PlayStation Kick-Off Their January Sale!

With three days to go until Christmas, it would appear the folks at PlayStation may be a few days ahead of us as today they kicked off their January sale! This sale looks to be a great opportunity to spend some of your Christmas dosh on some games you might not have picked up yet! We’ve had a quick peruse through this year’s offerings and picked out some recommendations (off-sale price in brackets).

  • Spider-Man£34.99 (£54.99)
  • Call of Duty: Black Ops 4£35.99 (£59.99)
  • God of War: Digital Deluxe Edition£22.34 (£52.99)
  • The Sims 4£8.99 (£34.99)
  • Assassin’s Creed Odyssey£29.99 (£54.99)
  • Shadow of the Tomb Raider£25.24 (£54.99)
  • Spyro Reignited Trilogy£26.24 (£34.99)
  • SOULCALIBUR VI£34.99 (£54.99)
  • Just Cause 4£41.24 (£54.99)
  • Kingdom Come: Deliverance£19.49 (£49.99)

There are lots of great games on sale, so we’d love to hear your recommendations! Shoot them to us in the comments below, or over on Twitter – @JUMPCUT_PLAY

‘Spider-Man’ Soars To $35m In Mixed Weekend: Box Office Report

Written by Dapo Olowu

After two weeks of no new major releases, we’d be forgiven for expecting ‘Spider-Man: Into the Spider-Verse’ to open big this Box Office weekend, or at least break the $40m barrier.

Still, it swung in at $35.4m, meaning it takes the record as December’s biggest ever animated start anyway, beating out the likes of ‘Sing’ from 2016 ($35.3m). ‘Sing’ makes for an apt comparison – its $75m budget is just a shade under ‘Spider-Man’s $90m, and the musical’s eventual $270.4m domestic finish potentially signals a long, leggy ‘Jumanji’-like run for the Sony animation.

For such a run to be had, however, ‘Spider-Man’ must benefit from overwhelmingly positive word of mouth reviews – which it has in excess. Boasting 97% on the Tomatometer and an A+ on Cinemascore, the film, which stars the voices of Shameik Moore, Jake Johnson, Hailee Steinfeld and others, could breakout in coming weekends, although heavy competition in the form of ‘Aquaman’ and ‘Bumblebee’ should definitely stifle its attempts.

Internationally, ‘Spider-Man’ earned $21m from 44 markets, yet won’t be making the front pages just yet, due to the continued runaway success of Warner Bros’ ‘Aquaman’, which brought in a whopping $126.4m in its second weekend overseas.

To date, its non-U.S. total stands at $261.3m, and includes a DCEU-record $190m from China. To put this into perspective, it’s already Warner Bros’ second biggest film there ever (after ‘Ready Player One’), and only ‘Age of Ultron’, ‘Venom’, and ‘Infinity War’ stand in its way of becoming the country’s biggest superhero movie of all time.

With its U.S. release perfectly timed for this coming Friday, we could genuinely see ‘Aquaman’ swim to levels never before seen by the DCEU, and could even hit the $1bn mark.

With much smaller ambitions comes Clint Eastwood’s crime drama ‘The Mule’, which opened to a solid $17.5m. It’s an opening that marks Eastwood’s 5th biggest as a director, and 3rd biggest as an actor (inflation aside), as well as his biggest of the year, comfortably seeing out his February effort ’The 15:17 to Paris’ ($12.6m).

While many may balk at its seemingly pricey $50m production cost, Eastwood and those over at WB will be quietly optimistic at the potential for it grow in coming weekends, as it looks to appeal to a crowd uninterested in upcoming (and current) major action blockbusters. Its A- on Cinemascore implies a film highly-rated among audiences that were practically all (88%) over the age of 25, so perhaps we may see a ‘Book Club’-type performance here.

It wasn’t all good news in the Box Office, however. Universal’s ‘Mortal Engines’, the YA steampunk dystopian adaptation of the 2001 novel, failed to get started at the domestic Box Office, spluttering in with a miserable $7.6m.

