Reel Women: June UK Releases

Written by Elena Morgan

Welcome back to Reel Women, a monthly feature where we highlight the films that are being released in the UK this month that are written and/or directed by women. As ever this is a mixture of wide and smaller releases, so depending where in the country you are, some might be easier to see than others, and there’s a couple of Netflix Original films here too. All the release date information comes from Launching Films and all dates are correct at the time this post was written – we all know film releases can change at the last minute, especially for smaller films.

This month there’s romantic comedies, documentaries, dramas, and one I’m personally very excited for – the Ocean’s spin-off.

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1 June

Book Club
Directed by Bill Holderman
Written by Bill Holderman and Erin Simms

When four long-time friends (Diane Keaton, Jane Fonda, Candice Bergen and Mary Steenburgen) decide to read 50 Shades of Grey for the book club, they all get a whole new lease for life.

Erin Simms is an actress and producer who worked as a part of the crew for such films as ‘A Walk in the Woods’ and ‘Pete’s Dragon’. ‘Book Club’ is her first produced screenplay.

Ismael’s Ghosts

Directed by Arnaud Desplechin
Written by Arnaud Desplechin, Julie Peyr and Léa Mysius

Ismael (Mathieu Amalric) is a filmmaker whose life is turned on its head when his wife (Marion Cotillard), who he hasn’t seen for over twenty years comes back into his life, disrupting his relationship.

This is Julie Peyr’s second collaboration with Arnaud Desplechin and her tenth screenwriting credit. Léa Mysius is a writer and director of a number of short films. Her debut feature film, ‘Ava’, screened at the London Film Festival last year.

Lost in Vagueness
Directed by Sofia Olins

A music documentary about Roy Gurvitz who created Lost Vagueness at Glastonbury and reinvigorated the festival.

‘Lost in Vagueness’ is Sofia Olins’ first feature-length documentary. She’s previously worked as a second unit director or assistant director on a variety of British television series including ‘Primeval’, ‘The IT Crowd’ and ‘Peep Show’.

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8 June

The Boy Downstairs
Written and Directed by Sophie Brooks

Diana (Zosia Mamet) is forced to reflect on her past relationship with Ben (Matthew Shear) when she unintentionally moves into the apartment above his.

‘The Boy Downstairs’ is Sophie Brooks first feature film.

15 June

Set It Up
Directed by Claire Scanlon
Written by Katie Silberman

Harper (Zoey Deutch) and Charlie (Glen Powell) are two stressed out assistants who each have a high maintenance boss, Kristen (Lucy Liu) and Rick (Taye Diggs). When they decide to play matchmaker, maybe they can spread some romance and get their freedom.

Think of any big American comedy show of the past ten years and Claire Scanlon has probably directed at least one episode of it. Her directing credits include ‘The Office’, ‘Brooklyn Nine-Nine’, ‘Modern Family’ and ‘Fresh Off the Boat’. ‘Set It Up’ is her first feature film. Katie Silberman has previously produced comedy films ‘Hot Pursuit’ and ‘How to Be Single’. ‘Set It Up’ is her first feature-length screenplay to make it to the screen.

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22 June

Ocean’s 8
Directed by Gary Ross
Written by Gary Ross and Olivia Milch

Debbie Ocean (Sandra Bullock) gathers a crew to attempt to rob the Met Gala.

Olivia Milch is a writer-director whose debut film, ‘Dude’, is a Netflix Original Film. As well as co-writing Ocean’s 8 she is also a co-producer on the film.

Boom for Real: The Late Teenage Years of Jean-Michel Basquiat
Directed by Sara Driver

A documentary exploring the pre-fame years of American artist Jean-Michel Basquiat, and how New York City its people and the shifting arts culture of the 1970s and ‘80s shaped his work.

‘Boom for Real’ is Sara Driver’s first documentary feature film and her first film in 15 years.

Freak Show
Directed by Trudie Styler
Written by Patrick J. Clifton and Beth Rigazio

Despite attending an ultra-conservative high school, teenager Billy Bloom (Alex Lawther) decides to run for Homecoming Queen.

Trudie Styler is an actress and producer and ‘Freak Show’ is her directorial feature debut. Beth Rigazio has previously written TV movies including the Disney Channel original movie, ‘Go Figure’.

