‘Creed II’ Goes For The Title Whilst ‘Ralph Breaks The Internet’ Remains Top In Slow Weekend: Box Office Predictions

Written by Dapo Olowu

As the tumbleweed rolls through this barren Box Office weekend, you may be forgiven for asking why just 1 film is opening wide on Friday (and none 7 days later). The post-Thanksgiving weekend is one of historical dryness – this time last year saw 0 films open in over 600 cinemas, although it did welcome the release of award-fodder ‘The Disaster Artist’ and ‘The Shape of Water’ in a few theatres each.

Why? The mid-December onslaught, which in 2018 includes ‘Aquaman’, ‘Spider-Man: Into the Spider-Verse’, ‘Bumblebee’, and ‘Mary Poppins Returns amongst many others, leaves studios in a difficult scheduling position, where they’re forced to contend with both the Thanksgiving’s leftovers, as well as the upcoming competition.

Leaving this release date alone is almost always preferred – the 2-week theatrical guarantee means that most big films have a fortnight in the cinemas before their screen counts drop. Of course, this would swallow up most releases in the upcoming weekend, leaving Sony’s low-budget horror ‘The Possession of Hannah Grace’ as the only new film to torment cinemagoers from around 2,000 theatres. The film follows the story of an ‘exorcism gone wrong’, and stars Shay Mitchell (‘Pretty Little Liars’), Shana Katic (‘Castle’), and Grey Damon (‘Aquarius’).

Much like 2016s ‘Incarnate’, which opened to $2.5m on its way to a $4.8m domestic finish, ‘The Possession of Hannah Grace’ won’t seriously trouble many in the top ten, and its forecasted $2.6m gross may even be too optimistic, as the strong Thanksgiving weekend holdovers will leave this supernatural thriller needing more than just some holy water.

Ralph Breaks the Internet’, last weekend’s winner, will remain on top, pulling in a solid $30m to bring its domestic total close to $120m. Although its ahead of both ‘Coco’ and ‘Moana’ at the same point in their runs, ‘Ralph 2’ will be lucky to finish close to the latter’s $248.8m total – sequel-itis can be unforgiving. The front-loaded nature of franchises can be seen with ‘Fantastic Beasts 2’, which will struggle to reach a $200m domestic total (while ‘FB1’ hit $234m). The ‘Harry Potter’ spinoff should earn around $15m this weekend for 4th place.

The same can’t be said for ‘Creed II’ however, who after less than 2 weeks of release is just $40m off ‘Creed’s entire domestic gross. The film stands currently bells in as the 10th biggest boxing film in U.S. history, and an $18m this weekend gross will see it leapfrog predecessor ‘Rocky Balboa’ into 9th spot. The fighter student has become the master trainer, it seems, but Michael B. Jordan and co. won’t be stopping here, as its sights are fittingly set on ‘Rocky IV’s record $127.9m total. Whether or not it’ll deliver that knock-out gross, we’ll see.

The DiCaprio-produced ‘Robin Hood’ gets an honourable mention here too, as it grasps to remain in the top ten. A film likely to litter many a ‘Box Office Bombs of 2018’ list (including ours), its $3.9m weekend should see it pass the $20m mark domestically but not much else, with a likely finish of $30m in store.

In a more uneventful Box Office weekend, ‘Ralph Breaks the Internet’ has the opportunity to extend its stronghold, while ‘Creed II’ has eyes on the title belt. Will the latter make it, and will ‘Ralph 2’ best that of ‘Coco’ and ‘Moana’? Let us know your thoughts on Twitter and Instagram – we’re at @JUMPCUT_ONLINE.

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REVIEW: Ralph Breaks The Internet (2018)

Directed by: Phil Johnston, Rich Moore
Cast: John C. Reilly, Sarah Silverman, Gal Gadot, Taraji P. Henson, Alan Tudkyk, Jack McBrayer

Written by Fernando Andrade

After Wreck-It Ralph hit the big screen back in 2012 and introduced us to the arcade world of Ralph and Vanellope, we get the long-awaited sequel which transports our characters to the vast world of the internet. Fully equipped with its product placement, Disney nostalgia, and Easter eggs, Ralph Breaks the Internet delivers much more than just eye candy. It tells a story about friendship, true friendship, one which everyone, young and old, should see.

