22nd Online Film Critics Society (OFCS) Award Nominations Announced

The Favourite, Roma, and If Beale Street Could Talk top the nominations list for the 2018 Online Film Critics Society Awards (OFCS). The winners will be revealed 2nd January 2019. 


BEST PICTURE
Annihilation
BlacKkKlansman
Eighth Grade
The Favourite
First Reformed
Hereditary
If Beale Street Could Talk
Roma
A Star Is Born
Suspiria
You Were Never Really Here

BEST ANIMATED FEATURE
Incredibles 2
Isle of Dogs
Mirai
Ralph Breaks the Internet
Spider-Man: Into the Spider-Verse

BEST DIRECTOR
Alfonso Cuarón – Roma
Barry Jenkins – If Beale Street Could Talk
Yorgos Lanthimos – The Favourite
Spike Lee – BlacKkKlansman
Lynne Ramsay – You Were Never Really Here

BEST LEAD ACTOR

Christian Bale – Vice
Bradley Cooper – A Star Is Born
Ethan Hawke – First Reformed
Joaquin Phoenix – You Were Never Really Here
John David Washington – BlacKkKlansman

BEST LEAD ACTRESS
Yalitza Aparicio – Roma
Toni Collette – Hereditary
Olivia Colman – The Favourite
Regina Hall – Support the Girls
Lady Gaga – A Star Is Born

BEST SUPPORTING ACTOR

Mahershala Ali – Green Book
Adam Driver – BlacKkKlansman
Richard E. Grant – Can You Ever Forgive Me?
Michael B. Jordan – Black Panther
Steven Yeun – Burning

BEST SUPPORTING ACTRESS
Elizabeth Debicki – Widows
Regina King – If Beale Street Could Talk
Thomasin McKenzie – Leave No Trace
Emma Stone – The Favourite
Rachel Weisz – The Favourite

BEST ORIGINAL SCREENPLAY
Eighth Grade
The Favourite
First Reformed
Roma
Sorry to Bother You

BEST ADAPTED SCREENPLAY
BlacKkKlansman
Can You Ever Forgive Me?
If Beale Street Could Talk
Leave No Trace
Widows

BEST EDITING
The Favourite
First Man
Mission: Impossible – Fallout
Roma
Widows

BEST CINEMATOGRAPHY

Cold War
The Favourite
First Man
If Beale Street Could Talk
Roma

BEST ORIGINAL SCORE

Black Panther
First Man
If Beale Street Could Talk
Isle of Dogs
Suspiria

BEST DEBUT FEATURE

Ari Aster – Hereditary
Bo Burnham – Eighth Grade
Bradley Cooper – A Star Is Born
Carlos López Estrada – Blindspotting
Boots Riley – Sorry to Bother You

BEST FILM NOT IN THE ENGLISH LANGUAGE

Burning
Cold War
Roma
Shoplifters
Zama

BEST DOCUMENTARY

Free Solo
Minding the Gap
Shirkers
Three Identical Strangers
Won’t You Be My Neighbor?

 

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‘Aquaman’ To Be Crowned Christmas King While ‘Poppins’ Swoops In With $35m On A Weekend Of Eight Releases: Box Office Predictions

Written by Dapo Olowu

It’s Christmas time, and the Box Office bells aren’t so much jingling than crashing in with a deafening roar as a record eight new wide releases sound in the weekend.

We start with Disney’s ‘Mary Poppins Returns’, the big-budget sequel to Robert Stevenson’s 1964 classic. Over half a century after ‘Mary Poppins’ wowed the world, Disney faces the joint task of appealing to the original fans while introducing a new generation of youngsters to the magic of P. L. Travers’ creation.

The mega-studio seem to be appealing to all so far, with the film earning a solid 77% on the Tomatometer, alongside an A- on Cinemascore. ‘Mary Poppins Returns$4.8m Wednesday opening may insignificant next to its hulking $130m budget, but we mustn’t forget how ‘The Greatest Showman’s entire opening weekend of just $8.8m preceded a whopping $174.3m total this time last year. A leggy run is possible, especially for a well-received family musical released at Christmas.

