The Spy Who Dumped Me

Year: 2018
Directed by: Susanna Fogel
Starring: Mika Kunis, Kate McKinnon, Justin Theroux, Sam Heughan

WRITTEN BY ELENA MORGAN

Audrey (Mila Kunis) is down after being dumped and her best friend Morgan (Kate McKinnon) is doing her best to cheer her up. That doesn’t go to plan when Audrey’s ex Drew (Justin Theroux) resurfaces, tells them that he’s a spy, that assassins are after him and that Audrey must complete his mission.

The Spy Who Dumped Me is an action-comedy hybrid but it never really finds the balance between those two things. It’s an uneven film with jokes that are more likely to cause a smile rather than a full-on belly laugh and the action is good but not amazing. The action sequences are generally well shot and exciting, with the opening sequence of Drew fighting off bad guys in Lithuania being a standout. A car chase through Vienna where Audrey surprises herself, Morgan and the audience, by dealing with the violence and threat better than she could’ve ever imagined, is a pretty fun action sequence too and a good character moment.

The plot itself is messy, with Audrey and Morgan travelling from one European country to another at breakneck speed – so much so, it’s hard to keep up with what country they are now in and what they are supposed to do there. The script could’ve been a bit tighter, you do notice the two-hour runtime, and the actual spy plot could’ve made more sense.

Where The Spy Who Dumped Me shines is during the quieter moments between Audrey and Morgan, or any time the two of them are struggling to deal with the spy madness together. They are two people who you believe are best friends, they have in-jokes, they know each other’s secrets and they stand up for one another. Kunis and McKinnon have great chemistry and Kunis shows off her wit when balancing out McKinnon’s exuberance.

The Spy Who Dumped Me never quite finds its rhythm. Its leads are fun, and their characters are almost better than the story they’re in. Unfortunately, the spy plot is never truly thrilling, and the humour is never hilarious so the film merely ends up being just…fine.

ELENA’S RATING:

3

 

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Weekend BO Predictions: ‘Crazy Rich Asians’ To Splash The Cash With An Opening Above $20m

Written by Dapo Olowu

As the summer comes to an end and the blockbusters become few and far between, herein lies the opportunity for a breakout film to end the season strongly, compared to this time year, when ‘The Hitman’s Bodyguard’ spent the last 3 weekends of August atop the charts with a combined gross of just $42.3m.

This year feels different, however, as ‘Crazy Rich Asians’, ‘Mile 22’, and ‘Alpha’ all aim to land big in the U.S. this weekend. It’ll be a 3 days to remember for Warner Bros especially, as their surprise hit ‘The Meg’ looks to bring in around $22m this weekend, just ahead of the $30m-budgeted ‘Crazy Rich Asians’, to give the studio a 1-2 finish.

The latter film, based on a novel and directed by Jon M. Chu (Now You See Me 2, G.I. Joe: Retaliation) looked to cash in early, opening on Wednesday to a solid $5m. It marks a great first day for the romantic-comedy that becomes the first Hollywood film since 1993 (Disney’s ‘The Joy Luck Club’) to star an almost-entirely Asian cast, a feat that will (hopefully) continue a trend of greater diversity on our screens.

The film stars Constance Wu as Rachel Chu, who discovers on a trip to Singapore that her boyfriend, Nick Young, is part of a one of the country’s richest families. We also see Ken Jeong, Gemma Chan, and ‘Ocean’s 8’ star Awkwafina. The ‘fish out of water’ story is one that’s well-known in the comedy circles, but it hasn’t stopped the film from a 92% on Rotten Tomatoes and an A on Cinemascore.

Ticketing site Fandango have apparently reported the film’s pre-sales to be above that of ‘Girls Trip’ at the same time of release, although the early release may throw a spanner in the works. The aforementioned film opened to a magnificent $31.2m last summer, on its way to earning $115.2m domestically. Although such an opening is likely for ‘Crazy Rich Asians’ first five days, we’re predicting a modest $21.6m for its Friday-Monday.

