REVIEW: First Man

Year: 2018
Directed by: Damien Chazelle
Starring: Ryan Gosling, Claire Foy, Corey Stoll, Jason Clarke, Kyle Chandler

Written by Rhys Bowen-Jones

You’d think the moon landing would have a bigger filmography. By my count, there are 25 films about the general Apollo program, two of which are Men In Black 3 and Transformers: Dark of the Moon. Given such an astonishing feat, it was about time it received a proper cinematic treatment, and Damien Chazelle (of Whiplash and La La Land fame) is on hand to deliver just that.

And my word, does he deliver.

I’m not sure how much I need to say about the film. First Man is about the moon landing. It’s about NASA, rocket scientists, Neil Armstrong’s family, and Neil Armstrong himself as they attempt to finally get one over on the Russians in the infamous space race of the 1960s. First Man does do a splendid job of filling in many of the gaps in my knowledge of the story, and it does so on the shoulders of two tremendous leading performances from Ryan Gosling and Claire Foy.

First Man is a step out of Chazelle’s comfort zone. Having given us back to back show-stoppers in music-centric and impressively stylish efforts, he reigns back the sweep pans and on-the-beat camera cuts in favour of something far more paranoid. This becomes immediately apparent in its stunning opening scene with the introduction to how the film uses its shaky camera. Shaky camera has its criticisms when used poorly (badly choreographed fight scenes, I’m looking at you), but Chazelle uses it so perfectly here. It manages to absolutely convince you that Ryan Gosling has literally been sent to space in a tin can. Armstrong endures multiple trips to at least the Earth’s atmosphere, and the way they’re shot from almost entirely within or attached to the space craft made me feel, as cliché as it sounds, like I was right in there with him and that this might completely fail at any second.

Chazelle wants to express a combination of total wonder of what’s possible with a sense of complete isolation as the key players of the film rocket towards a seemingly impending doom. Shots of Armstrong sitting alone at the dinner table surrounded by darkness, or shots of Claire Foy’s Janet Shearon (Armstrong’s wife) standing alone in a doorway, again surrounded by darkness, imply so much of their relationship; their personal dilemmas, their frustrations with one another, their annoyance at their reluctant thrust into fame, all the while dealing with 2 blissfully unaware young children whose only preoccupation is whether they can play outside.

The necessary confrontation between Janet and Neil is shot with the same quiet intensity as a space trip, with Neil facing a reality he didn’t want to; having to tell his young children he might not come home. This is sure to be one of the many highlights Gosling and Foy send off for their almost guaranteed award nominations. Some may think Gosling is just being Gosling, the quiet, stoic leading role who doesn’t say all that much and stays focused on the job, but when your mission is the most dangerous mission in human history that may be your end, you could forgive his stoicism. Foy leaves a particularly strong impression as the wife left at home with the kids, as she stands up to the NASA scientists who, in one instance, cut the connection to her radio linked to Mission Control. As an aside, Claire Foy now has back to back stunning performances after Unsane earlier in the year, and I can’t wait to see her portrayal of Lisbeth Salander in The Girl in the Spider’s Web.

What I feel is important to address is that First Man isn’t the space adventure some may expect. It spends the majority of the film firmly on Earth, getting to know its key characters and showing us the blood, sweat, and tears that went into getting onto the moon. Having said that, when it does go to space, it goes. The fuck. To space.

The space scenes are spectacular. From its first flight to the Apollo 11 mission we all came to see, it begins being shot with surprising restraint. I kept wishing for the camera to just pull back slightly and give us a wide shot, I found out the long way that the restraint is worth it for what’s to come. The moon landing sequence is a stunner. It’s a knock your socks off, awe-inspiring, blow your face clean off its hinges sequence. Much of the film has a very old-school, grainy look to it to give it a 1960s authenticity, but the switch to IMAX for this sequence is put to fabulous use. The gargantuan size of the actual moment of a human being setting foot on the moon is given the wonder treatment with one of the film’s rare flashy moments in which the camera swoops down the shuttle’s steps and just stops dead in its tracks, almost in shock, to appreciate the horizon. The vastness of the moon laid out in front of our very eyes. It’s jaw-dropping. The time Chazelle and co. spent building up to this very moment is all completely worth it. This was a moment felt by the entire cinema, as the music cuts out completely, it was just us, Neil Armstrong, and the moon. You could’ve heard a pin drop. Dozens of pairs of eyes locked on the screen, transfixed by something so spectacular that I can’t say I’ve experienced a moment like it in film in a long time. Of all this film’s impressive elements, this sequence is the crowning achievement and it deserves all the praise it receives.

