Weekend BO Predictions: On A Potentially Record-Breaking Weekend, Will ‘Jurassic World: Fallen Kingdom’ Open With A Roar?

Written by Dapo Olowu

It’s sequel season in the Box Office sphere, with ‘Jurassic World: Fallen Kingdom’ following in the footsteps of ‘Ocean’s 8’ and record-breaking ‘Incredibles 2’ in its attempt to top the charts this weekend, in a live-action record 4,475 cinemas. The follow-up to Colin Trevorrow’s 2015 continuation of the ‘Jurassic Park’ franchise (which surprisingly broke the then-opening weekend record with $208.8m) looks to follow in the footsteps of last week’s ‘Incredibles 2’ and provide mass appeal. The problem is, Pixar sequel completely smashed expectations and performed brilliantly across the four main audience quadrants, providing men, women, alongside over and under-25s alike worth quality viewing. This then led to an animated record-breaking $187.2m opening for the film, practically ensuring it’s future Box Office profits. ‘Jurassic World 2’, on the other hand, has a 53% rotten rating on the Tomatometer, and is the sequel not many Americans seemingly asked for, much like ‘Solo’ some weeks ago.

Fears of this being another ‘Solo’ are quite extreme however; ‘Jurassic World 2’ has already made $450m in International markets without the film even reaching U.S. cinemas, and crossed over the $100m mark in China in its first 3 days. It aims to see a drop akin to ‘The Last Jedi’, which fell 13% from ‘The Force Awakens’ for a $220m opening. The same for ‘Jurassic World 2’ would give it a massive $181.7m domestic start, but without such a dedicated fanbase as ‘Star Wars’, even the most optimistic of analysts would roll their eyes at such a prediction. Therefore, I’m looking at ‘Rogue One’, which dropped by 37% from ‘The Force Awakens’. A similar fall from ‘Jurassic World’ would leave its sequel opening to $131m, and taking into account ‘Incredibles 2’s performance, we’re thinking ‘Jurassic World 2’ will hit $125m in its first 3 days. Fun fact: this is to be only the second time ever that a $100m opener has immediately followed another $100m opener in the next week, after ‘Pirates of the Caribbean 3’ followed ‘Shrek 3’ in 2007.

Looking to take advantage of ‘Jurassic World’s disappointing opening is ‘Incredibles 2’, which aims to make history by being the first film to ever make $100m or more in the same weekend as another. No two films have ever simultaneously achieved the feat on the same weekend; the closest this ever came was in 2015, when in a curious case of reverse fortune, Disney favourite ‘Inside Out’ opened to $90.4m during ‘Jurassic World’s second weekend (where it itself grossed $106.6m). ‘Incredibles 2’ would have to drop by 45.3% to reach $100m, and that’s where we’re hoping it reaches.

Next, is ‘Ocean’s 8’, and this continues to emulate ‘Ghostbusters’ with around a $10m 3rd weekend. Comedy ‘Tag’ would love to mirror ‘Game Night’s second weekend performance with a 38.8% drop, but will probably perform closer to ‘Neighbors 2’ and fall somewhere in the 50% region. A gross of $7.5m will be enough for fourth place, ahead of ‘Solo’, who will finally pass the $200m domestic total this weekend, for a gross of $6m, in-line with the performance of ‘Days of Future Past’. Closely trailing is ‘Deadpool 2’ with $5.6m, now reaching $700m worldwide and $300m domestically.

A24 horror ‘Hereditary’ continues its impressive run, and looks to earn $4.3m in the U.S. this weekend, leaving the film just $19m away from being A24’s biggest domestic hit, and close to making $50m globally. ‘Infinity War’ should come 8th with a gross of $3.8m, and finally ‘Superfly’ and ‘Adrift’ round off the top ten with $3.2m and $1.1m each.

Will ‘Jurassic World 2’ and ‘Incredibles 2’ make Box Office history, or will the latter fall just short of the $100m target? Let us know your thoughts on Instagram and Twitter – we’re at @JUMPCUT_ONLINE.

