LFF 2018: Lizzie

Year: 2018
Directed by: Craig William Macneill
Starring: Kristen Stewart, Chloë Sevigny, Fiona Shaw

Written by Sarah Buddery 

A story that will no doubt be familiar to fans of true crime, the infamous Lizzie Borden who murdered her father and step-mother is now the subject of this film, starring Chloe Sevigny as the titular character, and Kristen Stewart as her maid/lover/accomplice Bridget Sullivan.

Treading precariously between bodice ripper and period horror, the tonal balance of ‘Lizzie’ is one which is not always well executed. What does work is the exceptional sound design. By punctuating the film with violent and jarring outbursts, the sound design and score cut into the stifling silence in a way that is unnerving and builds the slow burn of dread effectively.

A far cry away from her Twilight days, Kristen Stewart continues to astound, and this is another solid performance from her. This film is in fact anchored by its performances, most notably from Stewart and Sevigny. Stewart provides an emotional core to the film, the person that the audience is most easily able to attach itself to, whereas Sevigny plays cold, calculating and callous to absolute perfection.

Where the film works is in their performances, the dynamic between their characters and the ways they interact with each other. Sadly where it doesn’t work is everything else, and the overall result is a bit of a mess.

The overly starched nature of the film is perhaps necessary in conveying Lizzie’s broiling inner anguish towards her father, but it unfortunately results in the film feeling distant and cold, and in a film where you know the outcome, it is hard to stick with it.

Bearing in mind that this film starts with how it ends – that being the bloody murder of Lizzie’s parents – the film somehow feels it is necessary to revisit the same bit over and over again. The multiple viewpoints approach is something that can work, but in the case of ‘Lizzie’, it just tips over to the point where it feels it is gratuitously revelling in the bloodshed; something which feels tonally out of step with the quietly surfacing horror of the rest of the film.

At times, it feels like the film has something to say about both proverbially and literally smashing the patriarchy, but it fails to settle on a message or an angle and instead throws a whole load of ideas into the mix in the hope that something – anything – will stick.

Despite its strong performances, ‘Lizzie’ falls short of the mark, failing to find its feet and settle on a tone and voice which feels consistent. It’s certainly not without merit, but overall, a bit of a disappointment.

SARAH’S RATING:

3

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Watch This Space: 9th – 15th October

Every Monday we will be recommending films that are on TV that week, films playing at the cinema, and also remind you of those brilliant films hiding on streaming services, such as Netflix and Amazon Prime, and possibly in your own collection.

In Cinemas

Blade Runner 2049: Fans of the original have waited 35 years for a sequel to ‘Blade Runner’, and last week their wish was granted. It may not be receiving the best numbers at the box office, but fans and critics alike can’t help but share their love the this masterpiece. Our full review will be on site later today!

Star Wars: The Last Jedi: Whilst we know it’s not December yet, we thought we’d take this opportunity to remind you that tickets for ‘The Last Jedi’ go on sale Tuesday AM (UK), and with them comes a brand new trailer! We’ll have it up on site as soon as it hits the web!

The Mountain Between Us: Idris Elba and Kate Winslet are stranded after a tragic plane crash. They must forge a connection to survive the extreme elements of a remote snow covered mountain. ‘The Mountain Between Us’ opened in UK cinemas last Friday, and our full review will be up soon!

On TV

Monday

Se7en (1995): If you discount ‘Alien 3’ because, well, who wouldn’t, ‘Se7en’ was our introduction to a master filmmaker. David Fincher has blessed us with numerous films that rightfully earn their place on countless best films ever lists, though arguably none have managed to be as high on said lists as ‘Se7en.’ It’s a crime noir starring a pre-Fight Club and Morgan Freeman as they investigate a string of murders all based on the seven deadly sins. It’s a deceptively clever thriller that keeps you engaged, guessing, and shocked at some of the truly messed up ways the sins have been visualised as murder scenes. On a personal note, ‘Se7en’ is one of my favourite films of all time. This film can be watched and rewatched countless times and you will still find new things to love about it, right up until it’s brilliant, soul-crushing climax.

