The Highly Anticipated First Trailer For ‘Avengers: ENDGAME’ Has Arrived!

Directed by: Joe & Anthony Russo
Starring: Robert Downey Jr, Chris Evans, Mark Ruffalo, Scarlett Johannson, Elizabeth Olsen, Paul Bettany, Chris Hemsworth, Tom Hiddleston, Chadwick Boseman, Letitia Wright, Danai Gurira, Sebastian Stan, Winston Duke, Josh Brolin, Chris Pratt, Zoe Saldana, Tom Holland, Paul Rudd, Benedict Cumberbatch, Vi Diesel, Pom Klementieff, Jeremy Renner, Jon Favreau, Benedict Wong, Sean Gunn, Anthony Mackie, Don Cheadle, Dave Bautista, Bradley Cooper

Ant-Man & The Wasp

Year: 2018
Directed by: Peyton Reed
Starring: Paul Rudd, Evangeline Lilly, Michael Douglas, Michelle Pfeiffer, Michael Peña, Walton Goggins, Laurence Fishburne, Hannah John-Kamen, Abby Ryder Forston

WRITTEN BY CHRIS GELDERD

This 2018 American superhero film is the sequel to 2015’s ‘Ant-Man’ and the twentieth film in the Marvel Cinematic Universe (MCU). It is directed by Peyton Reed and stars Paul Rudd, Evangeline Lilly, Michael Peña, Michael Douglas, Hannah John-Kamen, Walton Goggins, Laurence Fishburne, Abby Ryder Fortson, Randall Park and Michelle Pfeiffer.

One of the most under-rated Marvel superheroes launched in 2015 with his big-screen debut, bringing together a solid cast and adding more pieces to the MCU puzzle. In ‘Captain America: Civil War’, Ant-Man stole the show by becoming Giant-Man in an all to brief but highly entertaining appearance. Now it’s time for the inevitable sequel; one that not only surpasses the original, but lets core Marvel values shine brightly in a franchise currently clouded by recent doom and gloom.

Grab your popcorn and kick back. It’s time to have some fun once again.

This film belongs to Paul Rudd and Evangeline Lilly – it’s a film about partnership, about family, friendship and being. It’s ‘Ant-Man & The Wasp‘; equal heading, equal footing on marketing and everything in-between. Rudd doesn’t need to try too hard to be humorous, but he still manages to do it in a very heartfelt and endearing way, making Scott Lang stand out as one of the Marvel heroes simply wearing a super suit and uses his heart, head, and honour to fight evil, rather than gifted God-like superpowers.

On the other side of this duo, Evangeline Lilly holds her own across the whole film. She is ballsy, brainy and badass.  She’s a real humane hero who doesn’t become a damsel in distress. She clearly takes care of herself when the heat is turned up and, along with Rudd, shows some real heart and emotion that pushes the core themes forward. Rudd and Lily are equal, neither have greater ability than the other when it comes down to fighting the good fight, and none of them are there as a spare tool. It’s equality, and then some, and so much more enjoyable for it with them being together. The trailer used lyrics It takes two to make a thing go right. It takes two to make it outta’ sight.” Never a truer phrase in this case.

With a stellar supporting cast including veterans Michael Douglas (who has even more to do this time around thankfully) and the amusing guilty-pleasure comedy of Michael Peña who all add to the story rather than be expendable, new faces also add to the overall quality. Laurence Fishburne helps expand character relations and morals, Walton Goggins as our charming black market bad guy for hire and Michelle Pfeiffer as the original Wasp and wife of Hank.

Young Abby Ryder Forston as Cassie, Lang’s daughter, shines with as much warmth and wit as Rudd in her scenes and is a joy to see on screen. But it is Hannah John-Kamen who strikes a chord as Ava Starr – our ‘Ghost’ – who has a molecular instability thanks to reasons left to be discovered. She’s pushed as the villain of the piece, but is she? Director Peyton Reed tiptoes towards MCU cliché in her goals and actions, but each time pulls back from the brink to give us something a little different and unexpected. Her story is a sad one and while she is highly dangerous in what she does and why, it’s the journey she takes mirroring the heroes that add some great moments and thrills, thrills that come thick and fast, and help define “popcorn entertainment”.