24 June

To Each, Her Own (aka Les Gouts et Les Couleurs)
Directed by Myriam Aziza
Written by Myriam Aziza, Denyse Rodriguez-Tomé

Simone’s (Sarah Stern) been in a relationship with Claire (Julia Piaton) for years but has never come out to her family. Her brothers keep trying to set her up with men, her father’s a traditionalist and her mother is just a little bit eccentric – soon everything comes to ahead and Simone is forced to make some hard choices.

‘To Each, Her Own’ is a Netflix Original and is Myriam Aziza’s sixth film. She wrote, directed, edited and was cinematographer on her documentary film ‘L’an prochain à Jérusalem’. Denyse Rodriguez-Tomé previous screenwriting credits include ‘I Hate Love‘ which won the Award of the Youth in the French Film category at the 1997 Cannes Film Festival.

27 June

Maquia: When the Promised Flower Blooms
Written and Directed by Mari Okada

Maquia (Manaka Iwami) is an immortal girl and when she ventures out into the world she meets Erial (Miyu Irino) a mortal boy, their friendship becomes an unbreakable bond that lasts throughout the years.

‘Maquia: When the Promised Flower Blooms’ is Mari Okada’s directorial debut but she’s written episodes for dozens of different anime. In 2011 Okada won the Animation Kobe Award, an award and event that aims to promote anime and other visual media.

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29 June

Leave No Trace
Directed by Debra Granik
Written by Debra Granik and Anne Rosellini

A father (Ben Foster) and his teenage daughter (Thomasin McKenzie) have an idyllic life living in a vast urban park in Oregon, until they are forced to re-join society.

Debra Granik is the director of ‘Winter’s Bone’, a film she co-wrote with Anne Rosellini and which earned them both an Oscar nomination for Best Adapted Screenplay. ‘Leave No Trace’ is their first feature film since ‘Winter’s Bone’ was released in 2010.

Patrick
Directed by Mandie Fletcher
Written by Vanessa Davies, Mandie Fletcher and Paul de Vos

Sarah’s (Beattie Edmondson) life is a bit of a mess and she really could do without the pug named Patrick her grandmother bequeathed her. As Sarah struggles to look after Patrick, find romance with his vet (Ed Skrein) and cope with a new job, Sarah realises that Patrick might just be helping her turn her life around.

Mandie Fletcher has directed episodes of popular British comedies like ‘Black Adder the Third’, ‘Only Fools and Horses’, and ‘Miranda’ and her previous film was ‘Absolutely Fabulous: The Movie’. ‘Patrick’ is both Mandie Fletcher’s and Vanessa Davies’s first produced screenplay.

The Bookshop
Written and Directed by Isabel Coixet

Set in a small English town in 1959, Florence (Emily Mortimer) decides to open a bookshop but is met with polite yet ruthless opposition.

Isabel Coixet is a Spanish filmmaker with over 30 directing credits and 20 writing credits to her name.

 


 

That’s thirteen films made by women being released in the UK in June. There’s something for everyone with animation, dramas, documentaries and a fair few romantic comedies. Personally, I’m looking forward to ‘Ocean’s 8′ and ‘Set It Up’, two films that have been on my radar for a while, but one I hadn’t heard of before researching this feature but definitely want to see is ‘Freak Show’ – the trailer makes it look like so much fun!

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Watch This Space: August 28th – September 3rd

This week we’re excited to re-launch our weekly feature – Watch This Space. Every Monday we will be recommending films that are on TV that week, films playing at the cinema, and also remind you of those brilliant films hiding on streaming services, such as Netflix and Amazon Prime, and possibly in your own collection.

In Cinemas

Rough Night: This female-led comedy finally released in the UK last Friday, with most territories getting it in June and July. You can read Fiona’s review here, in which she calls it “an enjoyable night at the cinema“.

Logan Lucky: Can Jimmy Logan shake his family’s bad luck and pull off a $14 million heist? Corey shares his thought’s in a brand new review coming later today. We’ll update this article with a link when it’s up.

Terminator 2: Judgement Day (3D Special): Arnie is back! ‘Terminator 2: Judgement Day’ has been digitally enhanced and for one day only will be screening in 3D in cinemas across the UK. The film originally released in cinemas in 1991 and is back for old fans and new to enjoy on the big screen. We’ll have a special review up later this week!

