul
Prediction: Son Of Saul

Best Original Score: Carol, The Revenant, Steve Jobs, The Danish Girl, The Hateful Eight
Prediction: The Revenant

What are your thoughts on the nominations and my predictions? Let us know who you think the big winners will be at The Golden Globes in 2016. You don’t have to wait long to find out where the awards end up, with the ceremony taking place on January 10th 2016.

Written by Jakob Lewis Barnes

Oscars 2016: Best Picture Predictions

Written by Jakob Lewis Barnes

The approach of the winter months doesn’t just mean it’s time to go shopping for a new coat, because with the cold weather and shorter days comes a growing desire for people to discuss The Oscars. It may be more than four months until the 88th Academy Awards, but that doesn’t stop anyone speculating as to who the winners and losers will be on the big night. To be honest, I’ve been guessing since this year’s ceremony ended, and whilst guesses are all we have for now, The Academy certainly have a distinct pattern to their choices, hence the term “Oscar bait”. Here are the films that are likely to make the cut and be nominated in the Best Picture category.

And the nominees are…

Sicario
Arguably, this intense thriller from Denis Villeneuve (who directed the fantastic Prisoners) is the film which started the ball rolling with all this Oscars buzz. As one of the few films in this list that has actually been released in cinemas, I can offer my personal opinion of ‘Sicario’, and if it was up to me, this would be the winner. Whilst myself, and many others, love this gritty crime flick though, it’s unlikely that ‘Sicario’ will go further than a nomination.

Steve Jobs
Nothing gets The Academy’s attention like a biopic, and with the late founder of Apple taking centre stage in this Danny Boyle production, ‘Steve Jobs’ is about as relevant as they come. A fantastic cast, led by the very talented Michael Fassbender, and Academy favourite Kate Winslet in support, ‘Steve Jobs’ has been garnering praise from early viewings and could be the frontrunner for the Best Picture award.

Suffragette
If there’s anything The Academy loves more than a biopic, it’s controversy. A cast boasting some of the best actresses around – including Carey Mulligan and Helena Bonham Carter – should boost ‘Suffragette’ and allow the feminist movement to be represented next February. It also helps that various stars, including Meryl Streep herself, voiced their concerns over the lack of opportunities and equality for women at this year’s ceremony.

Bridge Of Spies
The man responsible for classics such as ‘Jurassic Park’, ‘Jaws’ and ‘Saving Private Ryan’, Steven Spielberg, is back, and has teamed up with legendary actor, Tom Hanks, for this cold war drama. Both of these men are probably sick of the sight of these trophies, but it is very likely that this winning recipe will earn them a few more nominations to add to their resumé.

The Revenant
One man who certainly wouldn’t mind getting hold of a golden statuette is Leonardo DiCaprio, and whilst we’re sure Tom Hanks could just lend him one for the weekend, we don’t think that would quite be the same. By hooking up with Tom Hardy, and last year’s big winner Alejandro González Iñárritu (director of Birdman), Leo may well have given  himself his best chance yet at grabbing a personal award and leading his film to glory. Could Iñárritu win back-to-back Best Picture awards?

Joy
Another winning team come together once again, to bring us ‘Joy’ this Christmas. Director David O Russell, who has received nominations for his last three films (The Fighter, Silver Linings Playbook and American Hustle), joins forces with Academy Award winner Jennifer Lawrence, and familiar faces Bradley Cooper and Robert De Niro, in what could be a perfectly crafted, Oscar-bait picture. Whilst unlikely to win the top gong, it would be a surprise to see this one snubbed.

The Lobster
The film festival circuit isn’t just a fun way to spend your summer, it’s actually a breeding ground for hot productions hoping to catch the eye of The Academy. Pretty much every year there will be one or two films that thrive in the quirky world of film festivals and make it to the big stage for The Oscars. With an interesting plot, big name stars in Rachel Weisz and Colin Farrell, and plenty of hype from critics, ‘The Lobster’ could well crawl its way into the Best Picture category.

Carol
The big success story from the film festival circuit however, is undoubtedly ‘Carol’. This film, which sees Cate Blanchett and Rooney Mara embark on a complicated lesbian relationship, has been lauded by critics all summer and will continue to be praised all the way through winter as it arrives in mainstream cinema theatres. It’s an outside shot, but this low-key, artistic offering could well beat the big names and steal the top prize next February.

So, with ‘Star Wars: The Force Awakens’ unlikely to get the nod from The Academy, in favour of something more stylistically brilliant (they don’t know what they’re missing), my money is on ‘Carol’ and ‘Steve Jobs’ to fight this one out.

Oscars 2016: Best Picture Predictions

Written by Chris Winterbottom

It may be early, but with awards season kicking off, I thought I would share my tips for who will be nominated at the 2016 Academy Awards, which will be held on the 28th February. Last year’s winner of the award for Best Picture, ‘Birdman’, was part of an eight-strong group vying for that prestigious gold statuette, but the category can have up to ten films nominated. With that in mind, I’m predicting a nine horse race, considering the amount of interesting films still to be released before the big night.