Let’s make this clear, however: Rob Marshall’s ‘Mary Poppins Returns’ is no ‘Greatest Showman’. It’s Friday to Sunday opening, for one, is more likely to finish in the $35m region than below $10m (similar to ‘A Wrinkle in Time’), and won’t have the extraordinary 20x opening weekend multiplier that ‘Greatest Showman’ had.

Still, the film, which sees Poppins (Emily Blunt) return to the Banks’ (Ben Whishaw, Emily Mortimer) after 30 years, will hope that Mary’s counter-programming magic will see it defeat Paramount’s ‘Bumblebee’ for second place this weekend, behind James Wan’s ‘Aquaman’.

Both ‘Aquaman’ and ‘Bumblebee’ enter U.S. cinemas looking to become the catalysts for their respective franchise’s revivals. Both come from properties struggling in recent years, where their latest releases barely made over $600m from $200m+ budgets. While the DCEU still has a breath of fresh air in ‘Wonder Woman’, the name ‘Transformers’ became Box Office poison after last summer’s ‘The Last Knight’ grossed half a billion less than its 2014 predecessor.

Aquaman’s position is much less precarious than ‘Bumblebee’s. After last year’s ‘Justice League’ earned a disappointing $657.9m worldwide off a $300m budget, ‘Aquaman’ has seemingly bounced the DCEU back from the brink, already grossing $332m outside the U.S. in a matter of weeks, including a Warner Bros best $209.5m from China. The film has set its sights seriously on becoming the first DC movie since ‘The Dark Knight Rises’ to hit $1bn.

Bumblebee’, on the other hand, has had to completely reboot the franchise and even remove all mention of ‘Transformers’ from its name, an indication of Paramount’s intention to start anew.

It isn’t just the name that’s different. For the first time, a ‘Transformers’ film is critically adored (not that that’s ever affected its Box Office takings), with ‘Bumblebee’ boasting a franchise-best 94% on the Tomatometer. Similarly, ‘Aquaman’ is getting the plaudits with 64% (and an audience score of 86%) – only behind ‘Wonder Woman’ in the DCEU’s best reviews films. The film is a continuation of the events in ‘Justice League’, and sees Jason Momoa as the title character, who must fight his half-brother on behalf of the surface world.

While it’s clear that ‘Aquaman’ will top the Box Office with ease this weekend, with around $83m from Friday to Sunday (just over ‘Venom’s $80m from October), forecasting ‘Bumblebee’s performance remains a bit of a mystery. It doesn’t benefit from the counter-programming of a Disney musical like ‘Mary Poppins Returns’, but instead appeals to a very similar demographic to ‘Aquaman’, as both aim to please those looking for big-budget spectacle over the holidays.

Bumblebee’ sees Hailee Steinfeld as Charlie, who befriends and must protect the aforementioned Autobot Transformer against agent Jack Burns (John Cena) of Sector 7, a government agency that investigates aliens on earth.

Its interesting premise won’t necessarily translate into high Box Office takings in its first weekend with just $26m, but Paramount can bank on the film to restore some faith in the failing franchise in coming weeks to potentially push the film into profitability. Remember, if ‘Jumanji: Welcome to the Jungle’ could finish on $404.5m after opening to $36.2m, there’s hope for ‘Bumblebee’ yet.

Jennifer Lopez-fronted rom-com ‘Second Act’ looks to finish STX Films’ torrid time at the Box Office this year on a high note with a $10m opening, similar to that of ‘Love Simon’ ($11.8m) and ‘Aloha’ ($9.7m). Benefiting from half the budget of STX’s biggest domestic grosser of the year ‘I Feel Pretty’, ‘Second Act’ should find little trouble in at least breaking even by the time its theatrical run is done.

A flop was always expected with such a high number of new releases, and in this case, it falls to the ‘Downsizing’ of 2018, ‘Welcome to Marwen’, starring Steve Carrell and directed by Robert Zemeckis. Made on inflated $39m budget, we’re forecasting this to open below last Christmas’ ‘Downsizing’ ($5m), at around $4.3m.