 

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Weekend BO Report: ‘Incredibles 2’ Destroys Animated Opening Record On A Memorable Father’s Day For Disney

Written by Dapo Olowu

It’s Disney’s world, and we’re all just living in it. After securing the two biggest openings of the year so far in ‘Black Panther’ and ‘Infinity War’ (the latter being the biggest domestic and global opening of all time), the studio strengthened their position as a Box Office powerhouse by breaking its own animated opening record, with ‘Incredibles 2’ making $182.7m in the first 3 days of its release. The gross, almost $50m more than ‘Finding Dory’s $135.1m in 2016, eclipsed the entire 3-day opening of ‘The Incredibles’ in just 24 hours — including, in total, a record-breaking $18.5m from Thursday previews. The $53.1m brought in from overseas gives ‘Incredibles 2’ a worldwide opening of $233.8m; a blistering start for the sequel that cost a reported $200m to make.

Looking ahead, it’s hard to see this film not going after ‘Finding Dory’s final record of being the biggest animated film of all time in the States. The $486.3m grossed by the ‘Finding Nemo’ sequel would only require ‘Incredibles 2’ to have an opening week multiplier of 2.7x to better it, and when considering that no film with an A+ Cinemascore has ever had a multiplier under 3x, ‘Incredibles 2’ looks to become the first animated film to make $500m in the U.S.

In second place is ‘Ocean’s 8’, bringing in $19m for a $78.6m domestic total. Its 54% drop mirrors that of ‘Ghostbusters’ and franchise predecessor ‘Ocean’s Twelve’, increasing the likelihood that its final U.S. gross will land in the $120m+ region. It’s currently on $115.4m globally and will need to pull in another $70m or so if it wants to start raking in a profit. Next is new release, ‘Tag’, that matched our expectations by grossing $14.9m in its opening weekend. The R-rated comedy was a surprising hit with the ladies; with 51% of viewers being female, it will hope to use the even audience demographics to its advantage, and continue to attract a wider-than-expected audience in the upcoming weeks.

Star Wars origin story, ‘Solo’, held strong against ‘Incredibles 2’, bringing in a solid $10m and leaving the film just $6m away from the $200m domestic mark (and $9m away from $350m globally). ‘Deadpool 2’ is looking at doubling that worldwide figure, and is well on the way to doing so, after this weekend saw it earning $8.7m for 5th place. It’s just $5m away from the $300m domestic mark and $10m away from earning $700m worldwide. Those over at Fox will be hopeful it passes ‘Days of Future Past’s total of $747.9m to become the second biggest ‘X-Men’ film of all time.

New release ‘Superfly’ and A24 horror ‘Hereditary’ battled it out for 6th spot, with $6.9m each. The former grossed around $15k more, but with just $9m domestically so far, off a $16m budget, it’s nothing to write home about. ‘Hereditary’, on the other hand, has already out-grossed ‘Winchester’ in just its 2nd weekend to become the third biggest horror of the year, and is already the A24’s third biggest domestic hit ever after dropping by only 50% this weekend — making a $27m domestic total.

Infinity War’ sticks with the trend of continuously smaller weekend drops, and fell by only 25% from last weekend. Its $5.4m means it’s passed ‘Titanic’ to become the 4th biggest film in the U.S. of all time, with $664.3m. Although it’s likely to remain in 4th domestically, it aims to finish 3rd globally, as it’s just $50m away from passing ‘The Force Awakens’ $2.07bn worldwide total. Finally, ‘Adrift’ and ‘Book Club’ both lost over 1,000 cinemas each, and thus saw falls close to 60%, grossing $2.2m and $1.8m respectively. While it seems as if studio STX is cutting their losses with ‘Adrift’, as it struggles to even gross back its $35m budget, Paramount can rest easy knowing that it’s costs are repaid (and then some) with ‘Book Club’ closing in on a $70m worldwide gross.