And the nominees are…

Steve Jobs

After making the hugely enjoyable ‘Trance’, Danny Boyle is back to courting the big awards with this biopic of the Apple genius Steve Jobs. Michael Fassbender plays the titular character and with supporting actors in Kate Winslet and Jeff Daniels, early reviews have suggested this is the one to watch. Personally, I am looking forward to this immensely; Danny Boyle is one of my favourite filmmakers and with a script penned by Aaron Sorkin, whose other works include the wonderful ‘The Social Network’, this film looks set to be a huge success both financially and critically.

Suffragette

This recent release has seen much of its acclaim directed towards the acting performances; I am sure Carey Mulligan in particular will at least be nominated for Best Actress at the awards ceremony next February. I haven’t seen the film, but with Jennifer Lawrence’s recent essay on sexism in Hollywood, and the regular calls of discontent at the amount of roles for women and the pay they receive when they come along, I feel the Academy will include the film in the Best Picture category to acknowledge female filmmakers’ cries for equality, regardless of its quality.

Sicario

This Denis Villeneuve film is one of my favourites of the year so far. Currently, I would like ‘Sicario’ to win the award for Best Picture, but I haven’t seen the majority of the other potential nominees so it is too early to put fully commit. That said, the film is a brilliant piece of visceral, shocking and tense filmmaking. There may be nominations for its cast too, particularly for Emily Blunt and Benicio del Toro, and Roger Deakins is sure to win the Best Cinematography award for the first time. For now, ‘Sicario’ is an outsider, but we shall see what will happen in the coming months.

Inside Out

This may prove a controversial choice to some, considering no animated film has ever won Best Picture, but the amount of positive reviews for this Disney-Pixar effort may sway Academy voters. This is another film which I am yet to see, and I have to say that it is one of my big film regrets this year. I suspect that ‘Inside Out’ is the animated film most likely to pick up the Best Picture gong in February, but it still remains a big outsider. However, it was not so long ago that the majestic ‘Toy Story 3’ picked up the nomination for Best Picture, with ‘Up’ achieving this feat the year before.

Bridge Of Spies

Steven Spielberg, Tom Hanks and The Cold War? I’m predicting this film will receive the most nominations of all at the 2016 Academy Awards. But I feel this movie will pull an ‘American Hustle’ – receive the most nominations, including Best Picture, but then fail to win anything. Whilst it has a chance in the Best Costume and Best Make Up categories, and maybe some of the technical categories, I just don’t feel like the ‘Bridge Of Spies’ campaign will gain enough momentum.

The Hateful Eight

Tarantino’s last two films, ‘Inglourious Basterds’ (I know it’s spelled wrong) and ‘Django Unchained’ both received Best Picture nominations, and I am certain his latest effort will deliver him another. The film’s official release date is the 8th January 2016 in the USA, which would have made this ineligible, but with a limited release on Christmas Day, I’m confident that ‘The Hateful Eight’ will be nominated. The release date is telling; films with a release date around January and February here in the UK are often the big contenders when it comes to awards. I wouldn’t be surprised if this turned out to be Tarantino’s most financially successful film, even surpassing ‘Django Unchained’, but like his previous couple of movies, I don’t think it’ll win the Best Picture award.

The Revenant

Will Leonardo Di Caprio finally win the elusive Oscar for Best Actor? Many seem to think it’ll be his year, but I think the great man will have to wait at least another year. Alejandro Gonzalez Inarritu enjoyed big success at last year’s ceremony with ‘Birdman’, but I think he will receive something of a muted backlash for ‘The Revenant’, at least in terms of its critical reaction. However, The Academy love Inarritu and because of this, I believe the film will be competing for the Best Picture award. More likely though, I think we could see Emmanuel Lubezki pick up another statue for his cinematography work. For those that have seen the trailer, it already looks to be a visually stunning film.

Hail, Caesar!

The Coen Brothers are back with ‘Hail, Caesar!’, a musical-comedy satirising Hollywood. The film has a 1950’s setting, during Hollywood’s golden era, and features a fantastic cast including Scarlett Johansson. This film will be the main competition for Danny Boyle’s ‘Steve Jobs’. It will certainly challenge in terms of the technical awards, like Best Editing, but in my opinion the film will most likely pick the Best Director(s) award. The Coen Brothers are no strangers to award nominations, after the receiving a whole spate of them for ‘No Country For Old Men’, ‘True Grit’ and ‘Inside Llewyn Davis’.

The Danish Girl

I am a big admirer of Tom Hooper, particularly for his work on the underrated ‘The Damned United’. But his rise to the top, in terms of British filmmakers, has come off the back of ‘The Kings Speech’ and ‘Les Miserables’. You only have to look at the poster for this movie to know that this is an unashamed, Oscar-bait project. I don’t feel like this will be much of a success at the Oscars in February, but having said that I didn’t think ‘Gravity’ would either. Sometimes there are surprises, and I am sure Redmayne will receive another Best Actor nomination for his defiant, cross-dressing role, but my gut instinct is that the film will slip under the radar somewhat.

So there you have it – my predictions for the Best Picture category. Of course, this list may well be wrong and even if it is, it does not necessarily represent the year’s best films. I often find that The Academy is completely wrong in its choices; like Christopher Nolan being ignored twice, for ‘Inception’ and ‘Interstellar’. We are talking about an awards ceremony which snubbed ‘Citizen Kane’, after all. But there is no getting around the fact that the Oscars are the most prestigious of awards ceremonies, and I think in 2016 we will see Danny Boyle and his film ‘Steve Jobs’ be the triumphant victor.