There is so much more that could be praised. Justin Hurwitz’s score has an almost ethereal feel at times, balletic at others, and completely epic when it needs to be. The music rarely swells to the overwhelming levels of, say, Hans Zimmer’s glorious work on Interstellar. Like the rest of the film, it holds itself back until it needs to, and when it hits the moment it needs to, it completely overwhelms you with its sheer power and beauty.

On a similar note, the sound design is sure to be one of its many award recipients come February. During the major space sequences, the aforementioned Gosling-in-a-tin-can stuff, the clanging and the clattering and the spinning and the exploding and the ringing all bring you to near breaking point. When you feel the sound has reached its highest point, it somehow finds another level, and then another, and then another to bring me to gasping-for-breath levels of anxious.

First Man is stunning. It’s an astounding achievement for a young director on the winning streak of his life; it has two award-worthy leading performances; it’s gorgeous to look at; it’s amazing to listen to; and it’s an utterly overwhelming experience. See it on the biggest, loudest screen you can. Chazelle, you’ve done it again.

 

Rhys’ Verdict:

5

New Trailer For Damien Chazelle’s ‘First Man’ Lands As The Film Premieres At Venice Film Festival

“On the heels of their six-time Academy Award®-winning smash, ‘La La Land’, Oscar®-winning director Damien Chazelle and star Ryan Gosling reteam for Universal Pictures’ ‘First Man’, the riveting story of NASA’s mission to land a man on the moon, focusing on Neil Armstrong and the years 1961-1969.  A visceral, first-person account, based on the book by James R. Hansen, the movie will explore the sacrifices and the cost—on Armstrong and on the nation—of one of the most dangerous missions in history.”

Directed by: Damien Chazelle

Cast: Ryan Gosling, Claire Foy, Jason Clarke, Kyle Chandler, Patrick Fugit, Ciaran Hinds, Ethan Embry, Shea Whigham, Corey Stoll, Pablo Schreiber

Release Date: October 12th, 2018

Ryan Gosling Embarks On An Impossible Journey In The First Trailer For ‘First Man’

“On the heels of their six-time Academy Award®-winning smash, ‘La La Land’, Oscar®-winning director Damien Chazelle and star Ryan Gosling reteam for Universal Pictures’ ‘First Man’, the riveting story of NASA’s mission to land a man on the moon, focusing on Neil Armstrong and the years 1961-1969.  A visceral, first-person account, based on the book by James R. Hansen, the movie will explore the sacrifices and the cost—on Armstrong and on the nation—of one of the most dangerous missions in history.”

Directed by: Damien Chazelle

Cast: Ryan Gosling, Claire Foy, Jason Clarke, Kyle Chandler, Patrick Fugit, Ciaran Hinds, Ethan Embry, Shea Whigham, Corey Stoll, Pablo Schreiber

Release Date: October 12th, 2018

JUMPCUT’s Top 10 Films Of 2017

As we prepare for our annual award show, The Odysseys, we asked our wonderful team to list their top 10 films of 2017 and we’ve created the JUMPCUT Top 10 list based on their input. The votes were nail bitingly close, and there’s been plenty of discussion this year amongst the team!

You may recall that last year we posted up our ‘Top 10 Most Anticipated Films Of 2017‘, which featured the likes of ‘Wonder Woman’, ‘Logan’, ‘Dunkirk’, and at the #1 spot was ‘Star Wars: The Last Jedi’, and whilst appearing on some of our team’s personal Top 10 lists, did it make it onto our Top 10 of the year?