Next weekend sees ‘Jurassic World: Fallen Kingdom’ enter American cinemas, and after already grossing close to $400m in International markets, how will ‘Incredibles 2’ and the rest cope? Let us know your thoughts on Twitter and Instagram – we’re at @JUMPCUT_ONLINE.

 

Rank Last Week Rank Film Total U.S. Gross Weekend Gross Weekend drop JUMPCUT’s prediction Difference Week number
1 Incredibles 2 $182.7m $182.7m $150m $32.7m 1
2 1 Ocean’s 8 $78.6m $19m -54.4% $20.8m $1.8m 2
3 Tag $14.9m $14.9m $15m $0.1m 1
4 2 Solo $193.8m $10m -36.5% $6.3m $3.7m 4
5 3 Deadpool 2 $294.6m $8.7m -38.6% $7.5m $1.2m 5
6 Superfly $9m $6.9m $4.5m $2.4m 1
7 4 Hereditary $27m $6.9m -49.5% $6.4m $0.5m 2
8 5 Avengers: Infinity War $664.3m $5.4m -24.8% $4m $1.4m 8
9 6 Adrift $26.9m $2.2m -58.3% $2.6m $0.2m 3
10 7 Book Club $62m $1.8m -57.4% $2.8m $1m 5

 

 

 

Weekend BO Predictions: ‘Incredibles 2’ Hints At A Record-Breaking Opening Worth the 14 Year Wait

Written by Dapo Olowu

What’s new?

It’s taken well over a decade for Brad Bird and Pixar to release a sequel to the 2004 sensation ‘The Incredibles’, and ‘Incredibles 2’ looks to blast the animated opening weekend record to shreds. The current record of $135.1m was set by ‘Finding Dory’ in 2016, another Disney sequel that built upon the anticipation following one of the most popular animated films of all time. The edge that ‘Incredibles 2’ has over ‘Finding Dory’, however, is that a) it’s following a film that had always hinted toward a sequel, and b) it’s a superhero film in an age where caped crusaders regularly top the Box Office charts. From this, we believe ‘Incredibles 2’ will make around $150m in its first 3 days.

Making a sequel 14 years later does pose problems; retirement caused Jonathan Banks to replace Bud Luckey as the voice of Rick Dicker, while young Dash’s voice artist, Spencer Fox, is now too old to play a child. The World Cup kicking off on the same weekend also brings strong competition for viewers. However, a 95% on Rotten Tomatoes (and the fact that the USA didn’t even qualify) hints that the only thing that’s truly changed from its predecessor, was dropping ‘The’ from the title.

In a potential triumph in counter-programming, star-studded comedy, ‘Tag’, opens in over 3,300 cinemas in the U.S. this weekend — and hopes to use the unique premise to its advantage. It stars (amongst many others) Jeremy Renner, Jon Hamm, Hannibal Burress, and Annabelle Wallis, and is a completely different type of offering to the family-friendly (and millennial darling) ‘Incredibles 2’. First time director Jeff Tomsic helms this $28m production, which aims to emulate ‘Central Intelligence’s opening (on the same weekend as record-breakingFinding Dory’) and make around $35m. No chance here though, as its R-rating puts it in the camp of this year’s ‘Game Night’, and a bunch of others in the mid-teens region. Therefore, an opening of around $15m is likely, and it’ll look to hone in on a male, over-25 audience in the coming weeks — one that won’t have too much competition until ‘Sicario 2’ at the end of June.

Finally, there’s action crime film ‘Superfly’, which actually opened on Wednesday to avoid a complete collapse against ‘Incredibles 2’. Unfortunately, the plan backfired as it only brought in around $1.2m from its opening day. The remake of the 1972 Blaxploitation film, ‘Super Fly’, stars Jason Mitchell, Rick Ross, and Michael K. Williams, and is produced by rapper, Future. What it will inevitably lack in Box Office numbers (not helped by a 53% on Rotten Tomatoes), it’ll at least make up for in catchy songs (the soundtrack features everybody from Future to Miguel), and a stylistic look, as Director X (known for many famous music videos) takes charge. We’re not expecting this to really take off, and will only see around $4.5m from Friday to Sunday.