Trailing in its wake is the fourth Mark Wahlberg-Peter Berg collab, ‘Mile 22’. Coming after biopics such as ‘Lone Survivor’, Deepwater Horizon’, and ‘Patriots Day’ (which opened to an ever-decreasing $37.8m, $20.2m, and $11.6m alike), ‘Mile 22’ marks the first time the duo have made a film not made a film based on real life, with Wahlberg reportedly saying that they ‘wanted to do something less intense’. With each previous film being positively rated on the Tomatometer, all carry some goodwill into this latest action-thriller, that cost around $35m to produce.

The goodwill can only carry them so far, however, as ‘Mile 22’ carries a rotten 21% on the Tomatometer. The film stars Mark Wahlberg and John Malkovich as CIA operatives, and are joined by Ronda Roussey, Lauren Cohan, and ‘The Raid’s Iko Uwais. Although ‘Mile 22’s audience will differ massively from ‘Crazy Rich Asians’, its opening will still be on the lower side of the Wahl-Berg (ha) group, with around $14m. This’ll be enough to become STX Entertainment’s third biggest opening of the year, below ‘I Feel Pretty’s $16m and ‘Den of Thieves$15.2m, so at least there’s decent news for some.

Paramount’s ‘Mission: Impossible – Fallout’ should earn just under $12m to close in on the $200m domestic total, a mark only 2 ‘M:I’ films (‘M:I2’ and ‘Ghost Protocol’) have ever reached. Following this is ‘Christopher Robin’ which, like Disney’s ‘Pete’s Dragon’ 2 years ago, should see a drop in the mid-30s to gross $8.4m. The final new release of the week is Albert Hughes’ ‘Alpha’, starring Kodi Smit-McPhee. The pre-historic adventure film has a good 80% on the Tomatometer, and looks to make an (albeit small) impression from around 2,700 cinemas. The film shares similarities with 2008s ’10,000 B.C.’, but its $35m+ opening offers no help, so we’re looking at this year’s ‘Early Man’ as comparison. A $7m-ish gross looks likely for the Sony Pictures film, which has suffered from animal abuse investigations, and multiple release delays.

Spike Lee’s ‘BlacKkKlansman’ looks to continue its solid start with a $6.7m gross, while ‘Slender Man’ is expected to fall by the wayside, with just over $4m to be made. ‘Mamma Mia 2’ and ‘The Spy Who Dumped Me’ round off the weekend’s top ten, with close to $4m from both.

In a tight weekend, who will prevail as the victor? Will ‘The Meg’ hold out, or will ‘Crazy Rich Asians’ take first place? Let us know your thoughts on Twitter and Instagram – we’re at @JUMPCUT_ONLINE.

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Weekend BO Report: ‘The Meg’ Lands With A Splash To Finish First

Written by Dapo Olowu

It was a mega weekend for some in the U.S. Box Office, as Jason Statham-led shark horror, ‘The Meg’, blew all prior estimates and predictions out the water, delivering a meaty $45.4m from its first 3 days. With most industry trackers forecasting an opening in the low-20s, it ended up being a timely reminder of just the sheer popularity of sharks among cinemagoers; Sony’s ‘The Shallows’ made a whopping $119.1m worldwide in 2016, and last year’s ’47 Meters Down’ impressed with a $61.7m global total, off just a $5.5m budget.

The Meg’ is now Warner Bros. biggest domestic opening of the year, beating out the $41.8m earned by Spielberg’s ‘Ready Player One’ in March – which had the added benefit of being based of a book that wasn’t 21 years old. Add in the fact that the film also earned roughly $101.5m from 42 countries for a global opening of $146.9m, and it’s a truly staggering start for the joint-Chinese production.

The film, that marks Jason Statham’s biggest non-franchise (‘The Fast and Furious’ films) opening, now aims to keep up its run in the coming weeks. An opening weekend multiplier like ‘Rampage’s of 2.78x has ‘The Meg’ finishing in the region of $126m, truly a remarkable total.

The Meg’s over-performance meant that last weekend’s leading movie, ‘Mission: Impossible – Fallout’, was hit harder than expected, dropping by 45% to earn $19.4m – tracking $3m above the franchise’s biggest domestic hit, ‘Mission: Impossible 2’, at the same stage of its run, with $161.3m. Although it doesn’t open in China until the end of the month, ‘Fallout’s already on $436.9m worldwide, with more than enough in the tank to near ‘Rogue Nation’s $682.7m total.