On TV

Monday

Four Weddings and a Funeral (1994): Tune in to this British rom-com classic from the 90s for sharp-scripted silliness from Richard Curtis. Yes – the film is centred around bumbling, floppy-haired Hugh Grant, but it’s the eccentric ensemble that make this film both hilarious and heartfelt. If you’ve not seen it before, where have you been? If you have seen it before – cheer yourself up by surrounding yourself with a familiar group of friends and letting it wash over you like a warm bath. Tune into this classic on Film4 at 9pm. 

Footloose (1984): Kick off those Sunday shoes and go crazy for this 80s classic with a toe-tapping soundtrack and some eye-watering fashion choices. Kevin Bacon makes an appealing central character, backed up by a supporting cast that includes early Sarah Jessica Parker and Chris Penn. John Lithgow is the standout as the preacher who has declared a Southern town to be a “no-dance” zone and if you think the rebellious teenagers are going to take that lying down, then you’re mistaken! Brighten up your life with this cheesy feel-good caper. 5Star thinks you’ll love it so much that they’re playing it twice, the first beginning at 7pm, and the second straight after at 8:20pm.

Tuesday 

Shaun of the Dead (2004):  Edgar Wright’s debut feature and first entry to his Cornetto trilogy – ‘Shaun of the Dead’, stars the hilarious duo of Simon Pegg and Nick Frost. ‘Shaun’ simultaneously pays homage to and parodies the ‘of the Dead’ films from the late George A. Romero in a way that is both exciting and easy on the eye. It’s truly a must-see, and you can catch it on ITV2 at 9:00pm.

Snakes on a Plane (2006): Samuel L. Jackson says enough is enough, he’s had it with the “MOTHERFUCKING SNAKES ON THIS MOTHERFUCKING PLANE”.. Need I say more? Okay, I will.. David R. Ellis’ ‘Snakes on a Plane’ gained considerable hype before the film released in cinemas 11 years ago, and despite how quickly that hype died down once it hit cinemas, I challenge you to find anyone who doesn’t know THAT line from the film. You can swear your heart out with Jackson from 9pm on Sky1.

Wednesday

About Time (2013): Combining a romantic comedy with some light science-fiction may be a somewhat bizarre mix, but Richard Curtis’ ‘About Time’ is, for my money, one of the finest romcoms of the last decade. With winning performances from the whole cast, a great sense of humour, bags full of heart, and a very fun time travel twist, it’s hard not to fall in love with the film from the very first scene. Fair warning though, Domnhall Gleeson and Rachel McAdams will ruin your base expectations of boyfriends and girlfriends for life. You can catch ‘About Time’ on Film4 at 6:40pm

Captain America: The First Avenger (2011): This undervalued and overlooked origin story within the MCU has suffered from being overshadowed by its sequels, particularly ‘The Winter Soldier’. In my opinion, The First Avenger is the superior film. With its World War Two setting, Hayley Atwell’s Peggy Carter and some great CGI (the wimpyfying of Chris Evans is fantastic) – ‘The First Avenger’ is one of the highlights of the MCU. If the rumours about the upcoming Infinity War are true, perhaps you should take the chance now to remind yourself of Cap’s shining greatness before shizz gets real dark. The action begins 9pm on Film4! 

Thursday

Superman (1978): You’ll believe a man can fly all over again. Richard Donnor directs the original comic-book adaptation- 1978’s ‘Superman: The Movie’. In a time before the superhero genre churned out by the book, CGI dazzling and star-studded movies year after year, travel back to more innocent, more family-friendly era with Christopher Reeve as the greatest Man Of Steel ever. A soaring soundtrack by John Williams and a wonderful cast and story help bring Superman to life in one of the most iconic, original and memorable super-hero films you all need to see. You’ll want to switch to ITV4 at 4pm to see Reeve’s in action! 