We have a brilliantly choreographed car chase that involve trucks, motorbikes, Pez dispensers and Hot Wheels racers. We have a hotel lobby and kitchen fight, once more perfectly choreographed, that showcases Lily in full force. We also have eye-popping ‘Doctor Strange’-esque quantum realm travel and bone-crunching hand to hand combat. The whole pace of the movie is perfect, and the action compliments each development and progresses everything and everyone without being pointless.

There isn’t the need for city-wide destruction and mass genocide here. It’s a family-friendly film, but one that harkens a little more to classic Marvel themes before the stakes were as high as they could be and it felt things had peaked. ‘Ant-Man & The Wasp’ takes the threat of Thanos out of the equation for a couple of hours and reduces all pointless cameos and Avenger interaction to give Ant-Man both a fair stand-alone sequel but also presenting new ideas for the future of the franchise.

The humour is on top form where you will find yourself chuckling along a lot of the time without even knowing it thanks to the snappy character exchanges. Yet, fear not, the movie isn’t stupid nor does it rely on infantile humour to get the laughs. There is a lot of heart to this film – the narrative is more about family and faith over Infinity Stones and nuclear wars – so you will certainly be able to invest in the characters, what they do and why.

Another strong reason this film seems to make great leaps forward to Marvel is the visual effects that stand amongst the best in the current franchise. There is no need for constant green screen and masses of CGI locations thanks to keeping things Earth based with practical sets and effects. The stand-out moments are the shrinking and enlarging of Ant-Man and Wasp. Split second transformations in the middle of breakneck fights are seamless and fluid, with the environment and characters reacting accordingly. Nothing feels jarred or loose. It’s tight, imaginative, entertaining and exciting. And when Ant-Man loses control of his suit’s regulator, there’s just more good fun to be had.

Ant-Man & The Wasp’ doesn’t try to compete with the juggernaut of ‘Infinity War’, it instead does the wise thing and distances itself far from it. If the bar to judge all MCU films hinges on ‘IW’, then you’ll find you miss out on these smaller gems that expand the forgotten heroes and their own stories.

However, for the ones who are worried, then don’t be. Events of ‘Infinity War’ are referenced in the film. How? When? You’ll have to find out for yourself and watch that Marvel cloud of doom and gloom smother the care-free fun you just had.

CHRIS’ RATING:

5

Teamwork Makes The Dream Work In Brand New ‘Ant-Man and The Wasp’ Trailer

“As Scott Lang balances being both a superhero and a father, Hope van Dyne and Dr. Hank Pym present an urgent new mission that finds the Ant-Man fighting alongside The Wasp to uncover secrets from their past”

Directed by: Peyton Reed

Cast: Paul Rudd, Evangeine  Lilly, Walton Goggins, Michelle Pfeiffer, Michael Douglas, Michael Peña

Release Date: August 3rd, 2018

Avengers: Infinity War

Year: 2018
Directed by: Joe & Anthony Russo
Starring: Robert Downey Jr, Chris Evans, Mark Ruffalo, Scarlett Johannson, Elizabeth Olsen, Paul Bettany, Chris Hemsworth, Tom Hiddleston, Chadwick Boseman, Letitia Wright, Danai Gurira, Sebastian Stan, Winston Duke, Josh Brolin, Chris Pratt, Zoe Saldana, Tom Holland, Paul Rudd, Benedict Cumberbatch, Vi Diesel, Pom Klementieff, Jeremy Renner, Benicio Del Tor, Jon Favreau, Benedict Wong, Sean Gunn, Anthony Mackie, Don Cheadle, Dave Bautista, Bradley Cooper