Two things of note here: firstly, that ‘Mortal Engines’ has somehow outdone ‘Robin Hood’ as the flop of the season, and secondly, that Universal and co. decided it wise to spend $100m+ on a YA dystopian, as if ‘The Darkest Minds’, ‘The 5th Wave’, and ‘Allegiant’ haven’t already put the struggling genre out of its misery in recent memory. Regardless, it’ll be a real surprise to see this one reach $30m, or even be around by early January.

Finally, in the battle for 10th spot between ‘Green Book’, Deadpool-lite ‘Once Upon a Deadpool’, and ‘The Favourite’, it was ‘Green Book’ who prevailed and kept its place in the ranks, earning $2.8m in its 5th weekend of release.

Next weekend sees ‘Aquaman’ come up against the might of ‘Mary Poppins Returns’ and ‘Bumblebee’. Can the latter cause an upset, or will Warner Bros earn its 10th chart-topper of the year? Let us know your thoughts on Twitter and Instagram – we’re at @JUMPCUT_ONLINE.

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REVIEW: Spider-Man: Into the Spider-Verse (2018)

Directed by: Bob Persichetti, Peter Ramsey, Rodney Rothman
Cast: Shameik Moore, Jake Johnson, Hailee Steinfeld, Nicolas Cage, John Mulaney

Written by Fernando Andrade

You know that feeling when you walk out of a movie knowing you have witnessed something special, something you have never seen before. That’s the feeling you get walking out of Spiderman: Into the Spider-Verse. Even though it’s based off a comic book and this character has been done six times before and we know the basic story of Spider-Man, the people behind this movie found a way to make it fresh and have produced not only the best animated movie this year, but hands down one of the best movies of 2018.

Spider-Man: Into The Spider-Verse centers around Miles Morales (Shameik Moore), aka Spider-Man. In Miles’ dimension Peter Parker (Chris Pine) is a hero to the people of New York, stopping crime at every corner and doing it with grace. That is until Parker has a run in with Wilson Fisk (Liev Schreiber) and his gang of other notable Spider-Man villains including Green Goblin and The Prowler. They have built a device which causes dimensions to collide in an attempt to bring back Fisk’s wife and son who where killed. In the exchange, Peter Parker is killed, yes killed in an animated PG movie, leaving Miles the one and only Spider-Man – so he thinks. Of course as the promotional material has shown us, several dimensions collide bringing with them other Spider-people with them. We have Gwen Stacy (Hailee Steinfeld), Spider-Man Noir (Nicolas Cage), Spider-Ham (John Mulaney), Peni Parker (Kimiko Gleen), and Peter Parker (Jake Johnson) – but from a different dimension. It is up to the 6 of them to come together and defeat Fisk in order to return to their respective worlds.

This movie probably could not have come out at a better time, due to the tragic death of Stan Lee, as it shows the true power of comic books and why people love this character. While yes, on the surface this movie is a standard comic book movie pitting good against evil, heroes against villains, it is so much more than that. This character of Miles Morales is so pure and so easy to connect with. A lot of it has to do with the fact that he loves his family, he wants to make them proud, and he is just kind at heart. Honestly it was a nice change of pace seeing this familial interaction and not one having to do with Aunt May and Uncle Ben. This interpretation of Spider-Man also comes with a bit of a different message, although the presence of “with great power comes great responsibility” is still felt, here we get to see someone figure out that they have the ability to become something great and that you are never alone.

This is beautifully done through the brilliant use of all the other characters. Yes, some are used for more comedic purposes and some of the villains just show up, but they are not the main focus. However, all the characters fit, they all have their moments, and it works seamlessly to help tell Miles’ story. Each of the different Spider-people/animal have their own problem, their own origin story, and so do we as individuals – we all have different paths, which is why it is so easy to relate to this story. Sometimes it can feel very lonely out there, as Miles feels as his relationship with his family begins to dwindle as the piling amount of pressure he has to be a worthy Spider-Man builds. But it is through those same worries in which he finds the power to become who he was meant to be. This story has attempted to be shown in other Spider-Man movies as well, some being more successful than others, but the way it was told in this movie has been the most effective. We get to see a young, half black half Latino kid, dropped to this position where he must learn to face this massive challenge, with some pretty great people to help him along the way.