Finally, period dramas ‘The Favourite’ and ‘Mary Queen of Scots’ hit 800 cinemas each in their wide releases, but won’t trouble the top ten, earning around $2m each. War documentary ‘They Shall Not Grow Old’ opened on a special one-day release on Monday to $2.3m, and will be re-released on the December 27th.

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‘Spider-Man: Into The Spider-Verse’ To Swing In With $50m, While ‘Mortal Engines’ Can’t Get Started: Box Office Predictions

Written by Dapo Olowu

After two barren weekends without a major cinematic release, the theatrical cobwebs and tumbleweed will be brushed aside as three new films bring an end to the post-Thanksgiving void, and usher in the Christmas period.

Finally.

Kicking off the weekend is ‘Spider-Man: Into the Spider-Verse’, Sony’s latest foray into the world of Marvel’s most beloved hero after releasing the spinoff ‘Venom’ back in October. The film sees teenager Miles Morales (voiced by Shameik Moore) taking up the ‘Spider-Man’ mantle, after teaming up with multiple parallel-universe Spider-Men to defeat crime lord Wilson Fisk.

Its all-star cast, featuring the voices of Mahershala Ali, Nicolas Cage, Hailee Steinfeld, Jake Johnson, and Lily Tomlin among many others, is only bolstered by an equally strong team behind the scenes, with Lord & Miller producing, and the latter getting a co-writing credit.

The quality in production has apparently shone through to the final product; its near-perfect 97% on Rotten Tomatoes, A+ on Cinemascore, and 87 on Metacritic means it’s one of the best-reviewed superhero films in modern memory, perfect fuel for a great Box Office lift-off.

We’re optimistically forecasting a gross just below $50m from Friday to Sunday, considering the recent slew of family-friendly animations (and superhero movies) that have already quenched the thirsts of the general audience. It’s an opening that falls just behind another Lord & Miller production ‘The Lego Batman Movie’ from 2017, which made $53m in its first 3 days, on its way to earning $175.8m domestically.

Next is Clint Eastwood’s second film of the year after February’s ’15:17 to Paris’ – ‘The Mule’. Eastwood directs and stars as Earl Stone, an elderly drug trafficker (based on the true story of World War 2 veteran Leo Sharp). The film also sees Bradley Cooper as DEA Agent Colin Bates, alongside Laurence Fishburne, Michael Peña, Taissa Farmiga, and Andy García.

This R-rated crime flick has the better of ’15:17’ when it comes to critical reception, but this makes little difference for the $50m production, which looks to open at around $14m$1.5m more than ’15:17’. ‘The Mule’, it seems, will need to keep delivering the goods in coming weeks, or else get caught by the chasing pack.

What’s a Box Office weekend without a big budget flop? First-time director Christian Rivers teams up with Peter Jackson (‘Lord of the Rings’, ‘The Hobbit’) to deliver ‘Mortal Engines’, Universal’s steampunk dystopian based off of Phillip Reeve’s 2001 novel of the same name.

Fears of a ‘Robin Hood’-like failure are warranted, given its bloated $100m+ budget and poor response from both critics and audiences (28% on RT, B- on Cinemascore). Therefore, we’re predicting a start of $10.6m, meaning ‘Mortal Engines’ has already stalled upon release.

Finally, Oscar-hopeful ‘The Favorite’, directed by Yorgos Lanthimos, looks to beat out ‘Once Upon a Deadpool’ and ‘Green Book’ for a place in the top ten. Still in a limited release, playing in just 423 cinemas, the historical period-piece, starring Olivia Coleman, Emma Stone, and Rachel Weisz, should earn $3.4m for 10th place.

The Box Office is back in full swing this weekend, with ‘Spider-Man’ leading the way. Will it hit the lofty $50m heights we predict, or will it just fall short? Let us know your thoughts on Twitter and Instagram – we’re at @JUMPCUT_ONLINE.