Just missing out out making our ultimate top 10 are the following honorable mentions:

and now, for the part you’ve most likely quickly scrolled past everything else for: JUMPCUT ONLINE‘S official top 10 films of 2017 are:


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#10 – IT

One of a number of adaptations of Stephen Kings work to grace a screen this year, ‘IT’ made a record breaking entry to the box office by more than doubling the record takings for a horror film’s opening weekend. Bill Skårsgard’s performance as Pennywise the Dancing Clown is not one that’ll leave your nightmares any time soon. With the film arriving on home release shortly, we highly recommend taking Pennywise home with you!

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#9 – Wind River

Taylor Sheridan’s directorial debut was nothing short of heart racing. Jeremy Renner and Elizabeth Olsen ditched their MCU costumes for something a little warmer as they investigate the death of a young girl in Wyoming, on the Wind River Indian Reservation. The investigation leaves the audience guessing right up until the third act, and when the truth hits it doesn’t pull it’s punches.

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#8 – Thor: Ragnarok

If a couple of years ago you’d have told us that a Thor film would end up our ‘Top 10’ of the year least, you’d forgive us for not believing you. Whilst the first two instalments of his solo outings are rather lacklustre and dreary, in comes Taiki Waititi to shake things up and deliver one of the best entries to the MCU to date. With lots of colour, humour, and a dash kiwi charm, Waititi left his mark all over the God of Thunder – as well as introducing us to everyone’s instant new favourite, Korg, who is played by Waititi.

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#7 – Star Wars: The Last Jedi

‘The Last Jedi’ topped our list last year for most anticipated movie of 2017 and boy did we have a wait on our hands. Now it’s been released worldwide, the latest entry to the ‘Star Wars’ franchise has divided many fans on it’s approach to some of the characters and it’s plot. It’s fair to say that our team, which consists of a number of huge ‘Star Wars’ fans, had quite a bit to say on this film (in a pleasant, civilised, and GIF-happy manner might we add) and it may actually come as a surprise to some of them that it made our list!

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#6 – Baby Driver

If the toe-tappingly catchy and action filled trailers weren’t enough to get you to see Edgar Wright’s ‘Baby Driver’ in the cinema, then we sure hope you’ve corrected your mistake and watched it since it’s home release following it’s wave of praise online. Not only is the film insanely brilliant, the soundtrack ain’t half bad either.

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#5 – La La Land

The UK started the new year hearing nothing but praise for ‘La La Land’. The U.S theatrical release date was in December, whilst we had to twiddle our thumbs and wait  here in the UK until the following month. By the time it was released, it had already won a jaw-dropping amount of awards and was also in the running for a number of Academy Awards, including ‘Best Director’ and ‘Best Film’ (let’s not get into that). 11 months later and the film still sits highly on the top of a lot of our team’s list, and we daren’t tally up how many times we’ve all watched it since!

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#4 – Get Out

With a production budget of just $4.5 million, ‘Get Out’ broke records and all expectations when it grossed over $251 million worldwide during it’s run in cinemas. Jordan Peele’s directorial debut was greatly received and is arguably one of the most talked about films of the year. Daniel Kaluuya has received numerous nominations and awards as the lead of the film, and rightly so. Another one we recommend ticking off your list before the year is out!

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#3 – Logan

James Mangold stepped back into the director’s chair to direct another Wolverine solo film, but this time the claws were well and truly out for his R-Rated return. ‘Logan’ showed us Wolverine like we’ve never scene him on screen before. The neo-western take on Hugh Jackman’s final outing as Logan was a perfect send off for the actor and the character, as well as a superb introduction to Dafne Keen as Laura Kinney (aka X-23). ‘Logan’ proved to be an emotional farewell, but also left us with a glimmer of hope that we could potentially see X-23 in her own film in the future.

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#2 – Dunkirk

Christopher Nolan’s latest film was hyped up to no end that some of us were certain our expectations were too high and would never be met. Those doubts were quashed upon viewing the film (numerous times for some of the team) and although the story, told from three perspectives (land, sea, and air), had very little dialogue, the way in which is was shot, and the perfect accompanying score, were enough to keep you on the edge of your seat the whole way through.