Ralph Breaks the Internet takes place six years after the events of Wreck-It Ralph. Both Ralph (John C. Rielly) and Vanellope (Sarah Silverman) live rather simple lives in their world, following a pretty strict routine and rarely breaking from it – no pun intended. They see the sunrise, play their game – or as they call it “work”, and then goof off, going into other games, drinking root beer, and then the process repeats. Ralph is more than content doing the same thing over and over again, and so is Vanellope – to an extent. She is vocal about how easy her game has become, shes memorized all the tracks and finds no challenge in it anymore. So when a girl comes into the arcade ready to play her game, Ralph takes it upon himself to make a new track for her to hopefully give her a new sense of joy. When Vanellope starts taking control over the game, the girl playing ends up breaking the steering wheel causing her game to be unplugged. This sets our heroes on a journey through the internet to try and buy the missing part to save Vanellope’s game.

The surprising thing about Ralph Breaks the Internet is how deeply layered it is. The directors Phil Johnston and Rich Moore, along with their entire team, created a very intelligent movie, one which both children and adults can enjoy – which also happens to be a great sequel. Both Ralph and Vanellope develop as characters from the original movie in a very believable and earned way. A lot of that has to do with the incredible voice talents of John C. Reilly and Sarah Silverman who bring these characters to life. Its a true testament to how good both of them are when you are able to have such strong emotions watching a giant hobo and candy princess figure out their friendship while inside the world of the internet.

Speaking of the internet, the way it is portrayed in this movie is also very intelligent, sometimes even for its own good. Unlike other internet inspired movies like the abomination that is The Emoji Movie, Ralph Breaks The Internet does not prioritize the internet as it’s main engagement tool (that is strictly reserved for the relationship between Ralph and Vanellope). If anything the internet is just used as a vessel to get our characters to there ultimate destination, while along the way providing some great moments of comedy that is also extremely relatable (yes the princess scene is absolutely wonderful). It could be argued that the internet is this movies main selling point, as the trailers highlighted in depth, but once the movie transitions into the world wide web, it sticks with its characters every step of the way. That being said, at times the pacing suffers a little in the second act of the film when our heroes are deep within the internet world. At times some references can be really in your face and take you out of the movie, but the directors went about a clever way of trying to reduce that by creating their own websites where the majority of the movie takes place.

Ralph Breaks The Internet is one of the best animated films of the year, providing a very sincere and important message which everyone should witness. While it is littered with references and nods to familiar things, the relationship of Ralph and Vanellope, one that grows from the original movie, is front and center. We see them grow and change as characters which culminate in a very satisfying ending – one that is capable of causing tears, so you have been warned.

Fernando’s Rating:

4

‘Creed II’ And ‘Ralph Breaks The Internet’ Triumph, But ‘Robin Hood’ Falls On Its Sword In Record Thanksgiving Weekend (Box Office Report)

Written by Dapo Olowu

2018’s Box Office continues to deliver the goods, this time in the form of a record-breaking Thanksgiving holiday led by the impressive performances of ‘Ralph Breaks the Internet’ and ‘Creed II’.

Both films finished the 5-day holiday weekend with a combined $140m, which contributed heavily to the record $314m total – besting 2013s $294m, which included the still-standing record opening for ‘Frozen’ ($93.6m), and record gross for ‘The Hunger Games: Catching Fire’ ($109.9m).

Still, this time around gave us ‘Ralph Breaks the Internet’, which warmed the hearts (and wallets) of cinemagoers and earned a smashing $84.8m, including $56.2m from Friday to Sunday. It becomes the second biggest Thanksgiving opening of all time, beating out the likes of Disney companions ‘Coco’ ($72.9m) and ‘Moana’ ($82.1m), and now stands as the 13th time Disney’s topped the charts this year (from only 5 films).