Next is ‘Disney’s Christopher Robin’, which brought in a disappointing $13m, a 47% fall from its opening last weekend. This was a shade above ‘Slender Man’s impressive $11.3m, even in the wake of its D- on Cinemascore (the 2nd-lowest grade to get). It’s a solid opening from a $10m budget, but it’s expected to fall off a cliff in coming weeks with such a poor critical reception, alongside the lingering effects of the tragic events in 2014 (where two friends stabbed a 12-year-old girl in an attempt to impress the eponymous title character) that continues to provide negative PR.

Still, it marginally beat Spike Lee’s ‘BlacKkKlansman’, that saw $10.8m grossed by an audience made up of mainly over-25s (77%) and males (56%). From just 1,500 cinemas, the film was Lee’s biggest opening in 12 years, since 2006s ‘Inside Man’ made $29m. The A- on Cinemascore should see the crime drama leg out for the rest of August. The same can’t be said for ‘The Spy Who Loved Me’, starring Mila Kunis and Kate McKinnon, which earned just $6.5m in its second weekend for a domestic total of $24.4m thus far. Its inflated $40m budget means this is a guaranteed flop, along with other comedy misfires of the year, ‘Life of the Party’ and ‘I Feel Pretty’.

Mamma Mia! Here We Go Again’ saw the smallest drop of the weekend, with 35%, to earn $5.9m. Its domestic total now stands at an impressive $103.9m, and its global gross at $282m. This was closely followed by ‘The Equalizer 2’ with $5.4m, ‘Hotel Transylvania 3’ with $5.2m, and finally ‘Ant-Man and The Wasp’ with $4.1m.

With ‘The Meg’ surprising everybody this weekend in the Box Office, has this been the biggest shock of the summer so far? Let us know your thoughts on Instagram and Twitter – we’re at @JUMPCUT_ONLINE.

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Weekend BO Predictions: ‘The Meg’ Swims To First Place Ahead Of ‘M:I Fallout’

Written by Dapo Olowu

Giant sharks, supernatural creepypasta, and the Ku Klux Klan. It’s a weird and wonderful weekend of film for U.S. audiences, and the Box Office shouldn’t disappoint either, as four wide releases look to enter the top ten biggest grossers. The hunt will be led by ‘The Meg’, the sci-fi-horror, action, adventure, thriller(?) about the endeavors to stop a Megalodon shark from causing chaos on a beach. The film stars Jason Statham, Li Bingbing, Rainn Wilson, and Ruby Rose.

The joint-Chinese production was originally meant to be Disney’s, who bought the rights to the 1997 book ‘Meg: A Novel of Deep Terror’, but by 2015 it was owned by Warner Bros, who will benefit from a higher financial return from its Chinese gross.

This is especially welcomed news; the film should make a huge splash with international audiences, and like monster film ‘Rampage’ from April, its middling reviews (48% on the Tomatometer) won’t give it much bite in the U.S. Unlike ‘Rampage’, it doesn’t have the star power of Dwayne ‘The Rock’ Johnson, and with more competition, it won’t emulate ‘Rampage’s $35.8m either, but will likely open at around $25m.

Still, this’ll be enough to top the charts and swim above ‘Mission: Impossible – Fallout’, which continues to hold impressively as the days go by. In its third weekend, the Tom Cruise-fronted spy-thriller looks to earn just under $24m, and aims to reach close to $170m by day 17 of its release – around $15m more than its nearest franchise competitor, ‘Mission: Impossible II’.

Disney’s Christopher Robin’ is next, and it should benefit from having limited Box Office competition, to gross close to $15m. Trailing in its wake is horror, ‘Slenderman’, based on a near-decade old meme about the ‘Slender Man’, a supernatural being characterized by incredibly long, slim limbs, and lack of facial features.