Sometimes I still hear the ticking…. 

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#1 – Blade Runner 2049

Aaaaand if you hadn’t guessed by now – Denis Villeneuve’s neo-noir sci-fi masterpiece ‘Blade Runner 2049’ sits at number one for this year’s list. With some breathtakingly beautiful cinematography and set pieces, an ear-pleasingly gorgeous score, and strong performances from Ryan Gosling, Ana De Armas, Ryan Gosling, and the rest of the supporting case, there was nothing we didn’t love about this film – although unfortunately it appears that the general audience may disagree with us as it didn’t perform all too well at the box office!

 


There you have it! ‘Blade Runner 2049’ claims the #1 spot this year for us here at JUMPCUT. We’d love to hear your thoughts on this list and what your Top 10 looks like!

In case you missed it, we also wrote up our ‘Top 10 Most Anticipated Films of 2018‘ – We wonder if any of those will feature in our end of year top 10 next year….

Feel free to leave a comment below, or tweet us your Top 10 to @JUMPCUT_ONLINE 

Blade Runner 2049

Release: 2017
Director: Denis Villeneuve
Cast: Ryan Gosling, Robin Wright, Harrison Ford, Jared Leto, Ana De Armas, Sylvia Hoeks

Written by Abbie Eales

Ridley Scott’s 1982 dystopian sci-fi epic ‘Blade Runner’ saw Harrison Ford playing Deckard, one of the titular blade runners, who had been tasked with hunting down and killing four replicants, (extremely life-like androids), who had escaped from the colonies and were now posing a threat to human life in the city of Los Angeles. The film is filled with stark and beautiful imagery, philosophical musings on the nature of humanity and love, and is scored by a wonderful soundtrack by Vangelis.

When it emerged there was a sequel in the works, with Harrison Ford attached to star again hearts sank. Let’s face it, ‘Indiana Jones and the Kingdom of the Crystal Skull’ was almost bad enough to turn the world off the originals, so bringing Ford back to the role of Deckard 35 years later did not seem like solid thinking. Then it was announced that Ryan Gosling was attached, an actor who has been extremely canny in his choice of roles, seemingly not having made a recent mis-step. Once ‘Arrival’ and ‘Sicario’s’ Denis Villeneuve was announced as director, hopes were raised once more. But would this be the thoughtful sequel the world wanted or clumsy “re-energising” and potential franchise starter?

Blade Runner 2049 continues the hunt for artificial humans, 30 years on from the original, echoing the real-life passage of time since Ridley Scott’s classic hit the big screen. Gosling plays K, a blade runner who has been charged with rounding up and dispatching the last of the old model replicants, the last of the robots with free will. To say much more about the plot could ruin the experience, as this is a near perfect piece of cinema which should be enjoyed to the full.

From the opening shot of a single ice-blue eye filling the screen, to the inclusion of a clear plastic raincoat, ‘Blade Runner 2049’ is perfectly respectful of its predecessor while taking some of its beautiful imagery to even more extraordinary places. The film is stunning, mildly disorienting and borderline surreal, quietly worming its way under your skin over the course of its 2 hour 43 minute run-time.

Roger Deakins’ cinematography is just sublime. Every shot in the film is near perfect. The design of costumes and make-up is among the best I’ve seen, subtle but always adding to character. The soundtrack, by Hans Zimmer and Benjamin Wallfisch, is by turns a thundering juggernaut of mechanical crunches and shudders and then delicate piano notes, giving way to the space-age echoes of Vangelis work on the original.

Every single member of the cast is superb, with Villeneuve eliciting some career-best performances. Ford adds multiples layers to his usual curmudgeon-with-a-heart turn, embracing an unusual vulnerability. Gosling is quietly enigmatic, channelling his turn in Drive. The real stand out among the cast is Sylvia Hoeks as Luv, who manages to be both eerily serene and utterly terrifying.

‘Blade Runner 2049’ may also be Villeneuve’s best work to date. Taking time to really linger on key scenes, to build tension, but also to allow the audience to think and take in not just the visuals but the concepts being shown to them, it’s an extremely confident and uncompromising piece of cinema.