Creed II’ was equally as impressive, with its $56m 5-day gross becoming the 7th biggest Thanksgiving opening ever, and the holiday’s largest live-action release of all time. The records don’t stop, as the film’s Friday to Sunday gross of $35.6m means it’s the biggest ever opening for a sports drama – beating 2009s ‘The Blind Side’ ($34.1m).

It marks Michael B. Jordan, Tessa Thompson, and Sylvester Stallone’s (cameos included) 2nd biggest openings ever, considering all 3’s ventures into the high-earning world of the MCU. Produced on a $50m budget, the sequel to 2015s ‘Creed’ sees Adonis Creed (Jordan) face Viktor Drago, son of Ivan, who famously killed his father in ‘Rocky IV’.

Internationally, while ‘Creed II’ only entered the U.S. market this weekend, ‘Ralph Breaks the Internet’ saw its audiences just as enthusiastic, earning $19.5m from China on its way to a $41.5m start. From just 19 countries, its worldwide total currently stands at a strong $127m.

This year’s Thanksgiving turkey goes to ‘Robin Hood’, which was put to the sword with a paltry $14.3m in its first 5 days. It somehow managed to gross below last year’s bomb ‘King Arthur: Legend of the Sword’s 3-day $15.4m opening, and its $9.2m Friday to Sunday will ensure the film goes down as one of the Box Office flops of the year.

It doesn’t get any better, as its 14% on Rotten Tomatoes should stop any chances of a semi-decent Box Office run dead in its tracks, and its international start consisting of just $1.7m from the U.K. and only $7m from 32 other countries means it hasn’t taken well across the globe. Distributing studio Lionsgate, it seems, have finished the year with a whimper, and not a roar.

The final 2 wide releases this weekend came in the form of ‘Green Book’, a critically-acclaimed biopic starring Viggo Mortensen and Mahershala Ali, and Jason Reitman’s ‘The Front Runner’, starring Hugh Jackman. It was a case of opposite fortunes, as ‘Green Book’ over-delivered on its expectations with $7.5m from just 1,000 cinemas, while ‘The Front Runner’ floundered with a poor $888k, for a total of just $1.1m.

It was a memorable Thanksgiving weekend, with records broken and ‘Ralph Breaks the Internet’ and ‘Creed II’ impressing. Will both films go onto beat their predecessors, or will sequel-itis strike again? Let us know your thoughts on Twitter and Instagram – we’re at @JUMPCUT_ONLINE.

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Weekend BO Predictions: ‘Ralph Breaks The Internet’ And ‘Creed 2’ To Feast On A Record-Breaking Thanksgiving Weekend

Written by Dapo Olowu

We’re in for a record-breaking Box Office treat this Thanksgiving weekend, with five (yes, five) new releases wetting the appetites of cinemagoers across the United States. The five-day holiday period kicked off on Wednesday and saw ‘Ralph Breaks the Internet’, the sequel to 2012s ‘Wreck-It Ralph’, fight it out against ‘Rocky’ spinoff ‘Creed 2’ with a Thanksgiving record Tuesday preview gross of $3.8m, just ahead of ‘Creed 2’s $3.7m.

Questions were being asked about Disney’s decision to spend $175m on a sequel over 6 years after ‘Wreck-It Ralph’ flattered to deceive in the Box Office. Its so-so $49m opening in November 2012, followed by a $189.4m domestic finish (and $471.2m worldwide gross) off the back of a $165m budget leaves it just 46th on the all-time biggest domestic animated films, and doesn’t even crack the top 50 worldwide.

Ralph Breaks the Internet’s preview gross however shows an audience whose anticipation has sky-rocketed in the half-decade since, with critical reception equaling the lofty heights the first film set. The sequel sees the return of the beloved voices of John C. Reilly and Sarah Silverman, alongside newbies Gal Gadot and Taraji P. Henson. Director Rich Moore returns to the chair and shares the credit with ‘Zootopia’ writer Phil Johnston.