What else is on?

Ocean’s 8’ looks to cement second place with around $20.8m, a 50% drop from last weekend. Its daily changes almost mirror that of ‘Ghostbusters’, which saw a 54% fall in its second weekend. Superhero flick, ‘Deadpool 2’ looks to close in on the $300m domestic mark and, although it won’t hit it this week, a $7.5m gross will aid its pursuit. ‘Incredibles 2’ won’t affect it too much, but it will see a massive impact on ‘Solo’, which could have a large chunk of its audience lost to the animated blockbuster. A gross around $6.3m is similar to what we believe ‘Hereditary’ will land in its second weekend, showing that audiences weren’t as put off as its Cinemascore suggests. Although horrors are quite a front-loaded genre, ‘Hereditary’ should take advantage of a summer that promises a leggy run.

Next is ‘Infinity War’, which recently became the first ever comic book movie to make $2bn worldwide. Its run in recent weekends has been particularly impressive and will continue in the face of superhero competition, with a $4m gross. Finally, we have ‘Book Club’ with an estimated $2.8m, and ‘Adrift’, which barely remains afloat on $2.6m.

Is ‘Incredibles 2going to break the animated opening record, or will it fall just short of ‘Finding Dory’? Let us know your thoughts on Twitter and Instagram – we’re at @JUMPCUT_ONLINE.

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Weekend BO Results: ‘Oceans’s 8’ Steals The Show As ‘Hotel Artemis’ Fails To Impress

Written by Dapo Olowu

Crime really did pay this weekend with ‘Ocean’s 8’ breaking the franchise record and opening with $41.6m, $2.4m above ‘Ocean’s Twelve’, and just $600k off our original estimates. It’s a solid start that almost mirrors ‘Ghostbusters’, which made $46m (but also had double the budget). The plan now for ‘Ocean’s 8’ is for a nice, leggy, summer run – it was never really a highly-anticipated blockbuster. Its skewed audience (69% female, and 69% over-25s) may scupper the scheme, but even a decent 2.5x opening weekend multiplier would land ‘Ocean’s 8’ with a strong $104m domestic final gross.

Solo’ posted a better-than-expected 46% drop this weekend, right before its inevitable double-knockout at the hands of ‘The Incredibles 2’ and ‘Jurassic World: Fallen Kingdom’ in the next two weeks. Maybe that’s harsh; its numbers are decent, if you forget that a) it’s a ‘Star Wars’ film, and b) it cost over $300m to produce. A budget of $125m max would have seen the film possibly break-even, but the extensive reshoots removed any possibility of that happening. It’s currently pacing $13m behind ‘X-Men: Days of Future Past’, which ended up grossing $233.9m in the U.S. – ‘Solo’ would be lucky to even hit $200m.

In third place was ‘Deadpool 2’, continuing its impressive run by bringing in $14.1m. Its current worldwide total of $655.7m is still $130m away from ‘Deadpool’s original total however, showing just how massive the first film was. At $363.1m domestic and nearly $800m worldwide, it was the 6th biggest domestic hit and 9th biggest global film in 2016. ‘Deadpool 2’ is currently 3rd on both lists for 2018, but is $400m away from ‘Infinity War’s $655.1m domestic total and a massive $700m off of ‘Black Panther’s $1.35bn global gross.

Hereditary’ broke A24’s opening record with $13.6m, making it two in two for the new releases this weekend. This 3-day total is solid for a $10m budget, but hopes of the film having a long Box Office run is seriously harmed by its audience reaction; its poor D+ Cinemascore harkens back to the audience reactions of ‘Mother!’ and ‘It Comes At Night’, two horrors famously mis-marketed, resulting in an F and D score on Cinemascore alike.