Not only is Into the Spider-Verse a beautiful story, the technical aspects on display here are some of the greatest ever in animation. This is probably what people felt like watching Toy Story for the first time seeing all those 3D animations, but in animation today all we really see is polished, hyper realistic worlds. It is a wonderful change of pace to see such a unique approach to animation, and it works so well with this story. This could never be reproduced into life action ever, it could only have been done this way.

Spider-Man: Into the Spider-Verse has come along and made itself known as one of the best movies of 2018, and should be leading the charge at the Oscars for best animated feature. Its a universal story that can be loved by everyone, filled with beautifully touching moments for both comic book and non-comic book fans alike, great laughs, and some pretty great music. This movie really showcases what minds like Steve Ditko and Stan Lee saw in these characters and what they wanted to express; a mask is a mask, but what really matters is who is underneath it – and that could be anyone.

 

Fernando’s Verdict:

4-5

‘Spider-Man: Into The Spider-Verse’ To Swing In With $50m, While ‘Mortal Engines’ Can’t Get Started: Box Office Predictions

Written by Dapo Olowu

After two barren weekends without a major cinematic release, the theatrical cobwebs and tumbleweed will be brushed aside as three new films bring an end to the post-Thanksgiving void, and usher in the Christmas period.

Finally.

Kicking off the weekend is ‘Spider-Man: Into the Spider-Verse’, Sony’s latest foray into the world of Marvel’s most beloved hero after releasing the spinoff ‘Venom’ back in October. The film sees teenager Miles Morales (voiced by Shameik Moore) taking up the ‘Spider-Man’ mantle, after teaming up with multiple parallel-universe Spider-Men to defeat crime lord Wilson Fisk.

Its all-star cast, featuring the voices of Mahershala Ali, Nicolas Cage, Hailee Steinfeld, Jake Johnson, and Lily Tomlin among many others, is only bolstered by an equally strong team behind the scenes, with Lord & Miller producing, and the latter getting a co-writing credit.

The quality in production has apparently shone through to the final product; its near-perfect 97% on Rotten Tomatoes, A+ on Cinemascore, and 87 on Metacritic means it’s one of the best-reviewed superhero films in modern memory, perfect fuel for a great Box Office lift-off.

We’re optimistically forecasting a gross just below $50m from Friday to Sunday, considering the recent slew of family-friendly animations (and superhero movies) that have already quenched the thirsts of the general audience. It’s an opening that falls just behind another Lord & Miller production ‘The Lego Batman Movie’ from 2017, which made $53m in its first 3 days, on its way to earning $175.8m domestically.

Next is Clint Eastwood’s second film of the year after February’s ’15:17 to Paris’ – ‘The Mule’. Eastwood directs and stars as Earl Stone, an elderly drug trafficker (based on the true story of World War 2 veteran Leo Sharp). The film also sees Bradley Cooper as DEA Agent Colin Bates, alongside Laurence Fishburne, Michael Peña, Taissa Farmiga, and Andy García.

This R-rated crime flick has the better of ’15:17’ when it comes to critical reception, but this makes little difference for the $50m production, which looks to open at around $14m$1.5m more than ’15:17’. ‘The Mule’, it seems, will need to keep delivering the goods in coming weeks, or else get caught by the chasing pack.

What’s a Box Office weekend without a big budget flop? First-time director Christian Rivers teams up with Peter Jackson (‘Lord of the Rings’, ‘The Hobbit’) to deliver ‘Mortal Engines’, Universal’s steampunk dystopian based off of Phillip Reeve’s 2001 novel of the same name.