Why Sony Pictures are releasing the film now is a mystery; like last week’s ‘The Darkest Minds’, its popularity peaked years ago, and there’s a sense of missed opportunity with this late entrance. A 13% on Rotten Tomatoes could mean the writing’s already on the wall, but as with a lot of youth-aimed recent horrors, poor ratings doesn’t always equal a poor Box Office showing.

Lead actress Joey King’s (‘The Kissing Booth’) last horror, ‘Wish Upon’, opened in a similar number of cinemas with $5.5m and a similar gross could be in store, but we’re placing our bets on it making something like 2017s ‘The Bye Bye Man’s $13.5m, with a $10m opening.

Now here’s a tricky one: Spike Lee’s first wide release ‘joint’ in 10 years, ‘BlacKkKlansman’. Opening in just 1,500 cinemas but with 98% on the Tomatometer, it’s one of the best reviewed films of the year, but it’s tiny theatre account offsets a potential breakout opening. Its unflinching subject matter – a black policeman infiltrating the KKK – is both controversial and appealing, and we just can’t tell what this’ll do.

The film stars John David Washington as the aforementioned detective Ron Stallworth, as well as Topher Grace, Adam Driver, and ‘Spider-Man: Homecoming’s Laura Harrier. Per-cinema-averages on other biographical crime dramas, like ‘Black Mass’ ($7,100) and ‘Molly’s Game’ ($4,264), leave the film earning anywhere between $6.4m and $10.7m. An average gives us around $8.5m, but the hype train could push this to potentially over $10m, so who knows?

In its second weekend, ‘The Spy Who Dumped Me’ will earn roughly $6m, just above ‘Mamma Mia! Here We Go Again’ with $5.7m, and ‘Hotel Transylvania 3: Summer Vacation’ with $5.5m. Antoine Fuqua’s ‘The Equalizer 2’ should hit the $90m domestic total, with a $5m take.

Coming in at number 10 is ‘Dog Days’, the romantic family comedy directed by Ken Marino. It includes a pretty packed cast, with Eva Longoria, Nina Dobrev, Vanessa Hudgens, and Finn Wolfhard starring in the film that was released on Wednesday. Its Wednesday gross of $635k drastically reduced my original 3-day weekend estimates, as this should just manage to scrape in over ‘Ant-Man and The Wasp’ with $4.5m.

In a tight weekend across the chart, will we see ‘The Meg’ top the list, or will it be a weekend hattrick at number one for ‘Mission: Impossible – Fallout’? Let us know your thoughts, we’re on Instagram and Twitter at @JUMPCUT_ONLINE.

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Weekend BO Report: Disney Fails To Reach Number One As ‘M:I – Fallout’ Retains Top Spot

Written by Dapo Olowu

It promised to be a close weekend at the top of the charts, but ‘Mission: Impossible – Fallout’ ended up well clear of the competition, grossing over $10m more than ‘Disney’s Christopher Robin’ in second place. ‘Fallout’ posted $35.3m in its second weekend, just a mere drop of 42% from last week’s opening, for a domestic running total of $124.8m.

It’s the first time in the franchise where a second weekend has grossed over $30m domestically, and ‘Fallout’s good fortune continued overseas; a $76m take from 56 international countries ballooned its overseas total to a whopping $205m. The film lies just $3m short of being Paramount’s biggest film of the year after only 11 days of release, and will overtake ‘A Quiet Place’s worldwide total of $332.6m by the time you’ve finished reading this sentence.

Christopher Robin’s original estimates of around $30m proved to be quite bearish, as its actual $24.6m opening falls right in line with February’s ‘Peter Rabbit’. While the Winnie-the-Pooh adaptation had the slightly sweeter critical reception (68% vs. 63% on the Tomatometer, and an A vs. A- on Cinemascore), the sheer amount of competition this week limited the Disney film’s audience – and with a budget of $75m, ‘Christopher Robin’ will hope to better ‘Peter Rabbit’s $115.3m domestic gross, and at least mirror its $350.7m worldwide total.

One film that won’t get anywhere close to that number is action-comedy, ‘The Spy Who Dumped Me’, starring Mila Kunis, Kate McKinnon, and Justin Theroux. The film, directed by Susanna Fogel and skewed heavily (62%) towards female viewers, failed to put up a fight with only $12.1m, just under our $14m Friday prediction.