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LFF 2018: The Favourite

Directed by: Yorgos Lanthimos
Cast: Olivia Colman, Rachel Weisz, Emma Stone, Emma Delves

UK Release Date: January 1st, 2019

Written by Sarah Buddery

It takes a special kind of director to have already forged such a unique visual style and creative method of storytelling, with relatively few major features under his belt. But Yorgos Lanthimos is one such director and one who has undeniably earned that often used mantle of “visionary” director.

Seconds into a Lanthimos film, you know who the director is, and you also know you’re in for a wild time. His films tend to divide opinion, but it is fair to say that The Favourite is his most accessible film to date. Hopefully, this then opens up the doors into the rest of his filmography and new people can discover the diversity in his films that lies behind it!

The Favourite focuses on three female characters; the petulant Queen Anne (Colman), her devoted friend Lady Sarah (Weisz), and the new servant Abigail (Stone). What follows is a riotous period romp as Lady Sarah and Abigail fight for the Queen’s attention. The Favourite is a film that veers wildly between the grotesque and the sublime, and Lanthimos’ trademark offbeat and jet-black comedy runs right through it.

Lanthimos’ equally unique visual stamp is all over this movie. There are moments of precise Kubrickian symmetry in some of the tracking shots, and it’s full of weird angles, whip-pans and fisheye lenses. The Favourite is a decadent and sumptuous feast for the eyes. This is a playful film, one that toys with you, and also one that feels indulgent, whimsical, and wild. Fans of this director will know what to expect, and The Favourite absolutely does not disappoint in this sense.

It’s possibly the highest possible compliment you could pay, given her career so far, but this is possibly the best performance of Olivia Colman’s career. She is clearly having tremendous fun with the role, but she has a remarkable knack for making the Queen consistently likeable, even in the most outrageous moments. It’s a committed and tremendously physical role for her as well, and she absolutely astounds. Equally, Weisz and Stone give terrific performances and the three of them together have a chemistry that simply lights up the screen.

Where previously his film’s have proved divisive, The Favourite may just be the film that changes people’s minds on Yorgos Lanthimos. Its exceptional A-List cast might be the major draw for some people, but The Favourite has so much more to offer beyond that. Wickedly funny and delectably dark, this is Lanthimos’ strongest film of his career, and one of the best films of the year. Go on, indulge yourselves!

Sarah’s Verdict:

5

New Trailer For Yorgos Lanthimos’ ‘The Favourite’ Sees Rachel Weisz And Emma Stone Become Rivals

“Early 18th century. England is at war with the French. Nevertheless, duck racing and pineapple eating are thriving. A frail Queen Anne (Olivia Colman) occupies the throne and her close friend Lady Sarah (Rachel Weisz) governs the country in her stead while tending to Anne’s ill health and mercurial temper. When a new servant Abigail (Emma Stone) arrives, her charm endears her to Sarah. Sarah takes Abigail under her wing and Abigail sees a chance at a return to her aristocratic roots. As the politics of war become quite time consuming for Sarah, Abigail steps into the breach to fill in as the Queen’s companion. Their burgeoning friendship gives her a chance to fulfil her ambitions and she will not let woman, man, politics or rabbit stand in her way.”

Directed by: Yorgos Lanthimos

Cast: Olivia Colman, Emma Stone, Rachel Weisz, Nicholas Hoult, Joe Alwyn, James Smith, Mark Gatiss

Release Date: January 1st, 2019

The Headliners & Hidden Gems At The 62nd BFI London Film Festival

Yesterday saw the announcement of the full line-up of films for the 62nd BFI London Film Festival (LFF), and boy is there a ton to get your teeth stuck into! But this year we have even more reason to be excited as JUMPCUT will attending and covering the festival for the first time ever!

We’ll be covering a whole range of films screening at the festival, including some of the headliners and hidden gems! JUMPCUT’s LFF Queen Sarah has kindly picked out just some of the films she thinks you are going to want to keep your eye on!

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The Headliners

Widows
Directed by: Steve McQueen
Starring: Viola Davis, Michelle Rodriguez, Elizabeth Debicki, Cynthia Erivo, Colin Farrell, Daniel Kaluuya

Why it is worth a watch: I mean that cast list alone is worth the admission price, but this female-fronted action thriller is also helmed by the man who brought us 12 Years a Slave, a film which previously enjoyed awards success. But the talent doesn’t end there, Widows is penned by Gone Girl writer Gillian Flynn and Hans Zimmer provides the score. This is an action movie of the highest calibre and one that will be well worth your time and money.