Written by Dave Curtis

18 films, 10 years and it all comes down to this. ‘Avengers Infinity War’ is the film that Marvel studios has been building too ever since Robert Downey’s first ‘Iron Man’ appeared on our cinema screens back in 2008. Back then, Marvel weren’t even a proper studio, they were just a small cog in a much bigger wheel. Well, now they are the wheel. To say this is a big deal would be a understatement. This is the ultimate event movie. The hype and build up that surround the release of the film have been huge. Very few spoilers have leaked out and we are going to keep it that way. JUMPCUT will be releasing much more and spoiler filled and in-depth reviews over the next few weeks.

This is just initial reactions from the press screening that happened in London on 24th May 2018

Before the screening you could feel the anticipation in the room. Conversations were rife with the future of all our favourite characters. Where’s Hawkeye? Does Cap’s beard play a major role? Where’s that missing soul stone? Answers were coming. The lights went out and the Marvel Studio logo comes up and the crowd went wild.

For the next 149 minutes we were all putty in the Russo brother’s hands. They have woven a tale which bounces around all Marvel’s best and across the darkest corners of the universe and back again to New York and Wakanda. It was always going to be a hard job to give every character their moment but ‘Infinity War’ just about does that. With multiple story-lines, it does feel more like ‘Return of the Jedi’ and ‘The Two Towers’ than the normal single story narrative. The script is so tight and every word that is said is important, so listen carefully.

Thanos lives up to his reputation at the ultimate bad guy (A problem Marvel has had in the past). The Mad Titan is at the heart of the movie and Josh Brolin’s voice will send shivers down the spine of any mortal man. He truly is a test for the Avengers.

‘Avengers Infinity War’ at its best is epic, emotional and very, very shocking. It has impressive set pieces and of course it’s very funny. The few faults it does have are going to be down purely to the viewer. A knowledge of all that has happened before is essential. This is not the film for newbies. If you don’t know your Captain Americas from your Star Lords then maybe it would be best to catch up first. . Also as you expect some characters get more screen time than others, sadly some of your favs may just be bit part players. Overall this was worth the wait.

‘Infinity War’ holds true to its core and has truly raised stakes on the Marvel cinematic universal. Nothing will be the same again. Roll on May 2019 for Avengers 4.

ps. There is a end of credit scene, so don’t leave early!

Dave’s Rating: 8.5/10

You can hear more of Dave’s thoughts in his podcast!

The End Begins In Brand New ‘Avengers: Infinity War’ Trailer

Directed by: Joe & Anthony Russo

Starring: Robert Downey Jr, Chris Evans, Mark Ruffalo, Scarlett Johannson, Elizabeth Olsen, Paul Bettany, Chris Hemsworth, Tom Hiddleston, Chadwick Boseman, Letitia Wright, Danai Gurira, Sebastian Stan, Winston Duke, Josh Brolin, Chris Pratt, Zoe Saldana, Tom Holland, Paul Rudd, Benedict Cumberbatch, Vi Diesel, Pom Klementieff, Jeremy Renner, Benicio Del Tor, Jon Favreau, Benedict Wong, Sean Gunn, Anthony Mackie, Don Cheadle, Dave Bautista, Bradley Cooper ,

Date: April 26th, 2018

Mute

Year: 2018
Directed by: Duncan Jones
Starring: Alexander Skarsgård, Paul Rudd, Justin Theroux, Seyneb Saleh

Written by Fiona Underhill

When I heard a new Duncan Jones film was coming to Netflix, I was excited. I loved both ‘Moon’ and ‘Source Code’ and it looked like ‘Mute’ would also have a sci-fi/futuristic element. When I saw the trailer, it looked even more up my street – a noir set in a ‘Blade Runner’-style world about a mute bartender searching for his missing girlfriend. The cast was also stacked, leading to me having really high hopes for this one.

Then came the reactions.