The real story here, is its inflated $40m budget that would require well over a $100m gross for the film to break-even – a target that only one out-and-out comedy has managed this year (‘Game Night’ with $117.4m). It’s the same story with other comedies this year, with ‘Life of the Party’, and ‘I Feel Pretty’’s similar-sized budgets failing to set the Box Office alight. What ‘The Spy Who Dumped Me’ will hope for is to leg it out, as only ‘The Happytime Murders’, featuring Melissa McCarthy and coming out at the end of August, provides any R-rated comedy competition for Kunis & co.

Mamma Mia! Here We Go Again’ found its voice this week to earn $9.1m, leaving it just $9m away from reaching $100m domestically. Denzel Washington’s ‘The Equalizer 2’ grossed $8.8m, and is tracking at exactly the same pace as the first film, with $79.8m after the second weekend. Losing 850 cinemas, but still coasting along with a solid $8m this weekend, was ‘Hotel Transylvania 3: Summer Vacation’, coming in ahead of ‘Ant-Man and The Wasp’s $6.4m.

If there was any hope for a YA dystopian revival, then Jennifer Yuh Nelson’s bomb ‘The Darkest Minds’ killed it off with just $5.8m off a $34m budget. Stars Mandy Moore, Amandla Stenberg, Bradley Whitford, and Gwendoline Christie couldn’t save this adaptation of Alexandra Bracken’s popular book, which will be lucky to even finish at $20m domestically. Fox’s dreams of a potential sequel are now dashed, and they’ll want to save face in the ancillary markets of the Box Office, with any hopes to at least break-even resting on Blu-Ray and digital sales.

Disney’s ‘Incredibles 2’ will have no such worries, after earning $5m to close to in on that $600m domestic mark. The top ten is then rounded off by ‘Teen Titans Go! To The Movies’, losing its power with just $4.8m, as expected. Other wide releases, A24’s comedy-drama ‘Eighth Grade’ and Dinesh D’Souza’s controversial documentary ‘Death of a Nation’ battled for 12th and 13th place; ‘Eighth Grade’ earning $2.9m from 1,084 cinemas, while ‘DoaN’ made just $2.4m from 1,005.

How impressed are you with ‘Mission: Impossible – Fallout’s second weekend hold? Did Christopher Robin disappoint, or was it in-line with your expectations? Let us know your thoughts on Instagram and Twitter – we’re at @JUMPCUT_ONLINE.

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Weekend BO Predictions: Close Finishes Expected In This 5-Star Weekend

Written by Dapo Olowu

We may be cooling on the summer blockbusters, but that doesn’t stop the competition from hotting up, as five (yes, five) new films enter wide release in the U.S. this weekend. Leading the bunch is Disney’s ‘Christopher Robin’, starring Ewan McGregor, Hayley Atwell, and directed by ‘World War Z’ and ‘Finding Neverland’s Marc Forster. The comedy-drama follows Winnie-the-Pooh and friends teaming up with an older Christopher Robin, who has lost his sense of imagination.

While the film aims to please both critically and commercially, its middling reviews (60% on the Tomatometer coupled with a 59 Metascore) may see it open similarly to another ‘so-so’ animal-based CGI/live-action mix from earlier this year, ‘Peter Rabbit’. That opened to a solid, but unspectacular $25m back in February, alongside ‘Fifty Shades Freed’ and ‘The 15:17 to Paris’. Although the increased competition could be a hindrance, Disney’s brand power could see an opening for ‘Christopher Robin’ hit close to $28m.

This would mark McGregor’s 2nd biggest non-franchise opening, behind only 2005s ‘Robots’ ($36m). It won’t be enough for the top spot, however, as Christopher McQuarrie’s action-thriller ‘Mission: Impossible – Fallout’ hopes to manage a drop under 50% for its second weekend, a feat that ‘Rogue Nation’ accomplished back in 2015. While ‘Fallout’ should earn just under $32m — to push it well over the $100m domestic mark and the $200m global total, the hope now is for its stellar reviews to help it leg out as the summer tentpole season comes to an end.