It is an absolute marvel of film-making, a thoughtful, beautiful piece of art. Profound, moving, intellectual and solid evidence that studios can make blockbusters that might also win Academy awards. Go see it big and loud and be left breathless by the spectacle.

Abbie’s Rating: 10 out of 10

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Watch This Space: 9th – 15th October

Every Monday we will be recommending films that are on TV that week, films playing at the cinema, and also remind you of those brilliant films hiding on streaming services, such as Netflix and Amazon Prime, and possibly in your own collection.

In Cinemas

Blade Runner 2049: Fans of the original have waited 35 years for a sequel to ‘Blade Runner’, and last week their wish was granted. It may not be receiving the best numbers at the box office, but fans and critics alike can’t help but share their love the this masterpiece. Our full review will be on site later today!

Star Wars: The Last Jedi: Whilst we know it’s not December yet, we thought we’d take this opportunity to remind you that tickets for ‘The Last Jedi’ go on sale Tuesday AM (UK), and with them comes a brand new trailer! We’ll have it up on site as soon as it hits the web!

The Mountain Between Us: Idris Elba and Kate Winslet are stranded after a tragic plane crash. They must forge a connection to survive the extreme elements of a remote snow covered mountain. ‘The Mountain Between Us’ opened in UK cinemas last Friday, and our full review will be up soon!

On TV

Monday

Se7en (1995): If you discount ‘Alien 3’ because, well, who wouldn’t, ‘Se7en’ was our introduction to a master filmmaker. David Fincher has blessed us with numerous films that rightfully earn their place on countless best films ever lists, though arguably none have managed to be as high on said lists as ‘Se7en.’ It’s a crime noir starring a pre-Fight Club and Morgan Freeman as they investigate a string of murders all based on the seven deadly sins. It’s a deceptively clever thriller that keeps you engaged, guessing, and shocked at some of the truly messed up ways the sins have been visualised as murder scenes. On a personal note, ‘Se7en’ is one of my favourite films of all time. This film can be watched and rewatched countless times and you will still find new things to love about it, right up until it’s brilliant, soul-crushing climax.

 

Tuesday

Southpaw (2015): Directed by Antoine Fuqua and starring Jake Gyllenhaal, ‘Southpaw‘ is the gritty drama about a successful pro boxer who goes off the hinges after his wife is shot at a press event. Gyllenhaal delivers a strong and heavyweight performance as Billy “The Great’ Hope, a husband and father who wins titles in the ring, but ultimately loses himself outside. He’s on top of the world, beating opponents to a pulp with a fight fueled by anger. Hope must rehabilitate himself in order to take back his life and the custody of his daughter. Gyllenhaal’s character is aggressive and the onscreen punches are impressive. If you want something decent and gritty that isn’t afraid to throw punches, this is your film. Catch this knockout boxing drama on Film4 at 9pm.

Wednesday

Locke (2013): One of Tom Hardy’s most astonishing performances makes for an audacious film. Almost entirely a one-man monologue delivered over the course of a long night-time road trip. We watch as Locke slowly unravels and details of his career and personal life are revealed through a series of confessional phone conversations. Remarkable that this film was made at all and I’m very glad it was. Alongside ‘The Drop’ – one of Hardy’s best but underseen roles. Highly recommend.

Dirty Dancing (1987): An iconic soundtrack runs throughout this 80s classic, set in the 60s and telling the tale of a summer romance. Rich girl Baby meets bad boy and dirtier dancer Johnny and an illicit affair is sparked. Throw in a watermelon, a botched abortion and a corner where NOBODY puts Baby and you have one of the most quotable films of a generation. Again, if you haven’t seen it, why not? Rectify this immediately!

The Green Mile (1999): In the season of Stephen King adaptations, why not visit one of the most profound and heart-breaking? Tom Hanks (one of Hollywood’s most reliable actors) stars as Paul Edgecomb, who accompanies men down the ‘mile’, the walk cons take to the chair, to the death. When he meets the simple and naive John Coffey (played to perfection by Michael Clarke Duncan), a giant of a man accused of murdering two young girls, Paul begins to question John’s guilt.