Screening at LFF: 10th, 11th, 12th October
UK Wider Release Date: 6th November 2018

Stan & Ollie
Directed by: Jon S Baird
Starring: Steve Coogan, John C Reilly, Nina Arianda, Shirley Henderson, Danny Huston

Why it is worth a watch: An ode to cinema, entertainment, and with two leading actors known for their brilliance as physical comedians, Stan & Ollie seems like the perfect film to close out London Film Festival. Coogan and Reilly bring beloved comedians Stan Laurel and Ollie Hardy to life on the big screen, focusing on the twilight years of their career. This is set to be a real crowd-pleaser and the most fitting curtain call for the festival.

Screening at LFF: 21st October
UK Wider Release Date: 11th January 2019

The Favourite
Directed by: Yorgos Lanthimos
Starring: Olivia Colman, Emma Stone, Rachel Weisz

Why it is worth a watch: A divisive filmmaker, but certainly one that gets people talking, Yorgos Lanthimos brings his third English-language film in four years to the London Film Festival. With stand-out performances from Olivia Colman, Rachel Weisz and Emma Stone, The Favourite promises to be bizarre, bonkers, and brilliant!

Screening at LFF: 18th, 19th, 21st October
UK Wider Release Date: 1st January 2019

The Ballad of Buster Scruggs
Directed by: Joel and Ethan Coen
Starring: Tim Blake Nelson, Liam Neeson, Tom Waits, Zoe Kazan, Bill Heck

Why it is worth a watch: It’s the Coen Brothers! In all seriousness, the latest from the incomparable Coens promises to be wild (west) entertainment, hilarious, offbeat, and surprisingly melancholic. Dark humour and the trademark Coen brothers flair will be here in abundance

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Screening at LFF: 12th, 13th, 21st October
UK Wider Release Date: TBA

Beautiful Boy
Directed by: Felix Van Groeningen
Starring: Steve Carell, Timothee Chalamet, Maura Tierney, Amy Ryan

Why it is worth a watch: Just try and get through the trailer to this one without crying. Sometimes you just need to let it all out, and this will be the film that gets audiences at LFF reaching for the tissues. Starring man-of-the-moment Timothee Chalamet, hot off the heels of last year’s Call Me By Your Name, and Steve Carell in what is set to be another great dramatic role for him, Beautiful Boy will be the one to watch for those early Best Actor hints…

Screening at LFF: 13th, 14th, 16th October
UK Wider Release Date: 18th January 2019

Suspiria
Directed by: Luca Guadagnino
Starring: Dakota Johnson, Tilda Swinton, Mia Goth, Jessica Harper, Chloe Grace Moretz

Why it is worth a watch: Full disclaimer, I am a massive horror wuss and will therefore not be seeing this on the big screen, but it would be very remiss of me not to mention it here. There is no denying the trailer is stunning, and the hype levels amongst the JumpCut team have reached fever-pitch for this one. It won’t be for everyone but it’ll certainly be a talking point. And also it has Tilda Swinton in it; you can’t go wrong!

Screening at LFF: 16th, 17th, 19th October
UK Wider Release Date: 16th November 2019

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The Hidden Gems

Wild Rose
Directed by: Tom Harper
Starring: Jessie Buckley, Sophie Okonedo, Julie Walters

Why it is worth a watch: After impressing in Beast, Jessie Buckley stars in what is set to another impressive film. A Glaswegian single mum dreams of being a country singer, how hard could it be?! This is the sort of film that will make your heart soar, and with Julie Walters also appearing, it is hard not to draw comparisons with the underdog story of Billy Elliot. This film is already set to be one of the truly underrated gems of the festival.