Woo boy, the reactions. According to the internet, ‘Mute’ is vile and offensive trash and yet another reason to blame Netflix for the death of movies (‘Cloverfield Paradox’ being another recent example). My take on ‘Mute’ is more complex – I neither loved it or hated it and I feel that most of the overreactions have been unduly harsh.

The film starts by showing the reason why Leo (Alexander Skarsgard) is mute, after a boating accident tears his vocal chords, his Amish family do not allow him to have the surgery that would repair them. As an adult in a futuristic Berlin, Leo tends bar in the same club as his girlfriend Naadirah (Seyneb Saleh). Leo wants his girlfriend to move in with him and take things to the next level, but in true noir-style, she keeps warning him that she has a secret – a dark hidden past that will change his perception of her. When she goes missing, Leo turns to her best friend Luba (played by a stunning Robert Sheehan) for help. He also becomes embroiled with two ‘doctors’ – Cactus Bill (played by Paul Rudd in a magnificent moustache) and Duck (an unrecognisable blond Justin Theroux) – who run an extremely shady side-line in torture, among other things. There is also a cameo by Dominic Monaghan, as one of the people Leo ‘questions’ in his search for Naadirah.

I shall start positively – this film had impressive visual effects, for a film that presumably had a limited budget and effective world-building. It featured believable touches such as your take-out being delivered by drone. Leo, who has been raised Amish is obviously struggling in this technological world, even resisting having a mobile phone. He also spends his time beautifully carving and crafting wooden furniture, in an attempt to create a homely environment for Naadirah. Skaarsgard gives a tender performance as Leo, in a totally different role to his award-winning turn in ‘Big Little Lies’. Something else I really liked about this film was the subtle nods to the fact that this takes place in the same universe as ‘Moon’ – the multiple Sams are shown on news footage on TV screens in the background. This film features one of my favourite Paul Rudd performances, purely because it’s so different to his usual charming fare. He uses his charm here as a weapon – to seduce those around him to do his bidding, including using prostitutes to babysit his daughter. Another extremely positive aspect for me is the score by my current favourite film composer; Clint Mansell. He can do no wrong in my eyes (ears?) and this is another stunning example from him.

Cactus Bill’s daughter is where the film becomes problematic for many viewers. A man who is capable of terrible violence, yet shows a softer, caring side with a young ward is a dynamic we have seen recently in ‘Logan’, among other films. This definitely adds a layer of moral complexity to Paul Rudd’s character, because he is happy doing evil to others, but when it came to his own daughter, he is obviously protective. The problem here is that Bill’s partner Duck is gradually revealed to be a paedophile. For me, this had a purpose within the plot because it added a lot of tension to the end which wouldn’t otherwise have been there. It is also used as a plot device in ‘Sin City’ – a film I can see as an influence on this and I don’t remember there being this level of moral outrage about that film.

I can understand the arguments leveled at ‘Mute’. The female characters are tropes, rather than fully fleshed-out characters. They really boil down to the missing girlfriend who only exists to give Leo his mission within the plot and a few workers at nightclubs, stripclubs and brothels. However, this is a staple of the genre and I heard similar arguments made against ‘Blade Runner 2049’ and ‘Baby Driver’ last year, both of which I loved (I’m clearly a terrible feminist). Another accusation against this film has been homophobia. I personally feel that Luba, played by Sheehan is a complex character and not just a caricature. He clearly loves Naadirah deeply and is allowed to show different sides of himself. Some people have said that Theroux’s character Duck shows that the film equates homosexuals with paedophiles, however that was not my interpretation of that character at all. Another thing people have been disgusted by is that the film is dedicated to Jones’ father, David Bowie and his nanny. I believe that Jones was exploring different types of parenthood in this film, from the seemingly ‘good’ mother to Leo, who actually damages him, to the perceived terrible father Cactus Bill, who actually has some positives. He is showing that there is no such thing as ‘traditional’ parenthood and this is understandable coming from someone who must have had an unconventional upbringing.