Predator (1987): You can see how great Arnold Schwarzenegger is as an action and comedy star when you remember one year after shooting up the jungle in ‘Predator’, he was playing simple-minded Julius opposite Danny DeVito in ‘Twins’. But I digress. No family-friendly comedy here. It’s just balls to the wall action and suspense to the highest level when Arnie and his tobacco chewing, machine gun toting, foul-mouthed squad turn from hunter to hunted, going up against the alien life-form known as The Predator. With direction from John McTiernan, special effects from Stan Winston and support from the likes of Carl Weathers, Jesse Ventura and the late Sonny Landham, this is classic Schwarzenegger – when you’ve finished watching, don’t forget to “GET TO THE CHOPPA!”. Get in on the action on Film4 starting at 10:45pm

Friday

Inception (2010): This one is a no brainer… It’s on TV this week, therefore you need to watch it! Christopher Nolan assembles an impressive cast, which includes the likes of Leonardo DiCaprio, Ellen Page, Joseph Gordon-Levitt, Tom Hardy, Cillian Murphy and Marion Cotillard, and if that line-up alone doesn’t sell it then you’re still in for a treat. Nolan keeps your full attention for the entirety of the film’s 2 and a half hour runtime, as we venture from dream to dream and watch DiCaprio and his team attempt to plant an idea in the mind of a CEO by using their dream-sharing technology. 

Role Models (2010): Having recently watched this film again, I can whole-heartily say that this film is still as funny as it was 7 years ago. Paul Rudd and Sean William-Scott are sentenced to community service and are sent to ‘Sturdy Wings’, an organisation that pairs children with adults to help build friendships. Rudd and Scott meet their matches when paired with Augie (a LARPing geek) and Ronnie (a foul-mouthed youngster), and hilarity ensues. The fun takes place over on 5Star at 11:15pm.

Hiding Online / In Our Collection

Kill Bill – Vol I and II (2003, 2004): Do yourself a favour and watch Tarantino’s masterpieces, featuring one of cinema’s greatest creations – Uma Thurman’s The Bride. The first is the all-action, kung fu heavy whirlwind featuring mind-blowing set pieces such as the House of Blue Leaves. The second is a different beast, exploring The Bride’s relationship with the titular Bill, a tour de force by David Carradine. Choosing which is better out of the two is a Sophie’s Choice for me. Do yourself a favour and watch both. Both films arrive on Netflix September 1st

Dead Poets Society (1989): O Captain My Captain. A tender central performance by Robin Williams can get a little schmaltzy at times, but this coming-of-age poetic film is worth your time for some classic lines and heart-warming scenes. The ensemble cast of High School students is a “who’s who” of current film and TV, Ethan Hawke, House’s Robert Sean Leonard and The Good Wife’s Josh Charles all got their breakthroughs here. As an English teacher, I have to say I aspire to the level of inspiration William’s Mr Keating brings to his lessons in literature and life. ‘Dead Poet’s Society’ will arrive on Netflix September 1st. 

Bronson (2008): Nicolas Winding Refn’s stylistic masterpiece, ‘Bronson’, is a biopic that explores the anarchic life of notorious British criminal Charles Bronson, played emphatically by the sublime Tom Hardy. Whilst it might not be everybody’s cup of tea, I can’t recommend it enough. Give it a go if you think you’re hard enough.

Deep Blue Sea (1999): Whilst no other shark movie can really hold a candle to the mighty ‘Jaws’, ‘Deep Blue Sea’ is one of the better ones out there. It’s ludicrous of course, but that is exactly what you should expect and want out of a movie about harvesting the brains of DNA-altered sharks to find a cure for Alzheimer’s. It has Samuel L. Jackson, terrible CGI sharks and plenty of gruesome deaths, what more could you want really?! ‘Deep Blue Sea’ is heading to Netlfix on Friday! 

A huge thank you to contributors this week: Fiona Underhill, Chris Gelderd, Sarah Buddery, Rhys Bowen Jones, and Corey Hughes.

Will Game To Movie Adaptations Ever Work?

Written by Luke Riley

“There have been valiant attempts (Mortal Kombat, Hitman) and there are upcoming releases that should do the trick (Warcraft, Assassin’s Creed) but the inherent problem is translating an interactive medium to a passive one. What makes games fun is playing them not just watching them. A ‘Gears of War’ movie would rock though…”

Carlos Ferro

Carlos Ferro

I was fortunate enough to be able to contact Carlos Ferro – voice of Dom from ‘Gears of War’ and Da Vinci from ‘Assassin’s Creed’ – who raised a very good point. He highlights the obvious thing that Hollywood seems to forget. The objective is for two different mediums to tell the same story or evoke the same feelings to remind you why you’re a fan.