Fears of a ‘Robin Hood’-like failure are warranted, given its bloated $100m+ budget and poor response from both critics and audiences (28% on RT, B- on Cinemascore). Therefore, we’re predicting a start of $10.6m, meaning ‘Mortal Engines’ has already stalled upon release.

Finally, Oscar-hopeful ‘The Favorite’, directed by Yorgos Lanthimos, looks to beat out ‘Once Upon a Deadpool’ and ‘Green Book’ for a place in the top ten. Still in a limited release, playing in just 423 cinemas, the historical period-piece, starring Olivia Coleman, Emma Stone, and Rachel Weisz, should earn $3.4m for 10th place.

The Box Office is back in full swing this weekend, with ‘Spider-Man’ leading the way. Will it hit the lofty $50m heights we predict, or will it just fall short? Let us know your thoughts on Twitter and Instagram – we’re at @JUMPCUT_ONLINE.

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Welcome To The Spider-Verse In A Brand New Trailer for ‘Spider-Man: Into the Spider-Verse’

“Phil Lord and Christopher Miller, the creative minds behind ‘The Lego Movie’ and ’21 Jump Street’, bring their unique talents to a fresh vision of a different Spider-Man Universe, with a groundbreaking visual style that’s the first of its kind. ‘Spider-Man: Into the Spider-Verse’ introduces Brooklyn teen Miles Morales, and the limitless possibilities of the Spider-Verse, where more than one can wear the mask.”

Directed by: Phil Lord & Christopher Miller

Cast: Shameik Moore, Hailee Steinfeld, Mahershala Ali, Jake Johnson, Liev Schreiber, Brian Tyree, Henry Luna, Lauren Velez, Lily Tomlin

Release Date: December 14th, 2018

First Teaser Trailer For Animated Spider-Man Film ‘Spider-Man: Into the Spider-Verse’

“Phil Lord and Christopher Miller, the creative minds behind The Lego Movie and 21 Jump Street, bring their unique talents to a fresh vision of a different Spider-Man Universe, with a groundbreaking visual style that’s the first of its kind. “Spider-Man: Into the Spider-Verse” introduces Brooklyn teen Miles Morales, and the limitless possibilities of the Spider-Verse, where more than one can wear the mask.”

Directed by: Phil Lord & Christopher Miller

Release Date: December 2018

Spider-Man: Homecoming

Year: 2017
Director: Jon Watts
Starring: Tom Holland, Michael Keaton, Robert Downey Jr., Marisa Tomei, Jon Favreau, Zendaya

Written by Tom Sheffield

To say there were high expectations for this film from it’s waiting audience would be a understatement. For the third time in 15 years we were about to witness a new actor take on the role of Spider-Man, but this time would be different because he now exists in the same universe as Iron Man, Captain America, Thor and all the heroes we’ve seen so far in the Marvel Cinematic Universe, which opens up a whole new world of possibilities that weren’t possible with the webhead’s previous live-action incarnations. Having already been introduced to Tom Holland’s Peter Parker briefly in ‘Captain America: Civil War’, I was eager to see how he would hold his own in his first film. I’m relieved to say he did not disappoint, and neither did the film as a whole.  

Following his participation in the epic airport battle against Captain America and his team, Peter Parker (Holland) returns home feeling that his day-to-day heroics helping average citizens is a huge step down from what he just took part in. Eager to participate in more Avengers missions, Peter wants to impress Stark (Downey Jr.) and show him he’d be a valuable member of the team. When Peter starts interfering in Adrian Toomes’ (Keaton) plans, Toomes sees no other option than to put an end to the Spider-Man.