My main issue with this film, rather than being outraged or offended is that it did feel long and slow-paced. The plot lost its way at times, certainly in terms of holding my attention. However, the end did pick up for me and provided some effective tension. This film certainly is risk-taking and I can see why it found a home on Netflix, rather than on wide cinema release. I see it as a positive that films like this can be made and released and they won’t please everyone or always succeed, but are at least experimental and interesting. I would encourage people to look past the howls of derision that have greeted this film and give it a chance, particularly if you have enjoyed modern-day twists on noir, such as ‘Sin City’. It is violent, gritty and has adult themes that will offend some people, but I enjoyed it. I’m not sure what that tells you about me.

Fiona’s Rating: 7/10

Evangeline Lilly Takes Flight In First ‘Ant-Man And The Wasp’ Trailer

“As Scott Lang balances being both a superhero and a father, Hope van Dyne and Dr. Hank Pym present an urgent new mission that finds the Ant-Man fighting alongside The Wasp to uncover secrets from their past”

Directed by: Peyton Reed

Cast: Paul Rudd, Evangeine  Lilly, Walton Goggins, Michelle Pfeiffer, Michael Douglas, Michael Peña

Release Date: August 3rd, 2018

Marvel Unleash First ‘Avengers: Infinity War’ Trailer

“An unprecedented cinematic journey ten years in the making and spanning the entire Marvel Cinematic Universe, Marvel Studios’ “Avengers: Infinity War” brings to the screen the ultimate, deadliest showdown of all time. The Avengers and their Super Hero allies must be willing to sacrifice all in an attempt to defeat the powerful Thanos before his blitz of devastation and ruin puts an end to the universe.

Anthony and Joe Russo direct the film, which is produced by Kevin Feige. Louis D’Esposito, Victoria Alonso, Michael Grillo and Stan Lee are the executive producers. Christopher Markus & Stephen McFeely wrote the screenplay.”

It’s finally arrived! After months of fan speculation, numerous fake pictures and screenshots of release dates, Marvel have unleashed the first official trailer for the third ‘Avengers’ film, ‘Infinity War’.

The star studded film brings together every hero we’ve met in the last 10 years, including Iron Man, Thor, Captain America, The Guardians, Black Widow, Hawkeye, and Black Panther. They’re all coming together to take on the Mad Titan, Thanos, who we’ve seen very little of and only ever really been teased about the threat he poses to Earth. Last time we saw him he grabbed his currently stone-less Gauntlet and declared “I’ll do it myself”.

1df04a_339bb56fd4794a0e87ab308d605f2f8b.gif

In the first post-credit scene, Thor, Loki, Valkyrie, and the Asgardians come face to face with a humongous ship. Fans speculate that ship belongs to non-other than the Mad Titan himself, and that this will tie in with the beginning of ‘Infinity War’.

The heroes also feature in the latest Vanity Fair issue, which includes photos of how some of the heroes will look in the film, but as many have noticed, some costumes (and weapons) don’t seem to match what we know going into ‘Infinity War’, which could mean that the Russo Brothers have plenty of surprises up their sleeves.

FotoJet (32)

The Avengers Trilogy Teaser Posters

New Look At ‘Avengers: Infinity War’ From Vanity Fair

Vanity Fair are kicking off this week in tremendous style by unleashing our first official look at the cast of  ‘Avengers: Infinity War’.

The magazine has 4 different covers available, which include a handful of huge cast of the film, including a beardless Captain America, Black Panther, blonde Black Widow, Pepper Potts, The Wasp, Hawkeye, and Vision!

FotoJet (1).jpg

Along with the new covers, there are also some brilliant new shots of the characters, which you can see below! I think it’s safe to say that we can expect the first trailer for the film any day now!

This slideshow requires JavaScript.

You can read Vanity Fair’s full article here