 

Tuesday

Southpaw (2015): Directed by Antoine Fuqua and starring Jake Gyllenhaal, ‘Southpaw‘ is the gritty drama about a successful pro boxer who goes off the hinges after his wife is shot at a press event. Gyllenhaal delivers a strong and heavyweight performance as Billy “The Great’ Hope, a husband and father who wins titles in the ring, but ultimately loses himself outside. He’s on top of the world, beating opponents to a pulp with a fight fueled by anger. Hope must rehabilitate himself in order to take back his life and the custody of his daughter. Gyllenhaal’s character is aggressive and the onscreen punches are impressive. If you want something decent and gritty that isn’t afraid to throw punches, this is your film. Catch this knockout boxing drama on Film4 at 9pm.

Wednesday

Locke (2013): One of Tom Hardy’s most astonishing performances makes for an audacious film. Almost entirely a one-man monologue delivered over the course of a long night-time road trip. We watch as Locke slowly unravels and details of his career and personal life are revealed through a series of confessional phone conversations. Remarkable that this film was made at all and I’m very glad it was. Alongside ‘The Drop’ – one of Hardy’s best but underseen roles. Highly recommend.

Dirty Dancing (1987): An iconic soundtrack runs throughout this 80s classic, set in the 60s and telling the tale of a summer romance. Rich girl Baby meets bad boy and dirtier dancer Johnny and an illicit affair is sparked. Throw in a watermelon, a botched abortion and a corner where NOBODY puts Baby and you have one of the most quotable films of a generation. Again, if you haven’t seen it, why not? Rectify this immediately!

The Green Mile (1999): In the season of Stephen King adaptations, why not visit one of the most profound and heart-breaking? Tom Hanks (one of Hollywood’s most reliable actors) stars as Paul Edgecomb, who accompanies men down the ‘mile’, the walk cons take to the chair, to the death. When he meets the simple and naive John Coffey (played to perfection by Michael Clarke Duncan), a giant of a man accused of murdering two young girls, Paul begins to question John’s guilt.

Legally Blonde (2001): Elle Woods (Reese Witherspoon) has everything: hot shot law student boyfriend, top spot in a prestigious sorority house, a stellar fashion sense, and the most infectiously lovely personality. When her sure-to-be future husband unceremoniously dumps her for being too blonde, she is determined to win him back. Using her unstoppable willpower and wit, she gets into Harvard Law School, and brings all her charm, a splash of pink and her chihuahua with her. Riotously fun and positive, Legally Blonde is the perfect antidote to the darker nights.

Thursday

License to Kill (1989): Rewind 17 years before Daniel Craig made James Bond a badass, and you’ll find Timothy Dalton doing it just as good if not better this time in the darkest 007 film of all. Going up against drug baron Robert Davi with the aid of the kick-ass Carey Lowell, Dalton shoots, stabs, water-skis, parachutes and punches his way into the heart of a dangerous drug cartel to bring them down from the inside in a mission of revenge. Blistering action, brutal violence and a real film of it’s time. The world wasn’t ready for a darker 007. Well, they are now. Enjoy!

Titanic (1997): What can be said about the biggest film in the world? I can’t imagine there are many people left who haven’t seen it. It’s a classic tale of boy meets girl, girl meets enormous blue diamond, iceberg meets boat, floating door not big enough for two people. Despite all the cliches, the second half of the film is still quite thrilling and visually spectacular. Get it in your eyeballs.

Friday

GoldenEye (1995): The Cold War is over, but there are plenty of reasons for James Bond to thrill us in the wake of a 6 year absence from an early end to Timothy Dalton’s run in 1989. Old and new cast and crew come together to take 007 to new heights with classic elements laced with a new, modern twist. Pierce Brosnon re-introduces Bond to a new generation of fans going up against rogue agent Sean Bean from bringing the world to it’s knees with a hi-tech super-weapon. With death-defying stunts, loud action sequences, a rousing theme and all the martinis, girls and guns we’ve come to expect from 007, it’s a new era but one that proves nobody does it better still.

Last Action Hero (1993):  The film that easily divides many Arnold Schwarzenegger fans, this is actually far cleverer than it appears and delves into the self-parodying track of spoofing the action genre and Hollywood in general. Director John McTiernan makes sure the action is played out tongue-in-cheek as we jump from inside the silver screen and beyond when Arnie goes up against villain Charles Dance. As long as the film is understood to be a mockery of the thing it tries to be, it comes across more enjoyable than if watched to be a serious actioner. And don’t worry, there are many Arnie one-liners a plenty here. “Iced that guy, to cone a phrase!”