Tom Holland may just be my favourite portrayal of Peter Parker/Spider-Man to date. He completely embodied Peter’s awkwardness, his eagerness to do more to help people, and his struggle to please everyone. Both in and out of the suit, Holland is a joy to watch on screen and I’m excited for what’s to come for Peter following certain revelations in the film, and the fact we get to watch him progress through High School, juggling school, a social life, and his evening heroics. Michael Keaton was menacingly brilliant as Toomes / Vulture. There’s one scene in particular where he is face to face with Holland and his delivery is enough to send shivers down your spine. Vulture has quickly become one of my favourite villains in the Marvel Cinematic Universe because whilst a lot of villains we’ve met so far see themselves as Gods or are willing to cause havoc and mayhem to gain power, Toomes is just a guy who thinks he’s doing the right thing to provide for his family. It’s this protective behaviour that spurs him on to don his Vulture wings and do what he deems necessary.

Despite appearing heavily in the trailers and posters, Iron Man’s involvement in the film isn’t as big as many had feared, with people often dubbing it ‘Iron Man 4’ due to how much he was in the trailers. Stark’s protectiveness over Peter and his heroics provides one of the best exchanges of dialogue between two heroes in the MCU, which I won’t spoil here, but if you’ve seen the film you’ll know what I mean. It truly shows how much Tony has changed from his arrogant, selfish, playboy ways when we first met him in ‘Iron Man’  and how what he’s experienced since then has changed him.

Michael Giacchino’s opening score had me excited from the get go. Incorporating the classic Spider-Man theme tune was always going to be a winner in my eyes, and after hearing it in the little teaser video he released on Twitter, I couldn’t wait to hear it blasting from the cinema speakers. What a treat that was! Sadly, Giacchino’s score throughout the rest of the film is pretty forgettable, which regrettably seems to be a recurring thing in Marvel movies.

Overall, ‘Homecoming’ is one of the strongest first entries in the MCU and I feel that Marvel/Sony taking the risk and not making it an origin story was definitely a huge factor. With this being the third reboot in the last 15 years, the audience for this film know how Peter gets his powers, they know his parents history and Uncle Ben’s fate. Skipping all that allowed them to focus on Peter’s struggle as a kid to balance school, friends, and keeping this huge secret from those closest to him. 

Tom’s rating: 8.7 out of 10

Jason Starr: Writing for Both Sides

Interview by Chris Gelderd

Whilst our primary focus here at JumpCut UK is the world of film, it’s hard to deny the fact that we are all massive comic book nerds, too. So when we got the chance to speak to Jason Starr – a writer who has worked with both DC and Marvel Comics – we simply exploded with excitement. As well as crafting stories for iconic characters such as Batman, Wolverine and Ant-Man, Jason is also a best-selling, award-winning novelist, and has worked closely with the hit FOX show ‘Gotham’. 

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Is There A Spider-Man: Homecoming Trailer Inbound?

 

Over the past 24 hours the internet has been abuzz with the news that our first look at ‘Spider-Man: Homecoming’ could be swinging by sooner than we thought. 

Although Marvel and/or Sony have yet to officially announce or comment on these rumours, numerous high profile sites and bloggers are reporting that we may get a glimpse of the Marvel Cinematic Universe’s reboot of the web-slinging hero, and that a trailer will be attached to ‘Rogue One: A Star Wars Story’ when it’s released on December 15th, which is plausible seeing as though both Star Wars and Marvel are part of Disney. This potentially means that the trailer could officially be released online some point before the actual release of ‘Rogue One’. 

Since his crowd-pleasing entrance into the MCU during ‘Captain America: Civil War’ earlier this year, the internet is itching to get its first official look at Tom Holland’s solo Spider-Man outing. There have been various set photos posted online that have in-turn sparked a number of rumours about the film’s plot, characters and ties with the MCU. However, I’ve actively tried to avoid these potential spoilers at all costs so I don’t spoil the film for myself.

Marvel being Marvel, we probably shouldn’t expect the first teaser to give too much away. I suspect we’ll probably see a few shots of Peter Parker and his friends, a quick look at Spider-Man in action, a witty joke or two and if we’re lucky, potentially a little tease of either Vulture or Shocker. 

Are you excited for more of Tom Holland’s Spider-Man? What would you like to see in the first teaser?

‘Spider-Man: Homecoming’ is set to release in the UK on July 7th 2017

Written by Tom Sheffield