Remarkably, ‘Infinity War’ held best this weekend with only a 31% drop, bringing in $7.2m. Its worldwide figure of $1.999bn is just $500k away from making ‘Infinity War’ just the fourth film ever (behind ‘The Force Awakens’, ‘Titanic’, and ‘Avatar’) to reach $2bn. Impressive stuff. ‘Adrift’ was nearly drowned by ‘Ocean’s 8’ eating into its audience, posting just $5.3m (a 55% fall) for a $22m domestic total. Profit for this is probably beyond reach now, but rom-com ‘Book Club’s weekend makes for good reading, as it brought in $4.3m in the last 3-days. Although this was ‘Book Club’s biggest drop so far, it’s still one of the leggiest films of the year, boasting a 4.2x opening weekend multiplier, with at least $10m left in the tank.

In possibly the most disappointing news of the weekend, ‘Hotel Artemis’ continued new studio, Global Road’s abysmal Box Office run this year, by opening to just $3.2m, below even the most pessimistic of expectations. The crime thriller, by first time director Drew Pearce, was in direct competition with ‘Hereditary’ for the male, over-25 demographic, and its C- on Cinemascore has seemingly cemented its fate. Finally, in 9th and 10th place, we saw ‘Upgrade’ bring in a decent $2.4m to close in on BH Tilt’s record of $10.8m (‘The Darkness’) with $9.4m so far, and ‘Life of the Party’ grossed $2.2m for a worldwide total just shy of $60m.

What impressed you the most this weekend? Is ‘Ocean’s 8’ on its way to becoming the biggest film in the franchise? Let us know your thoughts on Twitter and Instagram – we’re at @JUMPCUT_ONLINE.

 

Rank Last Week Rank Film Total U.S. Gross Weekend Gross Weekend drop Jumpcut’s prediction Difference Week number
1 Ocean’s 8 $41.6m $41.6m $41m $0.6m 1
2 1 Solo: A Star Wars Story $176.7m $15.7m -46.4% $13.8m $1.5m 3
3 2 Deadpool 2 $279.2m $14.1m -39% $12.8m $1.3m 4
4 Hereditary $13.6m $13.6m $13m $0.6m 1
5 4 Avengers: Infinity War $655.1m $7.2m -31.1% $6.8m $0.4m 7
6 3 Adrift $$22m $5.3m -54.6% $6m $0.7m 2
7 5 Book Club $57m $4.3m -39.1% $4.7m $0.4m 4
8 Hotel Artemis $3.2m $3.2m $5m $1.8m 1
9 6 Upgrade $9.4m $2.4m -49% $2m $0.4m 2
10 7 Life of the Party $50.3m $2.2m -38.2% $2m $0.2m 5

 

Weekend BO Predictions: ‘Oceans 8’ To Steal Top Spot From ‘Solo’, Which May Not Even Finish Second

 

Written by Dapo Olowu

What’s new?

Ocean’s 8’ hit the screens of over 4,000 U.S. cinemas on Friday, 11 years to the day since the last of the original trilogy opened to moviegoers. The gender-swapped crime caper joins a prestigious family of films boasting over $1bn worldwide, and with the average opening weekend gross being $38m, ‘Ocean’s 8’ looks to become the first to open above the $40m mark. Similarly, 2016s ‘Ghostbusters’, which famously swapped out an all-male cast for women, got off to a $46m start, but ultimately failed to get going at the Box Office with just $229.1m from a $144m budget. ‘Ocean’s 8’s more stream-lined $70m production cost means that a similar opening (and gross) would be solid return and has the added benefit of not being plagued with pre and post-release negativity. Regardless it’ll fall just short of the target, with an opening closer to around $41m.

Indie studio A24 release original horror ‘Hereditary’ this weekend, and its 94% on Rotten Tomatoes suggests they’ve yet again struck critical gold. However, it’s when attempting to reach the same heights commercially that A24 seem to falter, with their biggest domestic hit so far being last year’s Oscar-nominated ‘Lady Bird’, with only $49m. ‘Hereditary’ wants to buck the trend, and although it contains a cast not as star-studded as ‘Lady Bird’, it does include rising star Alex Wolff (‘My Friend Dahmer’, ‘Jumanji: Welcome to the Jungle’) and Golden Globe winner Toni Collette. Another plus is its release size; ‘Hereditary’ looks to scare in a record number of theatres for A24 with a shade under 3,000, and from this should break A24’s opening weekend gross record of $8.8m, made by ‘The Witch’ in February 2016. Using that horror’s per-cinema average (and then some) gives ‘Hereditary’ a strong 3-day total of $13m, for the third biggest horror opening of the year, behind ‘A Quiet Place’ and ‘Insidious: The Last Key’.