Screening at LFF: 15th, 16th, 20th October
UK Wider Release Date: 8th February 2019

The Hate U Give
Directed by: George Tillman Jr
Starring: Amandla Stenberg, Regina Hall, Russell Hornsby, KJ Apa, Common

Why it is worth a watch: Adapted from Angie Thomas’ ‘Black Lives Matter’-inspired Young Adult novel, this film certainly feels like an important one, and one which is sadly still so relevant. Focusing on the young lives affected by the tragic shootings of their peers, the BFI are also offering £5 tickets to see this one for 16 to 25 year olds. Even outside of this age range, this film has a lot to offer, promising to be a powerful and timely watch.

Screening at LFF: 20th, 21st October
UK Wider Release Date: 26th October 2018

Assassination Nation
Directed by: Sam Levinson
Starring: Odessa Young, Suki Waterhouse, Hari Nef, Abra, Bella Thorne

Why it is worth a watch: Don’t let the early trigger warnings put you off, this is a film that bears everything upfront and then unleashes all hell. Assassination Nation is the Salem witch trials meets the digital generation in this thoroughly modern cautionary tale, and one which is poised to join other teen cult classics such as Heathers and Spring Breakers. Subversive and utterly unique, this could be one of the surprise hits of the festival.

Screening at LFF: 19th, 20th, 21st October
UK Wider Release Date: 23rd November 2018

Burning
Directed by: Lee Chang-dong
Starring: Yoo Ah-in, Jeon Jong-seo, Steven Yeun

Why it is worth a watch: This film wowed audiences at Cannes, which is often the mark of a successful festival film! This lean slow-burning thriller promises to have you gripped right from the start, as well as exploring complex themes such as obsession, class-conflict and suppressed male rage. It will be unlikely to have a wide cinema release, so catch this one at the festival whilst you can!

Screening at LFF: 19th, 20th October
UK Wider Release Date: 1st February 2019

Mandy
Directed by: Panos Cosmatos
Starring: Nicolas Cage, Andrea Riseborough, Linus Roache

Why it is worth a watch: Yes, Nicolas Cage. Stop reading now! Just kidding, this synopsis alone is enough to make you want to see it so we’re not even going to add to it: “In a mountain-cabin idyll, lumberjack Red Miller (Nicolas Cage) lives in perfect harmony with his great love Mandy (Andrea Riseborough). But the couple’s blissful utopia is cruelly shattered when a ragtag band of Satanic cultists invade their humble abode and claim Mandy for their own. Traumatised and distraught, Red is left with no option but to exact a bloody revenge.” (Michael Blyth, BFI)

Screening at LFF: 11, 12, 17th
UK Wider Release Date: 12th October 2018

Blaze
Directed by: Ethan Hawke
Starring: Ben Dickey, Alia Shawkat, Sam Rockwell

Why it is worth a watch: Ethan Hawke is having quite the year, and fresh from his acclaimed performance in First Reformed, his latest directorial offering his heading to LFF. This biopic about a little known musician is shot with affection and true passion that is hard to replicate, and quite frankly anything Ethan Hawke is passionate about, we love already!

Screening at LFF: 20th, 21st October
UK Wider Release Date: TBA

Bow Before Olivia Colman In The First Teaser Trailer For Yorgos Lanthimos’ ‘The Favourite’

Early 18th century. England is at war with the French. Nevertheless, duck racing and pineapple eating are thriving. A frail Queen Anne (Olivia Colman) occupies the throne and her close friend Lady Sarah (Rachel Weisz) governs the country in her stead while tending to Anne’s ill health and mercurial temper. When a new servant Abigail (Emma Stone) arrives, her charm endears her to Sarah. Sarah takes Abigail under her wing and Abigail sees a chance at a return to her aristocratic roots. As the politics of war become quite time consuming for Sarah, Abigail steps into the breach to fill in as the Queen’s companion. Their burgeoning friendship gives her a chance to fulfil her ambitions and she will not let woman, man, politics or rabbit stand in her way.

Directed by: Yorgos Lanthimos

Cast: Olivia Colman, Emma Stone, Rachel Weisz, Nicholas Hoult, Joe Alwyn, James Smith, Mark Gatiss

Release Date: January 1st, 2019