The easy example – for it is one of the very few good examples – is ‘Mortal Kombat’. Released in 1995, this wasn’t made to be a fighting video game with real actors but a fighting movie based on a video game. As an eight year old in 1995, this movie was the dream. Endless fighting, four armed warriors and a final fight above a floor of spikes. Also let us not forget the amazing theme tune, which is the perfect accompaniment to any gym session. If we’re counting animated movies then ‘Final Fantasy: The Spirits Within’ and ‘Final Fantasy: Advent Children’ can also be counted among the well made adaptions from video games.

What these movies have done well was to be a movie, not just a video game thrown onto the silver screen. Not to discredit video games, as I am a huge fan of gaming, but certain things quite simply don’t translate effectively. Video games are notorious for badly scripted dialogue, cliche male characters and female characters who don’t represent women very well. Actually, a lot of movies, particularly action movies, do these things as well, but there’s a reason games have the reputation they do. ‘Lara Croft’ was originally little more than a 90s pin-up, sprawled over countless magazines in various poses. She wasn’t the strong survivor of the recent ‘Tomb Raider’ video game reboots. This is the reason we get movies like ‘Resident Evil’, another series of bad adaptions. A movie franchise in which the female lead is very often scantily-clad and objectified is a clear sign that Hollywood presumed that their target audience was teenage virgins who live in their parents basement who’ve never seen a woman in real life.

This article is discussing why video games have rarely enjoyed successful adaptions into films, and the answer is simple; it’s because the creators have not understood or respected their audience. I have played video games for nearly 30 years now, and while the confused teen-in-denial version of myself may have enjoyed Angelina Jolie as ‘Lara Croft’, the adult me does not. It’s just a poorly made film, and if you count the even more dreadful sequel, then you have a double whammy of awful game to film translations. The reason is almost solely down to misunderstanding the audience. We have played the games, we know them, so what we want is a faithful adaption of that.

‘Lord of the Rings’ and ‘Harry Potter’, while these were adaptions of books, they were movies adapted from another medium and are evidence of just how successful and accomplished an adaptation can be. Video games deserve that same talent and passion behind their silver screen counterparts.

However, all is not lost, and to quote Gandalf, “Hope is kindled”. This being in the form of the upcoming ‘Assassin’s Creed’ and ‘Warcraft’ films. With stars Michael Fassbender and Marion Cotillard at the fore – actors who seem to attach themselves exclusively to movies of merit – ‘Assassin’s Creed’ should be a success. It’s also written by Bill Collage and Adam Cooper, who have previously worked on ‘Exodus: Gods and Kings’.

This humble writer enjoyed ‘Exodus’ quite a lot, and these writers seem like a good fit for me. Justin Kurzel is the director of the critically acclaimed ‘Macbeth’, which also stars Fassbender and Cotillard, so with this collaboration there seems to be a level of trust and all things point to a positive movie going experience. There is also news that the film will rely more on practical effects rather than CGI, which will give ‘Assassin’s Creed’ a level of authenticity rarely seen in historically-based movies.

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Then there is ‘Warcraft’, a movie that looks as epic as the video game and it seems nothing is being held back in order to recreate this. Duncan Jones is directing, and with credits including ‘Source Code’ and ‘Moon’, we know he understands action and more importantly characters. While the movie is CGI-laden, it looks like it will be character focused and give meaning behind their motives. It also looks like an adaption of a video game, which is the most important thing. As previously said, it’s not just a video game thrown onto the silver screen. Check out the trailer for ‘Warcraft’ here.

The future looks good for video game adaptions, but we’ll have to see how ‘Assassin’s Creed’ and ‘Warcraft’ fare. It feels like all hope hinges on these two adaptions of beloved franchises. Can anyone unlock the secret to successfully adapting a video game onto the big screen? Only time will tell…