Kate McKinnon and Mila Kunis team up for ‘The Spy Who Dumped Me’, an R-rated action-comedy that hopes to better the former’s last effort, ‘Rough Night’, which opened to just $8m on its way to a $22.1m domestic gross and a $47.3m worldwide total. A 40% on the Tomatometer and having 4 other new films vying for a general audience could see this open to less than ‘Tag’, which earned $14.9m in its first 3 days just a month and a half ago. A $14m gross will be enough for third place, ahead of ‘The Darkest Minds’, which is caught in a tight battle with ‘Mamma Mia! Here We Go Again’.

It’s safe to say that the YA dystopian era of films has been left behind. While young adult movies are broad enough to encompass everything from ‘Harry Potter’ to ‘The Fault in Our Stars’, the YA dystopian genre peaked with ‘The Hunger Games’, fell with ‘The Divergent’ series, and finally ended this year with the last ‘Maze Runner’ film. This raises the question as to why Amandla Stenberg’s ‘The Darkest Minds’, directed by Jennifer Yuh Nelson and featuring a group of teens with special powers running from the government, wasn’t released years ago.

Still, this is a Box Office article so I’ll leave the reviews to the better-equipped JUMPCUT team. It features a poor 39 Metascore, and just 15% on Rotten Tomatoes (with only 6 positive reviews), meaning I can’t even see this reaching the numbers of 2016s ‘The 5th Wave’ ($10.3m opening), let alone getting close to Stenberg’s biggest hit, ‘The Hunger Games’ ($152.5m opening). An $8.5m opening will just be enough to clear ‘Mamma Mia 2’, which should earn around $8.3m.

The Equalizer 2’ aims to stabilise this weekend after its 62% fall 7 days ago, to earn $7m, while ‘Hotel Transylvania 3: Summer Vacation’ should reach $300m worldwide this weekend with a $6.5m domestic take. Marvel’s ‘Ant-Man and The Wasp’ finally opens in the U.K., which should pad its already-comfy $212.2m international gross., and in the U.S. it aims to earn $5m more to bring it closer to a $200m domestic total. Animation ‘Teen Titans Go! To The Movies’ looks to make around $5m too, and ‘Incredibles 2’, which recently became the fastest animated film to reach $1bn, will continue its journey with a $4m gross.

Finally, although both won’t reach the top ten, it’s a race for the better finish between the last two wide releases of the weekend, with A24s coming-of-age comedy-drama, ‘Eighth Grade’, boasting 98% on the Tomatometer, facing off against Dinesh D’Souza’s controversial documentary, ‘Death of a Nation’. ‘DoaN’, which aims to emulate ‘RBG’ and ‘Won’t You Be My Neighbor’ by joining the club of successful 2018 documentaries, carries an impressive 0% on Rotten Tomatoes, and has been dubbed one of the worst films of the year. Still, this won’t stop it from beating out ‘Eighth Grade’s first-time director Bo Burnham, with a $3m gross compared to the latter’s $2.9m.

But what do you think? Will ‘Death of a Nation’ succeed? Will ‘Christopher Robin’ rise above ‘Mission: Impossible 6’? Let us know your thoughts on Twitter and Instagram – we’re at @JUMPCUT_ONLINE.

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Reel Women: August UK Releases

Written by Elena Morgan

Welcome back to Reel Women, a monthly feature where we highlight the films being released in the UK that are written and/or directed by women. What’s the perfect way to spend this ridiculously hot British summer we’re having? Spending time in an airconditioned cinema watching some films made by women of course! This August there’s something for everyone with documentaries, rom-coms and a couple of YA adaptations, proving that that genre is still here.

3 August

Damascus Cover
Directed by: Daniel Zelik Berk
Written by: Daniel Zelik Berk and Samantha Newton

A spy (Jonathan Rhys Meyers) struggles on an undercover mission in Syria when he falls in love.This is Samantha Newton’s first feature length writing credit. Trances, the short film she wrote, was shown at Berlinale in 2008.

Like Father
Directed by: Lauren Miller Rogen
Written by: Lauren Miller Rogen

When workaholic Rachel (Kristen Bell) is left at the altar, she accidentally goes on her honeymoon with her overachieving father (Kelsey Grammer) who suddenly came back into her life.