Legally Blonde (2001): Elle Woods (Reese Witherspoon) has everything: hot shot law student boyfriend, top spot in a prestigious sorority house, a stellar fashion sense, and the most infectiously lovely personality. When her sure-to-be future husband unceremoniously dumps her for being too blonde, she is determined to win him back. Using her unstoppable willpower and wit, she gets into Harvard Law School, and brings all her charm, a splash of pink and her chihuahua with her. Riotously fun and positive, Legally Blonde is the perfect antidote to the darker nights.

Thursday

License to Kill (1989): Rewind 17 years before Daniel Craig made James Bond a badass, and you’ll find Timothy Dalton doing it just as good if not better this time in the darkest 007 film of all. Going up against drug baron Robert Davi with the aid of the kick-ass Carey Lowell, Dalton shoots, stabs, water-skis, parachutes and punches his way into the heart of a dangerous drug cartel to bring them down from the inside in a mission of revenge. Blistering action, brutal violence and a real film of it’s time. The world wasn’t ready for a darker 007. Well, they are now. Enjoy!

Titanic (1997): What can be said about the biggest film in the world? I can’t imagine there are many people left who haven’t seen it. It’s a classic tale of boy meets girl, girl meets enormous blue diamond, iceberg meets boat, floating door not big enough for two people. Despite all the cliches, the second half of the film is still quite thrilling and visually spectacular. Get it in your eyeballs.

Friday

GoldenEye (1995): The Cold War is over, but there are plenty of reasons for James Bond to thrill us in the wake of a 6 year absence from an early end to Timothy Dalton’s run in 1989. Old and new cast and crew come together to take 007 to new heights with classic elements laced with a new, modern twist. Pierce Brosnon re-introduces Bond to a new generation of fans going up against rogue agent Sean Bean from bringing the world to it’s knees with a hi-tech super-weapon. With death-defying stunts, loud action sequences, a rousing theme and all the martinis, girls and guns we’ve come to expect from 007, it’s a new era but one that proves nobody does it better still.

Last Action Hero (1993):  The film that easily divides many Arnold Schwarzenegger fans, this is actually far cleverer than it appears and delves into the self-parodying track of spoofing the action genre and Hollywood in general. Director John McTiernan makes sure the action is played out tongue-in-cheek as we jump from inside the silver screen and beyond when Arnie goes up against villain Charles Dance. As long as the film is understood to be a mockery of the thing it tries to be, it comes across more enjoyable than if watched to be a serious actioner. And don’t worry, there are many Arnie one-liners a plenty here. “Iced that guy, to cone a phrase!”

Twilight: Breaking Dawn Part I (2011): The Twilight Saga lives on with its second to last installment, based on the novel Breaking Dawn. Bella Swan, the average girl who fell hard for vampire stud Edward Cullen, gets married and soon becomes impregnated with a half-mortal, half-immortal child. Seen as a potential threat to the local wolf pack and humans, the Cullen family must help Bella survive her pregnancy, and protect their livelihood in Washington. The young Kristen Stewart and Robert Pattinson reprise their roles in this fairytale drama that grossed big box office numbers among book and film fans alike.Catch the popular endearing story on E4 at 9pm.

Gladiator (2000): It’s Friday, and we all know what that means. A cosy night in, all snuggled up in front of the TV with snacks aplenty. And what better way to spend your Friday evening by watching Ridley Scott’s epic ‘Gladiator’, a 155-minute spectacle that throws you into the gladiator pits of Ancient Rome. With mesmerising cinematography by John Mathieson and career-defining performances from Russell Crowe and Joaquin Phoenix, ‘Gladiator’ is an epic that stands shoulder-to-shoulder with other grand, cinematic spectacles like ‘Lawrence of Arabia’ and ‘Ben-Hur’. A must-see.