The JumpCut UK Film Awards 2015: The Nominees

After weeks of agonising over the films of 2015, our esteemed panel have finally submitted their picks for the first annual JumpCut UK Film Awards. The votes have been counted and the nominees are…


actors
Best Support Actress
Alicia Vikander (Ex Machina)
Kate Winslet (Steve Jobs)
Kristen Stewart (Clouds Of Sils Maria)
Marion Cotillard (Macbeth)
Rooney Mara (Carol)
Best Support Actor
Benicio del Toro (Sicario)
Idris Elba (Beasts Of No Nation)
JK Simmons (Whiplash)
Oscar Isaac (Ex Machina)
Paul Dano (Love & Mercy)
Best Lead Actress
Cate Blanchett (Carol)
Charlize Theron (Mad Max: Fury Road)
Emily Blunt (Sicario)
Olivia Cooke (Me And Earl And The Dying Girl)
Saoirse Ronan (Brooklyn)
Best Lead Actor
Abraham Attah (Beasts Of No Nation)
Jason Segel (The End Of The Tour)
Matt Damon (The Martian)
Michael Fassbender (Steve Jobs)
Miles Teller (Whiplash)
Best Breakthrough Actor/Actress
Abraham Attah
Alicia Vikander
Daisy Ridley
O’Shea Jackson Jr
Taron Egerton
Worst Acting Performance
Adam Sandler (Pixels)
Jai Courtney (Terminator Genisys)
Jamie Dornan (Fifty Shades Of Grey)
Johnny Depp (Mortdecai)
Vincent D’Onofrio (Jurassic World)

 

technical

Best Director
Alex Garland (Ex Machina)
Damien Chazelle (Whiplash)
Denis Villeneuve (Sicario)
George Miller (Mad Max: Fury Road)
Ridley Scott (The Martian)
Best Original Story
Ex Machina
Inside Out
The Gift
The Lobster
Whiplash
Best Adaptation
American Sniper
Macbeth
Me And Earl And The Dying Girl
Steve Jobs
The Martian
Best Cinematography
American Sniper
Macbeth
Mad Max: Fury Road
Sicario
The Martian

 

Best Editing
Birdman
Mad Max: Fury Road
Sicario
Star Wars: The Force Awakens
Whiplash
Best Soundtrack/Score
Dope
Inside Out
Mad Max: Fury Road
Sicario
Whiplash
Best Visual Effects
Ex Machina
Jurassic World
Mad Max: Fury Road
Star Wars: The Force Awakens
The Martian

genre

Best Action Film
American Sniper
Avengers: Age Of Ultron
Kingsman: The Secret Service
Mad Max: Fury Road
Sicario
Best Comedy Film
Inside Out
Spy
The Lobster
The Night Before
Trainwreck
Best Drama Film
Carol
Me And Earl And The Dying Girl
Straight Outta Compton
Whiplash
White God
Best Horror Film
Crimson Peak
Insidious: Chapter 3
It Follows
The Gift
Best Sci-Fi Film
Ex Machina
Jurassic World
Star Wars: The Force Awakens
The Martian

 

Best Documentary, Foreign, Indie or Short Film
Cobain: Montage Of Heck
The End Of The Tour
Kung Fury
The Lobster
World Of Tomorrow
Worst Sequel/Reboot
Fantastic Four
Hot Tub Time Machine 2
Taken 3
Terminator Genisys
Vacation
Worst Film
Hot Tub Time Machine 2
Pan
Paul Blart 2
Pixels
Vacation
Best Film
Ex Machina
Mad Max: Fury Road
Sicario
The Martian
Whiplash

miscellaneous

The “Guilty Pleasure” Award
American Ultra
Focus
San Andreas
Ted 2
The Interview

 

 

 

 



So there you have it – 24 categories with lots of films and individuals to celebrate. We will be opening up the voting to the public for the following categories: Best Breakthrough Actor/Actress, Worst Film and Best Trailer, and you can cast your vote here (voting closes 31st December). The rest of the categories will be decided by the JumpCut UK team, our official partners and a handful of expert guests, with all the winners announced on our special YouTube Awards Show at the end of January. 

Watch This Space: September 28 – October 4

Welcome to your weekly go-to film guide – WatchThisSpace – where we recommend what to watch in the cinema and on the television, and remind you of those brilliant films hiding in your DVD collection.

IN THE CINEMA

This week’s sees the release of TWO of our most anticipated films of the year. First up, if you’re a Sci-Fi fan, the annual, mandatory, lost in space film lands on Wednesday. Ridley Scott’s ‘The Martian’ has an out of this world cast (get it), including Matt Damon, Jessica Chastain and Chiwetel Ejiofor. Get our verdict here.

