Reel Women: December UK Releases

Welcome back to Reel Women, the monthly feature that highlights the films being released in the UK that are written and/or directed by women. This month we’ve got a couple of Netflix releases, some foreign language films, and the latest offering from the Transformers franchise. There’s plenty to tide you over this holiday season.

 

7 December

Dumplin’
Directed by: Anne Fletcher
Written by: Kristin Hahn

Based on the YA novel by Julie Murphy, Dumplin’ (Danielle Macdonald) is the plus-size daughter of a former beauty queen (Jennifer Aniston) who signs up to her mum’s pageant as a protest. But soon things escalate as others follow in her footsteps.

Anne Fletcher is an actress, producer and director. Dumplin’ is her seventh film and some of her previous films include The Proposal (2009) and Step Up (2006). Kristen Hahn is a director, writer and producer, Dumplin’ is her second produced screenplay.

 

Tulip Fever
Directed by: Justin Chadwick
Written by: Deborah Moggach and Tom Stoppard

An artist falls for a young married woman while he’s commissioned to paint her portrait during the Tulip mania of 17th century Amsterdam.

Deborah Moggach is a film and television screenwriter and wrote the novel Tulip Fever is based on. In 2006 her adapted screenplay of Pride & Prejudice was nominated for a BAFTA

 

Mug
Directed by: Malgorzata Szumowska
Written by: Michal Englert and Malgorzata Szumowska

When Jacek (Mateusz Kosciukiewicz) undergoes a face transplant, he suffers identity issues as he struggles to find his place again in the tight knit community he’s from.

Mug is Malgorzata Szumowska’s seventh feature film and at this year’s Berlin International Film Festival it was nominated for the Golden Berlin Bear and won the Jury Grand Prix. Szumowska has won 25 awards and has another 30 nominations to her name.

 

Theatre of War
Written & Directed by: Lola Arias

A documentary that reveals the personal stories of both British and Argentinean former soldiers whose lives were deeply affected by the Falklands war.

Theatre of War is Arias’s first film.

 

8 December

Mortal Engines
Directed by: Christian Rivers
Written by: Fran Walsh, Philippa Boyens and Peter Jackson

Set in a dystopian future where all cities are constantly moving across the Earth on wheels, Hester Shaw (Hera Hilmar) fights for revenge for her mother’s murder.

Fran Walsh and Philippa Boyens have collaborated with Peter Jackson previously on King Kong (2005), the Hobbit trilogy, and the Lord of the Rings trilogy. They both won the Oscar for Best Adapted Screenplay for The Lord of the Rings: The Return of the King (2003).

 

12 December

Out of Many, One
Directed by John Hoffman and Nanfu Wang

Documentary about immigration has become a divisive issue in the United States.

Nanfu Wang is a director, editor, cinematographer and producer.

 

14 December

Free Solo
Directed by: Jimmy Chin and Elizabeth Chai Vasarhelyi

A documentary about Alex Honnold, the first person to ever free solo climb Yosemite’s 3,000ft high El Capitan Wall.

Free Solo is Elizabeth Chai Vasarhelyi’s sixth feature-length documentary. Her previous film Incorruptible (2015) is currently on Netflix.

 

21 December

Bird Box
Directed by: Susanne Bier
Written by: Eric Heisserer

After a mysterious event leaves the world in fear, Malorie (Sandra Bullock) and her two children must travel through a forest blindfolded in order to survive.

Susanne Bier has over 20 directing credits to her name and she’s also a writer and producer. In 2016 she won an Emmy for Outstanding Directing for a Limited Series, Movie or a Dramatic Special for her work on The Night Manager.

 

24 December

Bumblebee
Directed by: Travis Knight
Written by: Christina Hodson

Set in the 1980’s, a teenage girl finds and befriends Bumblebee, an alien robot from another planet.

Bumblebee is Christina Hodson’s third produced screenplay. Her next screenplay is Birds of Prey (and the Fantabulous Emancipation of One Harley Quinn).


That’s nine films made by women released this month – three of them are on Netflix. As always, we’d love to hear what you think of any of these films if you get the chance to see them. We’ll see you next year as we continue to shine a spotlight on female filmmakers.

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