Finally, we have ‘Hotel Artemis’ which, like the other new releases, also boasts an A-List cast, with Jodie Foster, Sterling K. Brown, Sofia Boutella, Jeff Goldblum, and Dave Bautista just some of the names gracing the film. Unlike the other new releases however, ‘Hotel Artemis’ is the only one housing a rotten rating on the Tomatometer (currently 57%), and its these middling reviews that’ll inevitably hurt its Box Office run in the midst of heavy blockbuster and audience competition. It’s a real shame, as ‘Hotel Artemis’ perhaps should’ve opened on a weekend where most of its audience wouldn’t be drawn to watching ‘Hereditary’, and when behemoths ‘The Incredibles 2’ and ‘Jurassic World 2’ wouldn’t open within days of its release. From all of this, it’s clear that ‘Hotel Artemis’, with dreams of opening with numbers similar to ‘John Wick’ and ‘Atomic Blonde’s grosses, will unfortunately flop like ‘Sin City: A Dame to Kill For’, which opened to $6.3m in August 2014. Using a similar per-cinema average gives ‘Hotel Artemis’ an underwhelming start of around $5m.

What else is on?

This weekend sees ‘Solo’ close in on the $300m global mark, with a third domestic weekend total of $13.8m enough for it to drop to only second place. ‘Jurassic World’s recent international release means ‘Solo’ will drop like a stone outside the U.S., meaning its final gross most likely won’t even see $350m. Comparing this with ‘Deadpool 2’ makes for even sorrier reading, as a $12.8m gross this weekend will leave the merc with the mouth just $20m short of reaching that same $300m mark domestically. Currently the 2018s 3rd biggest film both in the U.S. and globally, I wouldn’t bet against ‘Deadpool 2’ doubling ‘Solo’s final gross.

The weekend drops for ‘Infinity War’ have lessened every weekend and this trend is set to continue. We’re predicting a gross of $6.8m, enough for the film to leapfrog ‘Jurassic World’ into 5th spot on the all-time domestic list, with $655m. ‘Adrift’ will follow closely behind, dropping by around 50% for a $6m gross. The hope here is that ‘Ocean’s 8’ doesn’t eat into its audience members, which also goes for the evergreen ‘Book Club’, that will continue its great run by only dropping 35% for a $4.7m total. BH Tilt’s horror ‘Upgrade’ won’t avoid its studio’s front-loaded trend and, coupled with ‘Hereditary’ being a director competitor, will see a pretty big drop to gross $2m, the same amount as our number 10, ‘Life of the Party’.

What do you think? Will ‘Ocean’s 8’ sink or swim this weekend? Will ‘Deadpool 2’ beat ‘Solo’? Let us know your thoughts and opinions – we’re on Twitter and Instagram at @JUMPCUT_ONLINE.

 

Rank Last Week’s Rank Film US Gross so far Budget Jumpcut’s prediction Weekend drop Week no. BoxOfficeMojo’s prediction Deadline’s Prediction Variety’s Prediction
1 Ocean’s 8 $70m $41m 1 $45m $40m $33m-$40m
2 1 Solo: A Star Wars Story $161m $300m+ $13.8m -53% 3 $14.5m $13m $11m-$15m
3 Hereditary $10m $13m 1 $12m $5m-$9m $5m-$9m
4 2 Deadpool 2 $265m $110m $12.8m -45% 4 $13m
5 4 Avengers: Infinity War $647.9m $300m $6.8m -35% 7 $6m
6 3 Adrift $16.7m $35m $6m -48% 2 $7.3m
7 Hotel Artemis $5m 1 $5m $5m-$9m $5m-$9m
8 5 Book Club $52.7m $10m $4.7m -33% 4 $4.6m
9 6 Upgrade $7m $3m-$5m $2m -57% 2 $2.5m
10 7 Life of the Party $48.2m $30m $2m -43% 5 $1.9m