And then, on Friday, swap futuristic spaceships for swords and Shakespeare with ‘Macbeth’. The idea of this one has really grown on us lately, and after watching the epic trailer, we are confident this will be a bloody, enthralling retelling of this classic tale. We could well see some Oscar nominations for this film too, if Michael Fassbender and Marion Cotillard pull out the performances we know they’re capable of. Get our verdict here.

ON THE TV

Monday 21:00 GMT: ITV2 are showing one of the all time greats on Monday night. We may have recommended you watch it before, but ‘The Shawshank Redemption’ is certainly worthy of our persistent attempts to push you in its direction.

Thursday 22:15 GMT: The Rugby World Cup is in full swing, and although South Africa may have suffered the ignominy of losing to Japan in what people are saying is the biggest upset of all time, the country has an important history associated with the competition. Morgan Freeman and Matt Damon star in ‘Invictus’ on ITV4, the biographical drama about Nelson Mandela’s ambition to use the tournament to bring a divided nation together.

Friday 21:00 GMT: The first instalment of the recent reboot of the ‘Star Trek’ franchise is on E4 on Friday night. A star-studded cast under the direction of JJ Abrams in a sci-movie, sound familiar? Why not get a feel for Abrams style when it comes to all things intergalactic, and get excited for his Star Wars offering coming later this year.

Saturday 14:45 GMT: A children’s animated film that you might not have seen is ‘The Iron Giant’, showing on Film4. Filled with political allegory and social commentary for the adults to enjoy, and stunning visuals and excitement aplenty for the children, it’s the perfect way to spend your Saturday afternoon.

Sunday 21:00  GMT: The honour of being this week’s Sunday night recommendation is bestowed upon war classic ‘Apocalypse Now’. With a brilliant cast featuring Robert Duvall, Marlon Brando, Harrison Ford and Martin Sheen, this wonderful achievement in cinema wowed critics and fans alike at the time of its release in 1979, and still continues to do so now. Don’t miss this on ITV4.

DIG IT OUT

This is our favourite part of the WatchThisSpace section. We delve into our own DVD collection and pick out some amazing films, that may not instantly spring to mind when you’re stuck for inspiration to make your movie night a success. Maybe you’ve never seen a film that we pick – or even heard of them for that matter – but you’re gonna have to trust us on this one, and Dig It Out.

Memento: With the likes of ‘The Dark Knight’ trilogy, ‘Interstellar’ and ‘Inception’ already to his name, it would appear that Christopher Nolan can do no wrong. One of his earliest films in the directing chair was the mind-bending ‘Memento’, starring Guy Pearce as Leonard, who is trying to solve the murder of his wife, but is hindered by short-term memory loss. He therefore has to come up with an ingenious method to retain the knowledge he gains in order to track down the killer. This is a thriller by definition, without the explosions. It’s more subtle and clever and will have you guessing and thinking all the way through, and for days afterwards as well.

Fear And Loathing In Las Vegas: Confession time – I haven’t actually seen this one myself yet. But before you rise in protest, I’m advocating this film because I too will be digging it out this week and I want you all to join me so we can have a discussion about it. See, that’s nice, right? After Benicio del Toro’s gripping performance in ‘Sicario’, I have to see more of his work, and ‘Fear And Loathing’ seems like a good place to start. Generally adored by film fans, and lamented by critics, which side will you fall on?

Due Date: One of my favourite comedy actors, Zach Galifianakis, celebrates his birthday this Thursday. Since his big break in ‘The Hangover’, this portly, bearded guy has taken over the world and is arguably the funniest man around. My favourite film of his is ‘Due Date’, where Zach and Robert Downey Jr endure a road trip like no other. Not everyone is a fan of this film, but I literally laugh every minute and love the chemistry between the lead roles. If you enjoy a spot of silly humour, raise your popcorn on Thursday and say happy birthday Zach, thanks for the laughs.

Rain Man: Tom Cruise is not an actor that I like, at all. However, he is one of the stars of the show in Rain Man. Tom Cruise and Dustin Hoffman play the estranged Babbitt brothers, the latter of whom has severe autism. Hoffman’s performance is one of the best I have ever seen and his portrayal of Raymond is enough to make grown men cry. You have been warned.

This week’s WatchThisSpace was compiled by Nick Deal and Jakob Lewis Barnes.