Twilight: Breaking Dawn Part I (2011): The Twilight Saga lives on with its second to last installment, based on the novel Breaking Dawn. Bella Swan, the average girl who fell hard for vampire stud Edward Cullen, gets married and soon becomes impregnated with a half-mortal, half-immortal child. Seen as a potential threat to the local wolf pack and humans, the Cullen family must help Bella survive her pregnancy, and protect their livelihood in Washington. The young Kristen Stewart and Robert Pattinson reprise their roles in this fairytale drama that grossed big box office numbers among book and film fans alike.Catch the popular endearing story on E4 at 9pm.

Gladiator (2000): It’s Friday, and we all know what that means. A cosy night in, all snuggled up in front of the TV with snacks aplenty. And what better way to spend your Friday evening by watching Ridley Scott’s epic ‘Gladiator’, a 155-minute spectacle that throws you into the gladiator pits of Ancient Rome. With mesmerising cinematography by John Mathieson and career-defining performances from Russell Crowe and Joaquin Phoenix, ‘Gladiator’ is an epic that stands shoulder-to-shoulder with other grand, cinematic spectacles like ‘Lawrence of Arabia’ and ‘Ben-Hur’. A must-see.

 

Hiding Online / In Our Collection / Out This Week

 

Wonder Woman (2017): Yesterday we were treated to the final ‘Justice League’ trailer in which we saw Wonder Woman, along with Bruce Wayne, assemble the League to save the world. As of today, ‘Wonder Woman’ is yours to take home on DVD/Blu-ray in the UK! With it’s record breaking run at the box office almost complete, we can probably expect more records to be broken on her home release.

Ace Ventura: Pet Detective (1994): Allllrriigghhttyy then! 1994 was a very good year for Jim Carrey. During this breakout year he starred in not one, not two, but three comedy classics. Dumb and Dumber and The Mask were great for Carrey to showcase his talents, but Ace Ventura was the one that he really was allowed to let loose in. With his rubber face cranked up to 11 and his limbs in a non stop hurricane of madness, Ace is a character that Jim Carrey looked like he had the best time playing. It shines through in his performance. The premise is simple. Ace Ventura is hired by the Miami Dolphins to find their missing mascot, Snowflake the Dolphin. What follows is 87 minutes of pure 90s gold. With support from Courtney Cox and Sean Young, Jim Carrey’s Ace Ventura Pet Detective is an easy, fun comedy which will keep you entertained for all its duration. They don’t really make them like this anymore so catch it while you can.

Fast Five (2011): The Fast and Furious franchise, whether you love it or hate it, can be an entertaining breakaway from the mundaneness of everyday life. The absurd car chases, the improbable yet insanely fun shootouts, even the fast-paced fight sequences in which the franchise is renowned for is especially present in the fifth instalment; ‘Fast Five’. Arguably the best in the now 8-film series, ‘Fast Five’ is relentless in its presentation, and with the addition of Dwayne Johnson’s hulking Hobbs joining the rest of the charismatic roster, ‘Fast Five’ rejuvenated a franchise that most felt was on its way out. Popcorn entertainment has never looked so good, so be sure not to miss it!

The Notebook (2004):  If you’re a hopeless romantic, the latest addition to the Netflix roster is for you. Adapted from a Nicholas Sparks novel (king of the rom-com), The Notebook is a story of everlasting love told in two timelines. With notes of The Princess Bride (‘Always’) and Romeo & Juliet (forbidden love), the lead characters are so irresistible to root for. Ryan Gosling and Rachel McAdams as Noah and Allie bring to screen one of the most authentic representations of first love and teenage love, one that is sure to make you feel sentimental. Watch this under a blanket with a hot cup of cocoa.

A huge thank you to contributors this week: Dave Curtis, Chris Gelderd, Jessica Peña, Rhys Bowen-Jones, Fiona Underhill, Corey Hughes, Sasha Hornby

wts

The JumpCut UK Film Awards 2015: The Nominees

After weeks of agonising over the films of 2015, our esteemed panel have finally submitted their picks for the first annual JumpCut UK Film Awards. The votes have been counted and the nominees are…