 

Reel Women: June UK Releases

Written by Elena Morgan

Welcome back to Reel Women, a monthly feature where we highlight the films that are being released in the UK this month that are written and/or directed by women. As ever this is a mixture of wide and smaller releases, so depending where in the country you are, some might be easier to see than others, and there’s a couple of Netflix Original films here too. All the release date information comes from Launching Films and all dates are correct at the time this post was written – we all know film releases can change at the last minute, especially for smaller films.

This month there’s romantic comedies, documentaries, dramas, and one I’m personally very excited for – the Ocean’s spin-off.

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1 June

Book Club
Directed by Bill Holderman
Written by Bill Holderman and Erin Simms

When four long-time friends (Diane Keaton, Jane Fonda, Candice Bergen and Mary Steenburgen) decide to read 50 Shades of Grey for the book club, they all get a whole new lease for life.

Erin Simms is an actress and producer who worked as a part of the crew for such films as ‘A Walk in the Woods’ and ‘Pete’s Dragon’. ‘Book Club’ is her first produced screenplay.

Ismael’s Ghosts

Directed by Arnaud Desplechin
Written by Arnaud Desplechin, Julie Peyr and Léa Mysius

Ismael (Mathieu Amalric) is a filmmaker whose life is turned on its head when his wife (Marion Cotillard), who he hasn’t seen for over twenty years comes back into his life, disrupting his relationship.

This is Julie Peyr’s second collaboration with Arnaud Desplechin and her tenth screenwriting credit. Léa Mysius is a writer and director of a number of short films. Her debut feature film, ‘Ava’, screened at the London Film Festival last year.

Lost in Vagueness
Directed by Sofia Olins

A music documentary about Roy Gurvitz who created Lost Vagueness at Glastonbury and reinvigorated the festival.

‘Lost in Vagueness’ is Sofia Olins’ first feature-length documentary. She’s previously worked as a second unit director or assistant director on a variety of British television series including ‘Primeval’, ‘The IT Crowd’ and ‘Peep Show’.

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8 June

The Boy Downstairs
Written and Directed by Sophie Brooks

Diana (Zosia Mamet) is forced to reflect on her past relationship with Ben (Matthew Shear) when she unintentionally moves into the apartment above his.

‘The Boy Downstairs’ is Sophie Brooks first feature film.

15 June

Set It Up
Directed by Claire Scanlon
Written by Katie Silberman

Harper (Zoey Deutch) and Charlie (Glen Powell) are two stressed out assistants who each have a high maintenance boss, Kristen (Lucy Liu) and Rick (Taye Diggs). When they decide to play matchmaker, maybe they can spread some romance and get their freedom.

Think of any big American comedy show of the past ten years and Claire Scanlon has probably directed at least one episode of it. Her directing credits include ‘The Office’, ‘Brooklyn Nine-Nine’, ‘Modern Family’ and ‘Fresh Off the Boat’. ‘Set It Up’ is her first feature film. Katie Silberman has previously produced comedy films ‘Hot Pursuit’ and ‘How to Be Single’. ‘Set It Up’ is her first feature-length screenplay to make it to the screen.

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22 June

Ocean’s 8
Directed by Gary Ross
Written by Gary Ross and Olivia Milch

Debbie Ocean (Sandra Bullock) gathers a crew to attempt to rob the Met Gala.

Olivia Milch is a writer-director whose debut film, ‘Dude’, is a Netflix Original Film. As well as co-writing Ocean’s 8 she is also a co-producer on the film.