Disney aims to top the Thanksgiving Box Office charts for the third year in a row, with ‘Moana’ ($56.6m) and ‘Coco’ ($50.8m) providing a glimpse into the potential Box Office prowess of ‘Ralph Breaks the Internet’. A $60m 3-day gross, just $7m short of the Thanksgiving record set by Frozen in 2013, and an $84m 5-day total won’t necessarily see Ralph break the internet, but it’ll get mightily close to doing so.

Steven Caple Jr.’s ‘Creed 2’ won’t go down without a fight however. Its $3.7m Tuesday preview gross more than doubles the first’s $1.4m 3 years ago. The lack of Coogler isn’t dampening the excitement either – its Cinemascore of A is the best of the new releases this holiday period.

The film sees Adonis Creed (Michael B. Jordan), son of deceased Apollo, facing off against the son of his father’s killer, Viktor Drago. Sylvester Stallone, who was nominated for an Oscar for his role as Rocky Balboa in the last film, returns alongside Tessa Thompson and Phylicia Rashad.

It won’t just be Adonis facing a title bid. ‘Creed 2’s forecasted $39m 3-day start will see it break ‘The Blind Side’s $34.1m opening record for a sports movie, and even drawing it close to ‘Creed’s 5-day $42m Thanksgiving start. While ‘Creed’ made a total of $109.8m domestically and $173.6m worldwide in 2015, its sequel has ambitions of breaking the $200m global mark, becoming studio MGM’s biggest hit since 2008s ‘Valkyrie’.

Not all films are eating well this Thanksgiving, however, with Lionsgate’s ‘Robin Hood’ feeding off of Box Office scraps. An estimated $14m 3-day gross doesn’t seem too problematic on the surface, but its bloated $100m budget means that any hopes of the film turning a profit remain as mythical as Robin Hood himself.

Being produced by one of the world’s greatest actors in Leonardo DiCaprio hasn’t seemed to aid the film critically either, as its paltry 11% on Rotten Tomatoes diminishes all hopes of a leggy Box Office run. Opening in just 2,800 cinemas is possibly the icing on the cake for the latest iteration of the British legend, which sees Taron Egerton play Robin of Loxley, Jamie Foxx as Little John, Eve Hewson as Maid Marian, and Ben Mendelsohn as the Sheriff of Nottingham.

The final two new releases this Thanksgiving holiday come in the form of Oscar hopeful ‘Green Book’ and Hugh Jackman-fronted ‘The Front Runner’. Both are coming off the backs of limited releases, but while ‘Green Book’ may break into the top ten with a 3-day gross close to $5m, ‘The Front Runner’ will be D.O.A., earning just $1m in its 3rd weekend.

We’re likely to see the biggest Thanksgiving weekend ever by Sunday night – propelled by the efforts of ‘Ralph Breaks the Internet’ and ‘Creed 2’. However, will ‘Robin Hood’ exceed expectations, or hinder this weekend’s potential record-breaking efforts? Let us know your thoughts on Twitter and Instagram – we’re at @JUMPCUT_ONLINE.

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Reel Women: November UK Releases

Welcome back to Reel Women, the monthly feature that highlights the films being released in the UK that are written and/or directed by women. The clocks have gone back, it’s dark and cold outside, so what better way to spend the dark evenings than in the cinema?! This month there’s dramas, rom-coms and the start of the Christmas-themed releases. Oh, and there’s a little film about wizards and another small animated film featuring well-known Disney characters.

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2 November

The Nutcracker and the Four Realms

Directed by Lasse Hallström and Joe Johnston
Written by Ashleigh Powell and Tom McCarthy

When Clara (Mackenzie Foy) is transported to a magical world of her mother’s making, she’ll do anything to protect it.

The Nutcracker and the Four Realms is Ashleigh Powell’s first produced screenplay. She’s attached to adapt the books The Paper Magician and The Hazel Wood into screenplays.