actors
Best Support Actress
Alicia Vikander (Ex Machina)
Kate Winslet (Steve Jobs)
Kristen Stewart (Clouds Of Sils Maria)
Marion Cotillard (Macbeth)
Rooney Mara (Carol)
Best Support Actor
Benicio del Toro (Sicario)
Idris Elba (Beasts Of No Nation)
JK Simmons (Whiplash)
Oscar Isaac (Ex Machina)
Paul Dano (Love & Mercy)
Best Lead Actress
Cate Blanchett (Carol)
Charlize Theron (Mad Max: Fury Road)
Emily Blunt (Sicario)
Olivia Cooke (Me And Earl And The Dying Girl)
Saoirse Ronan (Brooklyn)
Best Lead Actor
Abraham Attah (Beasts Of No Nation)
Jason Segel (The End Of The Tour)
Matt Damon (The Martian)
Michael Fassbender (Steve Jobs)
Miles Teller (Whiplash)
Best Breakthrough Actor/Actress
Abraham Attah
Alicia Vikander
Daisy Ridley
O’Shea Jackson Jr
Taron Egerton
Worst Acting Performance
Adam Sandler (Pixels)
Jai Courtney (Terminator Genisys)
Jamie Dornan (Fifty Shades Of Grey)
Johnny Depp (Mortdecai)
Vincent D’Onofrio (Jurassic World)

 

technical

Best Director
Alex Garland (Ex Machina)
Damien Chazelle (Whiplash)
Denis Villeneuve (Sicario)
George Miller (Mad Max: Fury Road)
Ridley Scott (The Martian)
Best Original Story
Ex Machina
Inside Out
The Gift
The Lobster
Whiplash
Best Adaptation
American Sniper
Macbeth
Me And Earl And The Dying Girl
Steve Jobs
The Martian
Best Cinematography
American Sniper
Macbeth
Mad Max: Fury Road
Sicario
The Martian

 

Best Editing
Birdman
Mad Max: Fury Road
Sicario
Star Wars: The Force Awakens
Whiplash
Best Soundtrack/Score
Dope
Inside Out
Mad Max: Fury Road
Sicario
Whiplash
Best Visual Effects
Ex Machina
Jurassic World
Mad Max: Fury Road
Star Wars: The Force Awakens
The Martian

genre

Best Action Film
American Sniper
Avengers: Age Of Ultron
Kingsman: The Secret Service
Mad Max: Fury Road
Sicario
Best Comedy Film
Inside Out
Spy
The Lobster
The Night Before
Trainwreck
Best Drama Film
Carol
Me And Earl And The Dying Girl
Straight Outta Compton
Whiplash
White God
Best Horror Film
Crimson Peak
Insidious: Chapter 3
It Follows
The Gift
Best Sci-Fi Film
Ex Machina
Jurassic World
Star Wars: The Force Awakens
The Martian

 

Best Documentary, Foreign, Indie or Short Film
Cobain: Montage Of Heck
The End Of The Tour
Kung Fury
The Lobster
World Of Tomorrow
Worst Sequel/Reboot
Fantastic Four
Hot Tub Time Machine 2
Taken 3
Terminator Genisys
Vacation
Worst Film
Hot Tub Time Machine 2
Pan
Paul Blart 2
Pixels
Vacation
Best Film
Ex Machina
Mad Max: Fury Road
Sicario
The Martian
Whiplash

miscellaneous

The “Guilty Pleasure” Award
American Ultra
Focus
San Andreas
Ted 2
The Interview

 

 

 

 



So there you have it – 24 categories with lots of films and individuals to celebrate. We will be opening up the voting to the public for the following categories: Best Breakthrough Actor/Actress, Worst Film and Best Trailer, and you can cast your vote here (voting closes 31st December). The rest of the categories will be decided by the JumpCut UK team, our official partners and a handful of expert guests, with all the winners announced on our special YouTube Awards Show at the end of January. 

Watch This Space: August 31 – September 6

Welcome to your weekly go-to film guide – WatchThisSpace – where we recommend what to watch in the cinema and on the television, and remind you of those brilliant films hiding in your DVD collection.

IN THE CINEMA

Get ready for a weekend full of “youth culture” references. At the top of the bill is ‘American Ultra’, starring Jesse Eisenberg and Kristen Stewart. Despite these big names, this film has received rather mediocre reviews across the board (6.5 on IMDb and 50 on MetaCritic). If you want a more positive opinion on this stoner-action-comedy, check out our review.