Boom for Real: The Late Teenage Years of Jean-Michel Basquiat
Directed by Sara Driver

A documentary exploring the pre-fame years of American artist Jean-Michel Basquiat, and how New York City its people and the shifting arts culture of the 1970s and ‘80s shaped his work.

‘Boom for Real’ is Sara Driver’s first documentary feature film and her first film in 15 years.

Freak Show
Directed by Trudie Styler
Written by Patrick J. Clifton and Beth Rigazio

Despite attending an ultra-conservative high school, teenager Billy Bloom (Alex Lawther) decides to run for Homecoming Queen.

Trudie Styler is an actress and producer and ‘Freak Show’ is her directorial feature debut. Beth Rigazio has previously written TV movies including the Disney Channel original movie, ‘Go Figure’.

24 June

To Each, Her Own (aka Les Gouts et Les Couleurs)
Directed by Myriam Aziza
Written by Myriam Aziza, Denyse Rodriguez-Tomé

Simone’s (Sarah Stern) been in a relationship with Claire (Julia Piaton) for years but has never come out to her family. Her brothers keep trying to set her up with men, her father’s a traditionalist and her mother is just a little bit eccentric – soon everything comes to ahead and Simone is forced to make some hard choices.

‘To Each, Her Own’ is a Netflix Original and is Myriam Aziza’s sixth film. She wrote, directed, edited and was cinematographer on her documentary film ‘L’an prochain à Jérusalem’. Denyse Rodriguez-Tomé previous screenwriting credits include ‘I Hate Love‘ which won the Award of the Youth in the French Film category at the 1997 Cannes Film Festival.

27 June

Maquia: When the Promised Flower Blooms
Written and Directed by Mari Okada

Maquia (Manaka Iwami) is an immortal girl and when she ventures out into the world she meets Erial (Miyu Irino) a mortal boy, their friendship becomes an unbreakable bond that lasts throughout the years.

‘Maquia: When the Promised Flower Blooms’ is Mari Okada’s directorial debut but she’s written episodes for dozens of different anime. In 2011 Okada won the Animation Kobe Award, an award and event that aims to promote anime and other visual media.

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29 June

Leave No Trace
Directed by Debra Granik
Written by Debra Granik and Anne Rosellini

A father (Ben Foster) and his teenage daughter (Thomasin McKenzie) have an idyllic life living in a vast urban park in Oregon, until they are forced to re-join society.

Debra Granik is the director of ‘Winter’s Bone’, a film she co-wrote with Anne Rosellini and which earned them both an Oscar nomination for Best Adapted Screenplay. ‘Leave No Trace’ is their first feature film since ‘Winter’s Bone’ was released in 2010.

Patrick
Directed by Mandie Fletcher
Written by Vanessa Davies, Mandie Fletcher and Paul de Vos

Sarah’s (Beattie Edmondson) life is a bit of a mess and she really could do without the pug named Patrick her grandmother bequeathed her. As Sarah struggles to look after Patrick, find romance with his vet (Ed Skrein) and cope with a new job, Sarah realises that Patrick might just be helping her turn her life around.

Mandie Fletcher has directed episodes of popular British comedies like ‘Black Adder the Third’, ‘Only Fools and Horses’, and ‘Miranda’ and her previous film was ‘Absolutely Fabulous: The Movie’. ‘Patrick’ is both Mandie Fletcher’s and Vanessa Davies’s first produced screenplay.

The Bookshop
Written and Directed by Isabel Coixet

Set in a small English town in 1959, Florence (Emily Mortimer) decides to open a bookshop but is met with polite yet ruthless opposition.

Isabel Coixet is a Spanish filmmaker with over 30 directing credits and 20 writing credits to her name.

 


 

That’s thirteen films made by women being released in the UK in June. There’s something for everyone with animation, dramas, documentaries and a fair few romantic comedies. Personally, I’m looking forward to ‘Ocean’s 8′ and ‘Set It Up’, two films that have been on my radar for a while, but one I hadn’t heard of before researching this feature but definitely want to see is ‘Freak Show’ – the trailer makes it look like so much fun!