 

Juliet, Naked

Directed by Jesse Peretz
Written by Evgenia Peretz, Jim Taylor and Tamara Jenkins

After Annie (Rose Byne) breaks up with Duncan (Chris O’Dowd), she embarks on an unlikely romance with a famous singer-songwriter who happened to be Duncan’s favourite musician.

Tamara Jenkins is a writer-director who was Oscar nominated for her original screenplay The Savages (2007). Her latest film, Private Life, is a new Netflix Original. Evgenia Peretz is a writer and producer, Juliet, Naked is her second produced screenplay.

 

King of Crime

Directed by Matt Gambell
Written by Linda Dunscombe

The biggest player in British cyber-crime goes head to head against some Islamic extremists by playing the biggest scam of his life.

As well as writing King of Crime, Linda Dunscombe was also a producer on the film, and the films casting director.

 

 

6 November

Widows

Directed by Steve McQueen
Written by Gillian Flynn and Steve McQueen

Four women whose dead husbands’ criminal actives leave them in trouble, conspire to come together to survive the forces that are out to get them.

Gillian Flynn is an author and screenwriter who adapted her own novel, Gone Girl (2014) to critical acclaim earning her a Golden Globe nomination.

 

 

9 November

Wildlife

Directed by Paul Dano
Written by Paul Dano and Zoe Kazan

A boy witnesses his parents’ (Carey Mulligan and Jake Gyllenhaal) marriage fall apart.

Zoe Kazan is an actress and screenwriter whose acting credits include What If (2013), Meek’s Cutoff (2010) and The Big Sick (2017). Her previous screenplay was Ruby Sparks (2012) in which she played the titular role.

Our review

 

Outlaw King

Directed by David Mackenzie
Written by Mark Bomback, Bathsheba Doran, David Harrower, James MacInnes and David Mackenzie

The story of how Scottish Robert The Bruce (Chris Pine) fought to defeat and repel the much larger occupying English army.

Outlaw King is Bathsheba Doran’s first feature film, but she’s written episodes of multiple TV shows including Broadwalk Empire and Masters of Sex.

Our review

 

The Other Side of Everything

Directed by Mila Turajlic

A documentary about Serbian filmmaker Mila Turajlic, who learns more about her family history and her country’s tumultuous political inheritance after opening a locked door in her mother’s apartment in Belgrade.

Mila Turajlic is a producer and director who was also the cinematographer for The Other Side of Everything.

 

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16 November

Fantastic Beasts: The Crimes of Grindelwald

Directed by David Yates
Written by J.K. Rowling

Albus Dumbledore (Jude Law) tasks Newt Scamander (Eddie Redmayne) to take down Gellert Grindelwald (Johnny Depp) who believes wizards are better than muggles.

J.K. Rowling needs no introduction. After writing the Harry Potter book series that turned into a global phenomenon, Rowling is now the writing the screenplays for the Fantastic Beasts series.

 

The Princess Switch

Directed by Mike Rohl
Written by Robin Bernheim and Megan Metzger

Netflix’s first Christmas themed film of the year, The Princess Switch is about how one week before Christmas, Margaret, the gorgeous Duchess of Montenaro, switches places with Stacy, a “commoner” from Chicago, who looks exactly like her.

Robin Bernheim is a writer and producer of films and TV shows including Quantum Leap and Star Trek: Voyager. The Princess Switch is Megan Mertzger is first produced screenplay.

 

Hell Fest

Directed by Gregory Plotkin
Written by Seth M. Sherwood, Blair Butler and Akela Cooper

A masked serial killer turns a horror-themed amusement park into his own personal hunting ground.

Blair Butler is a writer, director and producer. Hell Fest is her first feature film. Hell Fest is Akela Cooper’s first feature film screenplay as well but she has written multiple episodes of the TV shows Grimm, Luke Cage and The 100.

 

 

23 November

Back to Berlin

Directed by Catherine Lurie-Alt

Documentary about eleven motor bikers have a mission to take the Maccabiah torch from Israel to the site of the infamous 1936 Berlin Olympics, for the first Jewish Olympic Games on German soil.

This is Catherine Lurie-Alt’s first film.