Over in America, cinema-goers have had the privilege of seeing ‘Dope’ for more than two months now, and it’s finally the turn of the UK to witness this indie film success story. A strong young cast, entertaining narrative and delightful soundtrack have seen this film garner praise from pretty much everyone, including us. Read our review here.

Another rousing success which came out of nowhere this summer, will finally hit the big screens across the UK. From a director better known for his horror works, comedy-drama ‘Me & Earl & The Dying Girl’ was hugely popular around the film festival circuits this year, and should be the pick of the weekend’s cinema releases.

ON TELEVISION

Monday 21:00 GMT: Jason Bourne crashes into your living room to get your week off to an explosive start. Tune into ITV2 on Monday night to see ‘The Bourne Identity’, the first installment of this fantastic trilogy. Once you’ve experienced this adrenaline-pumping thrill ride, you’ll be straight down the DVD store the next day to pick up the rest.

Thursday 21:00 GMT: Ian McEwan’s novel ‘Atonement’ is probably his most famous work, and much of that success is owed to this film adaptation. On More4, this is an emotional wartime drama starring two of Britain’s finest in James McAvoy and Keira Knightley. It also stars someone I know personally as an extra, so I have to suggest this one really – look out for the man on the bandstand reading the words out of a hat in the beach scene.

Friday 23:05 GMT: Film4 is showing the classic psychological thriller ‘The Sixth Sense’. If you’ve seen it before, then it’s still more than worth a watch. If you are yet to see this film however, then get ready for one hell of a ride.

Sunday 18:40 GMT: This week’s family film is out of this world, quite literally. ‘ET: The Extra Terrestrial’ is as iconic as they come, so sit back and see the weekend away in style with the family classic on ITV2.

Sunday 21:00 GMT: If you fancy something somewhat darker to see yourself into next week, then make sure you switch on Film4 this Sunday night. As far as we’re concerned here at JumpCut UK, ‘Shutter Island’ is the epitome of everything that’s right with cinema; Di Caprio, under the direction of Scorsese is surely enough to get your attention. This dark psychological thriller will have you questioning everything you deem to be real, even your own existence. You’ve been warned.

DIG IT OUT

This is our favourite part of the WatchThisSpace section. We delve into our own DVD collection and pick out some amazing films, that may not instantly spring to mind when you’re stuck for inspiration to make your movie night a success. Maybe you’ve never seen a film that we pick – or even heard of them for that matter – but you’re gonna have to trust us on this one, and Dig It Out.

The Prestige: The list of reasons we could use to get you watching this film is endless, but we’re sure the mention of ‘Star Wars’ will get your attention. Last week, the guys at ‘The Force Awakens’ HQ released a short teaser clip to Instagram, which featured the voice of Andy Serkis as Supreme Leader Snoke. Serkis may be better known for his contributions to motion-capture acting, but he is just as adept when it comes to traditional acting. Look out for him in a supporting role in this magical film.

Whiplash: On Tuesday, JK Simmons will turn 60. The writers at JumpCut UK absolutely love ‘Whiplash’ and that is in no small part down to JK Simmons and his role as the ferociously ruthless music instructor Terrence Fletcher, a performance which nabbed the Oscar for Actor in a Supporting Role at the 2015 Academy awards. Get ready to tap your feet and cover your eyes as you enjoy the ensemble of Jazz music and terrifying abuse. You can read our review of ‘Whiplash’ here.

Dead Man’s Shoes: One film that you may not have heard of, but you need to add to your DVD collection as soon as possible, is ‘Dead Man’s Shoes’. This is a gritty, British film from the messiah of the realist film industry, Shane Meadows. This grizzly tale of revenge may not be light viewing, but it’s a brilliant and enthralling film which we guarantee you will want to watch again. Paddy Considine is absolutely fantastic in this film, but if you’ve seen him in cult comedy ‘Hot Fuzz’, then be prepared to see him in a whole new light.

Training Day: Here’s one just for the hell of it. This 2001 crime-thriller is an action-packed, devastating film full of guns, drugs and violence, and we wouldn’t have it any other way. In another Oscar-winning performance, Denzel Washington stars as a rogue detective, opposite Ethan Hawke, and is just as ruthless and fearsome as JK Simmons’ ‘Whiplash’ character. If you haven’t seen ‘Training Day’ before, then you had better get with the program, quick!

This week’s WatchThisSpace was compiled by Jakob Lewis Barnes and Nick Deal