Lauren Miller Rogen is an actress who has appeared in films like Superbad and 50/50. This is her feature length directing and writing debut.

10 August

Dog Days
Directed by: Ken Marino
Written by: Elissa Matsueda and Erica Oyama

A group of interconnected people are brought together by their lovable dogs.

Dog Days is Elissa Matsueda’s fourth feature film. Erica Oyama is an actress, producer and writer who’s previously written episodes of The Eric Andre Show, Fresh Off the Boat and Burning Love, which she received an Emmy nomination for in 2013.

The Darkest Minds
Directed by: Jennifer Yuh Nelson
Written by: Chad Hodge

Based on the book of the same name by Alexandra Bracken, The Darkest Minds is about a group of teens with powers who fight back against the adults who fear them and want to control them.

This Jennifer Yuh Nelson’s first live-action film after previously directed Kung Fu Panda 2 and Kung Fu Panda 3.

17 August

To All The Boys I’ve Loved Before
Directed by: Susan Johnson
Written by: Sofia Alvarez

When Lara Jean (Lan Condor) gets a crush, the way she deals with it is to write the boy a love letter, but she never sends them. Then one day all her letters get sent out and they wreak havoc on her love life.

Susan Johnson’s is a producer and director, her previous film Carrie Pilby is currently on Netflix and is well worth a watch. To All The Boys I’ve Loved Before is Sofia Alvarez’s first film credit and has previously written episodes and worked as an executive story editor on the TV show Man Seeking Woman.

Distant Constellation
Directed by: Shevaun Mizrahi

A documentary about the inhabitants of a Turkish retirement home, telling anecdotes about their lives.

Distant Constellation is Shevaun Mizrahi first feature-length documentary, which she also edited, after previously working as a part of the camera and electrical department on multiple short films.

The Guardians
Directed by: Xavier Beauvois
Written by: Xavier Beauvois, Marie-Julie Maille and Frédérique Moreau

When war breaks out in France in 1915, the women are left behind to work on a family farm so that their loved ones will have something to come back to.

As well as writing The Guardians Marie-Julie Maille also edited it. She’s edited over a dozen short and feature-length films.

22 August

Load Wedding
Directed by: Nabeel Qureshi
Written By: Fizza Ali Meerza and Nabeel Qureshi

Load Wedding is a romantic social comedy starring Fahad Mustafa and Mehwish Hayat.

Fizza Ali Meerza also produced Load Wedding and it is her third produced screenplay.

The Spy Who Dumped Me
Directed by: Susanna Fogel
Written by: Susanna Fogel and David Iserson

Audrey (Mila Kunis) and her best friend Morgan (Kate McKinnon) get caught up in an international conspiracy when they discover that Audrey’s ex-boyfriend (Justin Theroux) is actually a spy.

Susanna Fogel is a writer, director and producer. The Spy Who Dumped Me is her second film.

24 August

One Note At A Time
Directed by: Renne Edwards

Documentary about the aftermath of Hurricane Katrina and how musicians use music to try and piece themselves together.

One Note at a Time is Renee Edwards’ first feature-length documentary. She’s edited over twenty different films and TV shows including episodes of Dispatches and Panorama.


That’s 10 very different films released in the UK this month, both in cinemas and on Netflix, that are made by women. If you get the chance to see any of them, we’d love to hear what you think of them.

Kunis & McKinnon Go On The Run In First Trailer for ‘The Spy Who Dumped Me’ Released

“Audrey and Morgan are two thirty-year-old best friends in Los Angeles, who are thrust unexpectedly into an international conspiracy when Audrey’s ex-boyfriend, who was actually a spy, shows up at their apartment with a team of deadly assassins on his trail. Surprising even themselves, the duo jump into action, going on the run throughout Europe from assassins and a suspicious-but-charming British agent, as they hatch a plan to save the world.”

Directed by: Susanna Fogel

Starring: Mila Kunis, Kate McKinnon, Sam Heughan, Justin Theroux, Gillian Anderson

Release Date: August 10th, 2018