Nativity Rocks!

Written & Directed by Debbie Isitt

The fourth film about St Bernadette’s Primary School in Coventry and the staff and students there who audition for a coveted place in a spectacular Christmas rock musical competition.

Debbie Isitt has written and directed all four Nativity films – the first two films, starring Martin Freeman and David Tennant, are on Netflix if you fancy getting into the Christmas spirit early.

The Judge

Directed by Erika Cohn

Documentary about Judge Kholoud Al-Faqih, the first woman appointed to a Shari’a court in the Middle East.

Erika Cohn is a producer and writer and The Judge is her second feature-length documentary.

 

 

30 November

Ralph Breaks the Internet

Directed by Phil Johnston and Rich Moore
Written by Phil Johnston and Pamela Ribon

Ralph and Penelope discover the internet and go on a whole new adventure.

Pamela Ribon is an actress, producer and writer whose previous screenwriting credits include Smurfs: The Lost Village (2017).

 

Disobedience

Directed by Sebastián Lelio
Written by Sebastián Lelio and Rebecca Lenkiewicz

Ronit (Rachel Weisz) returns home to her Jewish community after being shunned by them years before for her attraction to a female friend. When Ronit and Esti (Rachel McAdams) meet again their passions reignite.

Disobedience is Rebecca Lenkiewicz’s second feature film. Her previous film was Oscar winner Ida (2013) and her next film is Colette starring Keira Knightley which is released in the UK early next year.

 

The Wild Pear Tree

Directed by Nuri Bilge Ceylan
Written by Akin Aksu, Ebru Ceylan and Nuri Bilge Ceylan

An aspiring writer returns to his native village, where his father’s debts catch up to him.

Ebru Ceylan is a writer and director whose debut short film Kiyida (1998) was nominated for the Palme d’Or for Best Short Film at Cannes Film Festival. The Wild Pear Tree is her third feature-length screenplay.


And that’s it for this month’s Reel Women. That’s 16 films from a wide range of genres that are released in the UK that are made by women in November. Do let us know what you think of any of these films if you get a chance to see them – some might be easier to find than others!

Welcome To The Internet In A Brand New Trailer for ‘Ralph Breaks The Internet: Wreck-It Ralph 2″

““Ralph Breaks the Internet: Wreck-It Ralph 2” leaves Litwak’s video arcade behind, venturing into the uncharted, expansive and thrilling world of the internet—which may or may not survive Ralph’s wrecking. Video game bad guy Ralph and fellow misfit Vanellope von Schweetz must risk it all by traveling to the world wide web in search of a replacement part to save Vanellope’s video game, Sugar Rush. In way over their heads, Ralph and Vanellope rely on the citizens of the internet—the netizens—to help navigate their way, including a webite entrepreneur named Yesss, who is the head algorithm and the heart and soul of trend-making site “BuzzzTube.” 

Directed by: Rich Moore and Phil Johnston

Cast: John C. Reilly, Sarah Silverman, Taraji P. Henson, Jack McBrayer

Release Date: November 21st, 2018

Ralph Is Back In The First Trailer For ‘Ralph Breaks The Internet’

“Ralph Breaks the Internet: Wreck-It Ralph 2” leaves Litwak’s video arcade behind, venturing into the uncharted, expansive and thrilling world of the internet – which may or may not survive Ralph’s wrecking. Video game bad Ralph and fellow misfit Vanellope von Schweetz must risk it all by traveling to the world wide web in search of a replacement part to save Vanellope’s video game, Sugar Rush. In way over their heads, Ralph and Vanellope rely on the citizens of the internet – the netizens – to help navigate their way, including a website entrepreneur named Yesss, who is the head algorithm and the heart and soul of trend-making website “Buzztube.”

Directed by: Phil Johnston, Rich Moore

Starring: John C. Reilly, Sarah Silverman, Alan Tudyk, Jack McBrayer, Kristen Bell, Taraji P. Henson, Anthony Daniels, Idina Menzel

Release Date: November 30th, 2018