 

Hiding Online / In Our Collection / Out This Week

 

Wonder Woman (2017): Yesterday we were treated to the final ‘Justice League’ trailer in which we saw Wonder Woman, along with Bruce Wayne, assemble the League to save the world. As of today, ‘Wonder Woman’ is yours to take home on DVD/Blu-ray in the UK! With it’s record breaking run at the box office almost complete, we can probably expect more records to be broken on her home release.

Ace Ventura: Pet Detective (1994): Allllrriigghhttyy then! 1994 was a very good year for Jim Carrey. During this breakout year he starred in not one, not two, but three comedy classics. Dumb and Dumber and The Mask were great for Carrey to showcase his talents, but Ace Ventura was the one that he really was allowed to let loose in. With his rubber face cranked up to 11 and his limbs in a non stop hurricane of madness, Ace is a character that Jim Carrey looked like he had the best time playing. It shines through in his performance. The premise is simple. Ace Ventura is hired by the Miami Dolphins to find their missing mascot, Snowflake the Dolphin. What follows is 87 minutes of pure 90s gold. With support from Courtney Cox and Sean Young, Jim Carrey’s Ace Ventura Pet Detective is an easy, fun comedy which will keep you entertained for all its duration. They don’t really make them like this anymore so catch it while you can.

Fast Five (2011): The Fast and Furious franchise, whether you love it or hate it, can be an entertaining breakaway from the mundaneness of everyday life. The absurd car chases, the improbable yet insanely fun shootouts, even the fast-paced fight sequences in which the franchise is renowned for is especially present in the fifth instalment; ‘Fast Five’. Arguably the best in the now 8-film series, ‘Fast Five’ is relentless in its presentation, and with the addition of Dwayne Johnson’s hulking Hobbs joining the rest of the charismatic roster, ‘Fast Five’ rejuvenated a franchise that most felt was on its way out. Popcorn entertainment has never looked so good, so be sure not to miss it!

The Notebook (2004):  If you’re a hopeless romantic, the latest addition to the Netflix roster is for you. Adapted from a Nicholas Sparks novel (king of the rom-com), The Notebook is a story of everlasting love told in two timelines. With notes of The Princess Bride (‘Always’) and Romeo & Juliet (forbidden love), the lead characters are so irresistible to root for. Ryan Gosling and Rachel McAdams as Noah and Allie bring to screen one of the most authentic representations of first love and teenage love, one that is sure to make you feel sentimental. Watch this under a blanket with a hot cup of cocoa.

A huge thank you to contributors this week: Dave Curtis, Chris Gelderd, Jessica Peña, Rhys Bowen-Jones, Fiona Underhill, Corey Hughes, Sasha Hornby

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‘Blade Runner 2049’ Early Reactions Hit The Web

The first reactions to ‘Blade Runner 2049’ are up and they have us even more excited for Denis Villeneuve’s sequel. We’ve collected some of the spoiler-free tweets for your viewing pleasure, and as some advise, you may want to avoid the reviews if you want to avoid even the tiniest of spoilers!

‘2048: Nowhere To Run’: Latest ‘Blade Runner 2049’ Prequel Short Released

A new ‘Blade Runner 2049’ prequel short has been released, and this time it focuses on Dave Bautista’s character, Sapper. The short takes place just one year before the film, and we can expect to see more of Sapper in the film, as previous trailers have shown.

You can see Jared Leto in action as Niander Wallace in the previous prequel short that was released: ‘Nexus: 2036’

Blade Runner 2049 hits cinemas October 5th!

Jared Leto Introduces ‘Blade Runner 2049’ In Hologram Form

A hologram of Jared Leto appeared on the Hall H stage this evening to introduce ‘Blade Runner 2049’ to the crowd. Director Denis Velleneuve was asked why he decided to do this sequel, and his answer was because he “didn’t want someone else to fuck it up” – and if the incredible looking trailers are anything to go by, he certainly has a winner on his hands!

“Thirty years after the events of the first film, a new blade runner, LAPD Officer K (Ryan Gosling), unearths a long-buried secret that has the potential to plunge what’s left of society into chaos. K’s discovery leads him on a quest to find Rick Deckard (Harrison Ford), a former LAPD blade runner who has been missing for 30 years.”

Written by Tom Sheffield